Related Resources |
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Performance Paradigm, Melbourne, Victoria: School of Theatre, Film and Dance, Uni, Melbourne, Victoria/Sydney, NSW, 2005
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About Performance, Department of Performance Studies, University of Sydney, Sydney, NSW
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Allan Aldous, Theatre in Australia, Cheshire, Melbourne, 1947
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Alexander Bagot, Coppin The Great: Father of the Australian Theatre, Melbourne University Press, Melbourne, Victoria, 1965
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John Allen, Robert Walker, Entertainment Arts in Australia, Paul Hamlyn, Sydney, 1968
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Leslie Rees, A History of Australian Drama, Angus & Robertson, Sydney, 1973
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Norman Hetherington, Puppets Of Australia, Australian Council for the Arts, Sydney, 1974
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John West, Theatre in Australia, Cassell Australia Ltd, Stanmore, NSW, 1978
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Leslie Rees, The Making of Australian Drama: From the 1830s to the Late 1960s (rev. Ed), Angus & Robertson, Sydney, 1978
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Peter Fitzpatrick, After 'The Doll': Australian drama since 1955, Edward Arnold, Melbourne, 1979
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John McCallum, Some preoccupations in Australian theatre criticism from 1955 to 1978, University of New South Wales, Kensington, NSW, 1981
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Hugh Hunt, The making of Australian theatre, Currency Press, Sydney, 1981, 11-16
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Margaret Williams, Australia on the popular stage, 1829-1929: an historical entertainment in six acts, Oxford University Press, Melbourne, 1983
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Dennis Carroll, Australian contemporary drama, 1909-1982, P. Lang, New York, 1985
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Valantyne Napier, Act As Known: Australian Specialty Acts on the World Vaudeville/ Variety Circuits from 1900 to 1960, Globe Press, Brunswick, Victoria, 1986
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Richard Fotheringham, An Entirely New Sensation: The Early Australian Stage, Interact Theatre of Canberra, Civic Square, A.C.T., 1987
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Leslie Rees, Australian drama 1970-1985: a historical and critical survey, Angus & Robertson, Sydney, 1987
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Veronica Kelly, Louis Nowra, Rodopi, Amsterdam, 1987
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Peter Holloway, Contemporary Australian drama, Rev. ed, Currency Press, Sydney, 1987
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Peter Fitzpatrick, Williamson, Macmillan, North Ryde, NSW, 1987
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John McCallum, Buzo, Methuen, Sydney, 1987
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Peter Pinne, Australian Performers, Australian Performances: A Discography from Film, TV, Theatre, Radio and Concert, 1897-1985, Performing Arts Museum, Melbourne, Victoria, 1987
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May-Brit Akerholt, Patrick White, Rodopi, Amsterdam, 1988
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Paul McGillick, Jack Hibberd, Rodopi, Amsterdam, Netherlands, 1988
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Josef Lebovic, Peter Sumner, Australian Theatrical Posters 1825-1914, Josef Lebovic Gallery, Paddington, NSW, 1988
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Ortrun Zuber-Skerritt, David Williamson, Rodopi, Amsterdam, 1988
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Betty Burstall, Helen Garner, Liz Jones, La Mama: The Story of a Theatre, McPhee Gribble / Penguin, Fitzroy, VIC, April 1988
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Helen Rickards, Maeve Vella, Theatre of the impossible: puppet theatre in Australia, Craftsman's Press, Seaforth, NSW, 1989
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Brian Kiernan, David Williamson, A Writer's Career, William Heinemann Australia, Port Melbourne, Victoria, 1990
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Richard Waterhouse, From Minstrel Show to Vaudeville: The Australian Popular Stage, 1788-1914, N.S.W. University Press, Kensington, N.S.W., 1990
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Adam Shoemaker, Swimming in the mainstream: Australian aboriginal and Canadian Indian drama, Sir Robert Menzies Centre for Australian Studies, Institute, London, 1990
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Vivienne Binns, Community and the Arts: History, Theory, Practice, Pluto Press, Leichhardt, N.S.W., 1991
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Peter Fitzpatrick, Stephen Sewell: The Playwright as Revolutionary, Currency Press, Sydney, 1991
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Leonard Radic, The state of play: the revolution in the Australian theatre since the 1960s, Penguin, Ringwood, VIC, 1991
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Katharine Brisbane, Entertaining Australia: An Illustrated History, Currency Press, Sydney, 1991
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Around the Edge: Women's Plays, Tantrum Press, Adelaide, S.A., 1992
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Virginia Baxter, What Time is this House, Australasian Drama Studies, 1992
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Richard Fotheringham, Community theatre in Australia, new ed, Currency Press, Sydney, 1992
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Peter Ward, A singular act: twenty five years of the State Theatre Company of South Australia, Wakefield Press, Cowandilla, SA, 1992
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Margaret Williams, Dorothy Hewett: The Feminine as Subversion, Currency Press, Sydney, 1992
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Peter Holland, Talking Theatre, PICA Press, Perth, W.A., 1993
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Brian Syron, Gerhard Fischer, Heiner Muller, Paul Behrendt, The Mudrooroo/Müller Project: A Theatrical Casebook, NSW University Press, Kensington, N.S.W., 1993
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Gareth Griffiths, John Romeril, Rodopi, Amsterdam, 1993
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Peta Tait, Original women's theatre: the Melbourne Women's Theatre Group 1974-77, Artmoves, Melbourne, VIC, 1993
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John Sumner, Recollections at play: a life in Australian theatre, Melbourne University Press, Carlton, VIC & Portland, OR, 1993
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Ros Horin, Passion: Six New Short Plays by Australian Women, Currency Press in Association with Griffin Theatre Company, Sydney, 1994
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Peta Tait, Converging realities: feminism in Australian theatre, Currency Press, Sydney, 1994
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References
Anthony Matthews Gibbs, Masks of time: drama and its contexts, Australian Academy of the Humanities, Canberra, A.C.T., 1994
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References
Elizabeth Perkins, The Plays of Alma De Groen, Rodopi, Amsterdam, 1994
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Kerry Kilner, Sue Tweg, Playing The Past: Three Plays by Australian Women, Currency Press, Sydney, 1995
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Ian Carruthers, Patricia Mitchell, Theatre east and west: problems of difference or problems of perception? Suzuki Tadashi's Australian Macbeth, LaTrobe University Press, Bundoora, Victoria, 1995
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Bruce Bennett, Dorothy Hewett: Selected Critical Essays, Fremantle Arts Centre Press in Association with the Departm, South Fremantle, W.A., 1995
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References
Dennis Carroll, Australian Contemporary Drama, Currency Press, Paddington, NSW, 1995
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References
Steve Capelin, Challenging the Centre: Two Decades of Political Theatre, Playlab Press, Brisbane, QLD, The University of Queensland, Fryer Library, 1995
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References
Peter Fitzpatrick, Pioneer players: the lives of Louis and Hilda Esson, Cambridge University Press, Cambridge & New York, 1995
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References
Philip Parsons, Victoria Chance, Companion To Theatre In Australia, Currency Press with Cambridge University Press, Sydney, NSW, 1995
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Helen Gilbert, Joanne Tompkins, Post-Colonial Drama, Routledge, London & New York, 1996
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Ann Atkinson, Linsay Knight, Margaret McPhee, The dictionary of performing arts in Australia, Allen & Unwin, St Leonards, N.S.W., 1996
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Bruce Parr, Australian gay and lesbian plays, Currency Press, Sydney, 1996
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References
Virginia Baxter, Telling time: papers, performances and images from Playworks Playing with Time Festival, Playworks, Sydney, 1996
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References
Alfred John Cripps, Humphrey Hall, The romance of the Sydney stage, Currency Press in association with the National Library of , Sydney, 1996
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References
Jeanne Mazure, Single Voice: Individual Performance Pieces from the South Australian Writer's Theatre, AATE, Norwood, S.A., 1997
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References
Liz Jones, The La Mama Collection: Six Plays for the 1990s, Currency Press, Sydney, 1997
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References
Janis Balodis, The Ghosts Trilogy, Currency Press, Paddington, N.S.W., 1997
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References
Elizabeth Schafer, Peta Tait, Australian women's drama: texts and feminisms, Currency Press, Sydney, 1997
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References
Graeme Blundell, Australian theatre: backstage with Graeme Blundell, Oxford University Press, Melbourne, VIC, 1997
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References
Keiji Sawada, Kokusai Kikin, Future Directions in Australia-Japan Theatrical Exchange, Japan Cultural Centre, Sydney (The Japan Foundation), North Sydney, N.S.W., 1997
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References
Ev Beissbarth, The Women's Circus, Women's Circus: Leaping Off The Edge, Spinifex Press, North Melbourne, 1997
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References
Philip Parsons, Victoria Chance, Concise Companion To Theatre In Australia, Currency Press, Sydney, 1997
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References
Veronica Kelly, The theatre of Louis Nowra, Currency, Sydney, 1998
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References
Helen Gilbert, Sightlines: race, gender and nation in contemporary Australian theatre, Ann Arbor, University of Michigan Press, 1998
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References
Veronica Kelly, Our Australian Theatre in the 1990s, Rodopi, Amsterdam, 1998
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References
Nola Colefax, Signs of Change: My Autobiography and History of Australian Theater of the Deaf 1973-1983, Deafness Resources Australia, Parramatta, N.S.W., 1999
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References
Susan Pfisterer-Smith, Tremendous worlds: Australian women's drama 1890-1960, Currency Press, Sydney, 1999
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References
Kerrie Round, As Many Lives As A Cat?, University of Adelaide Theatre Guild 1938-1998, University of Adelaide, 1999
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References
Gaye Poole, Reel meals set meals: food in film and theatre, Currency Press, Sydney, 1999
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References
Karen Pearlman, Richard James Allen, Performing the Unnameable, Currency Press in association with Real Time, Sydney, The University of Queensland, Fryer Library, 1999
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References
Anita Callaway, Visual Ephemera: Theatrical Art in Nineteenth-Century Australia, UNSW Press, Sydney, 2000
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References
Richard Wherrett, The floor of heaven: my life in theatre, Hodder Headline, Sydney, 2000
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References
Peta Tait, Body Show/s: Australian viewings of live performance, Rodopi, Amsterdam, 2000
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References
Connie Healy, Defiance: Political theatre in Brisbane, 1930-1962, Boombana Publications, Brisbane, QLD, 2000
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References
Adam Geczy, Benjamin Genocchio, What Is Installation?: An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, 2001
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References
Franca Bellarsi, Marc Maufort, Siting the other: re-visions of marginality in Australian and English-Canadian drama, Peter Lang, Bruxelles & New York, 2001
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References
Helena Grehan, Mapping Cultural Identity in Contemporary Australian Performance, PIE Peter Lang, Bruxelles & New York, 2001
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References
Alan Filewod, David Watt, Workers' playtime: theatre and the labour movement since 1970, Currency Press, Sydney, 2001
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References
Eugene Van Erven, Community Theatre: Global Perspectives, Routledge, London & New York, 2001
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References
Tim Robertson, The Pram Factory: The Australian Performing Group Recollected, Melbourne University Press, Calton, Vic., The University of Queensland, Fryer Library, 2001
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References
Robert Jordan, The Convict Theatres of Early Australia, 1788-1840, Currency House Inc., Sydney, 2002
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References
Simon Hughes, Didn't You Used to be Someone? True Confessions of Australia's Most Famous Unknown Actor, Allen & Unwin, Crows Nest, N.S.W., 2002
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References
Blak Inside: 6 Indigenous Plays from Victoria, Currency Press in association with Playbox Theatre, Strawberry Hills, N.S.W., 2002
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References
John Bell, John Bell: The Time of my Life, Allen & Unwin, Crows Nest, N.S.W., 2002
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References
Michelle Arrow, Upstaged: Australian women dramatists in the limelight at last, Pluto Press in association with Currency Press, Annandale, NSW, 2002
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References
Julian Meyrick, See How It Runs: Nimrod and the New Wave, Currency Press, Sydney, 2002
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References
Jerry Crawford, Acting in Person and in Style in Australia, McGraw-Hill Australia, Roseville, N.S.W., 2003
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References
Elizabeth Schafer, Susan Bradley Smith, Playing Australia: Australian Theatre and the International Stage, Rodopi, Amsterdam, 2003
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References
David B Moore, David Williamson's Jack Manning Trilogy: A Study Guide, Currency Press, Sydney, 2003
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References
Maryrose Casey, Creating Frames: Contemporary Indigenous Theatre, 1967-1990, University of Queensland Press, St Lucia, Qld., 2004
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References
Geoffrey Milne, Peter J Wilson, The Space Between: The Art of Puppetry and Visual Theatre, Currency Press, Sydney, 2004
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References
Moriyama Naoto, Peter Eckersall, Uchino Tadashi, Alternatives: Debating Theatre Culture in the Age of Con-fusion, P. Lang, Brussels, 2004
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References
Geoffrey Milne, Theatre Australia (Un)limited: Australian Theatre Since the 1950s, Rodopi, Amsterdam & New York, 2004
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References
Julian Meyrick, The Drama Continues: MTC the first Fifty Years, Melbourne Theatre Company, Southbank, Victoria, 2004
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References
Denise Varney, Laura Ginters, Maryrose Casey, Rachel Fensham, The Dolls' Revolution: Australian Theatre and Cultural Imagination, Australian Scholarly, Melbourne, Victoria, 2005
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References
Katharine Brisbane, Not Wrong Just Different: Observations on the Rise of Contemporary Australian Theatre, Currency Press, Strawberry Hills, N.S.W., 2005
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References
Nicolas Brasch, Theatre, Heinemann Library, Port Melbourne, Victoria, 2005
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References
Lynette Wallis, In Good Company: A Manual for Producing Independent Theatre, Currency Press, Strawberry Hills, N.S.W., 2005
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References
Julian Meyrick, Trapped By The Past: Why Our Theatre is Facing Paralysis, Currency House, Strawberry Hills, N.S.W., 2005
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References
Gay McAuley, Unstable Ground: Performance and the Politics of Place, P.I.E. Peter Lang, Bruxelles and Oxford, 2006
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References
Adrian Kiernander, Bruce Parr, Jonathan Bollen, What a Man's Gotta Do?: Masculinities in Performance, CALLTS, Armidale, N.S.W., 2006
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References
Richard Fotheringham, Australian Plays For The Colonial Stage: 1834-1899, University of Queensland Press, St. Lucia, QLD, 2006
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References
Jonathan Biggins, Satire or Sedition?: The Threat to National Insecurity, Currency House, Strawberry Hills, N.S.W., 2006
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References
Joanne Tompkins, Unsettling Space: Contestations in Contemporary Australian Theatre, Palgrave, MacMillan, Basingstoke, New York, 2006
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References
Leonard Radic, Contemporary Australian Drama, Brandl & Schlesinger, Blackheath, N.S.W., 2006
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References
Lee Lewis, Cross-Racial Casting: Changing the Face of Australian Theatre, Currency House, Sydney, 2007
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References
Val Jellay, So You Want to Be in Show Business!, JoJo Publishing, Docklands, Victoria, 2007
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References
Helen Gilbert, Jacqueline Lo, Performance and Cosmopolitics: Cross-cultural Transactions in Australasia, Palgrave Macmillan, New York, 2007
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References
Angela Bennie, Crème de la phlegm: unforgettable Australian reviews, Miegunyah Press, Carlton, Victoria, 2007
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References
Hilary Glow, Power Plays: Australian Theatre and the Public Agenda, Currency Press, Sydney, 2007
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References
Glenn D'Cruz, Class Act: Melbourne Worker's Theatre, 1987-2007, Vulgar Press, Carlton, Victoria, 2007
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References
Chris Mead, What is an Australian Play? Have we Failed our Ethnic Writers?, Currency House, Strawberry Hills, N.S.W., 2008
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References
Nicky Peelgrane, Steven Gration, Commedia Oz: Playing Commedia in Contemporary Australia, Currency Press, Strawberry Hills, N.S.W., 2008
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References
Robert Dixon, Veronica Kelly, Impact of the Modern: Vernacular Modernitities in Australia 1870s-1960s, University of Sydney Press, Sydney, 2008
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References
John Burfitt, Ensemble Theatre: Celebrating 50 Years: A Great Stage of Life, Ensemble Theatre, Kirribilli, N.S.W., 2008
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References
Adrian Kiernander, Bruce Parr, Jonathan Bollen, Men At Play: Masculinities in Australian Theatre since the 1950s, Rodopi, Amsterdam & New York, 2008
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References
Gabrielle Wolf, Make It Australian: The Australian Performing Group, the Pram Factory and New Wave Theatre, Currency Press, Strawberry Hills, N.S.W., 2008
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References
Rachel Power, The Divided Heart: Art and Motherhood, Red Dog, Fitzroy, Victoria, 2008
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References
Anne Pender, Susan Lever, Nick Enright: An Actor's Playwright, Rodopi, Amsterdam, 2008
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References
John McCallum, Belonging: Australian Playwriting in the 20th Century, Currency Press, Strawberry Hills, NSW, 2009
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References
Hilary Glow, Katya Johanson, Your Genre Is Black: Indigenous Performing Arts and Policy, Currency House, Strawberry Hills, N.S.W., 2009
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References
Kristin Williamson, David Williamson: Behind the Scenes, Viking, Camberwell, Victoria, 2009
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