Clarance Holt

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Clarance Holt

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Contributor	Clarance Holt
Other Names	Joseph Frederick Holt; Clarence Holt
Gender	Male
Nationality	English
Date of Birth	9 January 1826
Date of Death	27 September 1903
Functions	Actor, Director, Playwright, Lessee
Related Contributors	Is parent of Bland Holt (Actor, Actor-Manager, Adaptor, Director, Entrepreneur, Playwright, Presenter, Producer, Stage Director, Stage Manager, Lessee, Sub-Lessee, Actor-Manager. Event Dates: 1876 - 1910) Is parent of May Holt (Actor. Event Dates: 1867)
Events	Date Function Contributor Organisation
	Belphegor / Black Ey'd Susan, Royal Lyceum Theatre, Sunderland, England, 18 April 1867 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Richard III, Princess Theatre, Dunedin, Otago, New Zealand, 23 April 1864 Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Strathmore, Princess Theatre, Dunedin, Otago, New Zealand, 17 April 1863 The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 The Lady of Lyons, Princess Theatre, Dunedin, Otago, New Zealand, 15 April 1863 The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 The Three Musketeers, Princess Theatre, Dunedin, Otago, New Zealand, 2 February 1863 Pauline or the Lone Chateau, Princess Theatre, Dunedin, Otago, New Zealand, 26 January 1863 Belphegor, Princess Theatre, Dunedin, Otago, New Zealand, 24 January 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 William Tell, Princess Theatre, Dunedin, Otago, New Zealand, 3 January 1863 The Comedy of Errors, Royal Princess Theatre (1850 - 1931), Dunedin, New Zealand, 1863 Money, Princess Theatre, Dunedin, Otago, New Zealand, 16 December 1862 The Egyptian, New Zealand, , New Zealand, 15 December 1862 Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 19 November 1862 The Rose of Ettrick Vale, Theatre Royal, Dunedin, New Zealand, 18 October 1862 Belphegor, Theatre Royal, Dunedin, New Zealand, 25 August 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Wallace, The Hero of Scotland, Theatre Royal, Dunedin, New Zealand, 16 August 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 1862 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
	Actor Belphegor / Black Ey'd Susan, Royal Lyceum Theatre, Sunderland, England, 18 April 1867 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Richard III, Princess Theatre, Dunedin, Otago, New Zealand, 23 April 1864 Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Strathmore, Princess Theatre, Dunedin, Otago, New Zealand, 17 April 1863 The Lady of Lyons, Princess Theatre, Dunedin, Otago, New Zealand, 15 April 1863 The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 The Three Musketeers, Princess Theatre, Dunedin, Otago, New Zealand, 2 February 1863 Pauline or the Lone Chateau, Princess Theatre, Dunedin, Otago, New Zealand, 26 January 1863 Belphegor, Princess Theatre, Dunedin, Otago, New Zealand, 24 January 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 William Tell, Princess Theatre, Dunedin, Otago, New Zealand, 3 January 1863 The Comedy of Errors, Royal Princess Theatre (1850 - 1931), Dunedin, New Zealand, 1863 Money, Princess Theatre, Dunedin, Otago, New Zealand, 16 December 1862 The Egyptian, New Zealand, , New Zealand, 15 December 1862 Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 19 November 1862 The Rose of Ettrick Vale, Theatre Royal, Dunedin, New Zealand, 18 October 1862 Belphegor, Theatre Royal, Dunedin, New Zealand, 25 August 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Wallace, The Hero of Scotland, Theatre Royal, Dunedin, New Zealand, 16 August 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 1862 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Director Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 Playwright The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 Lessee Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861
	Clarance Holt - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Richard III, Princess Theatre, Dunedin, Otago, New Zealand, 23 April 1864 Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Strathmore, Princess Theatre, Dunedin, Otago, New Zealand, 17 April 1863 The Lady of Lyons, Princess Theatre, Dunedin, Otago, New Zealand, 15 April 1863 The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 The Three Musketeers, Princess Theatre, Dunedin, Otago, New Zealand, 2 February 1863 Pauline or the Lone Chateau, Princess Theatre, Dunedin, Otago, New Zealand, 26 January 1863 Belphegor, Princess Theatre, Dunedin, Otago, New Zealand, 24 January 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 William Tell, Princess Theatre, Dunedin, Otago, New Zealand, 3 January 1863 Money, Princess Theatre, Dunedin, Otago, New Zealand, 16 December 1862 The Egyptian, New Zealand, , New Zealand, 15 December 1862 Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 19 November 1862 The Rose of Ettrick Vale, Theatre Royal, Dunedin, New Zealand, 18 October 1862 Belphegor, Theatre Royal, Dunedin, New Zealand, 25 August 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Wallace, The Hero of Scotland, Theatre Royal, Dunedin, New Zealand, 16 August 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 1862 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 Tom Fawcett - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 Pauline or the Lone Chateau, Princess Theatre, Dunedin, Otago, New Zealand, 26 January 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 The Comedy of Errors, Royal Princess Theatre (1850 - 1931), Dunedin, New Zealand, 1863 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 W D Shiels - Actor Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Lady of Lyons, Princess Theatre, Dunedin, Otago, New Zealand, 15 April 1863 The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 Marie Duret - Actor Belphegor, Theatre Royal, Dunedin, New Zealand, 25 August 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Wallace, The Hero of Scotland, Theatre Royal, Dunedin, New Zealand, 16 August 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 1862 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 R B Dale - Actor Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 The Comedy of Errors, Royal Princess Theatre (1850 - 1931), Dunedin, New Zealand, 1863 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 W Ryan - Actor The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Dion Boucicault - Playwright The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 19 November 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 1862 Edward Bulwer-Lytton - Playwright The Lady of Lyons, Princess Theatre, Dunedin, Otago, New Zealand, 15 April 1863 Money, Princess Theatre, Dunedin, Otago, New Zealand, 16 December 1862 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 Fleury - Musician Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 J Manley - Actor, Scenic Artist, Set Designer Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Cassy Matthews - Actor The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 Little May - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 William Tell, Princess Theatre, Dunedin, Otago, New Zealand, 3 January 1863 The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Ryan - Actor The Lady of Lyons, Princess Theatre, Dunedin, Otago, New Zealand, 15 April 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 J M Wolfe - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 Harriet Gordon - Actor The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 19 November 1862 John L Hall - Actor Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 Marian Holt - Actor Belphegor / Black Ey'd Susan, Royal Lyceum Theatre, Sunderland, England, 18 April 1867 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 William Hoskins - Actor, Lessee Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 J P Hydes - Actor The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 The Colleen Bawn, Theatre Royal, Dunedin, New Zealand, 19 November 1862 Harry Jackson - Actor The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 The Comedy of Errors, Royal Princess Theatre (1850 - 1931), Dunedin, New Zealand, 1863 James Leroy - Actor, Director The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 The Lady of Lyons, Queen's Theatre, Dunedin, New Zealand, 26 December 1861 Julia Matthews - Actor The Three Musketeers, Princess Theatre, Dunedin, Otago, New Zealand, 2 February 1863 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Stuart O'Brien - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Tannett - Actor, Set Designer Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Julius Vogel - Adaptor, Playwright Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Weller - Properties Officer, Set and/or Property Maker Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 A Gentleman Amateur - Actor Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 William Mower Akhurst - Adaptor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 Carandini - Actor Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 Chalmers - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Charles - Set and/or Property Maker Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 George Colman - Playwright The Heir-At-Law, Princess Theatre, Dunedin, Otago, New Zealand, 24 February 1863 Cooper - Set and/or Property Maker The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 George Cooper - Mechanist Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Emilia Don - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 William Don - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 Joe Downey - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 John Dunn - Actor The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 John Dunn - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Marion Dunn - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Rosa Dunn - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Tilly Earl - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 George Fawcett - Actor, Adaptor, Lessee Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 S Fawcett - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Hetta Fleming - Actor Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 H Flexmore - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 William Fraser - Mechanist Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Freer - Mechanist The Octoroon, Theatre Royal, Dunedin, New Zealand, 18 August 1862 Edward Glover - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Dolly Green - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 30 May 1864 Ada Hart - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Henry Richard Harwood - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 John Hennings - Scenic Artist Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 E Holt - Actor Belphegor, Theatre Royal, Dunedin, New Zealand, 25 August 1862 May Holt - Actor Belphegor / Black Ey'd Susan, Royal Lyceum Theatre, Sunderland, England, 18 April 1867 James Sheridan Knowles - Playwright William Tell, Princess Theatre, Dunedin, Otago, New Zealand, 3 January 1863 Manly - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Charles Massey - Scenic Artist The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 Massy - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 James Milne - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Montrose - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Mortimer - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 Mulholland - Playwright Holt At Home, Princess Theatre, Dunedin, Otago, New Zealand, 13 July 1863 Tom Parry - Playwright The Harvest Home, Princess Theatre, Dunedin, Otago, New Zealand, 16 April 1863 Pollock - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 Searle - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 William Shakespeare - Playwright The Comedy of Errors, Royal Princess Theatre (1850 - 1931), Dunedin, New Zealand, 1863 D Sheils - Actor The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 Richard Brinsley Sheridan - Playwright The School for Scandal, Princess Theatre, Dunedin, Otago, New Zealand, 19 January 1863 Walter Sherwin - Actor Rob Roy, Theatre Royal, Dunedin, New Zealand, 9 December 1862 K Stewart - Actor Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 John Tannett - Scenic Artist Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861 Targett - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861 John Westland Marston - Playwright Strathmore, Princess Theatre, Dunedin, Otago, New Zealand, 17 April 1863 White - Actor Lady Audley's Secret, Princess Theatre, Dunedin, Otago, New Zealand, 27 April 1863 John Wilkins - Playwright The Battle of the Heart or, The Pirate Merchant, Theatre Royal, Dunedin, New Zealand, 21 November 1862 Wolfe - Actor The Captain of the Vulture, Princess Theatre, Dunedin, Otago, New Zealand, 9 May 1864 Charles Young - Actor Harlequin Valentine and Orson or, The Task of Romance and The TRicks of the Spirit of Fun, Theatre Royal, Melbourne, VIC, 26 December 1861
	Princess's Company Barnaby Rudge, Princess's Theatre and Opera House (1857-1886), Melbourne, VIC, 7 October 1861
Resources	Joseph Michael Forde, ANNALS OF THE TURF AND OTHER PASTIMES. In New South Wales and Elsewhere. No. LXXIII., Sydney Sportsman, 5 October 1904, 3 At Spiers and Pond's 'Hall by the Sea’, at Margate, when the 'Special Bohemian' of the 'Orchestra' arrived at his destination ('Sportsman,' September 28, 1904), he found 'A crowd, a Tricon playing, surrounded with gas jets, looking as if Spiers and Pond were practising hard to set the Thames on fire, more gas devices and jets over the facade (for which word I am indebted to the 'Standard'), and a large poster, which informed me that Claribel's Ballads were to be sung every night. * 'On being restored to consciousness'—he does not say how he became unconscious, I have my suspicions — 'I found the concert had commenced. M. Jullian was the conductor; and the programme included the names of Madame Parepa, Mdlle. Liebhart, Miss Eyles, Miss Rose Herssee, Mr. Farquharson, Mr. Weiss, and Mr. Perron (vocalists), Miss Kathleen Ryan, Miss Kate Gordon, and Herr Strauss. Herr Meyer Lutz was the accompanist, The hall was crammed, and the concert went off like one of Spiers and Pond's champagne corks. The orchestra is first-rate, and Jullian conducts with all the chic of his father before him. I never heard popular music more popularly played than the lighter selections on Saturday. As for the singing, we had the pompous Parepa, who was not half so much to my Bohemian taste as the graceful and unpretending Rose Hersee, who sang 'Where the Bee Sucks' in a way that electrified Margate right through the hall and out and across the road, right down to the bathing machines. Then there was Fraulein Liebhardt, who was vociferously recalled for her 'Lover and the Bird' (especially the 'Bird'), and the chivalrous-looking Weiss, who kept his 'Watch at the Fore’, although it was long past that hour, and, of course, his watch must have been awfully slow, although the song wasn't; and there was the terrific basso from the colonies called Farquharson, who accompanied capitally on the piano and sang the 'Wolf' with the most hilarious hilarity. (At this point I had an interview with Spiers and Pond in the refreshment room.) George Perren was then on with Mr. Weiss, and, as by this time the place had been formally opened, the duet was appropriately 'Hall's Well,' after which Miss Kathleen Ryan played a lot of Weber on the piano, and a flutter went through many a manly Margate heart to behold that clever and fascinating young lady, with the large dark eyes, and the power of the wrist, not to mention— (Spiers and Pond have just sent for me). To resume, Miss Kate Gordon also gave us a touch of her very excellent quality on a somewhat obdurate Broadwood, and Miss Eyles having contributed 'The Lady of the Lea,' which the programme informed us was composed by 'Claribel' (Ha! ha! I now see how her songs are to be done every night!), and Spiers and Pond having executed a most successful duet together in the shape of a bow from the orchestra, exhausted nature could do no more, and I rushed off to sup with a noble and intimate friend at No. 4 Royal Crescent. When I emerged from the hall a very beautiful experiment in lights was going on under the direction of my talented and affable friend, Mr. George Dolby. It appeared that whenever the transparencies at the hall were lit up, all the Margate lights, including the pier lights, went down. It had an indescribably beautiful effect, and, as such, reflects great credit on Spiers and Pond. Our old friend Dolby did not seem to see it in the same light, and made severe remarks upon the Gas Company. Mr. Thorne (local assistant of Mr. Hingston, the manager), having been despatched to sit on the gasometer, peace and harmony were restored, and your old Bohemian speedily found his weary form reposing elegantly on a sofa, at No. 4, above distantly referred to. There was hock, much hock, a beautiful balcony, and cigars; also fair women, and a murmurous sea in front. I like the lot, my noble friend , ———. 'Come! (said your own Bohemian to the company generally) unto these yellow Margate sands, with yellow Margate boots on at 4s 6d, and there take hands. Where the wild waves tumble o'er— and in which I shall bathe to-morrow, probably in the afternoon, drinking in the meantime a cup of kindness yet (with a slice of lemon in it) to Spier's and Pond, than whom I——' (Here our correspondent's letter becomes luckily illegible. We are, however, enabled from other and more trustworthy sources to state that the Margate Hall-by-the-Sea is likely to prove a well-merited success.— Ed.) * The old Melbourne Royal and the historic cafe are doomed. After a life of half a century, with a fire midway, the old building, I believe, goes. The history of the Melbourne Theatre Royal will include the history of the best days of the Victorian stage, when the acting was acknowledged to be at his best, and without the adjunct of pretty scenery and elaborate properties. The theatre was built by John Black, a name unknown in theatricals until then, but well known on the road between Melbourne and Sandhurst as a carrier in the early fifties, at a time when carriage meant £100 per ton. Out of his pile Mr. Black built the Royal, and lost his pile. It was opened in 1855 with the 'School for Scandal.' The old Queen's was then open, and doing well, G. V. Brooke being the attraction. The Queen-street house was good enough for the prehistoric days of Melbourne, but with the discovery of gold and the advent of thousands of gold-seekers, and the success of thousands of these in gold finding, the 'playhouse' erected by John Thomas Smith in the forties was found to be inadequate to the public wants. When George Coppin (whom God preserve) went to England in search of talent, and found G. V. Brooke, he also bethought him that, being such an expensive star-— £300 a week— and he dependent upon one small theatre, was not, in colonial parlance, good enough. Accordingly he made his way to Birmingham, and entered into a contract with Messrs Bellhouse and Co. to build him in sections an iron theatre, capable of holding £300. Mr. Coppin's first agreement with G. V. Brooke was, I believe, for 200 nights at £50, or a total of £10,000. The theatre was named the Olympic, out of compliment to the theatre so named in which, in 1847, G. V. Brooke made his first London appearance. The Melbournites, however, dubbed it the 'Iron Pot,' though it was as pretty and cozy a theatre as anyone could wish. Brooke, however, did not open it; that honor was bestowed on the Wizard Jacobs, as Brooke was playing elsewhere. In 1856 George Coppin became possessed of the Royal. In that year Brooke and Coppin entered into partnership, before, I think, the original engagement was concluded. They separated in 1858, Brooke retaining the Royal, Coppin taking as his share of the assets the 'Iron Pot' and Cremorne Gardens, at which latter place he did a roaring business. It was then, I think, that Brooke commenced to lose money. As I have pointed out before he was not a business man and relied upon others to look after his interests. At first Richard Younge managed for him, then Robert Heir. Henry Edwards, from Sydney, was engaged in the stock company, and George Fawcett was running the old Princess'. On the failure of Heir as manager, Edwards and Fawcett were appointed. Their management ended in disaster. Ambrose Kyte was owner of the building, and had been called upon on many occasions for accommodation cheques to keep the ghost walking. The failure of Edwards and Fawcett, as managers, was the means of healing a breach that had occurred between Coppin and Brooke, and the former returned to the Royal as manager. Its position at this time was not satisfactory. After giving Burton's circus a show, Wilton had it for a while, and under his auspices, in 1862, Barry Sullivan appeared. In 1863 Sullivan showed what he could do in management, and in 1865 William Hoskins and Clarence Holt joined hands, holding together until 1867, when the theatre came under the joint management of six very worthy stage men — J. Chambert, Charles Vincent, H. R. Harwood, Richard Stewart, T. S. Bellard, and John Hennings, the scenic artist. The six held together, and did well for some time. Each man had his allotted duty in management, and did it. The first break in the six was the death of Charles Vincent, occasioned by an accident, deemed of small moment at the time. He had purchased a horse, and was about mounting to go for a ride when the animal became restive and threw the rider; in the fall one of his hands was injured, lockjaw set in, and the popular husband of Miss Cleveland went the way of all flesh. Mr. Lambert went England and ended his days in the village in which he first saw the light. Tom Bellair went into hotel management. He kept the Rainbow at Ballarat for some years, and died in the principal hotel at Wagga Wagga. Harwood retired, and went on a tour to to India and China, I think. The partnership then became Coppin, Greville and Hennings, and Harwood again joined later on. The old Royal Theatre was burned in March, 1872. The piece being performed on the fatal night was the 'Streets of New York,' the hero of which was played by a very capable actor of those days, James Carden, Miss Eloise Juno also being in the company. Mr. G. R. Ireland and all the members of the company suffered losses in wardrobes, etc. The historic cafe was then in the occupation of the renowned scenic artist, William Pitt, father of the architect of today. Mr. Pitt had for many years kept the Garrick's Head Hotel, opposite the Eastern Market, where his right-hand Hebe was the now Mrs. Roberts, of the Criterion Theatre Hotel, Sydney, but then well known to us youngsters as Miss Polly Smith. The first to discover the fire was Jack Conway, the well-known cricketer, who was smoking a midnight cigar at the window of Sayers' Prince of Wales Hotel, Bourke-street. Six months previously the Haymarket Theatre was burned down, and but a few weeks before the Prince of Wales Opera House, in Castlereagh-street, went under to the same agency. In the seventeen years life of the old Royal there were memories both pleasant and painful. In the seventeen years there were, it might be said, three periods, the Brooke, the Sullivan, and the Montgomery. Mark the distinction between the two pieces, that at the opening 'The School for Scandal,' and that at the close, 'The Streets of New York!' A decadence truly. As the actors were homeless through the fire, and out of work, and many out of cash, something had to be done for their relief. Among the most attractive efforts to gather in coin was a cricket match on the principal Melbourne ground, the cricketers in costume, and to some extent supporting the characters they sustained. George Coppin appeared as Paul Pry, J. R. Greville as 'A party by the name of Johnstone,' Mr. Hennings as Claude Melnotte, Mr. Carden as Enoch Arden, Richard Stewart as Lord Dundreary, Ireland as Cassio, John Dunn as 'That Rascal Jack,' Appleton as Ronaldo, Roberts as Asa Trenchard, old Jimmy Milne as Mike Feeney, and minor men in various guises. At the time of the fire the Princess' was empty, and the lessee, William Saurin Lyster, offered it to Mr. Coppin and his friends for a short season. Mr. Coppin made a speech — he was always great on speeches — in which he detailed his sorrows. Six years previously he had started life afresh without a sixpence; he had succeeded, but the fire had swept away most of the provision which he had made for old age and a large family. Yet Mr. Coppin re-built the Royal and opened the new venture on Cup night (Cup winner, John Tait's The Quack), 1872, with an address written by Dr. Neild and spoken by Mrs. Collins, then (later on Mrs. H. R. Harwood) nee Docy Stewart. Then followed 'To Oblige Benson' and 'Milky White,' in both of which Mr. Coppin appeared. The company proper was at Adelaide, but Coppin did not wish to miss a bumper house such as always eventuates on Cup night. Since then the fortunes of the theatre have been varied. Many new theatrical ventures have sprung into existence, the most formidable being the gorgeous Princess'. At the time of the opening of the Theatre Royal (No. 2), the Princess' was in full swing with a strong company under Stuart O'Brien and Miss Jones, heavy tragedy being the order of the night. During the same Cup week a dramatic benefit was given Mr. John Whiteman, who had filled as many parts in life as did the late George Adams. Mr. Whiteman was a blacksmith by trade, and a poet by instinct, his little volume, 'Sparks from the Anvil,' being readable. He had been a publican, and in that, as in other trades, had his ups and downs. On the benefit night Coppin and Stewart appeared; Marcus Clarke wrote an address, which was spoken by John Edwards the younger. Looking over those old bills, one comes across many names now absolutely forgotten, of the seniors George Coppin being about the only one of a long list now remaining; and about this time— 1872 — there arose a controversy regarding 'deadheads,' in which Mr. George Coppin, Morton Tavares, and others took part. The germ of the controversy was as to whether Vice-Regal patrons should not pay for seats occupied in the theatre even on 'command nights.' The Vice Regal delinquent at whom George Coppin was hitting, and hitting mighty hard, was Viscount Canterbury, who in his earlier days was known as John Henry Thomas Manners-Sutton. The correspondence was carried on with some vigor, the theatrical critics, strange to say, siding with the deadheads, from a fellow-feeling perhaps. There was a dramatic association in existence in Melbourne at the time, and the matter was thoroughly threshed out at its meetings. Viscount Canterbury, who appears, from the correspondence, to have been a persistent deadhead, asked Mr. Coppin to send in an account of the 'items,' but this Mr. Coppin declined to do, on the ground that his profession never gave credit. Of this interesting dispute more anon. (To be continued.) Article: Joseph Michael Forde, ANNALS OF THE TURF AND OTHER PASTIMES. In New South Wales and Elsewhere. No. LXXIII., Sydney Sportsman, 5 October 1904, 3
Data Set	AusStage
Contributor Identifier	532673

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