Gillian Arrighi

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Gillian Arrighi

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Contributor	Gillian Arrighi
Gender	Female
Nationality	New Zealander
Functions	Actor, Costume Designer, Flamenco Artist
Events	Date Function Contributor Organisation
	Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995 Camino Flamenco, Enmore Theatre, Enmore, NSW, 10 November 1993
	Actor Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995 Costume Designer Camino Flamenco, Enmore Theatre, Enmore, NSW, 10 November 1993
	Steve Coupe - Actor Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995 Joseph Mercurio - Lighting Designer Camino Flamenco, Enmore Theatre, Enmore, NSW, 10 November 1993 Isabel Perez - Costume Designer Camino Flamenco, Enmore Theatre, Enmore, NSW, 10 November 1993 Diana Reyes - Choreographer, Dancer, Producer Camino Flamenco, Enmore Theatre, Enmore, NSW, 10 November 1993 Sonia Ryan - Playwright Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995 Anthony Skuse - Actor Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995 Antonio Vargas - Assistant Choreographer, Dancer Camino Flamenco, Enmore Theatre, Enmore, NSW, 10 November 1993 Sue Wallace - Actor Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995
	Cahoots Company Of a Mingled Yarn, Belvoir St Downstairs Theatre, Surry Hills, NSW, 17 May 1995
Resources	Article: Brian Joyce, Carine Challandes, Clare Irvine, Gillian Arrighi, 'What do you mean we aren't performing Shakespeare?: ': A contemporary, devised performance curriculum at a regional Australian university, Australasian Drama Studies, 80, 1 April 2022, 216–252 Article: Donovan Jones, Gillian Arrighi, Zi Siang See, Victoria Theatre virtual reality: A digital heritage case study and user experience design, Elsevier, Digital Applications in Archaeology and Cultural , 21, e00176, June 2021 Article: Gillian Arrighi, Devising place and social history: a regional perspective on teaching devised performance in the tertiary sector, Australasian Drama Studies, 57, October 2010, 163-172 Article: Gillian Arrighi, Healthy bodies and young minds: late-nineteenth-century performer training in Australia, Theatre, Dance and Performance Training, 7, 1, 2 January 2016, 17-31 Article: Gillian Arrighi, Negotiating National Idenity at the Circus: the Fitzgerald Brothers' Circus in Melbourne, 1892, Australasian Drama Studies, 54, April 2009, 68-86 Article: Gillian Arrighi, Towards a cultural history of community circus in Australia, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 64, April 2014, 199 - 222 Book: Gilli Bush-Bailey, Gillian Arrighi, Kate Flaherty, Touring Performance and Global Exchange 1850-1960: Making Tracks, Routledge, Taylor & Francis Group, London, 2021 Book: Gillian Arrighi, Australian Child Actors on Early Twentieth-Century Touring Circuits 1, Taylor & Francis, Routledge, London, 1st Edition, Chapter 14, 30 December 2021 Book: Gillian Arrighi, Victor Emeljanow, A World of Popular Entertainments: An Edited Volume of Critical Essays, Cambridge Scholars Publishing, Newcastle upon Tyne, 2012 Chapter: Gillian Arrighi, From the Traditional Travelling Circus to the Global Zoo, A World of Popular Entertainments: An Edited Volume of Critical Essays, 103-117 Chapter: Gillian Arrighi, Visualising the Victoria: awaking Newcastle's heritage theatre, Common Ground Research Networks, In The Elephant's Leg: Adventures in the Creative Industries, Chapter 11, 23 July 2021 Journal: Gillian Arrighi, Harry Lyons is 'here, there and everywhere': Australia's late-19th-century global entertainment broker, Australasian Drama Studies, 72, April 2018, 1-30
Data Set	AusStage
Contributor Identifier	247909

Researching Australian live performance