| Description |
This black and twisted tale of two sisters, maids locked in a love/hate relationship with their elegant and not-altogether-squeaky-clean mistress, was avant garde in its day. Under Anatoly Frusin's very creative direction it remains in that interesting category in 1995. … There are slippery routines for two, on and off a table and other manoeuvres that are not strictly dance, but far from straight 'theatre'. The seamless blending of the two is impressive, both technically and for impact. And there are other stylish tricks to surprise. Carbee is a towering supermodel in his crimson gown. There is a surprising play ofn the horizontal with the vertical in another scene. |
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