Resource |
Text: Article
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| Title |
'Nobody who saw the play would ever think that it was set in Australia originally': The Negro Ensemble company's production of 'Summer of the Seventeenth Doll' |
| Creator Contributors |
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| Abstract/Description |
On the surface, Ray Lawler's Australian play Summer of the Seventeenth Doll might seem an unlikely choice for the inaugural season of the New York-based Negro Ensemble Company (NEC). Premiering in Melbourne in 1955, The Doll explores the relation- ships of two white sugarcane cutters and their girlfriends during the summer hiatus between cane-cutting seasons. The Doll is a canonical play in Australian drama, portraying - for the first time - white working-class Australians in an urban milieu, speaking in the accent of Australians. |
| Item URL |
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| Publisher |
Australasian Association for Theatre, Drama and Performance
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| Volume |
April 2025
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| Issue |
86
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| Page |
36-65
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| Date Issued |
April 2025
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| Language |
English
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| ISBN 13 |
0810-4123
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| Citation |
Glen McGillivray, 'Nobody who saw the play would ever think that it was set in Australia originally': The Negro Ensemble company's production of 'Summer of the Seventeenth Doll', Australasian Association for Theatre, Drama and Performance, April 2025, 86, April 2025, 36-65
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| Data Set |
AusStage |
| Resource Identifier |
80007
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