| Related Resources |
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References
William: A tale of South Australian History, Adelaide Observer, National Library of Australia, 12 August 1843, 6
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References
The Native Corroboree, The South Australian Register, National Library of Australia, 16 March 1844, 3
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References
Native Corroborees, The South Australian Register, National Library of Australia, 15 June 1844, 3
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References
War Dance of Natives, Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), National Library of Australia, 20 August 1887, 154
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On Tuesday night the Government Resident entertained the commanders and officers of the Tauranga and Penguin by providing a native corrobboree, which was held on the esplanade opposite to the residence. This exhibition was followed by a dance, at which a large number of residents were present
References
The Northern Territory, The South Australian Register, National Library of Australia, 3 August 1891, 5
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References
A Native Corrobboree, The South Australian Register, National Library of Australia, 29 January 1898, 5
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References
A Native Corrobboree, Adelaide Observer, National Library of Australia, 12 February 1898, 44
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THE BLACKS OF THE INTERIOR. [By Professor Baldwin Spencer, in the Melbourne 'Age.' I ? A day or two after our arrival at Alice Springs the natives began one of their ordi nary corroborees. The Arnnta name for these is Altherta. and each one usual lasts night alter night tor perhaps a fort night or three weeks. For hours during the day time the men are decorating each other with down which they gather from the seed cases of a Portulaca; this is : either rubbed in gypsum to make it white, or in red ochre to make it red. The men sit down in a group with nil their materials ready. These are comparatively simple, red oehiv and gypsui-», witii stone.-t on which to grind them, little, heaps of down, twigs of some bush, such as a cassia, and then, when all is ready, some of them tie a hair strimr tightly round their arms, and with a sharp Hake cut one of tlie veins, and allow the blood to pour down into the hole in a shield made for the hand, or into the concavity of a spear-thrower. Then first of all each performer has his hair tied up- with cassia twigs bound round with human hair string, which he undoes from his hair girdle. When this is over a little brush i» made out of a twig with string wound round one end, and with this some of the congealed blood is smeared over the parts where the down- has to be put on, and gradually the design characteristic of the special corroboree being performed is drawn npon the body. Singing of the corroboree song goes on all the time, the notes alternately rising and falling, while one or two men keep time with tho chang ing of their boomerangs. Towards sun down all is readyj and at dusk fires are lighted on the corroboree ground, and the women and children come and group them selves in 'front of the dancer.--, together with the men who arc not performing, the nien singing, and all of the audience keep ing time with sticks and boomerangs. The first corroboree which they started after onr arrival at Alice Springs was one called Chichingalla. It was jnst about as monotonous as most corroborecs are. The men danced sometimes with staves in their hand*, sometimes with a cleft stick rest ing on their shoulders, advancing out of the darkness into the light of the fire? with leafy twigs tied round their ankles, and stamping upon the ground. At times the performers, who varied from six to 32 in number, would divide into two parties, one passing to one side, and one to the other, and then skipping across much as if they were changing sides in a square dance. After watehih- this and listening to the monotonous singing and clanging of boomerangs on the part of the audience, which never seemed to weary, we usually took advantage of the interval, when the women, at a given signal, retired a little distance away to allow of the men. having a spell and quiet chat, and left them to continue with the second part of tiie pro gramme, which was never completed until the early hours of the morning. So as to enable us to secure some records of ono of these characteristic dances, they rehearsed some of the scenes— a full dress rehearsal, of course, except so far as the size r.f the audience was concerned— as soon as they 4wd finished decorating themselves before sundown. The only reafly interest ing part was tlie very end, when, unlike most of the ordinary corroblwrees, one man was crtpccially decorated with birds' down. The lir.st part «l the performance consisted of the usual uninteresting dance, but after a short pause all of the dancer*, 12 in number on this occasion, rangid theinsulves in front of a little lxiHgh wurley, which had been built at- the beginning of the corroborec, while the audieirce, wnristing of about 100 men. women, and children, stood up, all of them evidently nnietb excited. l-own from a low rise two men can*; creeping, tlie leader carrying a shield in front of him, as if to prevent the man U-hJnd from being seen. This man was elaborately de corated with lines down all over his head and the upper part ot Ins body, anu had a circlet of white and pink feaiier tufts radiuins from his head like the points of a irreat tiara. Suddenly he leaned forward, and hddinc a fcpear tipped with a. bunch of feathers in both hands, charged the dancers who were standing in front of his wurley. Amidst the loud shouting of the men and women, Uie latter all as it ?were warding him off with extended arms, he kept charg ing and recharging tlie performers, who ran sideways, backwards, and forward's in front of the wurley, shouting and prancing about wildly. Suddenly an old man came out of tlie audience and set fire to a-sreat heap of shrubs placed on one .fide. The excifte ment on the part of tlxc audience became more intense, and grew still greater when the decorated man. having forced his way through the dnneerF, die litter ranged up behind him, following him as he danced wildly round and round. Tin's was the signal for the women and children to rc tjre, which they did precipitately. No sooner Wd they gone ihnn, amidst the loud yells of the men and the clashing of boom crangp, the wurley was sot on fire, vlie dancers stamping and jumping upon it until it was one mass of flames, which lighted up the thin scrub all around and shone weirdly on tire bodies of the men who were still dancing madly with excitement. Gradually ii subsided until only a heap of glowing ash remained, the outlines of the hills and trees and the bodies of the natives grew indistinct, and the corroborec was aver. It is a strange fact that the words of the owroboree song liave no meaning to the performers. They are nanded on from group to group along with the dance itself, and doubtless undergo sinme ciituipe as they pass from a. tribe speaking one dialect to another speaking quite a different one. Simple in many ways and monotonous though they are, still the various movements must re quire a good deal of careful thinking ont on the part of the originators and a good deal of receptive capacity on the part of those to whom they are handed on if they are to bz correctly performed. Curiously enough every corroborce in this part of the continent appears to have been received from the north. This particular one, for example, is evidently identical with the Molonca dance described by Dr. Roth in his work on tlie Queensland natives, and has come down to the Aranta tribe from tiieir north-western neighbours, the Upirm tribe, Who doubtless received il from tlie Waagai tribe, which extends away again still further to the norcn-west into Queens land. No sooner was thia over than the very next day the natives started a second cor roborce called Illionpa, in which, apart from the slight difference in the movements and die fact that in one scene a man was represented in ihe act of what, is called giving 'mania' to a sleeping man, there was little of interest. This giving 'of ''ma- nia*' consisted in one cftlie decorated men advancing quietly towards the spot where another of tiie performers was lying on the ground and touching the foot of the Lutter with his own. The pnisai was supposed to be contained in a minute piece of stone, which had been sung over and thus en dowed with evil magic, and in mis form is supposed to be very potent. Information. — She — 'What, does this mam about all just government deriving its authority from the consent of the govern ed?'' Ho— 'It means that when a man gets married he practically agrees to take the consequences'.'
References
The Spencer Gillen Expedition, The Register, National Library of Australia, 5 August 1901, 6
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References
A Worthy Old Colonist, The Register, National Library of Australia, 2 August 1924, 7
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