AusStage

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Subject	Universities
Events	Legally Blonde, The Musical, Princess Theatre (1886- ), Melbourne, VIC, 9 May 2013 Dead White Males, His Majesty's Theatre, Perth, WA, 13 July 1995 Dead White Males, Playhouse, Melbourne, VIC, 1 June 1995 Oleanna, Fairfax Studio, Melbourne, VIC, 14 December 1994 The Meeting, Free Theatre, Christchurch , New Zealand, 1985 Adelaide Minifest, Adelaide Town Hall, Adelaide, SA, 27 August 1976 The Wind and the Rain, Police Boys' Club Theatrette, Broken Hill, NSW, 7 October 1945
Resources	Article: Abigail Kate Egan, Matt Lockitt, Stuart Grant, The uncertain musical: an experiment in performance as research as pedagogy, Australasian Drama Studies, 57, October 2010, 82-98 Article: Bree Hadley, Influences, institutions and outcomes: a survey of Masters and Doctoral theses on actor training in Australia, 1979-2004, Australasian Drama Studies, 53, October 2008, 8-16 Article: Bronwyn Tweddle, The Johnny Depp effect: using contemporary film to teach Brechtian concepts, Australasian Drama Studies, 57, October 2010, 68-81 Article: Danielle Brady, Julie Robson, Lekkie Hopkins, From practice to the page: multidisciplinary understandings of the written component of practice-led studies, Australasian Drama Studies, 57, October 2010, 188-199 Article: David O'Donnell, Lisa Warrington, Teaching the unteachable: a dialogue in Director Training, Australasian Drama Studies, 57, October 2010, 129-147 Article: Elizabeth Schafer, Meredith Rogers, Lineages, Techniques, Training and Tradition, Australasian Drama Studies, 53, October 2008, 3-7 Article: Gillian Arrighi, Devising place and social history: a regional perspective on teaching devised performance in the tertiary sector, Australasian Drama Studies, 57, October 2010, 163-172 Article: Glenn D'Cruz, Performance Studies in Australia today: a survey of the field, Australasian Drama Studies, 39, October 2001, 20-42 Article: Glenn D'Cruz, Teaching/Directing 4.48 Psychosis, Australasian Drama Studies, 57, October 2010, 99-114 Article: Hilary Halba, Performing identity: teaching Bicultural Theatre in Aotearoa, Australasian Drama Studies, 57, October 2010, 22-37 Article: Ian Maxwell, 'Do you really want it?, Australasian Drama Studies, 57, October 2010, 10-21 Article: Keiryn Babcock, Power and performance: Aboriginality and the Academy, Australasian Drama Studies, 37, October 2000, 46-58 Article: Kim Durban, 'I love the quality of playing, I': directing adventures in Ballarat, Australasian Drama Studies, 57, October 2010, 115-128 Article: Mary Elizabeth Anderson, Planned obsolescence?: Technologies of performance training in Detroit, Michigan, Australasian Drama Studies, 57, October 2010, 200-213 Article: Meredith Rogers, An adaptable aesthetic: performing the Happy Accident and the Everyday in Tertiary Performance-Making, Australasian Drama Studies, 57, October 2010, 163-172 Article: Michael Balfour, Developing the capacities of Applied Theatre students to be critically reflective learner-practitioners, Australasian Drama Studies, 57, October 2010, 54-67 Article: Rachel Forgasz, What in the world do they think we're doing?: Practitioners' views on the work of the Theatre Studies academy., Australasian Drama Studies, 57, October 2010, 214-227 Article: Suzanne Little, Creating the reflective student-practitioner, Australasian Drama Studies, 57, October 2010, 38-53 Book: Ernest Adrian Mackenzie Colman, The shotgun liaison: theatre and the universities, Extension Board, University of Sydney, Sydney, 1976 Book: Frank McKone, First Audition - how to get into drama school, Currency Press, 2002
Subject Identifier	1286

Researching Australian live performance