| Opera Now | |||||||||||||||||
| Venue | Banquet Room, Adelaide, SA | ||||||||||||||||
| Umbrella Event | The Telstra Adelaide Festival 2000 | ||||||||||||||||
| First Date | 5 March 2000 | ||||||||||||||||
| Last Date | 5 March 2000 | ||||||||||||||||
| Dates Estimated | No | ||||||||||||||||
| Status | Professional | ||||||||||||||||
| World Premiere | No | ||||||||||||||||
| Description | Hosted by the State Opera of South Australia, this one-day seminar is designed to coincide with writing to Vermeer on the first weekend and the exceptional gathering of new Australian music theatre throughout the program. Why does the form continue with such popularity amongst audiences and artists? What attracts a major film maker like Peter Greenaway to the operatic form? How does the strikingly adventurous compositional style of Louis Andriessen on the international scene, and Jonathan Mills or Elena Kats-Chernin in Australia fit with the narrative form? Join with creators, critics an |
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| Description Source | Brochure | ||||||||||||||||
| Primary Genre | Other | ||||||||||||||||
| Secondary Genre |
Forum
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| Subjects |
Music
Opera |
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| Text Nationality | Australia | ||||||||||||||||
| Production Nationality | Australia | ||||||||||||||||
| Event Status | Completed | ||||||||||||||||
| Data Source |
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| Event Identifier | 100443 | ||||||||||||||||
| Dataset | AusStage | ||||||||||||||||
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