The Queen's Theatre (1840-1842 & 1996-)

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The Queen's Theatre (1840-1842 & 1996-)

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Venue	The Queen's Theatre (1840-1842 & 1996-)
Other Names	Queen's Theatre (1840-1842 & 1996-) New Queen's Theatre (1846-1850) Royal Victoria Theatre (1850-1868)
Address	Town Acre 135, Corner Gilles Arcade and Playhouse Lane Adelaide SA 5000 Australia
Website	https://losttheatres.net/
Notes	Opened as the Queen's Theatre on 11 January 1841 but closed by 28 November 1842. Reopened as the New Queen's Theatre (next door) from 1846-1850 then closed. Original venue restored, enlarged and reopened as Royal Victoria Theatre 23 December 1850 (which closed 10 November 1851 then reopened 1859 and eventually closed 1868). Reopened again as the Queen's Theatre from 1996 onwards. A proclaimed Heritage site 15 April 1994.
Related Venues	Has part New Queen's Theatre (1846-1850) Has part Shakespeare Tavern (1842-1844) Has part The Chamber @ The Queens Theatre Is on the site of Formby's \| Boase & Best's \| Gilles Horse Bazaar (1877-1928) Is on the site of Royal Victoria Theatre (1850-1867) Is on the site of The Prado Dance Hall (1868-1870) Is on the site of The Queen's Theatre Stables
Map
Latitude \| Longitude	-34.925406 \| 138.5955555
Events	Date Contributor Organisation
	Overture, 6 March 2025 Hedwig and the Angry Inch, 26 February 2025 Underexposed Film Fest, 29 February 2024 Ammonite, 7 July 2023 Matador, 5 May 2023 Hans & Gret, 3 March 2023 Zeitgeist Freedom Energy Exchange, 5 February 2023 Blindness, 23 February 2022 Kab 101, 17 December 2021 A Simple Space, 30 September 2021 I Want to Touch You, 30 September 2021 Gravity & Other Myths, 30 September 2021 Still Point of a Turning World, 19 May 2021 Aleppo - A Portrait of Absence, 11 March 2020 The Lighthouse, 25 February 2020 Ruby Awards 2019, 29 November 2019 Madeline Lee, 4 October 2019 The Piece Project, 31 August 2019 Christina's World, 2 August 2019 Winter Vino Disco, 21 June 2019 Baba Yaga, 27 February 2019 Unsound Adelaide, 14 December 2018 Ruby Awards 2018, 1 December 2018 Welcome the Bright World, 20 September 2018 Anya Anastasia: The Executioners, 8 March 2018 The Gathering, 5 November 2017 Impersonal Space, 19 October 2017 Gardens Speak, 4 March 2017 The Storm, 2 March 2016 Dropped, 12 February 2016 101.IS TO 5000.AU, 16 October 2015 Reach Out Touch Faith II, 16 October 2015 Silent Type, 16 October 2015 Stone Tape Theory, 16 October 2015 Fight Night, 13 March 2014 Kiss of the Chicken King, 1 March 2014 BigMouth, 27 February 2014 Dust, 3 May 2013 Murder, 6 March 2013 Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Howling Like a Wolf, 17 August 2012 Land and Sea, 12 May 2012 Weepie, 13 March 2012 One, 19 May 2011 A Comedy, 4 March 2011 Of the Causes of Wonderful Things, 2 March 2011 The Life and Death of King John, 25 February 2010 Gift/Back, 29 May 2009 The Yum Yum Room, 26 May 2009 2 Dimensional Life of Her, 18 May 2009 Bedroom Dancing, 15 May 2009 Hitlerhoff, 10 March 2009 A View of Concrete, 10 March 2009 The Revolution Starts Here, 3 March 2009 Oleanna, 28 February 2009 Silver Sircus, 28 February 2009 Girl Who Cried Wolf, 11 May 2008 I Only Came To Use The Phone, 12 March 2008 Memmie Le Blanc, 15 February 2008 The Birthday Party, 3 May 2007 The Fantasticks, 12 July 2006 4:48 Psychosis, 25 February 2006 Absence and Presence, 2006 Boy Overboard, 2006 Chaplin's Eye, 2006 Dave Grant Man The Myth, 2006 James Campbell - Comedy 4 Kids, 2006 Marathon, 9 March 2005 4:48 Psychosis, 27 October 2004 Vernissage, 1 March 2004 Night Letters, 24 February 2004 Bust, November 2003 Starry Eyed, 1 October 2003 Drowning in My Ocean of You, 26 September 2003 Parallax Island, 20 May 2003 For Your Information, 14 March 2003 Head to Head, 13 March 2003 Eager To Breathe, 11 March 2003 The Return, 11 March 2003 The 3 Wise Kings, 30 November 2002 MegaDrag 2002, 29 November 2002 Way Dead Cool, 27 November 2002 My Life As A Dyke Too - The Shequel, 27 November 2002 Innabody, 23 November 2002 Oubliette, 23 November 2002 The Sickness of Becoming Great, 23 November 2002 Swallowing Geography, 21 November 2002 Lemon Twists and Hilarious Homos, 21 November 2002 Roulin Mouge, 19 November 2002 Family Assortment, 17 November 2002 Dial M for Marr, 16 November 2002 Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Love in a Cubicle, 9 November 2002 Miz Ima Starr is Born Free, 9 November 2002 First Time Out, 5 November 2002 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 In the Blood, 8 May 2002 Edward II, 28 February 2002 The Return, 27 February 2002 Creeper, 6 September 2001 Headlong, 27 March 2001 Langs de Grote Weg, 14 March 2000 Ur/faust, 6 March 2000 Quartet, 2000 Natural Life, 24 February 1998 Features of Blown Youth, 28 November 1997 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Magpie 2 Season 1997, 23 May 1997 Trojan Women, 26 March 1997 The Magic Flute, 4 March 1996 A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 The Charcoal Burner \| Two Gregories, 9 February 1842 The Nunnery \| Sarah the Jewess, 18 November 1841 Sarah the Jewess \| The Court of Old Fritz, 11 November 1841 The Court of Old Fritz, 8 November 1841 The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 The Printer's Devil, 1 November 1841 The Two Friends \| Frederick the Great, 28 October 1841 A Roland for an Oliver \| The Highland Fling \| The Maid of Croissey, 21 October 1841 The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 The Two Shortcuts \| The Middle Temple \| The Married Bachelor, 4 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 My Young Wife, and My Old Umbrella, 16 August 1841 The Original \| Gustafus the Third, 14 August 1841 My Young Wife, and My Old Umbrella \| The Curse of Mammon, 12 August 1841 Gustavus the Third \| The Dancing Barber, 5 August 1841 The Curse of Mammon, 29 July 1841 Budget of Fun \| Bachelor's Torments, 15 July 1841 The Exile \| The Carnival Ball, 28 June 1841 Henriette the Foresaken \| Our Mary Anne, 24 June 1841 Richard III \| The Widow's Victim, 14 June 1841 The Rent Day \| The Happy Man, 5 June 1841 Don Juan \| The Queer Subject, 20 May 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Naval Engagements \| The Youthful Queen, 8 May 1841 Rob Roy Macgregor \| The Highland Fling \| The Married Rake, 1 May 1841 The Youthful Queen \| All For Love, 29 April 1841 All for Love \| The Man About Town, 24 April 1841 Katherine and Petruchio \| The Crown Prince \| The Turned Head, 13 April 1841 Katherine and Petruchio \| The Spoiled Child, 6 April 1841 Katherine and Petruchio \| Where Shall we Dine? \| The Married Rake, 3 April 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 The Wreck Ashore \| Catching an Heiress, 23 March 1841 The Jewess \| The Place Hunter, 20 March 1841 The Jewess \| The Married Rake, 16 March 1841 The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 The Larboard Fin \| Plot and Counter Plot, 6 March 1841 Plot and Counter Plot \| Catching an Heiress, 4 March 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Michael Erle: The Manic Lover \| The Brigand, 20 February 1841 The Heir at Law \| Charles the Second, 18 February 1841 Charles the Second \| Court Favor, 9 February 1841 The Wreck Ashore \| Ask No Questions, 6 February 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 Therese \| One Hour, 23 January 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841
	Queen's Theatre The Charcoal Burner \| Two Gregories, 9 February 1842 The Nunnery \| Sarah the Jewess, 18 November 1841 Sarah the Jewess \| The Court of Old Fritz, 11 November 1841 The Court of Old Fritz, 8 November 1841 The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 The Printer's Devil, 1 November 1841 The Two Friends \| Frederick the Great, 28 October 1841 A Roland for an Oliver \| The Highland Fling \| The Maid of Croissey, 21 October 1841 The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 The Two Shortcuts \| The Middle Temple \| The Married Bachelor, 4 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 My Young Wife, and My Old Umbrella, 16 August 1841 The Original \| Gustafus the Third, 14 August 1841 My Young Wife, and My Old Umbrella \| The Curse of Mammon, 12 August 1841 Gustavus the Third \| The Dancing Barber, 5 August 1841 The Curse of Mammon, 29 July 1841 Budget of Fun \| Bachelor's Torments, 15 July 1841 The Exile \| The Carnival Ball, 28 June 1841 Henriette the Foresaken \| Our Mary Anne, 24 June 1841 Richard III \| The Widow's Victim, 14 June 1841 The Rent Day \| The Happy Man, 5 June 1841 Don Juan \| The Queer Subject, 20 May 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Naval Engagements \| The Youthful Queen, 8 May 1841 Rob Roy Macgregor \| The Highland Fling \| The Married Rake, 1 May 1841 The Youthful Queen \| All For Love, 29 April 1841 All for Love \| The Man About Town, 24 April 1841 Katherine and Petruchio \| The Crown Prince \| The Turned Head, 13 April 1841 Katherine and Petruchio \| The Spoiled Child, 6 April 1841 Katherine and Petruchio \| Where Shall we Dine? \| The Married Rake, 3 April 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 The Wreck Ashore \| Catching an Heiress, 23 March 1841 The Jewess \| The Place Hunter, 20 March 1841 The Jewess \| The Married Rake, 16 March 1841 The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 The Larboard Fin \| Plot and Counter Plot, 6 March 1841 Plot and Counter Plot \| Catching an Heiress, 4 March 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Michael Erle: The Manic Lover \| The Brigand, 20 February 1841 The Heir at Law \| Charles the Second, 18 February 1841 Charles the Second \| Court Favor, 9 February 1841 The Wreck Ashore \| Ask No Questions, 6 February 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 Therese \| One Hour, 23 January 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Adelaide Fringe Festival Overture, 6 March 2025 Anya Anastasia: The Executioners, 8 March 2018 The Storm, 2 March 2016 Dropped, 12 February 2016 Weepie, 13 March 2012 A Comedy, 4 March 2011 Of the Causes of Wonderful Things, 2 March 2011 Hitlerhoff, 10 March 2009 A View of Concrete, 10 March 2009 Silver Sircus, 28 February 2009 I Only Came To Use The Phone, 12 March 2008 Memmie Le Blanc, 15 February 2008 4:48 Psychosis, 25 February 2006 Absence and Presence, 2006 Boy Overboard, 2006 Chaplin's Eye, 2006 Dave Grant Man The Myth, 2006 James Campbell - Comedy 4 Kids, 2006 Edward II, 28 February 2002 The Return, 27 February 2002 Australia Council for the Arts Hans & Gret, 3 March 2023 A Simple Space, 30 September 2021 I Want to Touch You, 30 September 2021 Still Point of a Turning World, 19 May 2021 The Lighthouse, 25 February 2020 Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Baba Yaga, 27 February 2019 Impersonal Space, 19 October 2017 Fight Night, 13 March 2014 Dust, 3 May 2013 Murder, 6 March 2013 Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Bust, November 2003 Drowning in My Ocean of You, 26 September 2003 Features of Blown Youth, 28 November 1997 Feast Festival The 3 Wise Kings, 30 November 2002 MegaDrag 2002, 29 November 2002 Way Dead Cool, 27 November 2002 My Life As A Dyke Too - The Shequel, 27 November 2002 Innabody, 23 November 2002 Oubliette, 23 November 2002 Swallowing Geography, 21 November 2002 Lemon Twists and Hilarious Homos, 21 November 2002 Roulin Mouge, 19 November 2002 Family Assortment, 17 November 2002 Dial M for Marr, 16 November 2002 Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Love in a Cubicle, 9 November 2002 Miz Ima Starr is Born Free, 9 November 2002 First Time Out, 5 November 2002 The Adelaide Festival of Arts Hans & Gret, 3 March 2023 Blindness, 23 February 2022 Aleppo - A Portrait of Absence, 11 March 2020 The Lighthouse, 25 February 2020 Baba Yaga, 27 February 2019 Gardens Speak, 4 March 2017 Fight Night, 13 March 2014 Kiss of the Chicken King, 1 March 2014 BigMouth, 27 February 2014 Murder, 6 March 2013 Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 The Life and Death of King John, 25 February 2010 Vernissage, 1 March 2004 Night Letters, 24 February 2004 Ur/faust, 6 March 2000 Natural Life, 24 February 1998 GWB Entertainment Hedwig and the Angry Inch, 26 February 2025 Underexposed Film Fest, 29 February 2024 Ammonite, 7 July 2023 Matador, 5 May 2023 Zeitgeist Freedom Energy Exchange, 5 February 2023 Kab 101, 17 December 2021 Gravity & Other Myths, 30 September 2021 The Lighthouse, 25 February 2020 Ruby Awards 2019, 29 November 2019 The Piece Project, 31 August 2019 Winter Vino Disco, 21 June 2019 Unsound Adelaide, 14 December 2018 Ruby Awards 2018, 1 December 2018 Come Out Youth Arts Festival Gift/Back, 29 May 2009 Bedroom Dancing, 15 May 2009 For Your Information, 14 March 2003 Head to Head, 13 March 2003 Eager To Breathe, 11 March 2003 The Return, 11 March 2003 Headlong, 27 March 2001 Vitalstatistix Inc Dust, 3 May 2013 A Comedy, 4 March 2011 Of the Causes of Wonderful Things, 2 March 2011 Memmie Le Blanc, 15 February 2008 Parallax Island, 20 May 2003 Way Dead Cool, 27 November 2002 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Arts South Australia (2016-2019 & 2019-) Hans & Gret, 3 March 2023 Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Welcome the Bright World, 20 September 2018 Impersonal Space, 19 October 2017 Restless Dance Theatre Howling Like a Wolf, 17 August 2012 Bedroom Dancing, 15 May 2009 Starry Eyed, 1 October 2003 In the Blood, 8 May 2002 Headlong, 27 March 2001 State Theatre Company of South Australia Welcome the Bright World, 20 September 2018 Vernissage, 1 March 2004 Night Letters, 24 February 2004 Drowning in My Ocean of You, 26 September 2003 Natural Life, 24 February 1998 Brink Productions Land and Sea, 12 May 2012 4:48 Psychosis, 25 February 2006 4:48 Psychosis, 27 October 2004 Quartet, 2000 Performance & Art Development Agency (PADA) 101.IS TO 5000.AU, 16 October 2015 Reach Out Touch Faith II, 16 October 2015 Silent Type, 16 October 2015 Stone Tape Theory, 16 October 2015 Budgie Lung 4:48 Psychosis, 25 February 2006 4:48 Psychosis, 27 October 2004 Eager To Breathe, 11 March 2003 Fresh Track Productions Marathon, 9 March 2005 The Return, 11 March 2003 The Return, 27 February 2002 Magpie Theatre Company Features of Blown Youth, 28 November 1997 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Magpie 2 Season 1997, 23 May 1997 Playbox Theatre Company Vernissage, 1 March 2004 Night Letters, 24 February 2004 Natural Life, 24 February 1998 Restless Youth Ensemble Starry Eyed, 1 October 2003 In the Blood, 8 May 2002 Headlong, 27 March 2001 The Government of South Australia The Lighthouse, 25 February 2020 Baba Yaga, 27 February 2019 Fight Night, 13 March 2014 Adelaide Bank Charitable Foundation Vernissage, 1 March 2004 Night Letters, 24 February 2004 Arts Council England Blindness, 23 February 2022 Gardens Speak, 4 March 2017 Arts Projects Australia Blindness, 23 February 2022 Absence and Presence, 2006 Arts SA (1996-2016) Drowning in My Ocean of You, 26 September 2003 Ur/faust, 6 March 2000 Company AT Impersonal Space, 19 October 2017 Howling Like a Wolf, 17 August 2012 Gravity & Other Myths A Simple Space, 30 September 2021 I Want to Touch You, 30 September 2021 Magpie2 Features of Blown Youth, 28 November 1997 Magpie 2 Season 1997, 23 May 1997 No Strings Attached Theatre of Disability The Gathering, 5 November 2017 Howling Like a Wolf, 17 August 2012 Restart Investment to Sustain and Expand (RISE) Fund Hans & Gret, 3 March 2023 Blindness, 23 February 2022 Richard Jordan Productions Fight Night, 13 March 2014 BigMouth, 27 February 2014 Sandpit Productions Hans & Gret, 3 March 2023 101.IS TO 5000.AU, 16 October 2015 Sydney Theatre Company Fight Night, 13 March 2014 Ur/faust, 6 March 2000 Tangent Productions Swallowing Geography, 21 November 2002 Edward II, 28 February 2002 The Border Project Fight Night, 13 March 2014 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 The State Opera of South Australia Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Tutti Arts Impersonal Space, 19 October 2017 Howling Like a Wolf, 17 August 2012 Urban Myth Theatre of Youth Dust, 3 May 2013 Weepie, 13 March 2012 Windmill Performing Arts Hans & Gret, 3 March 2023 Baba Yaga, 27 February 2019 't Barre Land Langs de Grote Weg, 14 March 2000 Aardvark Entertainment and Catchy Title Productions Present. Roulin Mouge, 19 November 2002 AC Arts Girl Who Cried Wolf, 11 May 2008 ActNow Theatre For Social Change The Revolution Starts Here, 3 March 2009 Adelaide Airport Fight Night, 13 March 2014 Adelaide City Council Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Adelaide Festival Hedwig and the Angry Inch, 26 February 2025 Adelaide Fringe Cultural Fund Overture, 6 March 2025 Adrian Bohm Presents James Campbell - Comedy 4 Kids, 2006 Amnesty International Aleppo - A Portrait of Absence, 11 March 2020 Arena Theatre Company Girl Who Cried Wolf, 11 May 2008 Arts Centre Melbourne The Lighthouse, 25 February 2020 Arts House Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 ASSITEJ Festival Girl Who Cried Wolf, 11 May 2008 Ausdance In the Blood, 8 May 2002 Australian Theatre for Young People (ATYP) Boy Overboard, 2006 Bass Fam Creative Matador, 5 May 2023 Binka Boo Productions A View of Concrete, 10 March 2009 Black Lung Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Born on Monday Choir Dust, 3 May 2013 Brisbane Festival Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Brown Council A Comedy, 4 March 2011 Carclew Youth Arts Centre The Lighthouse, 25 February 2020 CarriageWorks Murder, 6 March 2013 Carte Blanche Still Point of a Turning World, 19 May 2021 Causeway Projects Still Point of a Turning World, 19 May 2021 CBUS Building Insdustry Super Fund Dust, 3 May 2013 Comedy Kings Dave Grant Man The Myth, 2006 Confederation of Australian International Arts Festivals Inc Murder, 6 March 2013 Darwin Festival Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 De Tijd BigMouth, 27 February 2014 Deckchair Theatre Memmie Le Blanc, 15 February 2008 Digital Monkey Eager To Breathe, 11 March 2003 Donmar Warehouse Blindness, 23 February 2022 DreamBIG Children’s Festival Still Point of a Turning World, 19 May 2021 Drum Theatre Plymouth Fight Night, 13 March 2014 Erth Visual and Physical Inc Murder, 6 March 2013 Fanfare Ciocarlia Langs de Grote Weg, 14 March 2000 Fierce Festival Gardens Speak, 4 March 2017 Flying Penguin Productions The Birthday Party, 3 May 2007 Galaxy Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Gobsmacked Theatre Company Dropped, 12 February 2016 Guy Masterson Theatre Tours International Oleanna, 28 February 2009 Haus der Kulturen der Welt Aleppo - A Portrait of Absence, 11 March 2020 High Beam Festival In the Blood, 8 May 2002 House of Sand Welcome the Bright World, 20 September 2018 Hubcap Productions Dust, 3 May 2013 Imaginate Baba Yaga, 27 February 2019 Innabody Bust, November 2003 Kviss Búmm Bang 101.IS TO 5000.AU, 16 October 2015 Lightning Strike Incorporated The Fantasticks, 12 July 2006 Liurai Fo'er Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Live at LICA Gardens Speak, 4 March 2017 Melbourne Festival Murder, 6 March 2013 Next Wave Festival Gardens Speak, 4 March 2017 Ontroerend Goed Fight Night, 13 March 2014 Out Cast Theatre Love in a Cubicle, 9 November 2002 Out of the Box Festival The Lighthouse, 25 February 2020 Oz Opera The Magic Flute, 4 March 1996 Patch Theatre The Lighthouse, 25 February 2020 Performing Arts Collection of South Australia A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Performing Lines Ltd Ur/faust, 6 March 2000 Perth Festival The Lighthouse, 25 February 2020 Pocket Money Theatre My Life As A Dyke Too - The Shequel, 27 November 2002 Raw Honey Family Assortment, 17 November 2002 Rawcus Howling Like a Wolf, 17 August 2012 Rip It Up Magazine Features of Blown Youth, 28 November 1997 SKaGeN BigMouth, 27 February 2014 South Australian Youth Arts Board Innabody, 23 November 2002 Southern Youth Theatre Ensemble Creeper, 6 September 2001 Spotlight Theatre Company The Fantasticks, 12 July 2006 Stealth Agency Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Strove Street Theatre Family Assortment, 17 November 2002 Stuk BigMouth, 27 February 2014 Sydney Festival Murder, 6 March 2013 Ten Days on the Island Limited Murder, 6 March 2013 The Art Gallery of South Australia Stone Tape Theory, 16 October 2015 The British Council Gardens Speak, 4 March 2017 The Eleventh Hour The Life and Death of King John, 25 February 2010 The Myer Foundation For Your Information, 14 March 2003 Theatre Board of the Australia Council Murder, 6 March 2013 Too Close to the Sun Of the Causes of Wonderful Things, 2 March 2011 Tutti Ensemble One, 19 May 2011 Unreasonable Adults Gift/Back, 29 May 2009 Unsound Unsound Adelaide, 14 December 2018 Waxing Lyrical The Storm, 2 March 2016 Weimer 99 Ur/faust, 6 March 2000 Yashchin Ensemble I Only Came To Use The Phone, 12 March 2008 Zurcher Theater Spektakel Aleppo - A Portrait of Absence, 11 March 2020
	John Lazar - Actor, Administrator: Theatre Manager, Publicist, Singer The Charcoal Burner \| Two Gregories, 9 February 1842 The Nunnery \| Sarah the Jewess, 18 November 1841 Sarah the Jewess \| The Court of Old Fritz, 11 November 1841 The Court of Old Fritz, 8 November 1841 The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 The Printer's Devil, 1 November 1841 The Two Friends \| Frederick the Great, 28 October 1841 A Roland for an Oliver \| The Highland Fling \| The Maid of Croissey, 21 October 1841 The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 The Two Shortcuts \| The Middle Temple \| The Married Bachelor, 4 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 My Young Wife, and My Old Umbrella, 16 August 1841 The Original \| Gustafus the Third, 14 August 1841 My Young Wife, and My Old Umbrella \| The Curse of Mammon, 12 August 1841 Gustavus the Third \| The Dancing Barber, 5 August 1841 The Curse of Mammon, 29 July 1841 Budget of Fun \| Bachelor's Torments, 15 July 1841 The Exile \| The Carnival Ball, 28 June 1841 Henriette the Foresaken \| Our Mary Anne, 24 June 1841 Richard III \| The Widow's Victim, 14 June 1841 The Rent Day \| The Happy Man, 5 June 1841 Don Juan \| The Queer Subject, 20 May 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Naval Engagements \| The Youthful Queen, 8 May 1841 Rob Roy Macgregor \| The Highland Fling \| The Married Rake, 1 May 1841 The Youthful Queen \| All For Love, 29 April 1841 All for Love \| The Man About Town, 24 April 1841 Katherine and Petruchio \| The Crown Prince \| The Turned Head, 13 April 1841 Katherine and Petruchio \| The Spoiled Child, 6 April 1841 Katherine and Petruchio \| Where Shall we Dine? \| The Married Rake, 3 April 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 The Wreck Ashore \| Catching an Heiress, 23 March 1841 The Jewess \| The Place Hunter, 20 March 1841 The Jewess \| The Married Rake, 16 March 1841 The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 The Larboard Fin \| Plot and Counter Plot, 6 March 1841 Plot and Counter Plot \| Catching an Heiress, 4 March 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Michael Erle: The Manic Lover \| The Brigand, 20 February 1841 The Heir at Law \| Charles the Second, 18 February 1841 Charles the Second \| Court Favor, 9 February 1841 The Wreck Ashore \| Ask No Questions, 6 February 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 Therese \| One Hour, 23 January 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Rachel Lazar - Actor, Dancer Sarah the Jewess \| The Court of Old Fritz, 11 November 1841 The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 A Roland for an Oliver \| The Highland Fling \| The Maid of Croissey, 21 October 1841 The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 The Two Shortcuts \| The Middle Temple \| The Married Bachelor, 4 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 My Young Wife, and My Old Umbrella, 16 August 1841 My Young Wife, and My Old Umbrella \| The Curse of Mammon, 12 August 1841 The Curse of Mammon, 29 July 1841 The Exile \| The Carnival Ball, 28 June 1841 Henriette the Foresaken \| Our Mary Anne, 24 June 1841 The Rent Day \| The Happy Man, 5 June 1841 Don Juan \| The Queer Subject, 20 May 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Rob Roy Macgregor \| The Highland Fling \| The Married Rake, 1 May 1841 The Jewess \| The Married Rake, 16 March 1841 The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 The Larboard Fin \| Plot and Counter Plot, 6 March 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Michael Erle: The Manic Lover \| The Brigand, 20 February 1841 Charles the Second \| Court Favor, 9 February 1841 The Wreck Ashore \| Ask No Questions, 6 February 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 Therese \| One Hour, 23 January 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Geoff Cobham - Designer, Director, Lighting Designer, Set Designer I Want to Touch You, 30 September 2021 The Lighthouse, 25 February 2020 Howling Like a Wolf, 17 August 2012 Land and Sea, 12 May 2012 4:48 Psychosis, 25 February 2006 4:48 Psychosis, 27 October 2004 Vernissage, 1 March 2004 Night Letters, 24 February 2004 Starry Eyed, 1 October 2003 In the Blood, 8 May 2002 Quartet, 2000 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Frances Arabin - Actor, Singer The Two Friends \| Frederick the Great, 28 October 1841 The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 The Curse of Mammon, 29 July 1841 The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 The Jewess \| The Married Rake, 16 March 1841 Therese \| One Hour, 23 January 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Gustavus Arabin - Actor The Curse of Mammon, 29 July 1841 The Exile \| The Carnival Ball, 28 June 1841 Richard III \| The Widow's Victim, 14 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 The Jewess \| The Married Rake, 16 March 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Charles Selby - Playwright Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 Gustavus the Third \| The Dancing Barber, 5 August 1841 Richard III \| The Widow's Victim, 14 June 1841 Rob Roy Macgregor \| The Highland Fling \| The Married Rake, 1 May 1841 Katherine and Petruchio \| Where Shall we Dine? \| The Married Rake, 3 April 1841 The Wreck Ashore \| Catching an Heiress, 23 March 1841 The Jewess \| The Married Rake, 16 March 1841 The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 Plot and Counter Plot \| Catching an Heiress, 4 March 1841 The Wreck Ashore \| Ask No Questions, 6 February 1841 Hayward - Actor, Singer The Nunnery \| Sarah the Jewess, 18 November 1841 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 The Original \| Gustafus the Third, 14 August 1841 Gustavus the Third \| The Dancing Barber, 5 August 1841 The Exile \| The Carnival Ball, 28 June 1841 Don Juan \| The Queer Subject, 20 May 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 Thomas Lewis - Actor The Two Friends \| Frederick the Great, 28 October 1841 The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 The Exile \| The Carnival Ball, 28 June 1841 Don Juan \| The Queer Subject, 20 May 1841 All for Love \| The Man About Town, 24 April 1841 The Jewess \| The Married Rake, 16 March 1841 Allen - Actor, Dancer, Properties Master Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 Katherine and Petruchio \| The Spoiled Child, 6 April 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 The Wreck Ashore \| Catching an Heiress, 23 March 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 William Shakespeare - Playwright The Life and Death of King John, 25 February 2010 Richard III \| The Widow's Victim, 14 June 1841 Katherine and Petruchio \| The Crown Prince \| The Turned Head, 13 April 1841 Katherine and Petruchio \| The Spoiled Child, 6 April 1841 Katherine and Petruchio \| Where Shall we Dine? \| The Married Rake, 3 April 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Allan - Actor, Dancer, Musician The Charcoal Burner \| Two Gregories, 9 February 1842 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 The Exile \| The Carnival Ball, 28 June 1841 Don Juan \| The Queer Subject, 20 May 1841 The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Geordie Brookman - Director 4:48 Psychosis, 25 February 2006 Marathon, 9 March 2005 4:48 Psychosis, 27 October 2004 The Return, 11 March 2003 The Return, 27 February 2002 Cordelia Cameron - Actor The Exile \| The Carnival Ball, 28 June 1841 The Jewess \| The Married Rake, 16 March 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 Therese \| One Hour, 23 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Samson Cameron - Actor The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 The Tower of Nesle \| Lord Darnley, 30 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Crosby - Actor The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Ksenja Logos - Actor The Birthday Party, 3 May 2007 4:48 Psychosis, 27 October 2004 Night Letters, 24 February 2004 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Edward II, 28 February 2002 Gaelle Mellis - Designer Bedroom Dancing, 15 May 2009 Starry Eyed, 1 October 2003 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 In the Blood, 8 May 2002 Headlong, 27 March 2001 Pettitt - Actor The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Benedict Andrews - Artistic Director, Director Ur/faust, 6 March 2000 Features of Blown Youth, 28 November 1997 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Magpie 2 Season 1997, 23 May 1997 Zoë Barry - Composer, Creator, Director, Musical Advisor, Musician The Lighthouse, 25 February 2020 Howling Like a Wolf, 17 August 2012 Vernissage, 1 March 2004 Night Letters, 24 February 2004 John Baldwin Buckstone - Playwright Henriette the Foresaken \| Our Mary Anne, 24 June 1841 The Wreck Ashore \| Catching an Heiress, 23 March 1841 The Wreck Ashore \| Ask No Questions, 6 February 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Bob Cousins - Designer, Set and/or Property Maker, Set Designer Vernissage, 1 March 2004 Night Letters, 24 February 2004 Drowning in My Ocean of You, 26 September 2003 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Maude Davey - Director, Playwright, Writer Dust, 3 May 2013 Bust, November 2003 Parallax Island, 20 May 2003 Way Dead Cool, 27 November 2002 Chris Drummond - Director, Writer Land and Sea, 12 May 2012 Vernissage, 1 March 2004 Night Letters, 24 February 2004 Drowning in My Ocean of You, 26 September 2003 Cameron Goodall - Actor, Composer Fight Night, 13 March 2014 4:48 Psychosis, 27 October 2004 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Edward II, 28 February 2002 Sam Haren - Assistant Director, Creator, Director, Dramaturg/e, Set Designer Hans & Gret, 3 March 2023 101.IS TO 5000.AU, 16 October 2015 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Quartet, 2000 Pettitt - Actor The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Rainsford - Actor The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Augustin Eugene Scribe - Playwright The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 The Original \| Gustafus the Third, 14 August 1841 Gustavus the Third \| The Dancing Barber, 5 August 1841 Fiona Sprott - Performer, Playwright Gift/Back, 29 May 2009 Drowning in My Ocean of You, 26 September 2003 Eager To Breathe, 11 March 2003 Creeper, 6 September 2001 Jason Sweeney - Creator, Performer, Sound Artist, Sound Designer The Lighthouse, 25 February 2020 Silent Type, 16 October 2015 Gift/Back, 29 May 2009 Bedroom Dancing, 15 May 2009 Roman Vaculik - Actor, Performer Welcome the Bright World, 20 September 2018 Fight Night, 13 March 2014 4:48 Psychosis, 25 February 2006 The Return, 11 March 2003 Benjamin Nottingham Webster - Playwright The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 Catching an Heiress \| A Peculiar Position \| My Young Wife, and My Old Umbrella, 19 August 1841 My Young Wife, and My Old Umbrella, 16 August 1841 My Young Wife, and My Old Umbrella \| The Curse of Mammon, 12 August 1841 Alirio Zavarce - Actor, Director The Gathering, 5 November 2017 I Only Came To Use The Phone, 12 March 2008 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Edward II, 28 February 2002 Emma Beech - Actor, Performer Still Point of a Turning World, 19 May 2021 The Lighthouse, 25 February 2020 Edward II, 28 February 2002 Daisy Brown - Assistant Director, Director, Dramaturg/e One, 19 May 2011 A Comedy, 4 March 2011 Creeper, 6 September 2001 Raimondo Cortese - Playwright, Writer Murder, 6 March 2013 Features of Blown Youth, 28 November 1997 Magpie 2 Season 1997, 23 May 1997 Colleen Cross - Actor Drowning in My Ocean of You, 26 September 2003 Quartet, 2000 Features of Blown Youth, 28 November 1997 Michelle Maddog Delaney - Creator, Designer, Properties Master/Mistress Still Point of a Turning World, 19 May 2021 The Lighthouse, 25 February 2020 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Quentin Grant - Composer, Musical Advisor, Musician The Birthday Party, 3 May 2007 Vernissage, 1 March 2004 Night Letters, 24 February 2004 Thomas Haynes Bayly - Playwright The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 David Heinrich - Actor, Composer, Performer, Sound Designer Fight Night, 13 March 2014 Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Edward II, 28 February 2002 David Mealor - Director, Producer The Birthday Party, 3 May 2007 4:48 Psychosis, 27 October 2004 Quartet, 2000 Rosemary Myers - Creator, Director Hans & Gret, 3 March 2023 Baba Yaga, 27 February 2019 Girl Who Cried Wolf, 11 May 2008 P P O'Callaghan - Playwright The Two Shortcuts \| The Middle Temple \| The Married Bachelor, 4 October 1841 The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Opie - Actor, Scenic Artist The Exile \| The Carnival Ball, 28 June 1841 Don Juan \| The Queer Subject, 20 May 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Rainsford - Actor Nicholas Nickleby \| His First Champagne, 13 May 1841 All for Love \| The Man About Town, 24 April 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 Wendy Todd - Designer, Set and/or Property Maker The Lighthouse, 25 February 2020 Land and Sea, 12 May 2012 One, 19 May 2011 Richard Vabre - Lighting Designer, Production Manager Hans & Gret, 3 March 2023 Baba Yaga, 27 February 2019 Girl Who Cried Wolf, 11 May 2008 Ingrid Voorendt - Assistant Director, Choreographer, Director Night Letters, 24 February 2004 In the Blood, 8 May 2002 Headlong, 27 March 2001 Rory Walker - Actor Land and Sea, 12 May 2012 The Birthday Party, 3 May 2007 Drowning in My Ocean of You, 26 September 2003 Jacob Abbott - Playwright The Heir at Law \| Charles the Second, 18 February 1841 Charles the Second \| Court Favor, 9 February 1841 George Almar - Playwright The Charcoal Burner \| Two Gregories, 9 February 1842 The Tower of Nesle \| Lord Darnley, 30 January 1841 Simone Avramidis - Assistant Director, Director 4:48 Psychosis, 27 October 2004 Eager To Breathe, 11 March 2003 Charles Zachary Barnett - Playwright The Nunnery \| Sarah the Jewess, 18 November 1841 Sarah the Jewess \| The Court of Old Fritz, 11 November 1841 Sam Barsah - Poet, Singer Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Hilary Bell - Playwright, Writer Memmie Le Blanc, 15 February 2008 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Lou Bennett - Singer, Songwriter Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Paul Blackwell - Actor Night Letters, 24 February 2004 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Scon Bott - Drag Artist The 3 Wise Kings, 30 November 2002 MegaDrag 2002, 29 November 2002 Humphrey Bower - Actor, Adaptor Night Letters, 24 February 2004 Natural Life, 24 February 1998 Jascha Boyce - Associate Director, Circus Style Performer, Director A Simple Space, 30 September 2021 I Want to Touch You, 30 September 2021 Thomas Brasch - Playwright Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Magpie 2 Season 1997, 23 May 1997 Richard Brinsley Peake - Playwright The Two Shortcuts \| The Middle Temple \| The Married Bachelor, 4 October 1841 Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 Syd Brisbane - Actor Quartet, 2000 Features of Blown Youth, 28 November 1997 George Buckingham - Actor His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Nicholas Cannon - Actor and Singer, Director Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Michaela Cantwell - Actor The Life and Death of King John, 25 February 2010 4:48 Psychosis, 27 October 2004 Elena Carapetis - Actor 4:48 Psychosis, 25 February 2006 Features of Blown Youth, 28 November 1997 Kerrianne Cox - Singer, Songwriter Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Reg Cribb - Playwright The Return, 11 March 2003 The Return, 27 February 2002 William Leman Rede Cumberland - Playwright Nicholas Nickleby \| His First Champagne, 13 May 1841 His First Champagne \| Naval Hornpipe, 16 January 1841 George Dance - Playwright Naval Engagements \| The Youthful Queen, 8 May 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Gareth Davies - Actor, Performer Hans & Gret, 3 March 2023 Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Robert Dessaix - Writer Vernissage, 1 March 2004 Night Letters, 24 February 2004 Valentijn Dhaenens - Director, Performer Fight Night, 13 March 2014 BigMouth, 27 February 2014 John Dryden - Playwright The Youthful Queen \| All For Love, 29 April 1841 All for Love \| The Man About Town, 24 April 1841 William Easther - Actor The Exile \| The Carnival Ball, 28 June 1841 Nicholas Nickleby \| His First Champagne, 13 May 1841 Lizzy Falkland - Actor 4:48 Psychosis, 25 February 2006 4:48 Psychosis, 27 October 2004 Ben Flett - Lighting Designer, Production Manager, Sound Designer Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Trevor Forever - Drag Artist The 3 Wise Kings, 30 November 2002 MegaDrag 2002, 29 November 2002 Heather Frahn - Composer Starry Eyed, 1 October 2003 Headlong, 27 March 2001 Jodie Fried - Costume Designer Vernissage, 1 March 2004 Night Letters, 24 February 2004 Mutha Fucka - Drag Artist, MC The 3 Wise Kings, 30 November 2002 MegaDrag 2002, 29 November 2002 Good - Actor His First Champagne \| Naval Hornpipe, 16 January 1841 Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Mark Harding - Sound Designer 4:48 Psychosis, 25 February 2006 4:48 Psychosis, 27 October 2004 Joanne Hartstone - Actor The Storm, 2 March 2016 Oleanna, 28 February 2009 Elizabeth Hay - Actor, Performer The Lighthouse, 25 February 2020 Baba Yaga, 27 February 2019 Richard Hughes - Playwright The Exile \| The Carnival Ball, 28 June 1841 Therese \| One Hour, 23 January 1841 Antoine Jelk - Actor, Performer Hans & Gret, 3 March 2023 The Lighthouse, 25 February 2020 Sarah Kane - Playwright 4:48 Psychosis, 25 February 2006 4:48 Psychosis, 27 October 2004 Richard Kelly - Actor, Designer, Producer Quartet, 2000 Features of Blown Youth, 28 November 1997 Charles Kemble - Playwright The Larboard Fin \| Plot and Counter Plot, 6 March 1841 Plot and Counter Plot \| Catching an Heiress, 4 March 1841 Bernard-Marie Koltes - Playwright Magpie 2 Season 1997, 23 May 1997 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Temeka Lawlor - Actor, Performer Hans & Gret, 3 March 2023 The Lighthouse, 25 February 2020 Lex Lindsay - Actor, Performer Swallowing Geography, 21 November 2002 Edward II, 28 February 2002 Samuel Lover - Playwright The Rent Day \| The Happy Man, 5 June 1841 The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Kim Mann - Writer Bust, November 2003 Innabody, 23 November 2002 Gerrard McArthur - Actor, Designer, Director The Birthday Party, 3 May 2007 Quartet, 2000 William Thomas Moncrieff - Playwright The Jewess \| The Place Hunter, 20 March 1841 The Jewess \| The Married Rake, 16 March 1841 John Maddison Morton - Playwright The Swiss Swains \| Forty & Fifty \| Frederick the Great, 4 November 1841 The Two Friends \| Frederick the Great, 28 October 1841 Heiner Muller - Playwright, Writer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Quartet, 2000 Amy Murphy - Director, Writer Bust, November 2003 Innabody, 23 November 2002 Stephen Noonan - Actor, Performer The Lighthouse, 25 February 2020 I Only Came To Use The Phone, 12 March 2008 W H Oxberry - Playwright The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 Naval Engagements \| The Actress of All Work \| The Married Bachelor, 27 February 1841 Nathan Page - Actor Features of Blown Youth, 28 November 1997 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Mark Pennington - Lighting Designer Features of Blown Youth, 28 November 1997 Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Maree Peters - Lyricist, Performer Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Chris Petridis - Creator, Technical Director The Lighthouse, 25 February 2020 Baba Yaga, 27 February 2019 Georgie Pile - Actor The Storm, 2 March 2016 A View of Concrete, 10 March 2009 Astrid Pill - Actor I Only Came To Use The Phone, 12 March 2008 The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Francoise Piron - Stage Manager Vernissage, 1 March 2004 Night Letters, 24 February 2004 James Robinson Planché - Playwright Michael Erle: The Manic Lover \| The Brigand, 20 February 1841 Charles the Second \| Court Favor, 9 February 1841 William Reeve - Playwright Middle Temple \| Tom Noddy's Secret \| Bachelor's Torments, 27 September 1841 Budget of Fun \| Bachelor's Torments, 15 July 1841 Paul Reichstein - Actor Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Edward II, 28 February 2002 J C L Eric Renshaw - Poet, Producer Deadly Vibes, 10 November 2002 Dreaming Out Loud, 9 November 2002 Ruby Reserve - Drag Artist, MC MegaDrag 2002, 29 November 2002 Deadly Vibes, 10 November 2002 Thomas Herbert Reynoldson - Playwright My Young Wife, and My Old Umbrella \| The Curse of Mammon, 12 August 1841 The Curse of Mammon, 29 July 1841 George Herbert Rodwell - Playwright Katherine and Petruchio \| Where Shall we Dine? \| The Married Rake, 3 April 1841 Tom Noddy's Secret \| Where Shall I Dine? \| The Place Hunter, 30 March 1841 Susan Rogers - Writer Vernissage, 1 March 2004 Night Letters, 24 February 2004 Joshua Rowe - Actor and Singer Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Charles Shannon - Playwright Naval Engagements \| The Youthful Queen, 8 May 1841 The Youthful Queen \| All For Love, 29 April 1841 Stephen Sheehan - Actor, Performer The Lighthouse, 25 February 2020 I Only Came To Use The Phone, 12 March 2008 John Frederick Smith - Playwright Sarah the Jewess \| The Court of Old Fritz, 11 November 1841 The Court of Old Fritz, 8 November 1841 Mario Spate - Composer Welcome the Bright World, 20 September 2018 One, 19 May 2011 Miz Ima Starr - Drag Artist, Performer MegaDrag 2002, 29 November 2002 Miz Ima Starr is Born Free, 9 November 2002 Warwick Stengards - Conductor Madeline Lee, 4 October 2019 Christina's World, 2 August 2019 Jo Stone - Actor Hans & Gret, 3 March 2023 Welcome the Bright World, 20 September 2018 Imogen Thomas - Designer Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Magpie 2 Season 1997, 23 May 1997 Jeffrey Wainwright - Translator Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Magpie 2 Season 1997, 23 May 1997 Thomas Egerton Wilks - Playwright Katherine and Petruchio \| The Crown Prince \| The Turned Head, 13 April 1841 Michael Erle: The Manic Lover \| The Brigand, 20 February 1841 W H Wills - Playwright The Married Rake \| The Married Bachelor \| The Larboard Fin, 11 March 1841 The Larboard Fin \| Plot and Counter Plot, 6 March 1841 David Wilson - Photographer The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Trojan Women, 26 March 1997 Meg Wilson - Creator, Designer The Lighthouse, 25 February 2020 Impersonal Space, 19 October 2017 Netta Yashchin - Actor, Director I Only Came To Use The Phone, 12 March 2008 Memmie Le Blanc, 15 February 2008 Ursula Yovich - Actor The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Natural Life, 24 February 1998 Jo Zealand - Choreographer, Consultant A Comedy, 4 March 2011 Bust, November 2003 Gilbert Abbott A'Beckett - Playwright Katherine and Petruchio \| The Crown Prince \| The Turned Head, 13 April 1841 Omar Abusaada - Writer Aleppo - A Portrait of Absence, 11 March 2020 Joanna Achillea - Publicist Trojan Women, 26 March 1997 Elizabeth Adams - Translator Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Benton Adams-Walker - Acrobat I Want to Touch You, 30 September 2021 Anthony Ahern - Actor The Life and Death of King John, 25 February 2010 May-Brit Akerholt - Dramaturg/e The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Mohammed Al Attar - Author Aleppo - A Portrait of Absence, 11 March 2020 Bissane Al Charif - Writer Aleppo - A Portrait of Absence, 11 March 2020 Alaska - Drag Artist MegaDrag 2002, 29 November 2002 Maya Aleksandra - Performer Roulin Mouge, 19 November 2002 William Allert - Actor The Birthday Party, 3 May 2007 Jayne Amble - Graphic Designer The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Phil Anderer - Drag Artist MegaDrag 2002, 29 November 2002 Michelle Robin Anderson - Performer Murder, 6 March 2013 Rebecca Anderson - Stage Manager Features of Blown Youth, 28 November 1997 Sandra Anderson - Scenic Artist The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Pelham Andrews - Actor and Singer Madeline Lee, 4 October 2019 John Apostokalis - Translator Trojan Women, 26 March 1997 Maggie Armstrong - General Manager The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Paula Arundell - Actor Night Letters, 24 February 2004 Andre Augustus - Acrobat I Want to Touch You, 30 September 2021 Sam W Aygood - Sound Operator/Engineer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Liz B - Drag Artist MegaDrag 2002, 29 November 2002 Richard Back - Media Artist Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Nita Balales - Publicist Trojan Women, 26 March 1997 Emily Barraclough - Stage Manager Christina's World, 2 August 2019 Frances Barrett - Devisor, Performer A Comedy, 4 March 2011 Emily Barrie - Costume Designer, Set and/or Property Maker Girl Who Cried Wolf, 11 May 2008 Jon Barron - Technician Fight Night, 13 March 2014 Liam Barton - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Kym Begg - Actor The Revolution Starts Here, 3 March 2009 Craig Behenna - Actor Edward II, 28 February 2002 Alex Ben-Mayor - Producer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Bennett - Orchestral Leader Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Bergerac - Sound Composer In the Blood, 8 May 2002 William Bayle Bernard - Playwright All for Love \| The Man About Town, 24 April 1841 Valerie Berry - Actor Features of Blown Youth, 28 November 1997 Angela Betzien - Playwright Girl Who Cried Wolf, 11 May 2008 Isaac Bickerstaffe - Playwright Katherine and Petruchio \| The Spoiled Child, 6 April 1841 Lachlan Binns - Circus Style Performer, Director A Simple Space, 30 September 2021 Malt Biscuit - Drag Artist MegaDrag 2002, 29 November 2002 Kate Blackmore - Devisor, Performer A Comedy, 4 March 2011 Blade - Drag Artist MegaDrag 2002, 29 November 2002 Alice Blanche - Actor The Revolution Starts Here, 3 March 2009 Marguerite Blessington - Playwright The Two Friends \| Frederick the Great, 28 October 1841 Richard Bligh - Actor The Life and Death of King John, 25 February 2010 Nicki Bloom - Playwright Land and Sea, 12 May 2012 Kevin Blyth - Technician Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 John Bode - Actor Natural Life, 24 February 1998 Steph Bone - Stage Manager The Lighthouse, 25 February 2020 Shelley Bourke - Stage Manager Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Kate Box - Actor 4:48 Psychosis, 25 February 2006 Miranda Bradley - Performer Family Assortment, 17 November 2002 Alistair Brasted - Performer One, 19 May 2011 Krystal Brooke - Drag Artist MegaDrag 2002, 29 November 2002 Christopher Brown - Actor The Life and Death of King John, 25 February 2010 Peter Brundle - Video Designer Girl Who Cried Wolf, 11 May 2008 Norman Brusnahan - Storyteller Dreaming Out Loud, 9 November 2002 Sascha Budimski - Sound Designer Impersonal Space, 19 October 2017 Becke Buffalo - Translator Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Rachel Burke - Performer The Lighthouse, 25 February 2020 George Gordon Byron - Playwright Don Juan \| The Queer Subject, 20 May 1841 Elizabeth Campbell - Actor and Singer Christina's World, 2 August 2019 James Campbell - Comedian, Creator James Campbell - Comedy 4 Kids, 2006 Michael Campbell - Librettist Madeline Lee, 4 October 2019 George Capetanakis - Actor Trojan Women, 26 March 1997 Sasha Carruozzo - Actor The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Irene Cashman - Publicist Trojan Women, 26 March 1997 Paulo Castro - Production Coordinator Madeline Lee, 4 October 2019 Danielle Catanzariti - Actor Land and Sea, 12 May 2012 Gemma Cavoli - Actor Girl Who Cried Wolf, 11 May 2008 Angus Cerini - Actor Girl Who Cried Wolf, 11 May 2008 Kate Champion - Choreographer Murder, 6 March 2013 Sally Chance - Director Headlong, 27 March 2001 Danielle Chantrell - Dancer A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Angela Chaplin - Director Memmie Le Blanc, 15 February 2008 Becky Chapman - Director Boy Overboard, 2006 Anton Chekhov - Playwright Langs de Grote Weg, 14 March 2000 Anna Cheney - Actor Welcome the Bright World, 20 September 2018 Shimmer Chernobyl - Drag Artist MegaDrag 2002, 29 November 2002 Gareth Chin - Performer Anya Anastasia: The Executioners, 8 March 2018 Naida Chinner - Choreographer Eager To Breathe, 11 March 2003 Christina - Drag Artist MegaDrag 2002, 29 November 2002 Daniel Clarke - Director First Time Out, 5 November 2002 Gavin Clarke - Performer Murder, 6 March 2013 Sophie Cleary - Performer Fight Night, 13 March 2014 Selene Cochrane - Costume Designer Baba Yaga, 27 February 2019 George Colman - Playwright The Heir at Law \| Charles the Second, 18 February 1841 Thomas Conroy - Actor Land and Sea, 12 May 2012 Morag Cook - Designer Creeper, 6 September 2001 Coombes - Actor Nicholas Nickleby \| His First Champagne, 13 May 1841 Zoe Coombs Marr - Puppet Designer Of the Causes of Wonderful Things, 2 March 2011 Patricia Cornelius - Adaptor Boy Overboard, 2006 Amiel Courtin-Wilson - Video Artist Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Dan Cowles - Actor Natural Life, 24 February 1998 Cathy Cox - Comedian Family Assortment, 17 November 2002 Joseph Stirling Coyne - Playwright Don Juan \| The Queer Subject, 20 May 1841 Terence Crawford - Actor Welcome the Bright World, 20 September 2018 Andrew Creagh - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Jeanette Cronin - Actor Night Letters, 24 February 2004 Mikhael Crossfield - Actor Impersonal Space, 19 October 2017 Sarah Cullinan - Actor Dropped, 12 February 2016 Alison Currie - Choreographer Bedroom Dancing, 15 May 2009 Joanne Curry - Circus Style Performer A Simple Space, 30 September 2021 Joanne Curry - Dramaturg/e Natural Life, 24 February 1998 Etson Da Costa Caminha - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Caroline Daish - Performer Gift/Back, 29 May 2009 Jim Daly - Actor Natural Life, 24 February 1998 Sharon Davis - Actor Girl Who Cried Wolf, 11 May 2008 Andrew Dawe - Musician Family Assortment, 17 November 2002 Steven Dawson - Playwright Love in a Cubicle, 9 November 2002 Taylor Dawson - Assistant Backstage Manager The Lighthouse, 25 February 2020 Jana de Biasi - Hair Stylist The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Ilias De George - Musician: Percussionist Trojan Women, 26 March 1997 Lynda de Koning - Assistant Stage Manager The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Sophie De Somere - Costume Designer, Set Designer Fight Night, 13 March 2014 Desiree - Drag Artist MegaDrag 2002, 29 November 2002 Alexander Devriendt - Director, Writer Fight Night, 13 March 2014 Corinna Di Niro - Actor Bust, November 2003 Melchior Dias Fernandes - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Thomas John Dibdin - Playwright The Charcoal Burner \| Two Gregories, 9 February 1842 Charles Dickens - Playwright Nicholas Nickleby \| His First Champagne, 13 May 1841 Patrick Dickson - Actor Night Letters, 24 February 2004 Marie Docking - Stage Manager The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Kelly Doley - Devisor, Performer A Comedy, 4 March 2011 Steve Douglas-Craig - Fight Director Natural Life, 24 February 1998 Phil Downing - Sound Designer Murder, 6 March 2013 Nick Dubberley - Lighting Operator/Technician Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Genevieve Dugard - Designer Boy Overboard, 2006 Chris Duncan - Actor The Storm, 2 March 2016 Miles Dunne - Visual Director Zeitgeist Freedom Energy Exchange, 5 February 2023 Chris Edser - Animator Baba Yaga, 27 February 2019 Ross Edwards - Composer Christina's World, 2 August 2019 Gareth Ellis - Playwright A View of Concrete, 10 March 2009 Russell Emerson - Technician Of the Causes of Wonderful Things, 2 March 2011 Robert England - Actor and Singer Madeline Lee, 4 October 2019 Edoardo Erba - Writer Marathon, 9 March 2005 Jodi Essery - Dramaturg/e Of the Causes of Wonderful Things, 2 March 2011 Euripides - Playwright Trojan Women, 26 March 1997 Evans - Actor Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Jane-Marie Evans - Musician Family Assortment, 17 November 2002 Nathan Evers - Sound Operator/Engineer The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Michele Fairbairn - Production Manager, Writer Oubliette, 23 November 2002 Peter Farnan - Composer Way Dead Cool, 27 November 2002 Trish Ferguson - Performer One, 19 May 2011 Scarlet Fever - Drag Artist MegaDrag 2002, 29 November 2002 Angela Fewster - Playwright A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Jenny Fewster - Stage Manager A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Bill Field - Technician Trojan Women, 26 March 1997 Holly Finch - Dancer Overture, 6 March 2025 Mark Fisher - Mechanist Christina's World, 2 August 2019 Catherine Fitzgerald - Director The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Mark Fitzpatrick - Drag Artist MegaDrag 2002, 29 November 2002 Hayley Forward - Sound Designer Of the Causes of Wonderful Things, 2 March 2011 Dimitra Fotiadis - Actor Trojan Women, 26 March 1997 John Fotinos - Actor Trojan Women, 26 March 1997 Adoni Fotopoulos - Assistant Director Trojan Women, 26 March 1997 Olwen Fouéré - Consultant Kiss of the Chicken King, 1 March 2014 Louise Fox - Assistant Director Natural Life, 24 February 1998 Patrick Frost - Actor Welcome the Bright World, 20 September 2018 Sista Funk - Performer Deadly Vibes, 10 November 2002 Warwick Fyfe - Actor and Singer Madeline Lee, 4 October 2019 Katherine Fyffe - Actor Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Gabby - Drag Artist MegaDrag 2002, 29 November 2002 Stephen Gadlabardi Goldsmith - Consultant The Gathering, 5 November 2017 David Gadsden - Lighting Designer Headlong, 27 March 2001 Maria Ganzis - Translator Trojan Women, 26 March 1997 Nicholas Ganzis - Translator Trojan Women, 26 March 1997 Max Garcia-Underwood - Actor Welcome the Bright World, 20 September 2018 Emily Gare - Acrobat I Want to Touch You, 30 September 2021 Amy Gebhardt - Producer Oubliette, 23 November 2002 Liam Gerner - Composer, Musician The Return, 11 March 2003 Faye Gialidas - Actor Trojan Women, 26 March 1997 Arthur Giannopoulos - Composer, Musician Trojan Women, 26 March 1997 Gina Giannopoulos - Actor Trojan Women, 26 March 1997 Gabriel Gilbert - Actor The Revolution Starts Here, 3 March 2009 Richard Gill AM - Conductor The Magic Flute, 4 March 1996 Clara Gillam-Grant - Musician The Lighthouse, 25 February 2020 Eleni Glaros - Translator Trojan Women, 26 March 1997 Morris Gleitzman - Author Boy Overboard, 2006 Glen Glinda - Drag Artist MegaDrag 2002, 29 November 2002 Johann Wolfgang von Goethe - Playwright Ur/faust, 6 March 2000 Lisa Goldsworthy - Acrobat I Want to Touch You, 30 September 2021 Osme Goncalves - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Adam Goodburn - Actor and Singer Christina's World, 2 August 2019 Chris Goode - Writer Weepie, 13 March 2012 Catherine Gore - Playwright A Roland for an Oliver \| The Highland Fling \| The Maid of Croissey, 21 October 1841 Irene Govas - Actor Trojan Women, 26 March 1997 Angus Grant - Actor The Life and Death of King John, 25 February 2010 Darcy Grant - Director I Want to Touch You, 30 September 2021 Dave Grant - Comedian Dave Grant Man The Myth, 2006 Peter Greed - Sound Operator/Engineer Trojan Women, 26 March 1997 Susan Grey-Gardner - Lighting Designer The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Stephen Griffiths - Musician Night Letters, 24 February 2004 Richard Gyoerffy - Actor Night Letters, 24 February 2004 John Haddock - Composer, Librettist, Musician: Pianist Madeline Lee, 4 October 2019 Hall - Actor Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 William Hall - Actor Eager To Breathe, 11 March 2003 Jermaine Hampton - Dancer: Fan The Gathering, 5 November 2017 Ilya Harpas - Actor Trojan Women, 26 March 1997 Lachlan Harper - Circus Style Performer A Simple Space, 30 September 2021 Joel Hartgen - Performer One, 19 May 2011 Rebecca Harvey - Actor Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Alexander Hatchard - Technician The Lighthouse, 25 February 2020 Francis Bond Head - Playwright The Printer's Devil, 1 November 1841 Stella Hellander - Actor Trojan Women, 26 March 1997 William Henderson - Dramaturg/e The Life and Death of King John, 25 February 2010 Thomas Henning - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Tom Heuzenroder - Composer Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Dorothy Hewett - Librettist Christina's World, 2 August 2019 Jane Hewitt - Performer One, 19 May 2011 Stuart Highway - Drag Artist MegaDrag 2002, 29 November 2002 Peter Houghton - Actor The Life and Death of King John, 25 February 2010 Stephen House - Playwright The Yum Yum Room, 26 May 2009 Andrew Howard - Sound Designer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Steve Howarth - Designer Murder, 6 March 2013 Tom Huezenroeder - Sound Artist Magpie 2 Season 1997, 23 May 1997 Megan Huitema - Technician The Revolution Starts Here, 3 March 2009 Megan Humphries - Performer Roulin Mouge, 19 November 2002 Nic Hurcombe - Actor The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Christopher Hurrell - Director Edward II, 28 February 2002 Russell Hutchinson - Actor A View of Concrete, 10 March 2009 Michael Ierace - Musician: Pianist Madeline Lee, 4 October 2019 Chris Iley - Lighting Designer Eager To Breathe, 11 March 2003 Nick Ilton - Assistant Stage Manager Natural Life, 24 February 1998 Kerry Ireland - Assistant Stage Manager Features of Blown Youth, 28 November 1997 Donna Jackson - Writer Dust, 3 May 2013 Julian Jaensch - Director Impersonal Space, 19 October 2017 George Payne Rainsford James - Playwright The Tower of Nesle \| Lord Darnley, 30 January 1841 Nick James - Director Of the Causes of Wonderful Things, 2 March 2011 Kay Jamieson - Producer Land and Sea, 12 May 2012 Jazmena - Drag Artist MegaDrag 2002, 29 November 2002 Tegan Jeffrey-Rushton - Choreographer, Dancer Overture, 6 March 2025 Nescha Jelk - Supervisor Weepie, 13 March 2012 Katy Jenkin - Actor Features of Blown Youth, 28 November 1997 Douglas Jerrold - Playwright The Rent Day \| The Happy Man, 5 June 1841 Marijana Jevremov - Stage Manager Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Sarah John - Actor Still Point of a Turning World, 19 May 2021 Carmel Johnson - Actor The Birthday Party, 3 May 2007 Christine Johnson - Actor Baba Yaga, 27 February 2019 Phillip Johnston - Composer The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Nick Jones - Actor and Singer Christina's World, 2 August 2019 Timothy Jones - Director Boy Overboard, 2006 Kaboobie - Drag Artist MegaDrag 2002, 29 November 2002 Michael Kantor - Devisor, Director Natural Life, 24 February 1998 George Karlis - Musician, Musician: Percussionist Trojan Women, 26 March 1997 Lally Katz - Writer Hans & Gret, 3 March 2023 Steve Kelly - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Charlotte Kelso - Actor and Singer Christina's World, 2 August 2019 Edwin Kemp Attrill - Director The Revolution Starts Here, 3 March 2009 Suzannah Kennett Lister - Actor Dropped, 12 February 2016 John Kerr - Playwright Therese \| One Hour, 23 January 1841 Aphrodite Kerylidis - Publicist Trojan Women, 26 March 1997 Kitty - Drag Artist MegaDrag 2002, 29 November 2002 Hilary Kleinig - Actor, Musical Director Land and Sea, 12 May 2012 Felix Kneebone - Actor Weepie, 13 March 2012 Daniel Koerner - Creator 101.IS TO 5000.AU, 16 October 2015 Tomek Koman - Designer Natural Life, 24 February 1998 Letho Kostoglou - Composer, Musical Director, Musician Trojan Women, 26 March 1997 John Kourbelis - Musician Trojan Women, 26 March 1997 Evelyn Krape - Actor The Life and Death of King John, 25 February 2010 Angela Krashos - Translator Trojan Women, 26 March 1997 Jed Kurzel - Actor Features of Blown Youth, 28 November 1997 Justin Kurzel - Designer Features of Blown Youth, 28 November 1997 Vicki Kyriakakis - Actor Trojan Women, 26 March 1997 G F Lacy - Actor Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 H J Lacy - Actor Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Agivedo Laka - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Andrew Lake - Lighting Designer, Set Designer Memmie Le Blanc, 15 February 2008 Max Lambert - Composer, Sound Designer Boy Overboard, 2006 Tyrone Landau - Actor, Composer, Musical Director Natural Life, 24 February 1998 Victoria Lazar - Actor Othello the Moor of Venice \| Our Mary Anne, 11 January 1841 Nicole Le Leu - Scenic Artist Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Rosemary Leach - Actor A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Graeme Leak - Sound Designer The Life and Death of King John, 25 February 2010 Brad Lee - Playwright The Revolution Starts Here, 3 March 2009 Jess Lee - Actor Impersonal Space, 19 October 2017 Craig Lehmann - Lighting Designer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Robert Lehrer - Lighting Designer Natural Life, 24 February 1998 Nigel Levings - Lighting Designer Madeline Lee, 4 October 2019 Lewis - Actor Nicholas Nickleby \| His First Champagne, 13 May 1841 Caleb Lewis - Actor The Return, 11 March 2003 Sue Lewis - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Armando Licul - Stage Manager Natural Life, 24 February 1998 Anni Lindner - Actor Memmie Le Blanc, 15 February 2008 Emily Liu - Actor Hans & Gret, 3 March 2023 Carolyn Lockett - Performer Roulin Mouge, 19 November 2002 Jackie Loeb - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Christina Logan-Bell - Designer Christina's World, 2 August 2019 Julie-Anne Long - Outside Eye A Comedy, 4 March 2011 Emma Lucia - Director Oleanna, 28 February 2009 Michaela Lucus - Performer Roulin Mouge, 19 November 2002 Isaac Lummis - Costume Designer Memmie Le Blanc, 15 February 2008 Jennifer Lusk - Actor A View of Concrete, 10 March 2009 Candice MacAllister - Designer Madeline Lee, 4 October 2019 Gus Macdonald - Sound Artist The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Robert Macfarlane - Actor and Singer Madeline Lee, 4 October 2019 Tayla Made - Drag Artist MegaDrag 2002, 29 November 2002 Toni Main - Director A View of Concrete, 10 March 2009 Ashton Malcolm - Performer The Lighthouse, 25 February 2020 David Mamet - Playwright Oleanna, 28 February 2009 Elizabeth Mansutti - Historian In the Blood, 8 May 2002 Dia Mante - Drag Artist MegaDrag 2002, 29 November 2002 Sofie Maragozidis - Actor Trojan Women, 26 March 1997 Christopher Marlowe - Playwright Edward II, 28 February 2002 Gabriel Garcia Marquez - Playwright I Only Came To Use The Phone, 12 March 2008 Jean Marshall - Director A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Lachlan Martin - Actor A View of Concrete, 10 March 2009 Diana Maschio - Publicist The Anatomy Lesson of Doctor Ruysch, 3 September 2002 Guy Masterson - Actor Oleanna, 28 February 2009 Metaxas Mastrosavas - Director Trojan Women, 26 March 1997 Charles Mathews - Playwright The Ringdoves \| A Peculiar Position \| The Actress of All Work, 14 October 1841 Nick Mavragelos - Actor Trojan Women, 26 March 1997 Aphrodite Mavromoustakis - Actor Trojan Women, 26 March 1997 Steven Mayhew - Director Bedroom Dancing, 15 May 2009 Rebecca Mayo - Performer The Lighthouse, 25 February 2020 Kevin McAleer - Visual Director Kiss of the Chicken King, 1 March 2014 Erica McCalman - Stage Manager Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Owen McCarthy - Lighting Designer, Video Designer Welcome the Bright World, 20 September 2018 Ronan McChesney - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Simon McClure - Circus Style Performer A Simple Space, 30 September 2021 Hannah McDougal - Dramaturg/e Innabody, 23 November 2002 Larissa McGowan - Consultant Hans & Gret, 3 March 2023 Lucian McGuinness - Sound Designer Anya Anastasia: The Executioners, 8 March 2018 Adam McGurk - Actor Memmie Le Blanc, 15 February 2008 Bruce McKinven - Designer Eager To Breathe, 11 March 2003 Corinna McLaine - Assistant Stage Manager Night Letters, 24 February 2004 Greg McLean - Director The Magic Flute, 4 March 1996 Robert McLean - Dancer Overture, 6 March 2025 Oscar McLennan - Composer, Performer, Visual Director, Writer Kiss of the Chicken King, 1 March 2014 Amber McMahon - Actor Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Douglas McNicol - Director Madeline Lee, 4 October 2019 Anya McNicol-Windram - Performer, Writer Anya Anastasia: The Executioners, 8 March 2018 David McVicar - Director Dropped, 12 February 2016 Poppy Mee - Director Weepie, 13 March 2012 Walter Meierjohann - Director Blindness, 23 February 2022 Dylan Miller - Actor Hans & Gret, 3 March 2023 Thomas Millhouse - Actor and Singer Madeline Lee, 4 October 2019 John Cameron Mitchell - Writer Hedwig and the Angry Inch, 26 February 2025 Nic Mollison - Lighting Designer Impersonal Space, 19 October 2017 Seann Miley Moore - Performer Hedwig and the Angry Inch, 26 February 2025 Chris More - Set Designer, Video Designer Girl Who Cried Wolf, 11 May 2008 Robert Morgan - Actor Night Letters, 24 February 2004 Nicol Morrow - Assistant Stage Manager Natural Life, 24 February 1998 Shaez Mortimer - Actor The Revolution Starts Here, 3 March 2009 Thomas Morton - Playwright A Roland for an Oliver \| The Highland Fling \| The Maid of Croissey, 21 October 1841 Wolfgang Amadeus Mozart - Composer The Magic Flute, 4 March 1996 Jennifer Mueller - Costume Co-ordinator Trojan Women, 26 March 1997 Eddie Muliaumaseali'i - Actor and Singer Madeline Lee, 4 October 2019 Misty Munday - Drag Artist MegaDrag 2002, 29 November 2002 Jess Nash - Stage Manager Madeline Lee, 4 October 2019 Michael Need - Actor Impersonal Space, 19 October 2017 Scott Nell - Performer Roulin Mouge, 19 November 2002 Peter Nelson - Composer, Sound Designer Baba Yaga, 27 February 2019 Caitlin Newton-Broad - Dramaturg/e Natural Life, 24 February 1998 Jamie Ngungana Goldsmith - Consultant The Gathering, 5 November 2017 Fleur Elise Noble - Devisor 2 Dimensional Life of Her, 18 May 2009 Jane Nolan - Actor The Life and Death of King John, 25 February 2010 Sarah-Jane Norman - Creator, Performer Stone Tape Theory, 16 October 2015 Lynnie O - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Emily O'Brien - Production Manager Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Julianne O'Brien - Dramaturg/e Baba Yaga, 27 February 2019 Nicholas O'Connor - Sound Designer Eager To Breathe, 11 March 2003 Guy O'Grady - Actor The Revolution Starts Here, 3 March 2009 Nathan O'Keefe - Performer The Lighthouse, 25 February 2020 Andrea O'Shea - Performer, Writer Family Assortment, 17 November 2002 Mark Oates - Assistant Director Christina's World, 2 August 2019 Katina Olsen - Performer Murder, 6 March 2013 Pressed On - Drag Artist MegaDrag 2002, 29 November 2002 Liam Ormsby - Playwright The Storm, 2 March 2016 Tim Overton - Actor Still Point of a Turning World, 19 May 2021 Jonathon Oxlade - Designer Hans & Gret, 3 March 2023 Chrissie Page - Actor Hans & Gret, 3 March 2023 Niklas Pajanti - Lighting Designer The Life and Death of King John, 25 February 2010 Nina Paleologos - Actor Trojan Women, 26 March 1997 Jed Palmer - Composer, Sound Designer Howling Like a Wolf, 17 August 2012 Luiz Pampolha - Lighting Designer Boy Overboard, 2006 Marie Papadopoulou - Actor Trojan Women, 26 March 1997 Alexandra Papageorgiou - Actor Trojan Women, 26 March 1997 Panayoula Parha - Translator Trojan Women, 26 March 1997 George Parhas - Translator Trojan Women, 26 March 1997 Alia Parker - Costume Designer A Comedy, 4 March 2011 Ailsa Paterson - Designer Baba Yaga, 27 February 2019 Asimakis Patitsas - Actor Trojan Women, 26 March 1997 Gerasimos Patitsas - Actor Trojan Women, 26 March 1997 Nik Patitsas - Actor Trojan Women, 26 March 1997 Rachel Patterson - Director Innabody, 23 November 2002 William Pearce - Playwright The Nunnery \| Sarah the Jewess, 18 November 1841 Justine Pearson - Consultant Of the Causes of Wonderful Things, 2 March 2011 Joshua Penley - Performer Roulin Mouge, 19 November 2002 Jo Peoples - Producer A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Erica Peroni - Costume Designer, Singer Kiss of the Chicken King, 1 March 2014 Dylan Phillips - Acrobat I Want to Touch You, 30 September 2021 Jacqy Phillips - Actor Land and Sea, 12 May 2012 Ekrem Phoenix - Composer I Want to Touch You, 30 September 2021 Theo Photakis - Set Designer Trojan Women, 26 March 1997 David Pidd - Playwright Parallax Island, 20 May 2003 Harold Pinter - Playwright The Birthday Party, 3 May 2007 Isaac Pocock - Playwright Rob Roy Macgregor \| The Highland Fling \| The Married Rake, 1 May 1841 Kaila Pole - Actor Impersonal Space, 19 October 2017 Gordon Poole - Actor A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Anastasia Potiris - Publicist Trojan Women, 26 March 1997 Apostolis Poulis - Actor Trojan Women, 26 March 1997 Sue Prattan - Performer Family Assortment, 17 November 2002 Roderick Primrose - Performer, Puppeteer Murder, 6 March 2013 Gia Pyrlis - Actor Trojan Women, 26 March 1997 Nicholas Pyrros - Costume Designer Trojan Women, 26 March 1997 Jacob Randell - Circus Style Performer, Director A Simple Space, 30 September 2021 Lewis Rankin - Acrobat I Want to Touch You, 30 September 2021 Raven - Drag Artist MegaDrag 2002, 29 November 2002 Ines Reid - Actor Bust, November 2003 Julie Renton - Designer The Life and Death of King John, 25 February 2010 Shona Reppe - Creator Baba Yaga, 27 February 2019 Geoff Revell - Actor The Birthday Party, 3 May 2007 Frederick Reynolds - Playwright The Exile \| The Carnival Ball, 28 June 1841 Graeme Rhodes - Performer Murder, 6 March 2013 Toby Rice - Director The Storm, 2 March 2016 Ben Ringham - Sound Designer Blindness, 23 February 2022 Max Ringham - Sound Designer Blindness, 23 February 2022 Gina Rings - Writer The Gathering, 5 November 2017 David Roberts - Tour Manager Natural Life, 24 February 1998 Sarah Rodigari - Creator Reach Out Touch Faith II, 16 October 2015 Fred Rodrigues - Sound Designer A Comedy, 4 March 2011 Ben Rogan - Actor Natural Life, 24 February 1998 Rebel Rogers - Drag Artist MegaDrag 2002, 29 November 2002 Gioacchino Rossini - Composer The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Roger Rouge - Drag Artist MegaDrag 2002, 29 November 2002 Kerrin Rowlands - Performer Gift/Back, 29 May 2009 Jeremy Rowney - Sound Composer Quartet, 2000 Govin Ruben - Lighting Designer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Deidre Rubenstein - Actor Night Letters, 24 February 2004 Talya Rubin - Performer, Writer Of the Causes of Wonderful Things, 2 March 2011 Noelia Ruiz - Design Consultant, Lighting Designer, Production Manager Kiss of the Chicken King, 1 March 2014 Andrew Russ - Sound Composer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Yasemin Sabuncu - Costume Designer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Charles Sanders - Director Welcome the Bright World, 20 September 2018 José Saramago - Author Blindness, 23 February 2022 Peter Satsy - Actor Impersonal Space, 19 October 2017 Jackie Saunders - Performer One, 19 May 2011 Jenny Scarce-Tolley - Performer Roulin Mouge, 19 November 2002 Martin Schreiber - Circus Style Performer, Director A Simple Space, 30 September 2021 Matthew Schulz - Curator Unsound Adelaide, 14 December 2018 Ian Scott - Actor Natural Life, 24 February 1998 Jane M Scott - Playwright The Old Oak Chest \| Largo Al Factototum \| The Happy Man, 10 May 1841 Alistair Scott-Young - Actor The Return, 11 March 2003 Laura Scrivano - Assistant Director Boy Overboard, 2006 Rahel Sebhatu - Actor Bust, November 2003 David Sefton - Curator Unsound Adelaide, 14 December 2018 Selena - Drag Artist MegaDrag 2002, 29 November 2002 Gina Seretis - Properties Master, Translator Trojan Women, 26 March 1997 Stephen Sewell - Playwright Welcome the Bright World, 20 September 2018 Toby Sewell - Lighting Designer The Magic Flute, 4 March 1996 Mark Seymour - Singer Dust, 3 May 2013 Ben Shaw - Lighting Designer Bedroom Dancing, 15 May 2009 Mark Shelton - Lighting Designer Drowning in My Ocean of You, 26 September 2003 Sandra Sifis - Publicist Trojan Women, 26 March 1997 Shelley Silberman - Comedian Lemon Twists and Hilarious Homos, 21 November 2002 Sophia Simmons - Actor The Revolution Starts Here, 3 March 2009 Susie Skinner - Actor I Only Came To Use The Phone, 12 March 2008 Deanna Smart - Actor Eager To Breathe, 11 March 2003 Diana Smith - Devisor, Performer A Comedy, 4 March 2011 James Smith - Actor Hans & Gret, 3 March 2023 Gemma Sneddon - Playwright The Revolution Starts Here, 3 March 2009 Clara Solly-Slade - Assistant Director Madeline Lee, 4 October 2019 Joe Sperenini - Lighting Designer Trojan Women, 26 March 1997 Colleen St Thomas - Drag Artist MegaDrag 2002, 29 November 2002 Georgia Stanley - Actor Welcome the Bright World, 20 September 2018 Emily Steel - Playwright Impersonal Space, 19 October 2017 Efrosini Stephanou-Haag - Translator Trojan Women, 26 March 1997 Shani Stephens - Acrobat I Want to Touch You, 30 September 2021 Simon Stephens - Adaptor Blindness, 23 February 2022 Juliet Stevenson - Narrator Blindness, 23 February 2022 Joshua Strachan - Acrobat I Want to Touch You, 30 September 2021 Harley Stumm - Producer Murder, 6 March 2013 Deanne Taliangis - Actor Trojan Women, 26 March 1997 Angelika Talingarou - Actor Trojan Women, 26 March 1997 Michael Tardrew - Video Artist Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Colin Teevan - Translator Marathon, 9 March 2005 Sete Tele - Actor Memmie Le Blanc, 15 February 2008 Anne Thompson - Director The Life and Death of King John, 25 February 2010 Michelle Thorne - Lighting Designer Anya Anastasia: The Executioners, 8 March 2018 Angelo Tijssens - Performer Fight Night, 13 March 2014 Samantha Tolj - Actor Girl Who Cried Wolf, 11 May 2008 Martin Tourish - Composer, Musician Kiss of the Chicken King, 1 March 2014 Penni Traitor - Drag Artist MegaDrag 2002, 29 November 2002 Stephen Trask - Music and Lyrics Librettist Hedwig and the Angry Inch, 26 February 2025 David Tredinnick - Actor The Life and Death of King John, 25 February 2010 Lilith Tremmery - Lighting Designer, Lighting Operator/Technician, Set Designer, Technician Fight Night, 13 March 2014 Yiannis Tsarouhis - Actor Trojan Women, 26 March 1997 Gina Tsikouras - Actor Trojan Women, 26 March 1997 Irene Tunis - Actor The Return, 11 March 2003 Triton Tunis-Mitchell - Circus Style Performer, Director A Simple Space, 30 September 2021 Jo Turner - Dramaturg/e Natural Life, 24 February 1998 Joshua Tyler - Playwright First Time Out, 5 November 2002 Karla Urizar - Designer Welcome the Bright World, 20 September 2018 Melanie Vallejo - Actor The Return, 11 March 2003 Joel Van Der Knaap - Graphic Designer Despoiled Shore Medeamaterial Landscape with Argonauts, 20 June 2002 Charoltte Vandermeersch - Performer Fight Night, 13 March 2014 Juha Vanhakartano - Lighting Designer One, 19 May 2011 Vicky Vegas - Drag Artist MegaDrag 2002, 29 November 2002 James Verdon - Visual Artist Natural Life, 24 February 1998 Verunka - Drag Artist MegaDrag 2002, 29 November 2002 Maria Vouis - Actor Trojan Women, 26 March 1997 Nikita VoVo - Drag Artist MegaDrag 2002, 29 November 2002 Julie Vulcan - Performer Gift/Back, 29 May 2009 Fraser Wallace - Sound Designer Trojan Women, 26 March 1997 Katy Warner - Playwright Dropped, 12 February 2016 Clare Watson - Director Hans & Gret, 3 March 2023 Frederick Webster - Playwright The Jewess \| The Place Hunter, 20 March 1841 Carol Wellman-Kelly - Movement Director Baba Yaga, 27 February 2019 Josephine Were - Performer Reach Out Touch Faith II, 16 October 2015 Alexis West - Writer The Gathering, 5 November 2017 Vaczadenjo Wharton Thomas - Performer Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Alison White - Actor Night Letters, 24 February 2004 Richard D White - Lighting Designer A Farewell Benefit for Mr Emanuel Solomon, 20 April 1994 Alex Whitham - Director Oubliette, 23 November 2002 Neale Whittaker - Dancer, Producer Overture, 6 March 2025 Frank Whitten - Actor Future Tense: Mercedes \| In the Solitude of the Cotton Fields, 23 May 1997 Nikki Wieland - Director, Playwright The Sickness of Becoming Great, 23 November 2002 Liane Wilcher - Designer The Magic Flute, 4 March 1996 Enika Willdo - Drag Artist MegaDrag 2002, 29 November 2002 Gloria Williams - Drag Artist MegaDrag 2002, 29 November 2002 Rodney Williams - Writer Dreaming Out Loud, 9 November 2002 Wilson - Actor Nicholas Nickleby \| His First Champagne, 13 May 1841 Brendan Woithe - Composer, Sound Designer Hans & Gret, 3 March 2023 Jethro Woodward - Composer Girl Who Cried Wolf, 11 May 2008 Kat Worth - Director Starry Eyed, 1 October 2003 Scott Wright - Director Murder, 6 March 2013 Thomas Wright - Designer, Director Doku Rai: You, Dead Man, I Don't Believe You, 28 February 2013 Tom Wright - Actor, Writer Natural Life, 24 February 1998 Jeroen Wuyts - Lighting Designer, Sound Designer BigMouth, 27 February 2014 Xanthe - Drag Artist MegaDrag 2002, 29 November 2002 Ziggy Zeitgeist - Musician: Drummer Zeitgeist Freedom Energy Exchange, 5 February 2023 Elliot Zoerner - Composer, Musician A Simple Space, 30 September 2021 Patrick Zoerner - Actor Weepie, 13 March 2012
Resources	Advertisement: Queen's Theatre, The South Australian Register, National Library of Australia, 2 January 1841, 2 Advertisement: Queen's Theatre, The South Australian Register, National Library of Australia, 26 June 1841, 2 Article: Concert a la Musvrd, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 11 November 1841, 3 Article: Joanne Tompkins, Jonathan Bollen, Julie Holledge, Putting virtual theatre models to work:'virtual praxis' for performance research in theatre history, Taylor & Francis, Theatre and Performance Design, Online, 7, 1-2 On VIrtual Models, 19 August 2021, 6-23 Meloncholy Accident, The South Australian Register, National Library of Australia, 15 January 1842, 3 QUEEN'S THEATRE.— Mr Lazar's Benefit takes place on Monday next, and need we say how much this gentleman deserves a bumper. His industry and perseverance merit the greatest praise, and we only regret that so much talent should have received no more patronage than has been extended towards his efforts since his connection with theatricals in this colony. We however trust his benefit on Monday next will show that the public are not unmindful of him, and will give him what he so richly deserves — a crowded house. The entertainments are well selected, and will, we are certain, give universal satisfaction Article: Meloncholy Accident, The South Australian Register, National Library of Australia, 15 January 1842, 3 Article: Mr Lazar "At Home", Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 14 July 1841, 2 Performing at the Queen's Theatre, Southern Australian, National Library of Australia, 18 February 1842, 4 John Allan, of theatrical celebrity, pleaded not guilty to an assault upon John Davis, of the Sydney Hotel. It appeared in evidence, that on the day of the grand meetingl at the theatre, while Mr. Worthy Worthington George Nichols was en- lightening an audience of the British public with the sublime and beautiful, a farce of an equally amusing, though not quite so harmless a description, was taking place in the back- ground. Allan, the defendant, the man what perform the savage'ruffian, and ferocious mur- derer at the Queen's Theatre was giving a lesson in private theatricals to the complaitant, the said John Davis, who was standing in the rear oï the platform. Allan commenced by first informing him, that his rank not being that of a gentleman, he was not entitled to be on the stage. Davis not thoroughly under- standing the argument, seeing so many of the unwashed around him, replied he should not move off. Allan, who, by the bye, has studied the pugilistic art in the polite circles ot Europe, then got hold of Davis round the neck, pin- ning him with his left, and administering divers blows with the right, on the cranium, or frontis, and various other osées of the defendant's person. This was the assault and grievance complained of, and for which com- plainant sought redress of the court. The Magistrates then ordered the defendant to be bound over in his own recognisance to keep the peace for six months, and defray thè costs of the present action.-Communicated. Article: Performing at the Queen's Theatre, Southern Australian, National Library of Australia, 18 February 1842, 4 Article: Queen's Theatre , Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 23 June 1841, 3 Queen's Theatre , The South Australian Register, National Library of Australia, 24 July 1841, 3 We perceive this Theatre opens on Monday next, and are happy to see His Excellency give his patronage to the Drama of South Australia. Mr Lazar has conducted the Queen's Theatre upon a level with many of the Theatres in London, and the Governor's liberality in supporting the humble [?] of thespis deserves the highest praise. Mr Lazar's perse- verance and talent have made him a universal favourite, and we are certain his efforts to merit the high patronage bestowed upon him will be exerted to the utmost. A theatre is an instruct- tive source of entertainment, for while it cheers a dull and monotonous hour, it frequently conveys a wholesome lesson to youth, by which their future morals might be regulated, and when the drama is conducted upon a respectable system, the most fastidious need not blush to partake of the amuse- ment it affords. As an example, we find Her Majesty widely extending her patronage to the drama, under whose gracious auspices it cannot fail of success. Mr Lazar has selected as an opening piece a pictorial drama entitled The Curse of Mammon, in which Hogarth's celebrated Marriage a-la-mode will be illustrated in living characters. We understand the scenery and dresses are of the most unique description, and the play itself one of the most successful that has been recently produced in London. for our- selves, we wish Mr Lazar all the good forture his spirited undertaking deserves, and we hope the public will not be backward in patronising the new lessee. A Dance by Miss Lazar, and a laughable Farce called The Dancing Barber, con- clude the first night's performance, [Communi- cated.] Article: Queen's Theatre , The South Australian Register, National Library of Australia, 24 July 1841, 3 Queen's Theatre - Benefits of Mr Lazar, The South Australian Register, National Library of Australia, 8 May 1841, 3 The season of this theatre is now drawing towards a close, and the various artists connected with the establishment seek to repay their exertions by the usual means of benefits. Mr Lazar, the re- spected manager, takes the first on Monday next; and we must say, his indefatigable perseverance in the cause of the drama in Adelaide has been exerted to no common extent. Exclusive of the difficulty of catering for public amusement, we have noticed him in two or three pieces each night, always at his post, and provided with a fund of good humour. As an actor, too much praise cannot be bestowed on him; as a manager, the good taste of his selections and the creditable arrangements of the theatre and the business of the stage proves him to be a clover tactician. The entertainments selected for Monday next, exclusive of Mr L.'s own popularity, would attract a crowded house. Mr Edwards and a gentleman amateur, we observe, are to render their powerful vocal assistance. We trust the public will not be slow in testifying in a substantial manner its approval of the conduct of Mr Lazar. The box list, we hear, already exhibits a promising ap- pearance. Article: Queen's Theatre - Benefits of Mr Lazar, The South Australian Register, National Library of Australia, 8 May 1841, 3 Queen's Theatre - Miss Lazar's Benefit, The South Australian Register, National Library of Australia, 5 June 1841 By our theatrical advertisement of to-day, we perceive this deserving young lady takes her benefit on Monday next. The gentlemen amateurs who have already appeared twice before the public have very handsomely come forward to lend their valuable services upon this occasion. The bill of fare promises a splendid night's entertainment, and we anticipate a bumper house. Miss Lazar is an industrious and promising actress, and, as a danseuse, she requires no comment from us, as the public generally have testified their approba- tion of her talent, in that department, upon every occasion. Nell Gwynne is an amusing play, and we have no doubt, from the cast, that it will be admirably played. Mr Lazar's Largo at Factotum is a treat at all times. Billy Taylor is a laugh- able affair, and well adapted to Mr Lazar's rich comic humour. Upon the whole, the selection is decidedly one of the best of the season, Com- municated. Article: Queen's Theatre - Miss Lazar's Benefit, The South Australian Register, National Library of Australia, 5 June 1841 Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 29 September 1841, 3 THE THEATRE was re-opened on Monday for one evening. The house was tolerably well filled, and the acting good. We believe it is the intention of the proprietor to open it again once or twice a week. Article: Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 29 September 1841, 3 Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 7 October 1841, 2 QUEENS THEATRE.— We preceive this Theatre has again opened, and in the precertaiuly dull times it is certainly a relief to the monotony of the town. On Monday last three excellent Farces were produced in each of which M. Lazar kept the house in continued laughter ; the Groves of Blar- rney introduced between the peices, is a rich treat, and we trust Mr. L. will often favor us with it. The Company selected is very limited, but quite sufficient for the style of pieces calculated to amuse an Audience. the expenses are now considerably curtailed and we hope, the Theatre will now pay. The house is splendidly lighted and has a very animated appearance, and we trust the Public will appreciate the very spirited zeal of the Proprietors. Article: Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 7 October 1841, 2 Queen's Theatre, The South Australian Register, National Library of Australia, 10 July 1841, 3 We perceive by our ad- vertisement of to-day that this Theatre opens for one night prior to the regular season commen- cing on Thursday next, when Mr Lazar under- takes the arduous task of an At Home after the manner of Matthews. We have every opinion of Mr Lazar's versatility of talent, and therefore an- ticipate a rich treat. This is something new in this part of the world, and we have no doubt of its drawing a crowded house. The programme of the bill is very cleverly concocted and highly amusing. The concluding part appears to be a complete farce in itself, in which Mr Lazar per- sonates all the characters. We wish him every success. We regret to hear that Mrs Cameron does not join the corps dramatique of the Queen's Theatre next season. She is an excellent actress, and we are surprised that, in the present times, she and Mr Cameron should have refused what we take to be a liberal salary of four or five pounds a week. We sincerely trust Mrs Cameron will think better of it, and not deprive the public of the pleasure of seeing her in re- spectible company. It is quite clear that the attempt to re-open what has hitherto been but a den of filth and debauchery, the Victoria Theatre, will neither add to their wealth or their respecta- bility. Mr Lazar, who has taken the Theatre for the ensuing season, is making considerable alterations and improvements both in the stage and audience parts, and we hope that patronage which has been so anxiously sought for will now be extended to this splendid establishment. We understand the whole of the company have very generously consented to take smaller salaries than they received last season, which liberality the Manager will, no doubt, repay, in the event of the speculation turning out advantageous. Article: Queen's Theatre, The South Australian Register, National Library of Australia, 10 July 1841, 3 Queen's Theatre, The South Australian Register, National Library of Australia, 15 January 1842, 3 Mr Lazar's Benefit takes place on Monday next, and need we say how much this gentleman deserves a bumper. His industry and perseverance merit the greatest praise, and we only regret that so much talent should have received no more patronage than has been exetended towards his efforts since his connexion with theatricals in this colony. We however trust his benefit on Monday next will show that the public are not unmindful of him, and will give him what he so richly deserves — a crowded house. The entertainments are well selected, and will, we are certain, give universal satisfaction.— [Communicated.] Article: Queen's Theatre, The South Australian Register, National Library of Australia, 15 January 1842, 3 Queen's Theatre, The South Australian Register, National Library of Australia, 30 January 1841, 3 We are happy to see the houses so rapidly improving at this very elegant and commodious place of amusement, and we have no doubt the proprietors will ultimately reap the harvest they so richly merit. Novelty seems the standing order, and each night the public are treated with some interesting drama, a dance from our Australian Taglioni, and a lively farce. The Tower of Nerle was splendidly got up on Monday last, and attracted a very fashion- able audience; the principal character was ad- mirably sustained by Mr Lazar, who was well supported by Messrs Cameron, Arabin, and Mrs Cameron. One Hour, or the Carnival Ball, has been also produced in a superior style—the ball room scene at once realizing all the splendour of a Venetian carnival, the stage being a complete body of illumination. We understand Captain Sturt, and several other influential families in- tend patronising the Theatre on Monday next, and we have no doubt the entertainments of the evening will be well selected by the indefatigable manager, Mr Lazar. We must not forget, how- ever, to mention the orderly manner in which the Theatre is conducted, reflecting the highest credit on those concerned—we have visited the principal theatres in England, and never witnes- sed a greater degree of order preserved than in the Queen's Theatre.—[Communicated.] Article: Queen's Theatre, The South Australian Register, National Library of Australia, 30 January 1841, 3 Ross Thorne, Queen's Theatre, Companion To Theatre In Australia, 1995, 471-472 Theatre in Gilles Arcade, Adelaide, opened 11 January 1841, seating c.1000. Closed 28 November 1842. Restored, enlarged and reopened as Royal Victoria Theatre 23 December 1850. Closed 10 November 1851. Reopened 1859. Closed 1868. Proclaimed heritage site 15 April 1994. The remnants of the Queen’s Theatre, the first building to house continuous theatre in Adelaide, have yielded more architectural elements and artefacts than any other mid-19th century theatre-tavern site in Australia. The theatre held a pit for 700 persons, a dress circle of boxes and an upper circle. Its layout was advanced for the time, with the pit penetrating beneath the dress circle, in a similar way to the then recent Royal Victoria Theatre in Sydney. The brothers Vaiben and Emanuel Solomon spent £10 000 in 1841 to build the Queen’s Theatre, the Shakespeare Tavern – which opened into the auditorium – and five large houses. The theatre was run in a respectable manner by John Lazar but he was forced to close it in November 1842, during an economic depression in South Australia. In 1843 the theatre was converted to a courthouse. When George Coppin arrived in Adelaide in 1846 he found no theatre available, so he arranged with Emanuel Solomon to convert a billiards saloon adjacent to the Shakespeare Tavern into a temporary two-level theatre to house some 900 persons. This New Queen’s Theatre operated until the end of 1850. Edward Snell visited it on 21 November 1850 and noted in his diary that it was ‘a wretched place, only pit and boxes in it and the stage illuminated by 5 foot lights and 2 side lights only. The actors were a set of dull dogs, the scenery was damnable, and the audience a mixture of prostitutes and pickpockets.’ While performing at the New Queen’s Theatre, Coppin and Lazar restored, enlarged and improved the old theatre, after the Supreme Court moved out. It reopened on 23 December 1850 as the Royal Victoria Theatre. It had a new, more imposing front, with applied columns, entablature and pediment, constructed almost 4.2 metres in front of the central portion of the older Georgian-style façade. Architectural fragments of the original Queen’s Theatre still exist – window openings of the first façade and structural timber members cut off at the wall surface, which indicate the dress-circle and gallery levels. Exits from the dress circle to the saloon and tavern bar respectively are discernible. In addition, excavations in 1989-90 revealed walls of the Queen’s Theatre stage and dressing room, the adjoining tavern and the stage and auditorium of the New Queen’s Theatre. Also found were two bases for posts that supported the dress circle and the gallery of the Queen’s, and some 200 artefacts related to the theatre and the tavern. Excavation of the dressing room, stage and orchestra pit revealed grease paint, sequins, military buttons, a Tudor jester’s shoe, candlestick holders, clay pipes, glass bottles and stoneware bottles and shards of crockery. A plan of the Queen’s Theatre before it was converted to a courthouse shows the auditorium as 16.2 metres long, possibly including the orchestra pit, the stage as 9.1 metres deep, and the whole as 9.8 metres wide. It shows the pit and gallery entrances from Weymouth Street to the front of the auditorium, with rooms behind and along one side of the stage and the Shakespeare tavern along the other side. The press reported that up to 400 persons could pack into the gallery, making the total capacity about 1200. The gold rush in Victoria in 1851 denuded Adelaide of men and whole families. Deprived of an audience, Coppin became bankrupt and the Royal Victoria Theatre closed in November. It was occasionally used by touring companies until Alex Henderson reopened it permanently in 1859 after minor alterations. It was closed in 1868, just before the new Theatre Royal opened in Hindley Street. The old theatre became successively an extension to the tavern, premises for the City Mission and a horse bazaar. Buyers sat in the dress circle and gallery to study horses paraded in the pit which was paved in bricks. In 1900 the circle and gallery and above-ground stage walls were removed, leaving the building as it is today. The South Australian government has undertaken to preserve it as a state and national heritage item. Article: Ross Thorne, Queen's Theatre, Companion To Theatre In Australia, 1995, 471-472 Article: Ross Thorne, Theatre buildings as one indicator of the social history of Australia., Architecture Australia, 68, 4, September 1979 Article: Sam Kelton, Digging Deep for Signs of the Times, Sunday Mail, 2 April 2017, 68-69 Article: The Drama, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 14 October 1841, 2 The Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 13 January 1841, 3 THIS theatre was opened on Monday evening; The play was Othello. Previous to the commencement of the piece the national anthem was sung by the whole of the company, at the con- clusion of which Mr Arabin, of the Sydney theatre, stepped forward and delivered the fol lowing opening address:— Ladies and Gentlemen—This little box To-night an adventurer unlocks; Nor opes it vainly—for this light presents A graceful exhibition of contents. SOLOMON said, " Urge to our friends my plea"— " I Urge !" said I-"bless you, they'll laugh at me; Yet, if you wish it, be my efforts tried, Your cause my spur—their service all my pride." The bow of gratitude before you made— Having this smiling generous range surveyed— Care has been his this labor to complete, Which makes magnificence and comfort meet— Anxious that multitudes may sit at ease, And scantier numbers in no desert freeze— That ample space may mark the liberal plan, But never strain the eyes or ears of man. Look round and judge. His efforts are all waste Unless you stamp them as a work of taste. He pleads for favor, only if his due, He pleads for justice, and he pleads to you [applause]. So much for visual sense.—What follows next Is chiefly on the histrionic text— And our adventurer has toiled to store His list of favorites with some favorites more. The universal cry is--- Something new; And to obey this call we trust to-night Some pleasing novelties may greet your right [applause]. New is the house—these boards too—this & certain— - New are the dresses—new the scenes and curtain— New also are our hopes, in this new cause, That we may meet and merit your applause— Rich the repast, and may we trust ensure The custom of the scenic epicure. "What our pretence ? What all the world pursues— To please for praise—for profit to amuse. I don't despair—your looks imply no danger, And John Bull ever patronised the stranger [applause]. E'en I, although amongst the last and least, May pass, perhaps, as garnish to the feast. We hope to please, &ad as we're dull or clever You patronise or damn the same as ever! And tee, who long tost on dramatic seas, The sport, alas! of many a shifting breeze. Have still contrived our shattered bark to steer, Now furl our sails and drop our anchor here, Happy indeed if, all our labors past, A friendly harbour we have found at last [applause]. The theatre was well filled in every part—the dress circle particularly was crowded with the 'beauty and fashion' of Adelaide. Hie house is very comfortably arranged and elegantly fitted up, the decorations altogether reflecting great credit on the abilities and taste of the artist—Mr Opie we believe. It would at present be premature to speak of the general merits or demerits of the company, or of any particular member of it, this being the first opportunity we have had of seeing them perform. Two or three of them only have we seen before—the remainder are entire strangers. Mr Lazar's Othello was upon the whole good. At times his utterance was too rapid, and consequently rather indistinct; and once or twice he gave more scope to his voice than was necessary; but taking the part as a whole, it was very creditably gone throngh, and drew from the audience repeated expressions of applause. Mr Arabin, as logo, decidedly sustained his character better than any one on the stage; lie indeed played the plausible and Wily villain to the life. Mr Allan, who played Roderigo, appeared to be quite out of his line, and endeavoured to amuse the audience at the expence of the tragedy. In the afterpiece he seemed more in bis element Mrs Cameron was well received by the audience, and promises to take the lead among the female part of the company. Mrs Arabin too, we.doubt not is a very useful actress, and seems almost equally at home in comedy and tragedy. We must not omit to mention Miss Lazar's dancing, which no- one present could help admiring. Of the other performers we cannot' speak till we" bave fartber opportunities of seeing them. Mr Solomon-has certainly shown great public spirit in erecting such a building as the Queen's Theatre—a building which equals in every respect, most of the English provincial and second- rate London Theatres—and we trust he will not be a loser by his speculation Article: The Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 13 January 1841, 3 Article: The Queen's Theatre, Southern Australian, National Library of Australia, 12 January 1841, 1 Article: The Queen's Theatre, Southern Australian, National Library of Australia, 9 September 1842, 2 The Queen's Theatre, The South Australian Register, National Library of Australia, 17 April 1841, 3 The members of the Masonic Craft patronised the Theatre on Tuesday evening last, for the benefit of the Infirmary; the whole of the proceeds over and above the expences going to that institution, which accordingly drew a very full house. The pieces produced were Shakespere's Taming of the Shrew, the Crown Prince, and The Turned Head. We have not space to notice the per- formers particularly, but the universal ap- plause sufficiently testified the satisfaction of the audience. Article: The Queen's Theatre, The South Australian Register, National Library of Australia, 17 April 1841, 3 The Queen's Theatre, The South Australian Register, National Library of Australia, 20 February 1841, 3 On Thursday evening the second amateur performance took place to a respectable audience. The dress circle was crowded. The comedy or farce of the Heir at Law, followed by the Merry Monarch, constituted the entertainments of the evening. It would be impossible to criticise minutely the acting of the different gentlemen who have so good-humouredly taken so much pains and gone to such expense to amuse the public. But we may safely say, that batling those unavoidable defects which only "stage practice" can remove, their preformances were creditable, and in many scenes effective. We are glad to notice an improvement in the orchestral department. A portion of the overture to Zamna, in particular, was played with brilliancy and spirit. It would be desirable, however, that some more moderation should be observed in the accompani- ments. Mr Charles Campbell's amusing song was actually drowned by the noisy fiddling. The fol- lowing Prologue, written by Mr Mann for the occasion, was spoken by Mr Hamilton:— In good Queen Ross's days, as legents tell, England from every nation bore the bell. Sage in her councils, foremost in the fight, The haughty Spaniard quailed before her might O'er the Pacific's wave of liquid gold. Full on the breeze the red cross banner roll'd; And where the storm tost billows fret, and foam On Albion's cliffs, her navies found a home. Council and battle past, in hall and bower} Noble and peasant hailed the festive hour,} And iron manhood bent to woman's power:} Valour and beauty graced the gorgeous scene, And lent a glory to the Tudor Queen. 'Twas tehn the drama rose—and Shakspere's name Hallowed the age with an immortal's fame. Each passion language found, and humorous thought, And sparkling wit, their ready tribute brought With sceptre'd pomp the tragic muse swept by. And mirth and laughter crown'd our comedy. That age has past—but still its works remain To grace the triumphs of Victoria's reign. Our ships and sailors still are hearts of oak— Still the vexed ocean bears Britannia's yoke. Still are our soldiers foremost in the war } Witness Barrossa witness Trafalgar } Our Nelson's glorious death, and Douro's ducal star. } Has beauty lost its power? Nay, sceptic, gaze, If gaze thou can'st, on yonder living blaze. Be like the eagle, face that sunny ray Or with the Persian, bend and own its sway. No sceptics we dear woman's power we own, And willing captives bend before her throne; Suppliants—but suppliants for a just applause Suppliants for favor in the drama's cause. That cause is yours—by him whose [?] Pierced to the inmost depths of [woman?] And in each character his pencil drew, } Still kept to woman and to nature true. } By Shakespere's honor'd manees, we call on you } And to your triumphs, still one triumph more, And rear the Drama on Australia's shore. Article: The Queen's Theatre, The South Australian Register, National Library of Australia, 20 February 1841, 3 Article: The Queen's Theatre, The South Australian Register, National Library of Australia, 9 January 1841, 3 The Queen's Theatre, The South Australian Register, National Library of Australia, 9 January 1841, 3 This Theatre opens on Monday evening with every prospect of suc-cess. The boxes, we understand, have been nearly all taken, and it seems determined to give the spirited proprietor a fair opportunity of realizing his intention of making the Theatre and its entertainments such as the respectable classes of Adelaide may resort to with propriety. Article: The Queen's Theatre, The South Australian Register, National Library of Australia, 9 January 1841, 3 The Queen's Theatre., Southern Australian, 29 December 1840, 3 WE should be wanting in our duty to Mr. Solomon, were we not thus publicly to compliment him, upon his spirit of enterprise, and upon the taste he has displayed, in planning, arranging, and fitting up the above very creditable erection, but, without entering into an expression of opinion as to what has been termed the legiti- mate drama, he must bear with us, when we avow our conviction, that neither the resources of Adelaide, nor the present public taste of its inhabi- tants, will justify him in devoting this building to the purposes of a theatre, unless he is prepared to sustain a heavy pecuniary loss. Of course, we naturally feel a deli- cacy in interfering with private enter- prise, through the medium of the pub- lic press, nor should we now attempt it, but from the conviction that we are uttering the sentiments of a large body of the public, and with the hope of pointing out a way in which Mr. Solomon's speculation may be made a source of sure and extensive commer- cial profit. At present, it is well known, that no Assembly Room, no Concert Room, no public Exchange, no Town Hall, no place suitable for the meetings of the Chamber of Com- merce, and no place adequate to the wants of the Mechanics' Institute, and other bodies, for their public purposes, exists in Adelaide, and that the want of such a place is beginning to be deeply and seriously felt. To what purpose, then, could the Queen's Thea- tre be appropriated? And from what other source could Mr. Solomon hope to realise so large and so certain an amount of profit? The theatres at present existing in Adelaide are known in every respect to have turned out complete failures, nor are we able to withhold our conviction, that the same fate will befal the Queen's Theatre, should the experiment be ultimately and finally determined upon. This, in our opinion, is neither to be traced to the want of respectability on the part of the performers at the other theatres, nor to the want of public spirit on the part of the inhabitants of Adelaide, but to the simple fact, that the sympathies of by far the largest portion of our fellow citizens flow in quite an oppo- site direction. Take the population of Adelaide at six thousand, for instance, or even at somewhat mote than that number. Out of these we will venture to affirm, that not more than one half are theatre-going people ; and even of this latter proportion, it may fairly be presumed, that the majority will prove but very occasional attendants upon the drama. The character of our population, and the objects with which parties have come hither, justify us in such an assumption, without any sup- posed personal knowledge of the par- ties of whom we write. Under these circumstances - so much at variance with those existing at home in towns of equal dimensions - and where the failure of the drama to interest the public has been incontestibly proved - how is Mr. Solomon to realise from theatrical amusements, such an amount as will pay a fair and equitable interest upon his very large outlay? Commer- cially speaking, nothing, in our opinion, would be more detrimental to the interests of Mr. Solomon, and we sin- cerely hope, therefore, that he will be led to abandon his original intention. We have thrown these remarks some- what hurriedly together, it being foreign to our present purpose, either to discuss the moral bearings of the question, or to enter into any details as to the best manner in which our suggestions can be carried out ; but the question is now fairly before the public, and by them, we hope, it will speedily betaken up. It would not, however, be considered presumptuous, perhaps, to hint at the probability, that a rental of from £50 to £150 per annum might he realised for several of the purposes stated above, besides such sources of profit as might arise from its occasional occupancy for more evanescent purposes. But as we shall probably return to the subject, we leave it now in the hands of the proprietor and the public. Article: The Queen's Theatre., Southern Australian, 29 December 1840, 3 Article: The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 March 1841, 3 The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 November 1841, 3 THE THEATRE.—This place of amusement, "we are glad to see, still continues to draw tolerable, houses, though frequently not so good as we would wish to see. Mr Lazar continues. as indefatigable as ever in catering for the public entertainment. The pieces produced are generally of a light and amusing nature, which give more satisfaction than if heavy dramas were introduced. We trust soon to see better times, when Mr Lazar may expect his visitors to become more numerous. Article: The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 November 1841, 3 Article: The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 24 February 1841, 3 The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 3 March 1841, 3 We have scarcely vain glory sufficient to impress ourselves with the idea that our remarks last week have occasioned a better attendance at the Theatre than before; certain it is, however, that the last three nigbts have presented better filled houses tban for some previous. We are glad to note the improvement, and shall be pleased to see a still better attendance. Article: The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 3 March 1841, 3 Article: The Theatre, Southern Australian, National Library of Australia, 5 February 1841, 3 Article: The Theatre, The South Australian Register, National Library of Australia, 12 June 1841, 3 The Theatre, The South Australian Register, National Library of Australia, 27 March 1841, 3 THE THEATRE.—The general dulness of the town seems to have operated on our play going folks during the present week, the Theatre not being so well attended as usual; but we are happy to see it has not dampen the ardour of the manager—a succession of new pieces (or attrac- tive ones) having been produced, and the performers strive by every means to please. An amusing drama under the title of the Crown Prince was performed on Monday last, which was well received. Mr Lazar's personification of the Watch- man's son was admirable—his whimsical em- barrassment on being taken for the Crown Prince excited bursts of laughter; as did the exchange of dress from the Prince to the Watchman. There are some witty allusions in reference to the ministry, which told remarkable well, and the audience appeared to join in the [?] the little piece displayed. The [?] [?] of the Irish Trator followed, in which Mr J. Solomon sustained the part of Terry O'Rourke with great Article: The Theatre, The South Australian Register, National Library of Australia, 27 March 1841, 3 The Theatre. - Mr Lazar's Benefit, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 5 May 1841, 3 By our advertising columns of to-day we find Mr Lazar, the enterprising manager of the Queen's Theatre, takes his Benefit on Monday next. Those who have watched the progress of the season, will admit that no pains have been spared on his part to secure for the proprietors good houses, and, for the public, rational and amusing entertainments. His exertions, both as actor and manager, deserve the highest praise, and we trust will be duly appreciated on his approaching benefit ; for our own part we have no doubt of seeing the most crowded house of the season. Mr Edwards (whose vocal talent is well-known and justly admired) gives his valuable services on the occasion ; also a gentleman amateur, of whom report speaks in very high terms; and the Bill of Fare throughout promises one of the most at- tractive evenings of the season. We can only repeat our wish to see a full house. Article: The Theatre. - Mr Lazar's Benefit, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 5 May 1841, 3 Theatricals in Adelaide, Southern Australian, National Library of Australia, 27 August 1841 WE some time ago predicted that the state of public feeling in Adelaide was not of such a nature as to afford a rea- sonable prospect of support to a public place of amusement of such an extent as the Queen's Theatre, and we ven- tured at the time to suggest to Mr. Solomon, that, even as a money specu- lation, his new erection was better likely to pay if devoted to some general public purposes. The trial of a single season has convinced Mr. Solomon that we were right, and, on Saturday last, he dismissed the whole company, and on Monday commenced taking up the benches in the pit, with the view of throwing open the whole premises to the public. What definite plan Mr. Solomon intends to adopt, we have not yet heard ; but, as for Theatricals, this is to be considered as another abortive and unsuccessful attempt to establish them in the colony. Article: Theatricals in Adelaide, Southern Australian, National Library of Australia, 27 August 1841 This Fine Building, The South Australian Register, National Library of Australia, 16 January 1841, 2 This fine building, finished by Mr E. Solomon at an expense of nearly £10,000, was opened on Monday last, by an effective and well-organised company under the experienced management of Mr Lazar—well known and much respected as the conductor of the theatrical amusements of Sydney. the theatre is neatly fitted up, and admirably arranged for seeing and hearing. The decoartions are designed and executed by Mr Opie, and reflect much credit on his skill as an artist. We did not reach the theatre until nearly the close of the tragedy (Othello), and can therefore venture to express no opinion on the particular merits of the actors—although we presume it would be in accordance with that of the audience, which was most favorable. Miss Lazar's dance was exceedingly graceful, and met a deserved and [?] encore. This young lady would be an acquisition to any theatre, as, in adiditon to her talent in the ballet, her acting in the after piece, Mary Anne, a farce of Buckstone's, was excellent. She was well-supported by Mr Buckingham, and by the other actors. The house was crowded in every part. Article: This Fine Building, The South Australian Register, National Library of Australia, 16 January 1841, 2 Article: Tim Lloyd, Lawson story to hit the stage, The Advertiser, The University of Adelaide, Library Special Collections, 17 August 1992 Article: Tim Lloyd, Theatre's rescue plan 'a work in progress'., The Advertiser, The University of Adelaide, Library Special Collections, 2 February 2002 Town Council Proceedings, The South Australian Register, National Library of Australia, 10 April 1841, 5 THE QUEEN'S THEATRE.—The attendance at the Theatre during the present week will, we presume, lead the proprietor to look forward with some hope. The Jewess was repeated on Thurs- day evening, and as before, admirably performed; Tom Noddy's Secret was the farce, in which Mr Lazar, as the eccentric schoolmaster, and Mr Arabin, as his usher, kept the house in a constant roar of laughter. We observe that the entertain- ment, by request of the Masonic Fraternity, will certainly take place on Tuesday next; and we doubt not, that the bill of fare, together with such respectable patronage, will draw the fullest house of the season. Mr Solomon's liberality in pre- senting the surplus over and above the actual expences of the night to the Hospital, deserve the highest praise; and we hope the public generally will appreciate his good feeling, by giving him a bumper in return on some other night. Article: Town Council Proceedings, The South Australian Register, National Library of Australia, 10 April 1841, 5 Book: Edward Snell, The life and adventures of Edward Snell: the illustrated diary of an artist, engineer and adventurer in the Australia colonies 1849 to 1859, Angus and Robertson and The Libary Council of Victoria, Victoria, 30/5, 1988 Book: G L Fischer, The Queen's Theatre, Adelaide, 1841-1842, Pioneers' Association of South Australia, Adelaide, SA, 30/57, 1957 Chapter: Joanne Tompkins, Julie Holledge, Site-Specificity and Virtual Reality, Routledge, London, The Routledge Companion to Site-Specific Performance, 17 December 2024, Chapter 29 (17 pages) Document: Chris Winzar, Performing Arts Collection of South Australia, Proposal to restore the former Queen's Royal Victoria Theatres as a home for the Performing Arts Collection, The University of Adelaide, Library Special Collections, 1988 Flyer: A Farewell Benefit for Mr Emmanuel Solomon, The University of Adelaide, Library Special Collections, 20 April 1994 Grant Funding: Arts SA Arts Recovery Fund - Zac Tyler, November 2020 Letter: [Queen's Theatre], The University of Adelaide, Library Special Collections, 1994 Newspaper: Queen Theatre, The South Australian Register, National Library of Australia, 19 June 1841, 3 Newspaper Clippings: [Queen's Theatre], The University of Adelaide, Library Special Collections, 1994 Photograph: A Farewell Benefit for Mr Emmanuel Solomon, The University of Adelaide, Library Special Collections, April 1994 Photograph: Places (Adelaide) [B 70869/18006] • Photograph, The State Library of South Australia, 1990 Photograph: The State Library of South Australia, Shakespeare Tavern Record: Facade of Old Royal Victoria Theatre, Gilles Arc, Adelaide, SA, Australia, Department of the Environment, Water, Heritage and the Arts Review: Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 12 May 1841, 3 Review: Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 4 August 1841, 3 Review: The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 17 March 1841, 3 Review: The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 21 April 1841, 3 Review: The Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 11 November 1841, 2 Review: The Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 4 November 1841, 2 Series: Meg Abbie Denton, Research Materials : Theatres : Some Theatres, The University of Adelaide, Library Special Collections Series: Meg Abbie Denton, Research Materials : Theatres : The Queen's Theatre, The University of Adelaide, Library Special Collections Websites / Online media: Arts SA (1996-2016), Queen's Theatre Websites / Online media: History Trust Of South Australia, Queen's Theatre Websites / Online media: Joanne Tompkins, Jonathan Bollen, Julie Holledge, Liyang Xia, Visualising Lost Theatres, June 2022
Venue Identifier	3145
Dataset	AusStage