 Event |
White Oak Dance Project (Week One)
|
| Venue |
New Victory Theater, New York, United States of America |
| First Date |
10 August 1999 |
| Last Date |
15 August 1999 |
| Dates Estimated |
No |
| Status |
Professional |
| World Premiere |
No |
| Description |
Mikhail Baryshnikov and a five-woman troupe will perform in modern dance that promises, in the true White Oak tradition, to be both provocative and entertaining. The week one program consists of Mark Morris's dark, sleek ''Argument,'' Neil Greenberg's lighthearted and loving ''MacGuffin or How Meanings Get Lost (Revisited) and works by Amy O'Brien and Lucy Guerin.'' |
| Description Source |
Advertisement |
| Primary Genre |
Dance
|
| Secondary Genre |
Contemporary
|
| Organisations |
|
| Contributors |
| Name |
Function |
Notes |
|
Neil Greenberg
|
Choreographer
|
MacGuffin or How Meanings Get Lost (Revisited)
|
|
Lucy Guerin
|
Choreographer
|
Soft Centre
|
|
Mark Morris
|
Choreographer
|
The Argument
|
|
Amy O'Brien
|
Choreographer
|
Vessel
|
|
Frederic Chopin
|
Composer
|
Vessel
|
|
Bernard Hermann
|
Composer
|
MacGuffin or How Meanings Get Lost (Revisited)
|
|
Paul Hindemith
|
Composer
|
Soft Centre
|
|
Robert Schumann
|
Composer
|
The Argument
|
|
Santo Loquasto
|
Costume Designer
|
Vessel
|
|
Liz Prince
|
Costume Designer
|
Soft Center
|
|
Raquel Aedo
|
Dancer
|
The Argument, Soft Center, Vessel, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Mikhail Baryshnikov
|
Dancer
|
The Argument, Soft Center, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Emily Coates
|
Dancer
|
The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Emmanuele Phuon
|
Dancer
|
The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Ruthlyn Salomons
|
Dancer
|
The Argument, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Susan Shields
|
Dancer
|
The Argument, MacGuffin or How Meanings Get Lost (Revisited)
|
|
David Finn
|
Lighting Designer
|
|
|
Pedja Muzijevic
|
Musician
|
Vessel (piano), The Argument (piano)
|
|
Alberto Parrini
|
Musician
|
The Argument (cello)
|
|
| Resources |
-
Article: Christopher Reardon, Your Money or Your Life, Village Voice, 10 August 1999, 57
-
Article: Gia Kourlas, Five girls and a guy, Time Out New York, Theatre and Dance Platform, 5 August 1999
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Article: Joan Acocella, A Modern Education, The New Yorker, Theatre and Dance Platform, 31 May 1999, 104
-
Article: Valerie Gladstone, Women under the Influence, Newsday, Theatre and Dance Platform, 8 August 1999
-
Book: White Oak Dance Project: Spring Tour 1999, Theatre and Dance Platform, 1999
-
Letter: Mariam McGlone, To Lucy Guerin, Theatre and Dance Platform, 26 August 1999
-
Review: Anna Kisselgoff, A Coquettish Guise With Emotional Nuance, The New York Times, Theatre and Dance Platform, 12 August 1999, E5
-
Review: Clive Barnes, Misha's Still Got It, New York Post, 12 August 1999, 53
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Review: Elizabeth Zimmer, Got to Be Good-Looking 'Cause It's So Hard to See, Village Voice, Theatre and Dance Platform, 24 August 1999, 63
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Review: Jenny Schulman, New Victory for Baryshnikov.(New Victory Theater ballets), Back Stage, 27 August 1999, 11
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Review: Robert Greskovic, The Multifaceted White Oak Dance Project --- With His All-Female Troupe, 51-Year-Old Baryshnikov Still Shows Precision, Wall Street Journal, 31 August 1999, A20
-
Review: Sylviane Gold, Ascribing Class To Misha's Genius, Newsday, Theatre and Dance Platform, 12 August 1999
-
Review: Terry Teachout, Baryshnikov up close in nearly perfect, New York Daily News, Theatre and Dance Platform, 12 August 1999
-
Review: Terry Teachout, Dance: Soft Center, Time, Theatre and Dance Platform, 30 August 1999
|
| Works |
|
| Production Nationality |
United States of America
|
| Event Status |
Completed
|
| Event Identifier |
153936 |
| Dataset |
AusStage |
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