Rachel Fensham

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Rachel Fensham

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Contributor	Rachel Fensham
Gender	Female
Nationality	Australian
Functions	Actor, Editor, Performer, Researcher, Reviewer, Speaker
Events	Date Function Contributor Organisation
	Translating the Imperceptible: Corporealities in Performance, The Performance Space (1983-2007), Redfern, NSW, 11 November 2001 Fashioning the Body: Fifty Years in Fifty Minutes, The Performance Space (1983-2007), Redfern, NSW, 11 July 2001 Cascando, La Mama, Carlton, VIC, 13 November 1976 Finger to the Trigger, La Mama, Carlton, VIC, 1976
	Actor Cascando, La Mama, Carlton, VIC, 13 November 1976 Finger to the Trigger, La Mama, Carlton, VIC, 1976 Performer Translating the Imperceptible: Corporealities in Performance, The Performance Space (1983-2007), Redfern, NSW, 11 November 2001 Speaker Fashioning the Body: Fifty Years in Fifty Minutes, The Performance Space (1983-2007), Redfern, NSW, 11 July 2001
	Benny the Dip - Director Cascando, La Mama, Carlton, VIC, 13 November 1976 Barbara Ciszewska - Actor Finger to the Trigger, La Mama, Carlton, VIC, 1976 Emilyn Claid - Speaker Fashioning the Body: Fifty Years in Fifty Minutes, The Performance Space (1983-2007), Redfern, NSW, 11 July 2001 Susan Foster - Speaker Fashioning the Body: Fifty Years in Fifty Minutes, The Performance Space (1983-2007), Redfern, NSW, 11 July 2001 Susie Fraser - Actor Finger to the Trigger, La Mama, Carlton, VIC, 1976 Clare Grant - Performer Translating the Imperceptible: Corporealities in Performance, The Performance Space (1983-2007), Redfern, NSW, 11 November 2001 Neil Greenaway - Actor Cascando, La Mama, Carlton, VIC, 13 November 1976 Karen Howells - Actor Finger to the Trigger, La Mama, Carlton, VIC, 1976 Valerie Kirwan - Actor Cascando, La Mama, Carlton, VIC, 13 November 1976 James McCaughey - Director Finger to the Trigger, La Mama, Carlton, VIC, 1976 Jane Refshauge - Actor Finger to the Trigger, La Mama, Carlton, VIC, 1976 Dan Robinson - Actor Cascando, La Mama, Carlton, VIC, 13 November 1976 Howard Stanley - Actor Cascando, La Mama, Carlton, VIC, 13 November 1976 Jude Walton - Performer Translating the Imperceptible: Corporealities in Performance, The Performance Space (1983-2007), Redfern, NSW, 11 November 2001
	La Mama (VIC) Cascando, La Mama, Carlton, VIC, 13 November 1976 Finger to the Trigger, La Mama, Carlton, VIC, 1976 The Performance Space Translating the Imperceptible: Corporealities in Performance, The Performance Space (1983-2007), Redfern, NSW, 11 November 2001 Fashioning the Body: Fifty Years in Fifty Minutes, The Performance Space (1983-2007), Redfern, NSW, 11 July 2001
Resources	Article: Andrew Fuhrmann, Kirsten Stevens, Rachel Fensham, Rethinking the Rings: topographical spaces and digital bodies in Circus Oz’s inland tours, Body, Space and Technology, 22, 1, 14 February 2023 Article: Denise Varney, Rachel Fensham, 'Help me, I'm drowning!' calls the Man in Jenny Kemp's The Black Sequin Dress: heterosexual masculinity in feminist performance, Australasian Drama Studies, 34, April 1999, 68-86 Article: Rachel Fensham, 'Making-real' the body: a subordinate reading of the female performer in nineteenth-century Australian circus, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 30, April 1997, 3 - 16 Article: Rachel Fensham, Discourses of an 'international' disciplinary formation: Australian and international Performance Studies conference diaries 1991 - 2001, Australasian Drama Studies, 39, October 2001, 140-160 Article: Rachel Fensham, Farce or failure? Feminist tendencies in mainstream Australian theatre, Theatre Research International, 26, 1 (March), 2001, 82-93 Article: Rachel Fensham, Location, location, location: Australian theatre on safari, Meanjin, 50, 2-3 (Winter-Spring), 1991, 241-251 Article: Rachel Fensham, Making a mythopoetic theatre: Jenny Kemp as director of an imaginary future-past-present, Australasian Drama Studies, 44, April 2004, 52-64 Article: Rachel Fensham, Walking on Sticks; Mouthing the Day: performance review , Antithesis, Melbourne, 4, 2, 1991, 169-171 Book: Denise Varney, Laura Ginters, Maryrose Casey, Rachel Fensham, The Dolls' Revolution: Australian Theatre and Cultural Imagination, Australian Scholarly, Melbourne, Victoria, 2005 Book: Peter Eckersall, Rachel Fensham, Dis/orientations: cultural praxis in theatre: Asia, Pacific, Australia, Monash Theatre Papers 1, Centre for Drama and Theatre Studies, Monash University, Clayton, Vic, 1999 Book: Rachel Fensham, To Watch Theatre: Essays on Genre and Corporeality, Peter Lang, 2009 Conference Paper: Joanna Mendelssohn, Nat Cutter, Rachel Fensham, Tyne Daile Sumner, What’s in a Name?: A Cross-Section of Biography, Gender & Metadata in Cultural and Performing Arts Databases, DC Papers, Dublin Core Metadata Initiative, In Proceedings of the International Conf on Dublin Core, 30 March 2023 Conference Paper: Justin Munoz, Rachel Fensham, Protean Figures for Protean Careers in Cultural Data, Cultural Data Analytics Conference, Tallinn, Estonia, CUDAN 2023 , cudan.tlu.ee, 13 December 2023 Review: Rachel Fensham, Review: Colleen Chesterman with Virginia Baxter, eds. Playing with Time, Women Writers for Performance, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 29, October 1996, 235 - 238 Review: Rachel Fensham, Review: Marvin Carlson, Performance: a critical introduction, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 31, October 1997, 220 - 223 Review: Rachel Fensham, Review: Peta Tait and Elizabeth Schafer, eds, Australian Women's Drama, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 33, October 1998, 176 - 179 Review: Rachel Fensham, Sarah Miller, For the thinking dancer, RealTime Arts, 11, 1 February 1996, 40 Review: Rachel Fensham, The woman, home alone, RealTime Arts, 47, February 2002, 36
Data Set	AusStage
Contributor Identifier	253859

Researching Australian live performance