Event |
White Oak Dance Project
|
| Venue |
Yale Repertory Theatre, New Haven, CT, United States of America |
| First Date |
13 May 1999 |
| Last Date |
15 May 1999 |
| Dates Estimated |
No |
| Status |
Professional |
| World Premiere |
No |
| Description Source |
Advertisement |
| Primary Genre |
Dance
|
| Secondary Genre |
Contemporary
|
| Organisations |
|
| Contributors |
| Name |
Function |
Notes |
|
Trisha Brown
|
Choreographer
|
Glacial Decoy
|
|
Neil Greenberg
|
Choreographer
|
MacGuffin or How Meanings Get Lost (Revisited)
|
|
Lucy Guerin
|
Choreographer
|
Soft Centre
|
|
Mark Morris
|
Choreographer
|
The Argument
|
|
Amy O'Brien
|
Choreographer
|
Vessel
|
|
Bando Tamasaburo
|
Choreographer
|
Dance with Three Drums and Flute
|
|
David Chesworth
|
Composer
|
Two Lies
|
|
Frederic Chopin
|
Composer
|
Vessel
|
|
Bernard Hermann
|
Composer
|
MacGuffin or How Meanings Get Lost (Revisited)
|
|
Paul Hindemith
|
Composer
|
Soft Centre
|
|
Robert Schumann
|
Composer
|
The Argument
|
|
Rosen Tousha
|
Composer
|
Dance with Three Drums and Flute
|
|
Santo Loquasto
|
Costume Designer
|
Vessel
|
|
Liz Prince
|
Costume Designer
|
Soft Center
|
|
Raquel Aedo
|
Dancer
|
The Argument, Soft Center, Vessel, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Mikhail Baryshnikov
|
Dancer
|
The Argument, Soft Center, MacGuffin or How Meanings Get Lost (Revisited), Dance with Three Drums and Flute
|
|
Emily Coates
|
Dancer
|
The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
|
|
Emmanuele Phuon
|
Dancer
|
The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
|
|
Ruthlyn Salomons
|
Dancer
|
The Argument, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
|
|
Susan Shields
|
Dancer
|
The Argument, MacGuffin or How Meanings Get Lost (Revisited)
|
|
Robert Rauschenberg
|
Designer
|
Glacial Decoy
|
|
David Finn
|
Lighting Designer
|
How Meanings Get Lost (Revisited), Vessel, Soft Center
|
|
Margie Medlin
|
Lighting Designer
|
Two Lies
|
|
Pedja Muzijevic
|
Musician
|
Vessel (piano), The Argument (piano)
|
|
Alberto Parrini
|
Musician
|
The Argument (cello)
|
|
| Resources |
-
Article:  Baryshnikov's White Oak Dance Project to perform on campus, Yale Bulletin and Calendar, 27, 31, 3 May 1999
-
Article:  Ben Holgate, Choreography begins at home, The Australian, Theatre and Dance Platform, 1 January 1999, F16
-
Article:  Naomi Mulholland, Too Good to Refuse, Dance Australia, Theatre and Dance Platform, February/March, 1999
-
Book:  White Oak Dance Project: Spring Tour 1999, Theatre and Dance Platform, 1999
-
Document:  Two Lies, Theatre and Dance Platform, 16 March 1999
-
Media Release:  Lucy Guerin invite to work with Mikhail Baryshnikov, Theatre and Dance Platform, 28 October 1999
-
Performance Recording:  Soft Center and Two Lies, Theatre and Dance Platform, 13 May 1999
-
Rehearsal Recording:  Soft Center, Theatre and Dance Platform, 1999
-
Review:  Alvin Klein, Critic's Notebook, Some Awards, The New York Times, 4 July 1999
|
| Works |
|
| Production Nationality |
United States of America
|
| Event Status |
Completed
|
| Data Set |
AusStage |
| Event Identifier |
153938 |
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