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Subject	Learning
Events	Back to Square One?, Basement Theatre, Auckland, New Zealand, 17 March 2021 Tales of an Afronaut, Stables Theatre, Darlinghurst, NSW, 1 May 2019 Master Class, 107 Projects, Redfern, NSW, 13 September 2012 War of the Words, Australian Capital Territory, ACT, 1981 War of the Words, New South Wales, NSW, 1980
Resources	Article: Abigail Kate Egan, Matt Lockitt, Stuart Grant, The uncertain musical: an experiment in performance as research as pedagogy, Australasian Drama Studies, 57, October 2010, 82-98 Article: Barry Laing, Physical practice/ imaginal play: undisciplining the performer, Australasian Drama Studies, 53, October 2008, 103-110 Article: Bree Hadley, Influences, institutions and outcomes: a survey of Masters and Doctoral theses on actor training in Australia, 1979-2004, Australasian Drama Studies, 53, October 2008, 8-16 Article: Bronwyn Tweddle, The Johnny Depp effect: using contemporary film to teach Brechtian concepts, Australasian Drama Studies, 57, October 2010, 68-81 Article: Danielle Brady, Julie Robson, Lekkie Hopkins, From practice to the page: multidisciplinary understandings of the written component of practice-led studies, Australasian Drama Studies, 57, October 2010, 188-199 Article: David O'Donnell, Lisa Warrington, Teaching the unteachable: a dialogue in Director Training, Australasian Drama Studies, 57, October 2010, 129-147 Article: Elizabeth Schafer, Meredith Rogers, Lineages, Techniques, Training and Tradition, Australasian Drama Studies, 53, October 2008, 3-7 Article: Geoffrey Milne, Liza-Mare Syron, Indigenous performing arts training in Australia: Liza-Mare Syron, in conversation with Geoffrey Milne, Australasian Drama Studies, 57, October 2010, 148-162 Article: Gillian Arrighi, Devising place and social history: a regional perspective on teaching devised performance in the tertiary sector, Australasian Drama Studies, 57, October 2010, 163-172 Article: Glenn D'Cruz, Teaching/Directing 4.48 Psychosis, Australasian Drama Studies, 57, October 2010, 99-114 Article: Hilary Halba, Performing identity: teaching Bicultural Theatre in Aotearoa, Australasian Drama Studies, 57, October 2010, 22-37 Article: Ian Maxwell, 'All exercise sessions to take place in complete silence': Performance Syndicate and the rise and fall of the Grotowskian ideal 1969-1974, Australasian Drama Studies, 53, October 2008, 17-41 Article: Ian Maxwell, 'Do you really want it?, Australasian Drama Studies, 57, October 2010, 10-21 Article: Ian Maxwell, Learning in/through crisis, Australasian Drama Studies, 39, October 2001, 43-57 Article: Kate Rossmanith, Traditions and training in rehearsal practice, Australasian Drama Studies, 53, October 2008, 141-152 Article: Kim Durban, 'I love the quality of playing, I': directing adventures in Ballarat, Australasian Drama Studies, 57, October 2010, 115-128 Article: Meredith Rogers, An adaptable aesthetic: performing the Happy Accident and the Everyday in Tertiary Performance-Making, Australasian Drama Studies, 57, October 2010, 163-172 Article: Michael Balfour, Developing the capacities of Applied Theatre students to be critically reflective learner-practitioners, Australasian Drama Studies, 57, October 2010, 54-67 Article: Suzanne Little, Creating the reflective student-practitioner, Australasian Drama Studies, 57, October 2010, 38-53
Subject Identifier	937

Researching Australian live performance