 Event |
The Girl Who Saw Everything
|
| Venue |
The Wharf Theatre, Sydney, NSW |
| First Date |
28 October 1992 |
| Opening Date |
28 October 1992 |
| Last Date |
5 December 1992 |
| Dates Estimated |
No |
| Status |
Professional |
| World Premiere |
No |
| Description |
The Girl Who Saw Everything makes an extremely brief appearance, yet her bloodied, terrified face haunts the entire play. The multiple rape victim is a symbol of man's violence to woman: past, present and future; private, public and institutional...The Girl Who Saw Everything also attempts to explore the role of art and
the artist. |
| Description Source |
Reviewer's Opinion |
| Primary Genre |
Theatre - Spoken Word
|
| Secondary Genre |
Drama
|
| Subjects |
Violence
|
| Organisations |
|
| Contributors |
|
| Resources |
-
Article: Jeremy Eccles, Girl sees the light on STC stage, The Australian, The University of Adelaide, Library Special Collections, 23 October 1992, 10
-
Performance Recording: The Girl Who Saw Everything, Sydney Theatre Company, October 1992
-
Review: Brian Hoad, The Bulletin with Newsweek, 17 November 1992
-
Review: Pamela Payne, Sydney Morning Herald, 30 October 1992
-
Review: Paul McGillick, Financial Review, 6 November 1992
-
Review: Rosemary Neill, The Australian, 30 October 1992
-
Review: Vicky Roach, Daily Telegraph-Mirror, 5 November 1992
|
| Works |
|
| Text Nationality |
Australia
|
| Production Nationality |
Australia
|
| Event Status |
Completed
|
| Data Source |
| Source |
Description |
| Australian & New Zealand Theatre Record |
October, 1992 |
| Australian & New Zealand Theatre Record |
November 1992 |
|
| Data Set |
AusStage |
| Event Identifier |
17055 |
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