Event |
White Oak Dance Project
|
Venue |
Arlene Schnitzer Concert Hall, Portland, OR, United States of America |
First Date |
28 May 1999 |
Last Date |
29 May 1999 |
Dates Estimated |
No |
Status |
Professional |
World Premiere |
No |
Description Source |
Advertisement |
Primary Genre |
Dance
|
Secondary Genre |
Contemporary
|
Organisations |
|
Contributors |
Name |
Function |
Notes |
Trisha Brown
|
Choreographer
|
Glacial Decoy
|
Neil Greenberg
|
Choreographer
|
MacGuffin or How Meanings Get Lost (Revisited)
|
Lucy Guerin
|
Choreographer
|
Soft Centre
|
Mark Morris
|
Choreographer
|
The Argument
|
Amy O'Brien
|
Choreographer
|
Vessel
|
Bando Tamasaburo
|
Choreographer
|
Dance with Three Drums and Flute
|
David Chesworth
|
Composer
|
Two Lies
|
Frederic Chopin
|
Composer
|
Vessel
|
Bernard Hermann
|
Composer
|
MacGuffin or How Meanings Get Lost (Revisited)
|
Paul Hindemith
|
Composer
|
Soft Centre
|
Robert Schumann
|
Composer
|
The Argument
|
Rosen Tousha
|
Composer
|
Dance with Three Drums and Flute
|
Santo Loquasto
|
Costume Designer
|
Vessel
|
Liz Prince
|
Costume Designer
|
Soft Center
|
Raquel Aedo
|
Dancer
|
The Argument, Soft Center, Vessel, MacGuffin or How Meanings Get Lost (Revisited)
|
Mikhail Baryshnikov
|
Dancer
|
The Argument, Soft Center, MacGuffin or How Meanings Get Lost (Revisited), Dance with Three Drums and Flute
|
Emily Coates
|
Dancer
|
The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
|
Emmanuele Phuon
|
Dancer
|
The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
|
Ruthlyn Salomons
|
Dancer
|
The Argument, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
|
Susan Shields
|
Dancer
|
The Argument, MacGuffin or How Meanings Get Lost (Revisited)
|
Robert Rauschenberg
|
Designer
|
Glacial Decoy
|
David Finn
|
Lighting Designer
|
How Meanings Get Lost (Revisited), Vessel, Soft Center
|
Margie Medlin
|
Lighting Designer
|
Two Lies
|
Pedja Muzijevic
|
Musician
|
Vessel (piano), The Argument (piano)
|
Wilhelmina Smith
|
Musician
|
Cello (The Argument)
|
|
Resources |
-
Article:  Barry Johnson, The Next Step, The Oregonian, Theatre and Dance Platform, 28 May 1999
-
Article:  Brett Oppegaard, Poetry in Motion, The Columbian, 27 May 1999, f16
-
Article:  Brett Oppegaard, To Sleep, Perchance to Dream, The Columbian, 27 May 1999, f14
-
Book:  White Oak Dance Project: Spring Tour 1999, Theatre and Dance Platform, 1999
-
Programme:  White Oak Dance Project (A5), Theatre and Dance Platform, 28 August 1999
-
Programme:  White Oak Dance Project, Theatre and Dance Platform, 28 August 1999
-
Review:  Barry Johnson, White Oak Project conveys beauty, comedy and plain great dancing, The Oregonian, Theatre and Dance Platform, 30 May 1999
-
Review:  Brett Oppegaard, Baryshnikov Can't Fly Anymore, Still Puts On Good Show, The Columbian, 30 May 1999, b5
-
Review:  Martha West, White Oak Dance Project, Dance Magazine, Theatre and Dance Platform, 73, 8, 1 August 1999, 84
|
Works |
|
Production Nationality |
United States of America
|
Event Status |
Completed
|
Event Identifier
| 153941 |
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