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Event

White Oak Dance Project

Venue

Sadler's Wells Theatre, London, England

First Date

9 June 1999

Last Date

12 June 1999

Dates Estimated

Status

Professional

World Premiere

Description Source

Primary Genre

Dance

Secondary Genre

Contemporary

Organisations

White Oak Dance Project, Production Company

Contributors

Name	Function	Notes
Trisha Brown	Choreographer	Glacial Decoy
Neil Greenberg	Choreographer	MacGuffin or How Meanings Get Lost (Revisited)
Lucy Guerin	Choreographer	Soft Centre
Mark Morris	Choreographer	The Argument
Amy O'Brien	Choreographer	Vessel
Bando Tamasaburo	Choreographer	Dance with Three Drums and Flute
David Chesworth	Composer	Two Lies
Frederic Chopin	Composer	Vessel
Bernard Hermann	Composer	MacGuffin or How Meanings Get Lost (Revisited)
Paul Hindemith	Composer	Soft Centre
Robert Schumann	Composer	The Argument
Rosen Tousha	Composer	Dance with Three Drums and Flute
Santo Loquasto	Costume Designer	Vessel
Liz Prince	Costume Designer	Soft Center
Raquel Aedo	Dancer	The Argument, Soft Center, Vessel, MacGuffin or How Meanings Get Lost (Revisited)
Mikhail Baryshnikov	Dancer	The Argument, Soft Center, MacGuffin or How Meanings Get Lost (Revisited), Dance with Three Drums and Flute
Emily Coates	Dancer	The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
Emmanuele Phuon	Dancer	The Argument, Vessel, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
Ruthlyn Salomons	Dancer	The Argument, MacGuffin or How Meanings Get Lost (Revisited), Two Lies
Susan Shields	Dancer	The Argument, MacGuffin or How Meanings Get Lost (Revisited)
Robert Rauschenberg	Designer	Glacial Decoy
David Finn	Lighting Designer	How Meanings Get Lost (Revisited), Vessel, Soft Center
Margie Medlin	Lighting Designer	Two Lies
Pedja Muzijevic	Musician	Vessel (piano), The Argument (piano)
Alberto Parrini	Musician	The Argument (cello)

Resources

Article: Allen Robertson, Misha's modern tricks, The Times, 7 June 1999, 19
Article: Andrew Billen, Was I a romeo? I should be so lucky, Evening Standard (London), 2 June 1999, 27
Article: Jann Parry, An ex-Russian American in Paris brings Japan to London, Observer (London), 6 June 1999, 7
Article: Mikhail love Lucy's moves, Daily Telegraph (London), Theatre and Dance Platform, 6 June 1999
Book: White Oak Dance Project: Spring Tour 1999, Theatre and Dance Platform, 1999
Programme: White Oak Dance Project, Theatre and Dance Platform, 9 June 1999
Review: Anne Sacks, Little Misha finally comes down to earth, Evening Standard (London), 10 June 1999, 55
Review: Clement Crisp, Dazzling Baryshnikov still a peerless dancer, Financial Times (London), Theatre and Dance Platform, 14 June 1999, 22
Review: David Dougill, Noh contest, The Sunday Times, Theatre and Dance Platform, 13 June 1999
Review: Debra Craine, Misha's ageless magic, The Times, Theatre and Dance Platform, 11 June 1999, T43
Review: Ismene Brown, 100 per cent pure spirit, Daily Telegraph (London), Theatre and Dance Platform, June 1999
Review: Jenny Gilbert, The little bloke of calm, The Independent, 13 June 1999
Review: Judith Mackrell, Modest Misha, The Guardian (London), 12 June 1999, 4
Review: Louise Levene, Fireworks handled with care, The Sunday Telegraph (London), Theatre and Dance Platform, 13 June 1999
Review: Nadine Meisner, Baryshnikov wins hearts with Oak company, The Independent, 10 June 1999
Review: Nadine Meisner, Brilliance of Baryshnikov, The Independent, Theatre and Dance Platform, 11 June 1999

Works

Production Nationality

United States of America

Event Status

Completed

Event Identifier

153943

Dataset

AusStage