Resource |
MovingImage: Performance Recording
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| Title |
Don Juan |
| Creator Organisations |
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| Abstract/Description |
Having allowed the public to fondle their bodies in THE PORNOGRAPHY OF PERFORMANCE, the members of The Sydney Front now intend to redress the balance.
DON JUAN is a fevered speculation on operatic excess, sex, desire and seduction.
“Extreme seductiveness is probably at the boundary of horror” - George Bataille […]
The theatre is haunted by the ghosts of desires only half-remembered. The dream of that one annihilating moment is still the preferred reference point, but we tend now to experience its charisma from a discreet distance.
Though monstrous abandonments may now be denied us, there are still a few slits in the curtain, still a few breaches in the barbed wire through which a ceremony of seduction can be acted out.
"In DON JUAN, The Sydney Front tries to find the appropriate semaphore." - Press Release for Don Juan 1991
In Don Juan, The Sydney Front created what Le Soir (Brussels) described as a ‘chiaroscuro of taboo desires’ and the Rheinische Post (Dusseldorf) ‘a wild cacophonous yearning’. The audience mingle with the performers on the performance floor, which might be a kind of soirée or Don Giovanni’s ball. |
| Related Works |
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| Related Events |
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Don Juan, The Performance Space (1983-2007), Redfern, NSW, 11 April 1991
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| Related Organisation |
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| Publisher |
Artfilms
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| Date Created |
1991
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| Language |
English
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| Citation |
The Sydney Front, Don Juan, Artfilms, 1991
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| Resource Identifier |
51520
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| Dataset |
AusStage |
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