| Description |
Colin McColl's production attempted to reinforce this claustrophobic environment for today's audience by setting the play in a 1930s Banks Peninsula, a time and place which certainly featured isolation and social convention, if not perhaps enough religious, moral and class inflexibility to suport the world of the play. David Thornley's luminous and evocative set stimulated imagery in the audience's mind, rather than trying to capture it explicitly on stage. With shadows, reflections and a rain-lashed glass frontier between interior and exterior, the ghosts had ample opportunity to be conjured up. |
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