Contributor |
Charles Alexander Dibdin
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| Gender |
Male |
| Nationality |
English / Australian |
| Date of Birth |
1815 |
| Date of Death |
1868 |
| Functions |
Music and Lyrics Librettist, Playwright
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| Notes |
Son of playwrights Thomas Dibdin (1771-1841) and nephew of Charles Isaac Mungo Dibdin (1768-1833) (also known as Charles Dibdin the Younger) and grandson of Charles Dibdin (1745-1814). He lived in Sydney, New South Wales, in the early 1840s and wrote or adapted plays for Sydney theatre. |
| Related Contributors |
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Is child of
Thomas John Dibdin (Playwright, Translator. Event Dates: 1833 - 1843)
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Is related to
Charles Dibdin (Devisor, Playwright. Event Dates: 1843 - 1862). Grandson
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| Events |
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- My Poll & My Partner Joe | Billy Barlow | The School for Scandal | The Ladies’ Club, New Queen's Theatre (1846-1850), Adelaide, SA, 15 April 1850
- The Barlow Family, Royal Victoria Theatre (1838-1880), Sydney, NSW, 12 October 1843
- The Queer Client , or The Avenger, Royal Victoria Theatre (1838-1880), Sydney, NSW, 16 May 1842
- The Quaker, Albert Theatre, Hobart, TAS, 29 March 1842
- The Chelsea and Greenwich Pensioners, Theatre Royal (1833-1840), Sydney, NSW, 6 April 1837
- The Waterman or, The First of August, Theatre Royal (1833-1840), Sydney, NSW, 24 May 1834
- Barsissa or, The Hermit Robber, Emu Plains Correctional Centre, Emu Plains, NSW, 16 May 1825
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Playwright- My Poll & My Partner Joe | Billy Barlow | The School for Scandal | The Ladies’ Club, New Queen's Theatre (1846-1850), Adelaide, SA, 15 April 1850
- The Barlow Family, Royal Victoria Theatre (1838-1880), Sydney, NSW, 12 October 1843
- The Queer Client , or The Avenger, Royal Victoria Theatre (1838-1880), Sydney, NSW, 16 May 1842
- The Quaker, Albert Theatre, Hobart, TAS, 29 March 1842
- The Chelsea and Greenwich Pensioners, Theatre Royal (1833-1840), Sydney, NSW, 6 April 1837
- Barsissa or, The Hermit Robber, Emu Plains Correctional Centre, Emu Plains, NSW, 16 May 1825
Music and Lyrics Librettist
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John Lazar - Actor, Administrator: Theatre Manager, Publicist
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| Resources |
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Article:  Richard Waterhouse, Blackface and the beginnings of bifurcation: the minstrel show and the emergence of an Australian popular stage, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 14, April 1989, 125 - 147
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Script:  Charles Alexander Dibdin, Billy Barlow, Australasian Drama Studies, Australasian Drama Studies, c/- Department of English, Univ, 14, April 1989, 87 - 104
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| Works |
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| Data Set |
AusStage |
| Contributor Identifier |
254607 |
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