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Dame Edna's Frock-a-thon, National Library of Australia
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"Chang" for Royal, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 25 February 1939, 13
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"New York Follies" (Majestic), News (Adelaide, SA : 1923 - 1954), National Library of Australia, 8 September 1941, 4
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"The Arcadians" Season Extended, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 25 October 1939, 20
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"The Student Prince" Starts Saturday, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 18 May 1939, 4
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"The Vagabond King" Ambitious Show, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 27 November 1937, 24
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A Total Abstinence Tea Party, National Library of Australia, 11 January 1851, 3
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Adelphi Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 9 September 1841, 2
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Advertising, The Express and Telegraph, National Library of Australia, 5 March 1872, 2
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Amateur Notes, The Advertiser, National Library of Australia, 15 July 1933, 11
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Ametuer performance under distinct patronage, Southern Australian, National Library of Australia, 9 February 1841, 1
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Amusing Show At Tivoli, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 3 April 1939
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Anniversary of the Foundation of the Colony , The Maitland Mercury, National Library of Australia, 26 January 1856, 3
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Ashton's Olympic Circus, Northumberland Hotel, The Maitland Mercury, National Library of Australia, 9 February 1853, 3
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Ballets of the Never Never, The Mail, National Library of Australia, 16 July 1932, 1
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Capt. Charles Sturt, News (Adelaide, SA : 1923 - 1954) , National Library of Australia, 10 October 1930, 11
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Chang Pours Out Quite a Few Drinks, The Mail (Adelaide, SA : 1912 - 1954), National Library of Australia, 4 March 1939, 24
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Christmas Panto, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 4 December 1941, 7
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Christmas Sports and Pastimes, The Maitland Mercury, National Library of Australia, 20 December 1856, 7S
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Christmas Travels, The Advertiser, National Library of Australia, 25 December 1909, 11
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Classified Advertising, Sydney Gazette, National Library of Australia, 17 April 1838, 3
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Classified Advertising, The Sydney Gazette and New South Wales Advertiser, National Library of Australia, 31 March 1838, 3
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Concert Guide, The Herald, National Library of Australia, 4 January 1950, 10
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Concerts in aid of the Patriotic Fund, The Maitland Mercury, National Library of Australia, 13 June 1855, 2
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Corroborie, West Coast Sentinel, National Library of Australia, 12 January 1940, 1
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Danny Kaye to Visit Australia, The Canberra Times, National Library of Australia, 20 March 1959, 13
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Fancy Bazaar, The Maitland Mercury, National Library of Australia, 23 January 1850, 2
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Farewell Lecture, The Maitland Mercury, National Library of Australia, 29 August 1846, 3
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For the Sole Benefit of the Maitland Hospital, National Library of Australia, 4 July 1849, 3
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For the Sole Benefit of the Maitland Hospital, The Maitland Mercury, National Library of Australia, 4 July 1849, 3
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Grand Amateur Concert, The Maitland Mercury, National Library of Australia, 8 March 1854, 2
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Grand Musical Entertainment, The Maitland Mercury, National Library of Australia, 8 January 1857, 3
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Grand Opera!, The Argus, National Library of Australia, 30 March 1955, 28
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Grand Opera!, The Argus, National Library of Australia, 9 June 1955, 16
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Grand Total Abstinence Tea Party and Concer , The Maitland Mercury, National Library of Australia, 23 December 1846, 3
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Grand Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 20 December 1845, 3
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Grand Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 23 December 1848, 3
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Great Attraction, The South Australian Register, National Library of Australia, 12 July 1852, 4
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Great Novelty, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 24 May 1851, 2
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Harlequin Mazeppa, The Brisbane Courier, National Library of Australia, 7 January 1870, 1
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Hilarious New Comedy, The Herald (Melbourne, Vic. : 1861 - 1954), National Library of Australia, 13 February 1943, 11
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Last Night of the Season, The South Australian Register, National Library of Australia, 26 June 1841, 1
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Lecture and Tea Party, The Maitland Mercury, National Library of Australia, 16 August 1845, 3
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Lecture on Education, The Maitland Mercury, National Library of Australia, 19 January 1848, 3
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Lecture, The Maitland Mercury, National Library of Australia, 13 December 1845, 3
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Lecture, The Maitland Mercury, National Library of Australia, 15 November 1845, 3
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Lecture, The Maitland Mercury, National Library of Australia, 17 January 1846, 3
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Let's Face It, National Library of Australia, 10 January 1944, 6
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Lucrezia Borgia, The Argus, National Library of Australia, 8 December 1860, 8
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Malcolm's Circus, Northumberland Hotel, For the Benefit of the Maitland Hospital, The Maitland Mercury, National Library of Australia, 7 December 1853, 3
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Miss Maggie Moore & Mr J. C. Williamson : grand production of the grand original Christmas pantomime the Babes in the wood, or, Who killed Cock Robin ... : Harlequinade, L'Entr'acte : theatrical & musical critic & advertiser, Sydney, National Library of Australia, 13, 9, 9 January 1880
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Morpeth Branch of the Hunter River Total Abstinence Society, The Maitland Mercury, National Library of Australia, 5 January 1856, 3
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Morpeth Working Man's Political Association, The Maitland Mercury, National Library of Australia, 30 April 1857, 3
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Morpeth, The Maitland Mercury, National Library of Australia, 15 May 1856, 3
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Morton King's Benefit, Adelaide Times, National Library of Australia, 10 April 1851, 2
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Mr Paxton's Entertainments, The Maitland Mercury, National Library of Australia, 22 April 1854, 2
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Musical and Striaght Plays, The Age, National Library of Australia, 2 May 1950, 5
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Musical Entertainment, The Maitland Mercury, National Library of Australia, 11 August 1849, 3
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Musical Festival , The Maitland Mercury, National Library of Australia, 12 April 1854, 3
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Musical Party in the Temple of Concord , The Maitland Mercury, National Library of Australia, 26 December 1855, 3
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Musical Play To Aid Red Cross, The Mail (Adelaide, SA : 1912 - 1954), National Library of Australia, 4 November 1939, 21
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New Play at Princess, The Herald, National Library of Australia, 7 July 1948, 5
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Nice Goings On at Royal, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 16 September 1937, 16
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Nicola Season, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 22 June 1939, 14
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No Title, Transcontinental (Port Augusta, SA : 1914 - 1954), National Library of Australia, 16 August 1918, 2
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Northumberland Hotel, West Maitland, for the Exclusive Benefit of the Maitland Hospital, The Maitland Mercury, National Library of Australia, 30 December 1846, 3
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Ohio Serenaders, From Sydney, Adelaide Times, National Library of Australia, 3 June 1851, 2
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On Parade, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 9 November 1939, 14
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Opening Address, Adelaide Times, National Library of Australia, 2 December 1850, 2
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Over She Goes, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 9 September 1937, 16
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Patriotic Fund, The Maitland Mercury, National Library of Australia, 9 June 1855, 2
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Play Bookings Open Tuesday, The West Australian, National Library of Australia, 2 August 1952, 8
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Queen's Birth Day. Musical Soiree, Northumberland Hotel, The Maitland Mercury, National Library of Australia, 24 May 1851, 3
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Queen's Theatre , Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 14 July 1841, 1
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 March 1841, 2
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 28 July 1841, 1
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 28 May 1841, 2
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 3 March 1841, 2
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 4 August 1841, 2
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 5 May 1841, 2
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 9 February 1842, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 11 November 1841, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 12 August 1841, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 18 November 1841, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 23 September 1841, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 28 October 1841, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 4 November 1841, 1
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Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 5 August 1841, 1
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Queen's Theatre, Gilles Arcade, Currie-street, Southern Australian, National Library of Australia, 15 January 1841, 2
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Queen's Theatre, Gilles Arcade, Currie-street, Southern Australian, National Library of Australia, 22 January 1841, 2
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Queen's Theatre, Gilles Arcade, Currie-street, Southern Australian, National Library of Australia, 29 January 1841, 2
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Queen's Theatre, Gilles Arcade, Currie-street, Southern Australian, National Library of Australia, 5 February 1841, 2
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Queen's Theatre, Gilles Arcade, Currie-street, The South Australian Register, National Library of Australia, 24 April 1841, 2
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Queen's Theatre, Gilles Arcade, Currie-street, The South Australian Register, National Library of Australia, 8 May 1841, 2
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Queen's Theatre, Gillies Arcade, Currie Street, Southern Australian, National Library of Australia, 16 February 1841, 4
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Queen's Theatre, Gillies Arcade, Currie Street, Southern Australian, National Library of Australia, 26 February 1841, 4
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Queen's Theatre, Gillies Arcade, Currie Street, The South Australian Register, National Library of Australia, 20 March 1841, 2
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Queen's Theatre, Gillies Arcade, Currie Street, The South Australian Register, National Library of Australia, 3 April 1841, 2
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Queen's Theatre, Gillies Arcade, Southern Australian, National Library of Australia, 13 April 1841, 2
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Queen's Theatre, Gillies Arcade, Southern Australian, National Library of Australia, 16 April 1841, 2
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Queen's Theatre, Gillies Arcade, Southern Australian, National Library of Australia, 5 March 1841, 2
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Queen's Theatre, Gillies Arcade, Southern Australian, National Library of Australia, 6 April 1841, 2
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Queen's Theatre, Mr Allan's Benefit, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 19 May 1841, 1
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Queen's Theatre, Mr Arabin's Benefit, The South Australian Register, National Library of Australia, 12 June 1841, 1
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Queen's Theatre, Southern Australian, National Library of Australia, 27 July 1841, 1
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Queen's Theatre, Southern Australian, National Library of Australia, 30 March 1841, 2
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Queen's Theatre, The South Australian Register, National Library of Australia, 1 May 1841, 2
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Queen's Theatre, The South Australian Register, National Library of Australia, 10 July 1841, 1
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Queen's Theatre, The South Australian Register, National Library of Australia, 2 January 1841, 2
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Queen's Theatre, The South Australian Register, National Library of Australia, 2 October 1841, 2
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Queen's Theatre, The South Australian Register, National Library of Australia, 20 February 1841, 3
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Queen's Theatre, The South Australian Register, National Library of Australia, 25 September 1841, 1
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Queen's Theatre, The South Australian Register, National Library of Australia, 26 June 1841, 2
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Queen's Theatre, The South Australian Register, National Library of Australia, 5 June 1841, 2
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Queen's Theatre, Under the Patroage of His Excellency the Governor, The South Australian Register, National Library of Australia, 14 August 1841, 1
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Queen's Theatre, West Maitland, The Maitland Mercury, National Library of Australia, 10 July 1856, 3
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Queen's Theatre, West Maitland, The Maitland Mercury, National Library of Australia, 8 July 1856, 3
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Queen's Theatre. Gilles Arcade, Currie Street, Southern Australian, National Library of Australia, 8 January 1841, 2
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Queen's Theatre. Gillies Arcade, Southern Australian, National Library of Australia, 23 March 1841, 2
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Rip Van Winkle, National Library of Australia, 12 March 1884
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Royal Marionette Theatre, The Maitland Mercury, National Library of Australia, 2 July 1853, 3
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Royal Victoria Theatre , Adelaide Times, National Library of Australia, 5 March 1858, 1
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 12 August 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 15 July 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 16 September 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 19 August 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 2 August 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 23 August 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 26 August 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 26 July 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 5 August 1852, 2
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Royal Victoria Theatre, Adelaide Morning Chronicle (SA : 1852 - 1853), National Library of Australia, 7 October 1852, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 1 April 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 1 August 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 1 January 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 1 November 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 10 February 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 10 March 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 11 June 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 11 March 1858, 1
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 12 August 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 12 July 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 13 October 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 14 April 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 14 August 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 14 February 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 15 July 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 16 August 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 17 June 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 17 March 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 18 April 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 18 December 1850, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 18 July 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 18 October 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 18 September 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 19 May 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 2 September 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 20 January 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 20 June 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 21 August 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 21 July 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 22 March 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 22 September 1851, 3
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Royal VIctoria Theatre, Adelaide Times, National Library of Australia, 23 June 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 24 March 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 24 March 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 24 September 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 25 February 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 25 March 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 25 October 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 26 April 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 28 April 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 29 April 1851, 4
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 29 July 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 29 May 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 29 November 1850, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 3 March 1851, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 30 December 1950, 3
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 30 October 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 31 March 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 31 May 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 4 June 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 4 March 1858
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 5 August 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 6 February 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 6 June 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 6 March 1858, 1
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 7 April 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 7 March 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 8 April 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 8 July 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 8 October 1851, 2
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 9 August 1851, 5
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Royal Victoria Theatre, Adelaide Times, National Library of Australia, 9 June 1851, 3
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Royal Victoria Theatre, South Australian (Adelaide, SA : 1844 - 1851), National Library of Australia, 29 April 1851, 2
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 10 April 1851, 2
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 10 July 1851, 3
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 11 January 1851, 2
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 18 December 1851, 2
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 23 January 1851, 2
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 26 July 1851, 3
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 26 June 1851, 2
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 28 June 1851, 3
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Royal Victoria Theatre, The Australian, National Library of Australia, 3 December 1846, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 10 November 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 11 October 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 12 April 1852, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 12 March 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 13 June 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 14 March 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 15 April 1851, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 15 February 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 16 January 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 16 July 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 16 October 1851, 2
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Royal Victoria theatre, The South Australian Register, National Library of Australia, 17 July 1852, 4
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 18 March 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 19 April 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 19 September 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 2 December 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 2 July 1851, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 20 February 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 20 October 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 21 October 1851
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 23 July 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 24 June 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 27 January 1851, 3
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 27 March 1852, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 28 February 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 28 January 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 29 July 1852, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 3 January 1851, 3
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 3 May 1852, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 30 June 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 4 April 1851, 4
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 4 July 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 4 March 1851, 2
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 4 October 1851, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 5 November 1851, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 6 August 1852, 1
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 7 January 1851, 2
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Royal Victoria Theatre, The Sydney Herald, National Library of Australia, 24 May 1840, 2
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Saint Patrick's Day at the Governor Gipps Inn, Wollombi Township, The Maitland Mercury, National Library of Australia, 6 March 1850, 3
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Saint Patrick's Day at Wollombi, The Maitland Mercury, National Library of Australia, 10 March 1849, 3
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Season to be Extended, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 30 May 1939, 3
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Sisters of Charity - A Musical Festival, The Maitland Mercury, National Library of Australia, 12 January 1856, 3
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St. Patrick's Day, The Maitland Mercury, National Library of Australia, 11 March 1854, 3
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Stars of the Fabulous Harlem Globetrotters, The Argus, National Library of Australia, 3 January 1957, 3
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Tamworth Mechanics' Institute, National Library of Australia, 8 January 1857, 1
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Tea Party and Lecture, The Maitland Mercury, National Library of Australia, 15 August 1846, 3
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Temple of Concord, The Maitland Mercury, National Library of Australia, 24 June 1856, 3
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The Actors Comapny Season Two, Tharunka, National Library of Australia, 23 July 1975, 18
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The Age, Follow The Girls, National Library of Australia, 28 April 1947, 4
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The Age, Kiwis Revue Coy, The Age, National Library of Australia, 27 January 1947, 4
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The Argus, Kiss and Tell, The Argus, National Library of Australia, 7 February 1944, 6
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The Celebrated Fire Eater, The South Australian Register, National Library of Australia, 2 April 1852, 3
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The Circus Royal! Performance for the Benefit of the Maitland Hospital, The Maitland Mercury, National Library of Australia, 24 August 1850, 3
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The Liars, National Library of Australia, 20 March 1899
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The New Zealand Warriors, Sydney Morning Herald, National Library of Australia, 12 July 1862
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Advertisement:
The New Zealand Warriors, Sydney Morning Herald, National Library of Australia, 4 July 1862
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Advertisement:
The Only Way (Theatre Royal broadsheet), National Library of Australia, 23 December 1899
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Advertisement:
The Standard Theatre, Evening News, National Library of Australia, 1 March 1911, 6
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Advertisement:
The Wooden Dish, The Argus, National Library of Australia, 19 January 1957, 37
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Advertisement:
Theatre, Old Court House, East Maitland, The Maitland Mercury, National Library of Australia, 21 June 1845, 3
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Theatre, Old Court House, East Maitland, The Maitland Mercury, National Library of Australia, 26 April 1845, 3
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Theatre, The Hobart Town Courier, National Library of Australia, 3 January 1834, 3
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Advertisement:
Tivoli Revue, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 27 May 1939, 13
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Advertisement:
Tivoli: Arthur Askey in The Love Racket, The Herald, National Library of Australia, 17 January 1950, 14
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Advertisement:
Total Abstinence Tea Party and Concer, The Maitland Mercury, National Library of Australia, 25 November 1846, 1
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Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 15 November 1845, 3
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Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 20 June 1846, 3
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Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 21 June 1848, 3
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Advertisement:
Victoria Theatre, Adelaide Chronicle and South Australian Advertiser, National Library of Australia, 10 December 1839, 5
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Advertisement:
Vocal Concert, The Maitland Mercury, National Library of Australia, 3 November 1849, 3
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Advertisement:
White Horse Inn, The Argus (Melbourne, Vic. : 1848 - 1957), National Library of Australia, 5 July 1943, 4
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Advertisement:
Why Smith Left Home / The Grey Parrot, The Register, National Library of Australia, 8 May 1901, 10
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Advertisement:
Will Mahoney to Appear Here, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 3 July 1940, 10
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Advertisement:
[An Actor Out of Luck], The Argus, National Library of Australia, 3 December 1866, 8
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Advertisement:
[The Wizard of the South], The Maitland Mercury, National Library of Australia, 31 October 1855, 3
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Album:
Aboriginal Islander Dance Theatre, Collection of posters from Aboriginal Islander Dance Theatre [picture], National Library of Australia
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Album:
H. Williamson and Co., Many Happy Returns: The presentation album of Gladys Moncrieff's farewell tour, 1959-1961, National Library of Australia, 1959
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Anthology:
Arthur H. Adams, Adelaide Literary Theatre, Three Plays for the Australian Stage, William Brooks, Sydney, National Library of Australia, 1914
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Article:
"Jill Darling" At Royal, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 1 August 1938, 17
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Merrie England," to be performed in the Botanic Gardens tomorrow week, is .charming music — an ideal choice for Sunday afternoon entertainment in a garden setting. It wili have equal appeal to highbrow and lowbrow tastes. Sir Walter Raleigh and Jill- All- Aione will be chronologically incorrect when they sing "It Is the Merry Month of May." ' But in his next solo, the gallant Sir Walter will be "right on the beam." This gay little song is "Dan Cupid Hath a Garden." "Merrie England," a comic opera, was written by the distinguished English composer Sir Edward Ger man. It was first produced at the Savoy Theatre, London, in 1902. Mr Hector Crawford, who will conduct the Melbourne Conserva- torium Symphony Orchestra and the Orpheon Choir of 200 voices, is not worried about the weather. His friends call him "Lucky Craw ford" because in seven years of open air concerts he has suffered only one day of scattered showers. Soloists, choir and orchestra will have their first combined rehearsal on Tuesday night. On Saturday they will rehearse In the gardens. The concert is being sponsored by The Herald. It will be broad cast by 3DB.
Article:
'Merrie England' Ideal for Garden Concert, The Herald, National Library of Australia, 23 February 1946, 5
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Article:
A Chat with Mr Graham, Critic, National Library of Australia, 30 December 1914, 24
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Article:
A Galaxy of Birds. Canary Cottage At The Royal, The Register, National Library of Australia, 22 April 1918, 6
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Article:
A Licentious Stage, The South Australian Register, National Library of Australia, 16 January 1850, 3
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Article:
A Licentious Stage, The South Australian Register, National Library of Australia, 22 January 1850, 3
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Article:
A Lyric Club Welcome, The Register, National Library of Australia, 8 May 1901, 3
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Article:
A Native Corrobboree, Adelaide Observer, National Library of Australia, 12 February 1898, 44
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Article:
A Native Corrobboree, The South Australian Register, National Library of Australia, 29 January 1898, 5
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Article:
A Pioneer's Recollection, The Register, National Library of Australia, 4 February 1925, 10
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Article:
A Play is Made, The Examiner, National Library of Australia, 23 July 1954, 12
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Article:
A Play Takes the Stage, The Examiner, National Library of Australia, 1 March 1949, 1s
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Article:
A Waltz Dream, Sydney Morning Herald, National Library of Australia, 11 December 1916, 9
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Article:
A Worthy Old Colonist, The Register, National Library of Australia, 2 August 1924, 7
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Article:
A. W. Monds' Bequest Can Be Used To Buy National Theatre, The Mercury, National Library of Australia, 15 May 1954, 6
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The announcement that a number of aboriginals would perform at the Exhibi- tion met with general favour. Adelaide people have not now many opportunities of seeing a number of natives in the city. A solitary blackfellow and his lubra come within the city boundaries once in a while, but they are generally regarded as intruders. At any rate the natives don't feel at home as they used to do before Adelaide became a city, and before the white man took away the land they occupied. Some months since it was suggested that a number of blackfellows should attend the opening ceremony of the Exhibition, but very little notice was then taken of the matter. A few weeks ago, however, arrangements were made with the Ex- hibition authorities that a number of natives should see the Exhibition, and that they should give an entertainment in it. Accordingly on Saturday last seventy-seven natives arrived in Adelaide from the Point Macleay and Point Pearce Mission Stations-men, women, and children - forty-six from Point Macleay and thirty-one from the other station. The visitors, who are in charge of Messrs. F. W. Taplin and T. M. Sutton (the Superintendents of the mis- sion stations) and Miss Sutton, rank from various ages, including babes and boys and girls, the oldest man being between 60 and 70 years of age, and the eldest woman about 45. The Old Exhibition Building has been placed at their disposal for a camp. On Monday when they were shown through the Exhibition they were naturally surprised at the " great wonders." They were especially in- terested in the pictures, particularly those in the eastern annexe. Large mirrors, too, in various parts of the Exhibition surprised them perhaps as much as any- thing. It was probably the first time they saw themselves in all their beauty in looking-glasses. Their attention also was considerably attracted on the display of weapons and photos in the armament ball from the Point Macleay Mission Station. It was first proposed to hold the special entertainment in the Adelaide Town Hall, but afterwards the South Australian Branch of the Royal Geo graphical Society, under whose auspices the visitors' programme of engagements will be carried out, agreed to have the entertainment in the Exhibition. The music hall was the place first suggested in which to hold the concert, but as it was thought that that building would be too small to accommodate the public, the Exhibition officials and others preferred to have it in the main building. Accor- dingly on Tuesday afternoon the hall platform was prepared. A wurley was erected of evergreens and shrubs in front of the organ, and the platform was covered with carpet. Bush mats and bags, made by the natives, and spears, boomerangs, waddies, swords, shields, and other weapons were distri- buted over the platform, to make the scene as natural as possible. Original sketches of natives very cleverly drawn with a lucifer match by aboriginals at Port Macleay, and a sketch of houses at Point Pearce shown on the platform testified to the natives having been taught to practically and usefully employ their leisure. The concert was advertised to begin at 7.30 p.m., but long before that time the main hall was crowded, and during the evening the hall and the galleries were completely packed. Over 4,600 persons visited the Exhibition in the evening, and most of them crowded in the main building. The natives took their seats in good time, the men and women on the gallery stairs on the western side of the organ, and the boys and girls on the eastern side. Three lubras, as cheerful and homely as possible, were the first to come on to the platform. They im- mediately entered the wurley and started mat-making, or something of the sort. An old man followed, and amused the audience by illustrating the aboriginal method of making a fire with two sticks. Six native men, tatooed and in their native costume, next made their debut in a tableau illustrating " Savage Life" with aboriginal singing. This company, who were assisted in their wordless song- singing by the women, at once interested the audience. Each man had two small sticks with which he "kept time." Of course none but themselves could under- stand their one continuous chatter. After singing for a quarter of an hour their places were taken by six other men who were not so savage in their movements, and did not excite themselves so much. The second lot were intended to show a tableau representing " Civilized Life." A choir of native children next sang " Jesus Loves Me." The youngsters were very neatly dressed. All the boys wore white trousers, and their neat ap- pearance dispelled any doubts there might have been as to their clean- liness. Their singing was distinct and they evidently felt quite at home. At various periods the children sang other songs - "A New Name" and "Follow On." The last contribution brought forth applause from every quarter of the building- Walter Salisbury, a native lad, gave a solo from the cantata " Robinson Crusoe," and had to respond; and " Do they Pray for Me at Home," sweetly and correctly sung by Susie Wangeneen, surprised the listeners, and she had to respond to an imperative encore. The natives apparently did not understand an encore, but in- structed and prompted by Mr. Sutton and Mr. Taplin, they acknowledged the compliments. Two native girls, Leah Unaipon and Ada Koolmatere, sang "Over the River" with very good taste, and Frank Blackmore, who is very clever and is said to be able to give recita- tion after recitation, recited "The British Flag." The recitation was given very well indeed, the emphasis and pronunciation being especially commendable. The re- citer was rather too fast, however, to be well understood, but he earned the pro longed applause of the audience. The singing altogether showed that the natives have been well trained and that they appreciate good music. Unfortunately they are unable to sing as loudly so their white brethren, or to blend their voices so harmoniously, but they are entertaining in their way, and understand what they are singing. The children used hymnbooks, but they seemed so well acquainted with the song that the books were almost unnecessary. Miss Sutton played the piano accompani- ments. After the National Anthem the aboriginals adjourned to the esplanade, where arrangements had been made for a sham fight. The people stood around the esplanade and crowded the balconies. About 9 o'clock several natives with spears and shields rushed into the enclosure from the western part of the crowd, and treated the spectators with a sham fight-such as it was. The rattling of shields and the tossing and tumbling of the aboriginal soldiers caused considerable merriment. At first only six natives engaged in the affray-three on each side-and, unusual for warriors, when they got tired they thought it wise to rest awhile. Presently the ranks were strengthened, but for a long time it was difficult to tell whether the attacking or defending force had the best of the con- test. The wooden spears flew about in every direction, and there was a regular quarrel, and at last a man on each side was carried off the field, supposed to have been killed. The aboriginals finished their entertain- ment by singing " God Save the Queen." Throughout the utmost good humour prevailed, and nothing objectionable or obscene occurred. It should be men- tioned that these natives themselves object to corroboree. Having been brought under the influence of civiliza- tion they feel that it is degrading to resort to their old bush life, and on the mission stations corroborees are entirely dis- couraged on account of the immoral tendencies. A little dancing was intro- duced by the natives in their ex- citement, but nothing to speak of. The people of Adelaide could see for themselves on Tuesday evening the great alterations made in the manners and customs of the aboriginals, and if the blacks can thus be brought to comparative civilization, it seems desirable that every effort should be made to extend mission work amongst them. On Wednesday evening the special feature was a repetition with slight variations, of the aboriginal entertain- ment as given on the previous night. It is unusual to open the Exhibition on Wednesday evenings, but by special request the authorities agreed to allow the public to once more see the natives before they returned to the mission stations. The programme in the main hall was much the same as on the previous evening. The same songs were contributed, with a song, "Mother is Dead," by a native woman, and two others, "Merry Dick" and "Learn to say no." Both the tableaux and the singing evoked considerable ap- plause. The almost unnatural chattering of the natives caused considerable merri- ment all round, and the audience evi- dently appreciated the novel proceedings. On the esplanade a sham fight took place after 9 o'clock, in which the aboriginals not only amused the spectators but them- selves. By means of the electric light and blue lights the affray was witnessed to advantage, and the crowd had a splendid opportunity of seeing the natives engage in some of their most frantic actions. The aboriginals will, no doubt, return pleased with their visit to Adelaide and the Exhibition.
Article:
Aboriginal Entertainment, Adelaide Observer, National Library of Australia, 10 September 1887, 30
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Article:
Aborigines recently staged, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 6 May 1941, 8
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Article:
Academy of Music, Launceston Examiner, National Library of Australia, 4 February 1886, 3
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Article:
Alexandra Theatre, The Argus, National Library of Australia, 13 June 1885, 13
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Article:
Allan Wilkie Company reconstituted, The Brisbane Courier, National Library of Australia, 25 February 1927, 6
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Article:
Allan Wilkie returns. Short Shakespearean Season., The Argus, National Library of Australia, 24 February 1927, 14
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Article:
Allan Wilkie. Melbourne, Wedensday, Sydney Morning Herald, National Library of Australia, 24 February 1927, 8
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Article:
Amateur Concert, The Maitland Mercury, National Library of Australia, 18 March 1854, 2
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Article:
Amateur Ethiopian Concert, The Maitland Mercury, National Library of Australia, 5 March 1853, 2
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Article:
Amateur Play at National for Patriotic Funds, The Examiner, National Library of Australia, 14 May 1941, 7
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Article:
Amateur Theatre, The Maitland Mercury, National Library of Australia, 31 May 1845, 2
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Article:
Amusements. Her Majesty's Theatre. The Pink Lady, The Argus, National Library of Australia, 12 June 1917, 8
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Article:
Amusements. Lyric Club, The Advertiser, National Library of Australia, 17 August 1909, 9
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Article:
Amusements. Lyric Club, The Advertiser, National Library of Australia, 18 August 1909, 9
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Last night nearly all the township turned out to see a corroboree held by the blacks. The spectators sat on almost precipitous rocks that rose above the flat which the natives had chosen. The" actors, naked from the waist, were painted with broad white bands over face, neck, arms, and body. Some of them had great feather erections on their heads and wore a kind of sporran made of wool. The leader carried in each hand a Maltese cross of wood, each point having a bunch of white feathers attached, and others had the same shaped frame with scarlet threads wound across and across. An old man, clothed in a long coat that looked something like a high priest's robe, stood in front beating two boomerangs and chanting a low monotonous song, to whose time the naked feet of the warriors stamped and beat in unison. A number of women squatted round the fire and kept it supplied with brushwood, and one of them assisted the "high priest" by joining in the chant and beating her hands. The weird character of the scene was one to haunt one's dreams. The moon shining through the background of trees, the blazing fire, with its circle of women and the hideous forms of black and white that simulated the stealthy march, the rush on the foe, the ferocious massacre, the dance of triumph, then the packing up the plunder, the return march through the arid desert, and the slaking of their burning thirst when the longed-for pool was reached.
Article:
An Aboriginal Corroboree, Adelaide Observer, National Library of Australia, 3 December 1898, 32
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CORROBBOREE.— The Kapunda Herald writes: — 'Fandangos of the corroboree descrip tion -were of frequent occurrence in the early days cf tbe colony, but since the spread of the white people over the face of the land they have become a thing of the past. However, a short lime since a number of the blacks migrated from Mount Remarkable in this direction. On reaching Hamilton they fell in with some more of their countrymen, and immediately^ their exuberance knew no bounds, ' Fire- water' being the height of a blackfellow's human felicity, a plentiful supply of rum was obtained, and a tenaLtless house being espied, it was taken possession of. Then they imagined they were in the midst of a perfect halo of de light; dancing, howling, and yelling followed in quick succession, until the peaceful residents of Hamilton imagined that Pandemonium hid ar rived amotgst them. This sort of amusement was continued the next day, but with this dif ference, that the midnight brawlers nearly frightened the wits of tha children and the fair daires; who had to fly for protection to Mr. Go:d, the lecal schc olniatter. That gentleman, on expostulating, was jeered at, threatened, and assaulted. He therefore sought to have an end put to these orgies, and appeared at the las' sitting of the Magistrates' Court to prosecute one of the ringleaders rejoicing in the name of Jemmy Sprat, who had assaulted him. Mr. Gold did not press the charge, and as Jemmy promised to return to Mount Remarkable, His Worship let him eff with seven days imprisonment.'
Article:
Annual Report of Botanic Gardens, The South Australian Register, National Library of Australia, 22 April 1876, 5
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Article:
Another Non-Stop Marcus Show, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 24 January 1938, 7
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Article:
Anthropology invesitgation in South Australia, Transcontinental (Port Augusta, SA : 1914 - 1954), National Library of Australia, 4 December 1925, 1
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Article:
At The Comedy Harmonists' Concert, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 9 October 1937, 14
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Article:
At The Ice Ballet, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 15 July 1940, 5
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Article:
At The Play, Critic, National Library of Australia, 15 October 1919, 10
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Article:
At The Theatre Royal, The Advertiser, National Library of Australia, 5 August 1929, 10
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Article:
Audiences Must be Educated, The Examiner, National Library of Australia, 8 March 1950, 5
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Article:
Aussies dig in at Stratford, The Argus, National Library of Australia, 10 September 1955, 1S
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Article:
Australian Varieties, South Australian Record and Australasian Chronicle (SA : 18, National Library of Australia, 18 April 1840, 5
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Article:
Balalaika Is Spectacular, The Mail (Adelaide, SA : 1912 - 1954), National Library of Australia, 9 April 1938, 20
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Article:
Barbed wire 'whip' seized after brawl at circus, The Argus, National Library of Australia, 14 November 1955, 3
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Some of the loudest ap- plause at yesterday's matinee performance of "Oklahoma," at the Theatre Royal, carne from 20 blind women from the Helen Keller Hostel, Woollahra. The blind women "saw" the performance with the aid of Matron E. R. Smith, and four members of the hostel staff, who described the scenes, costume, and actions. They were the guests of the management of J. C. Williamson Ltd. After the performance they unanimously agreed that it was one of the most pleasant outings they had ever had. The eldest member of the party, Miss H. Runcie, 81, and the youngest Miss Sylvia Barnett 23, were particularly enthusiastic Miss Runcie, a retired school teacher, said: 'I was always very interested in music and the stage You see, when I was a teacher I had to know a bit about singing Although I am rather deaf I enjoyed the programme immensely.' Miss Barnett, who is an elocution teacher at St Lucy's School for the Blind, said: 'I am very interested in stage work, and thought it was grand Because of my work in voice production, I was able to follow the plot clearluy" Arrangements for the women's visit were made by Mr T. C. Faribairn, organising secretary of the Royal Sydney Industrial Blind Institution.
Article:
Blind Women "Saw" Stage Performance, Sydney Morning Herald, National Library of Australia, 4 May 1950, 5
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Article:
Blythe Waterland's Serenaders, National Library of Australia, 5 June 1850, 2
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A number of aboriginals aro in town from Pooia-nacca. Thoy aro giving corrobborees with the view of raising funds to provide thorn with means of combating the coming winter. One corrobboree was to be conducted last nijght on the Proprietary paddock, but th j larrikins of the IIill determined to have a bit of fun on their own account. When a number of young scamps who had gathered on the scene began to shout ana throw missiles the aboriginals were seized with fear, and hurriedly paeked up and started up Oxide-street, followed by a crowd of yelling and hooting boys. The procession caused considerable excitement, and the street was blocked against traffic for some distance. The question was asked several times, " Whore are the police?" but not until the un fortunate natives had taken refuge in the atabiea of the Tydvil Hotel was a telephone message sent to the station, and two con stables soon arrived on the scene and dis persed the mob. The blacks were then es corted back to the Proprietary paddock, where Vhey carried out their programme.
Article:
Broken Hill, Adelaide Observer, National Library of Australia, 7 May 1898, 28
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Article:
Candida at National, The Examiner, National Library of Australia, 24 October 1938, 5
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Article:
Centralia, The Register, National Library of Australia, 11 September 1928, 9
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Article:
Christmas at Nepabunna, he United Aborigines messenger, National Library of Australia, 1 February 1935, 9
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There have been for the last few days about twenty aborigines camped close to Clare, who enliven us every evening with their corrobsiics, which are well worth the trouble of seeing. Each blockfellow is marked with white chalk in broad lines and daubs all over his face, breast, and shoulders, which gives them the appearance of so many demoas as they dance clo3o to a large fire, and especially when connected with their unearthly jells. Two or three times during the performance one of them carried round a hat, stating that tbe smallest contriDuuon wouia do manktmiy received, wnioa l am sure was liberally responded to by the spectators.
Article:
Clare, The South Australian Register, National Library of Australia, 13 February 1860, 3
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Article:
Concert a la Musvrd, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 11 November 1841, 3
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Curious Procession Creates Interest Darwin residents were amazed on Sunday to find aborigines, hideously bedaubed with mud and ochre and armed with bundles of spears, con ducting a corroboree in the main street. The natives chanted, shouted, and danced down the street, to the ac companiment of yells of delight from a crowd of blacks clad in cast-off Euro pean garments, until they reached the corner of the aboriginal compound. There they began a corroooree and took possession of the whole road, but the superintendent of the compound (Mr. L. Samut) tactfully induced them to gointo the compound and to con clude their tribal ceremonies on the compound beach. The corroboree was part of a cere mony conducted by natives who re cently came from Bathurst Island. There are considerable numbers of aborigines in Darwin. They have come in for the shelter afforded at the compound during the wet season. Tlie procession in the street was a curious one. The. abo rigines conducting the proceedings were In then' wildest state, probably the same as they were before white men settled the country, but others were dressed in odd particles of cloth Ing. A few even wore collars and ties, while the procession was followed by several blacks riding push bikes. When -the corroboree in the com pound 'was finished, the blacks con ducted a game of Australian football, at which they are expert.
Article:
Corroboree in Darwin Street, Adelaide Chronicle and South Australian Literary Record, Chronicle (Adelaide, SA : 1895 - 1954), National Library of Australia, 21 February 1935, 47
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Article:
Country Intellegence, The Southern Argus, National Library of Australia, 18 January 1912, 3
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On Saturday evening the aborigines, in ac cordance with an advertisement In the Oncer, dian, held a corrobboree at the rear of the Sir John Franklin Hotel before a moderate atten dance. At first their antics were gone through by the light of a bonfire; but as that was against a by-law of the Corporation, it was soon doused. However, they_went on, and some benevolently- ! minded individuala procured some fundlns, which made the darkness visible. The perfor mance concluded about quarter-past 9 o'clock.—
Article:
Country News, South Australian Advertiser, National Library of Australia, 26 March 1872, 3
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Article:
Culture is Popular, The Examiner, National Library of Australia, 12 April 1948, 2
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Article:
Cup Stayed in Family, The Mercury, National Library of Australia, 2 June 1952, 6
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Article:
Darwin Colours, The Advertiser, National Library of Australia, 28 July 1924, 11
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Article:
Darwin's Defence Importance, The Advertiser, National Library of Australia, 29 June 1939, 20
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A well developed entertainment from an amusing situation is worked out in "Dear Ruth," now playing at the Comedy. Letters written enthusiastically by a "kid-sister" in her elder sister's name to a soldier overseas as part of the bobby-soxer's many enterprises to help the war effort have their perplexing results when -the possessive soldier returns looking ardently for his "Dear Ruth," who has just announced her engagement to Albert, a sedate young man who is not able to keep pace with the rapid turn of events. There is plenty of humour to keep the brew merrily simmering and the characters are well played by a thoroughly efficient cast. Claude Fleming is well suited with the role of the father of the girls, Judge Wilkins, and Gladis Griswold and Anne Lincoln give polished presentations of the mother, Mrs. Wilkins, and the daughter, Ruth, respectively. Gwenda Wilson is well cast as the younger sister, Miriam, the imp of mischief behind all the trouble. The supporting parts are strbngly filled, though John Stacy's interpretation of Albert strikes a farcical note that is discordant in the key in which the comedy is played. It is amusing, nevertheless. The play is, as usual, expertly produced by Gerald Kirby, and the stage set by George Upward and assistants is a work of art.
Article:
Dear Ruth, The Advocate, National Library of Australia, 9 January 1946, 20
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Article:
Death of Mr George Coppin, A Remarkable Career, Sydney Morning Herald, National Library of Australia, 15 March 1906
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We have to record the total destruction of the Haymarket Theatre in Bourke Street by fire. This place of amusement has now been closed for several years, with the exception of a few nights at intervals, when it has been opened for occasional entrainments. At the time of the fire it was under lease to Mr Coppin, also the lessee of the Theatre Royal. Although so rarely open to the public, it was in complete order as a theatre. Its stage was supplied with scenery and fittings; the pit, dress circle, and a gallery were in their usual condition, and the premises were carefully looked after. Those to whom the building is familiar will remember that the establishment consisted of two portions. That fronting Bourke street consisted on the eastern side of Allen’s Haymarket Hotel, and on the Western side (separated from the other by the pit entrance, some 14 ft wide) where ticket offices, &c. The first floor was occupied by the main portion of the Apollo-hall. Behind these front buildings was a courtyard, with a fountain in the centre; but the premises were carried along on each side till they reached the theatre at the back. On the right of this yard were lattice work arbours, fitted with benches and tables, and above was a long covered passage leading to the dress-circle. On the opposite side was a bar, an unused kitchen, and a storeroom in which Mr Allen kept his wines and spirits. Adjoining the latter forum was the staircase leading to the gallery. Above this last range of buildings was a wing of the Apollo Hall. It must be understood that this courtyard led to the chief entrance to the th3eatre. Last evening m(Friday) the hotel was open and doing business, but the rest of the establishment was unused and unoccupied, save by the watchman employed by Mr Coppin to take care of the place. At about 8 o’clock last evening (Friday) the fire was first observed. The watchman of the theatre, Reuben Sweeny by name, was standing at the stage door in Little Collins street, when a boy going past gave him the alarm of fire. Running into the street, he saw smoke issuing form the building he had left, at a point about the middle of its length. He immediately went into the theatre, and on to the stage, where he saw signs of fire in the north-eastern corner, at the point where, on the other side of the party wall, were the kitchen and spirit room. He then got out the two hose with which the theatre was supplied, and, assisted by Mr Lasson, a neighbouring oyster dealer, and Charles Marshall, a stage carpenter (who ran in with him when he gave the alarm), tried to throw water on the burning place. This they were unable to do. The fire spread with extraordinary rapidity, and they had to escape at the back to avoid suffocation. According to Marshalls account, the pressure of water in the hose so sued was very weak. By this time, however, the alarm had been given more fully, and the United Insurance Fire Brigade, under superintendent Hoad, appeared on the scene. Their first place was to carry the hose into the courtyard, but from this they were soon driven away by the increasing flames and smoke. Firemen were also stationed at other points of the building, their endeavours being directed to prevent the flames spreading to adjoining houses. In this work they were speedily joined by the Emerald Hill, Hotham (under Mr Cook) and East Collingwood (under Mr Daskein), local fire brigades. Altogether nine streams of water were directed on the burning premises. Fortunately the united energetic efforts of the fire brigades proved successful, and with some small exceptions the damage was confined within the walls of the theatre and front buildings, stretching from Bourke to Little Collins streets. On the western side a number of houses were closely adjoining the theatre buildings, but a strong nearly south-westerly wind kept the flames from them. On the eastern side were a row of small one-storey market stalls, usually occupied by poulterers, green grocers, and other produce dealers. Those of these shops which adjoined the theatre premises extending from Bourke street to the point level with the courtyard, were saved with little injury; but those actually alongside the theatre were destroyed by the falling of the theatre wall. Beyond these little shops were the open sheds of the Eastern Market, which could not readily catch fire. The neighbouring houses in Little Collins Street, were saved by the southerly wind.
Although the progress of the fire afforded one of the grandest spectacles ever seen in Melbourne, it was singularly uneventful. Some six or seven minutes after the first alarm was given, the flams burst through the roof, and tongues of fire issued from the row of ventilating apertures under the eaves. This was in about the middle of the building as before described, but with a speed which could scarcely be told in minutes, so rapid was it, the flames extended through the theatre on one side, and into the Apollo hall on the other, till they streamed out through the windows facing Bourke street. In ten minutes more the iron roof of the theatre fell in with a crash, and a huge volume of black smoke issued forth to be changed in another second to an enormous body of rolling, roaring flames. The wind being high, blew clouds of burning fragments across the street, and but for that interval of space, the houses for a considerable distance must have been placed in serious jeopardy. At this stage the fire was utterly beyond control. It does not, indeed, happen often in aby mans life to see flames of such volume and brilliancy. The whole city was lit up by the glare, and every spire and tower stood out in bold relief, as the reflected the ruddy light. The firemen directed jets of Yan Yean from every point of vantage, but it was obviously not to quench the fire, but to keep the walls as cool as possible. Nevertheless, they managed to subdue the conflagration in the front premises. After the fire had been nearly twenty minutes burning, the upper portion of the eastern wall of the theatre gave way, and fell outwards, crushing a number of the small market stalls before alluded to. Being mostly of wood, they soon caught fire, nut were speedily extinguished. About half an hour after the fire broke out, it was at its height. It then gradually burnt out, utterly destroying everything within the four walls extending the entire length of the establishment, except the bar room of Allens’ Haymarket Hotel, which though little injured by fire, was utterly swamped by water. The Bourke Street front remains but inside, from end to end, is only smoking ruins.
The origin of the affair is believe to be, that during the day a fire was lit in the kitchen of the hotel (ordinarily unused) to enable the boys to clean some pint pots.. The fire was left unextinguished, and some hot cinders may have fallen on the “composition” floor, and set it on fire. This would account form a smell of pitch which was said to be observable when the fire was first discovered. It seem that the fire certainly broke out at that particular spot. It should be mentioned, however, that the neighbourhood is alive with rumours as to a previous strong expectation that the theatre was to be burned down on the previous evening. A little girl, named Sarah Anne Brown, the daughter of a neighbour, told Mrs M’Gee, landlady of the Adam and Eve Hotel in Little Collins Street, that the theatre was going to be burnt down that night (Thursday).
Fatal Accident at the Fire
(From the Herald)
About half past seven o’clock this morning (Saturday), two men, named respectively John Jones and ---- Wyatt, were standing amongst the debris in what had been the pot of the Haymarket Theatre. Whilst gazing on the scene of ruin and smouldering ashes, the suddenly heard an ominous kind of cracking indicative of danger, and Wyatt immediately changed his position, and by so doing probably escaped serious injury, or sudden death. Jones, a young managed twenty-three years, residing at Hotham, and a stage carpenter by trade, did not move, and in another moment an iron pillar, or as some state a girder, came plunging down, striking Jones on the head, and crushing him to the ground. As soon as possible a cab was obtained by Constable Baird, who in company with Wyatt, went with the wounded man to the hospital, where surgical aid was at once rendered. The poor fellow, who of course was utterly insensible, was placed on a bed, and his hair was removed with the object of enabling Dr Lawrence to arrive at some conclusions as to the extent and nature of the injuries sustained by Jones, and it then became clear that they were so serious as to give but slight hopes of his recovery. Ice and other strong remedies were applied with promptitude and skill but without avail, as the unfortunate man succumbed to the violence of the injury sustained by him, and died at ten minutes to one o’clock, without having shown a moments consciousness. We understand that the deceased was related to Mr Geo. Loyal, the gymnast.
Article:
DESTRUCTION OF THE HAYMARKET THEATRE BY FIRE. (1871, September 27)., The Hamilton spectator., National Library of Australia, 27 September 1871, 1
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Article:
Devonport Repertory Society Wins Drama Festival Trophy, The Examiner, National Library of Australia, 13 March 1950, 7
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Article:
Disastrous Fire at Geelong., The Argus, National Library of Australia, 22 June 1926, 9
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Article:
Discovery of Reefs, The Advertiser, National Library of Australia, 29 January 1898, 7
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Article:
Domestic Intelligence, Port Phillip Gazette (Vic. : 1838 - 1845), National Library of Australia, 12 November 1842, 2
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Article:
Domestic Intelligence, The Sydney Monitor, National Library of Australia, 13 January 1830, 3
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Article:
Domestic Intelligence, The Sydney Monitor, National Library of Australia, 22 December 1832, 2
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Article:
Domestic Intelligence. Queen's Theatre, The Argus, National Library of Australia, 7 February 1856, 5
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Article:
Dr. Carver's Wild America, Sydney Morning Herald, National Library of Australia, 3 February 1891, 6
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Article:
Drama Award to Hobart, The Examiner, National Library of Australia, 9 April 1951, 4
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Article:
Drama Award to Players, The Examiner, National Library of Australia, 12 April 1948, 5
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Article:
Drama Festival Continues, The Examiner, National Library of Australia, 6 April 1951, 4
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Article:
Drama Festival Opens in North, The Mercury, National Library of Australia, 9 June 1953, 14
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Article:
Drama Festival Opens, The Examiner, National Library of Australia, 4 March 1949, 3
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Article:
Drama Festival Plays Hold Interest, The Examiner, National Library of Australia, 9 April 1948, 5
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Article:
Drama Keynote at Second Festival Opening, The Examiner, National Library of Australia, 8 April 1948, 3
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Article:
Duke Attends Corroboree, The Advertiser, National Library of Australia, 20 August 1936, 6
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Article:
Earlier Re-opening of Theatre, The Examiner, National Library of Australia, 11 June 1951, 3
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Article:
Early River Steamer, Chronicle, National Library of Australia, 19 May 1932, 41
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Article:
Echoes of Tarcoola, Transcontinental (Port Augusta, SA : 1914 - 1954), National Library of Australia, 24 April 1932, 1
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Article:
Encouragement for Playwrights, The Age, National Library of Australia, 16 January 1954, 9
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Article:
Entertaining Comedy, The Mercury, National Library of Australia, 8 August 1942, 4
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Article:
Entertainments. Allan Wilkie Season. Three new productions., The Argus, National Library of Australia, 9 February 1927, 20
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Article:
Entertainments. Canary Cottage, Courier Mail, National Library of Australia, 17 May 1918, 8
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Article:
Entertainments. F.F.F., The West Australian, National Library of Australia, 2 October 1920, 10
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Article:
Entertainments. High Jinks, The West Australian, National Library of Australia, 20 May 1920, 8
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Article:
Entertainments. Musical Comedy Company. The Girl in the Taxi, The West Australian, National Library of Australia, 17 May 1920, 8
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Article:
Ethioian Concerts, The Maitland Mercury, National Library of Australia, 30 March 1853, 2
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Article:
F. Keith Manzie, Four Fragile Beauties of Old China, The Argus, National Library of Australia, 10 December 1956, 3
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Article:
Fairfield Catholic Younger Set, The Biz, National Library of Australia, 17 June 1948, 6
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Article:
Fancy Bazaar, The Maitland Mercury, National Library of Australia, 15 January 1848, 2
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Article:
Festival of Drama, The Examiner, National Library of Australia, 29 May 1947, 4
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Article:
Festival of Drama, The Examiner, National Library of Australia, 7 June 1947, 3
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Article:
Film Debut, Western Mail, National Library of Australia, 23 August 1951, 41
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Article:
Fine Presentation of Spanish Comedy, The Examiner, National Library of Australia, 11 March 1950, 7
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Article:
Finnis Springs, The United Aborigines messenger , National Library of Australia, 8, 1 January 1940, 11
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Article:
Fire at Geelong. Mechanics' Hall burnt. Damage exceeds £20,000. Theatrical Company's Loss., The Argus, National Library of Australia, 22 June 1926, 11
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Article:
Fire at Launceston, Sydney Morning Herald, National Library of Australia, 15 December 1906, 14
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Article:
First Night For A New Thriller, Sydney Morning Herald, National Library of Australia, 28 June 1949, 6
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Article:
First Royal Tour, The Mail, National Library of Australia, 23 April 1927, 1
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Article:
Flying Show Boat, The Advertiser, National Library of Australia, 19 November 1932, 10
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Article:
Friday 1, March, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 2 March 1850, 3
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Article:
Front Seat at a Stone Age Drama, The Advertiser, National Library of Australia, 26 September 1936, 11
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The enclosure at the police-station ont Tuesday morning'reminded onlookers of a blacks' camp,, owing to the presence ther« - ; of about a dozen^ natives, with their bag- gage and inevitable tribe of dogs. Tha natives had heard at their wurlies at Encounter Bay of the approaching ¡visit of fhe / King's son, and, ' burning with curiosity, ihad walked to town to weU come him to their native land. Their dis- appointment was great when they were told1 " their visit wa» premature, and it was greater when they were informed they, Would have to return whence they cama to await the Duke's arrival. The blacks . were gathered together in the police yard on Monday and they spent the night there. Early in the morning they held a corrob boree, and as a return for their labors they were given some breakfast. Throughout the morning the dusky visitors were to be . seen lolling ¿about in the sun, smoking and " speculating on the forthcoming tour in South Australia of the Royal party. They became reconciled to the idea of having to return to ibheu- wurlies, and promised to come to the city again when the Royal visi« tors arrive.
Article:
General News, The Advertiser, National Library of Australia, 15 May 1901, 4
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Article:
Goolwa in Early Days, The Mail, National Library of Australia, 22 August 1936, 7
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Article:
Government House at Home, The Advertiser, National Library of Australia, 13 August 1890, 5
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Article:
Gowns Made Glitter, The Argus, National Library of Australia, 4 February 1952, 8
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Article:
Grand Opera Season For Launceston, The Mercury, National Library of Australia, 15 July 1944, 5
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Article:
Grand Opera, Daily Herald, National Library of Australia, 8 October 1919, 2
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Article:
Grand Opera, The Mail, National Library of Australia, 25 October 1919, 3
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Article:
Grand Total Abstinence Festival, The Maitland Mercury, National Library of Australia, 19 August 1846, 2
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During the even ing the aborigines, who had' mustered in great force, numbering over 50, assembled in front of the Bobe Hotel, and gave three cheers for His Excellency in trae British style. The Chief Secretary ordered a bag of floor and some tobacco to be issued to them by Mr. Warren, the Sub-Protector. At night the blacks dressed themselves np and held a grand cooyong in honor of the Governor's visit, at which His Excellency was present, and several httempts were made by the owners of the soil to address His Excellency, and to solicit him to cause suits of clothes to be sent down to them as well as rations, but they had not the fortitude to make known their wants to Bjb Excellency. Mr. G. Onnerod gave several of the blacks shirts and trousers, so that they might make a respectable appearance on tha occa sion.
Article:
Guichen Bay, South Australian Advertiser, National Library of Australia, 28 February 1863, 3
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Article:
Hall Burnt. Work of a Maniac. Allan Wilkie's Loss., Sydney Morning Herald, National Library of Australia, 22 June 1926, 11
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Article:
Hall, Theatre Plans Passed, The Mercury, National Library of Australia, 7 December 1954, 5
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Article:
Happy Thought, The South Australian Advertiser (Adelaide, SA : 1858 - 1889), National Library of Australia, 2 June 1885, 7
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Article:
Harmonic Society's Concert, The Maitland Mercury, National Library of Australia, 2 August 1845, 2
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Article:
Her Majesty's Theatre. The Belle of New York, The Argus, National Library of Australia, 27 August 1917, 3
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Article:
Her Majesty's Theatre. The Cinema Star, The Argus, National Library of Australia, 10 September 1917, 5
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Article:
High Honours for Launceston, The Examiner, National Library of Australia, 15 August 1947, 2
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Article:
His Fruit isn't in One Basket, The Argus, National Library of Australia, 4 February 1956, 13
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Article:
Hobart Group Wins Festival Award, The Examiner, Launceston, National Library of Australia, 7 March 1949, 7
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Article:
Hobart To Have First Drama Festival Soon, The Mercury, National Library of Australia, 28 May 1954, 9
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Article:
Holloway Dramatic Company, Launceston Examiner, National Library of Australia, 8 February 1886, 3
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Article:
Home after 30 years to launch his book, The Australian Women's Weekly, National Library of Australia, 1 August 1979, 7
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Article:
Home Missions, Australian Christian Commonwealth (SA : 1901 - 1940) , National Library of Australia, 20 August 1926, 12
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Article:
House of Representatives, Melbourne, The Brisbane Courier, National Library of Australia, 22 July 1926, 10
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Article:
How Duke Will be Greeted in S.A., News (Adelaide, SA : 1923 - 1954), National Library of Australia, 9 October 1934, 1
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Article:
Hoyts Secure Two Theatres, The Mercury, National Library of Australia, 12 March 1938, 9
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Article:
Hunter River District News. Singelton, The Maitland Mercury, National Library of Australia, 1 March 1845, 2
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Article:
Hunting Game, The Mail, National Library of Australia, 19 December 1931, 22
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Article:
Husband Wrote the Play; Wife Designed the Clothes, The Sunday Herald, National Library of Australia, 19 June 1949, 10
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Article:
In Northern Territory, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 30 July 1924, 7
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Article:
Jottings, The Age, National Library of Australia, 14 February 1953, 5
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Article:
Jottings, The Southern Argus, National Library of Australia, 25 November 1915, 3
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Article:
Juanita, The Advertiser, National Library of Australia, 2 August 1929
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Article:
Juanita, The Advertiser, National Library of Australia, 21 September 1929, 17
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Article:
Juanita. Last Performance Tonight., The Advertiser, National Library of Australia, 3 August 1929, 18
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Article:
Jubilee Play Puts Life Into History, The Examiner, National Library of Australia, 3 October 1951, 4
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Article:
Katharine Brisbane, Bread and Butter on the Stage, National Library of Australia
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Article:
King Mariana of Melville, The Advertiser, National Library of Australia, 5 April 1935, 24
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Article:
Launceston Players retain Catherine Duncan Cup at Drama Festival, The Mercury, National Library of Australia, 15 June 1953, 7
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Article:
Launceston Players, The Mercury, National Library of Australia, 10 June 1940, 10
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Article:
Launceston Supreme Court, The Mercury, National Library of Australia, 29 April 1915, 3
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Article:
Law and Police Courts, Adelaide Times, National Library of Australia, 4 February 1850, 3
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Article:
Lazar v. Stephens, The South Australian Register, National Library of Australia, 4 March 1850, 2
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Article:
Lecture by Mr Galloway, The Maitland Mercury, National Library of Australia, 18 April 1846, 2
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Article:
Lecture by Mr Galloway, The Maitland Mercury, National Library of Australia, 4 April 1846, 2
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Article:
Lecture by Mr Geddes, National Library of Australia, 2 May 1846, 2
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Article:
Lecture by Mr Geddes, The Maitland Mercury, National Library of Australia, 7 February 1846, 4
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Article:
Lecture by Mr Russell, National Library of Australia, 4 July 1846, 2
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Article:
Lecture by Mr Russell, The Maitland Mercury, National Library of Australia, 16 May 1846, 1
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Article:
Lecture by Mr Russell, The Maitland Mercury, National Library of Australia, 20 September 1845, 2
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Article:
Lecture by Mr Russell, The Maitland Mercury, National Library of Australia, 21 February 1846, 4
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Article:
Lecture by Mr Russell, The Maitland Mercury, National Library of Australia, 6 December 1845, 2
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Article:
Lecture by Rev. Dr. Lang, M.C, The Maitland Mercury, National Library of Australia, 6 November 1850, 2
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Article:
Lecture by the Rev. Mr. McIntyre, National Library of Australia, 13 June 1846, 4
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Article:
Lecture by the Rev. R. Blain, The Maitland Mercury, National Library of Australia, 28 May 1851, 2
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Article:
Lecture on Agriculture, The Maitland Mercury, National Library of Australia, 8 November 1845, 2
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Article:
Lecture on Astronomy, The Maitland Mercury, National Library of Australia, 31 October 1846, 2
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Article:
Lecture on Colonial Agriculture , The Maitland Mercury, National Library of Australia, 3 October 1846, 4
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Article:
Lecture, The Maitland Mercury, National Library of Australia, 11 October 1845, 2
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Article:
Legislators on Tour, The Advertiser, National Library of Australia, 5 September 1910, 10
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Article:
Letters From The Forces, Pinnaroo and Border Times (SA : 1911 - 1954), National Library of Australia, 8 February 1945, 3
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Article:
Life Members of Launceston Players Elected, The Examiner, National Library of Australia, 8 August 1951, 4
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Article:
Liner Visitors for Darwin, National Library of Australia, 12 April 1939, 4
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A numerous assemblage of the Aborigines of this district took place a few days since, on the Park Land, at which a large deputation was appointed from among their number, for the purpose of inviting into Town a distant tribe which has not (it is said) been regularly inducted into the Metropolis. It is a singular fact that one of the Adelaide fribe made it his business to communicate the circumstance at our Printing Office, as matter of news, and seemed to he very anxious that it should appear in the ensuing publication
Article:
Local and Provicial News, Adelaide Observer, National Library of Australia, 9 March 1844, 6
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THE BLACKS.—We would really entreat the attention of the police to the proceedings of the natives on the Park Land, in North Adelaide. Not only is the destruction of the trees proceeding by wholesale, but the inhabitants are nightly disturbed by the horrible howlirg in their beastly corrobories. Morning and evening both sides of the river are crowded with the savages, armed, too, with spears, and accompanied with troops of half-starve
Article:
Local News of the Week, outh Australian Gazette and Colonial Register (Adelaide, SA, National Library of Australia, 11 April 1846, 2
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HE NATIVES.—The' inhabitants of North Adelaide have much room to complain of the disturbances which the natives now nightly make by their hideous corrobories. About three hundred of these savages howl and bellow at the top of their voices, for five or six hours at a stretch, every evening, so as effectually to preclude rest or quiet in the neighbourhood.
Article:
Local News of the Week, South Australian Gazette and Colonial Register (Adelaide, S, National Library of Australia, 6 December 1845, 2
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Article:
Lutheran Synod, The Register, National Library of Australia, 25 March 1914, 14
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Article:
Mackay Survey Expedition, The Advertiser, National Library of Australia, 19 June 1933, 10
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Article:
Madame Albani's Tour, The Argus, National Library of Australia, 12 February 1898, 10
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Article:
Maitland Hospital, The Maitland Mercury, National Library of Australia, 24 January 1846, 2
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QUEEN'S THEATRE.— Mr Lazar's Benefit takes place on Monday next, and need we say how much this gentleman deserves a bumper. His industry and perseverance merit the greatest praise, and we only regret that so much talent should have received no more patronage than has been extended towards his efforts since his connection with theatricals in this colony. We however trust his benefit on Monday next will show that the public are not unmindful of him, and will give him what he so richly deserves — a crowded house. The entertainments are well selected, and will, we are certain, give universal satisfaction
Article:
Meloncholy Accident, The South Australian Register, National Library of Australia, 15 January 1842, 3
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Article:
Members of Aboriginal Corroboree at William Creek, Port Augusta and Stirling Illustrated News (SA : 1901), National Library of Australia, 7 March 1901, 10
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Article:
Miss Hook of Holland, The Examiner, National Library of Australia, 11 August 1920, 6
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Article:
Miss Kathleen Robinson Entertained, The Advertiser, National Library of Australia, 28 September 1948, 5
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Article:
Mixed Fare at First Drama Evening, The Examiner, National Library of Australia, 10 March 1950, 5
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Article:
Morpeth - Lecture on Self Education, The Maitland Mercury, National Library of Australia, 10 March 1855, 2
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Article:
Morpeth, The Maitland Mercury, National Library of Australia, 6 June 1855, 2
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Article:
Mr Deane's Concert and Oratorio , The Maitland Mercury, National Library of Australia, 22 March 1845, 2
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Article:
Mr Laughton's Second Lecture, The Maitland Mercury, National Library of Australia, 10 January 1846, 2
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Article:
Mr Lazar "At Home", Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 14 July 1841, 2
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Article:
Mr Russell's Lecture, The Maitland Mercury, National Library of Australia, 30 August 1845, 2
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Article:
Mr White's Lecture, The Maitland Mercury, National Library of Australia, 1 August 1846, 2
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Article:
Mr. Allan Wilkie. Departure for England. Melbourne, July 27, The Brisbane Courier, National Library of Australia, 28 July 1926, 8
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Article:
Mr. Arthur Lawrence, Table Talk, National Library of Australia, 22 August 1890, 5
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Article:
Mrs Robert Brough. Death in Sydney. Popular and Gifted Actress., The Argus, National Library of Australia, 8 January 1932, 6
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Article:
Music and Drama, Sydney Morning Herald, National Library of Australia, 23 March 1882, 7
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Article:
Music and Drama. Royal - The Girl in the Taxi, The Argus, National Library of Australia, 23 August 1920, 9
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Article:
Music and Drama. Royal - Yes Uncle, The Argus, National Library of Australia, 14 June 1920, 3
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Article:
Music and Drama.Shakespeare Matinees - Gilbert and Sullivan Season, Sydney Morning Herald, National Library of Australia, 23 March 1940, 08
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To the editor of the Argus
Sir, - it must be indeed pleasing to all lovers of really good music to watch the rapid advance which the art is making among all classes of our community. The fact was never more apparent than at the Theatre Royal last night. The musical Union and Mr Lyster’s opera company have reason to congratulate themselves upon the successful experiment of introducing instrumental compositions of the very first water to an Australian audience. It has been long urged that the symphonies of Beethoven, Mozart, and others were of too classical a nature and too tediously long, to be listened to with patience and pleasure by a Melbourne audience; but the breathless attention during the performance of Beethoven’s No 2, an the symphonies of Mendelssohn, and the outburst of genuine applause at the termination of each movement, must clearly prove the promulgation of such objection to be in error.
It is to be hoped, now that the experiment has been tried, with result so successful, that our musical societies will often introduce such competitions into their programmes, and that we shall have periodical performances after the same model as those which at the present time command so much public attention in the metropolis and provincial cities of the mother country.
Yours &c.
Allegretto
Article:
MUSIC IN VICTORIA. (1862, May 17, The Argus, National Library of Australia, 17 May 1862, 7
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Article:
Musical Entertainment, The Maitland Mercury, National Library of Australia, 18 August 1847, 2
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Article:
Musical Entertainment, The Maitland Mercury, National Library of Australia, 19 August 1848, 2
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Musical Entertainment, The Maitland Mercury, National Library of Australia, 21 March 1849, 2
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Article:
Musical Entertainment, The Maitland Mercury, National Library of Australia, 3 January 1849, 2
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Article:
Musical Festivity, The Maitland Mercury, National Library of Australia, 17 July 1856, 2
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Article:
Muswell Brook - Lecture, The Maitland Mercury, National Library of Australia, 7 October 1848, 2
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Article:
National Theatre, The Examiner, National Library of Australia, 26 March 1934, 6
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Article:
National To Continue As City Theatre, The Examiner, National Library of Australia, 10 July 1948, 3
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Article:
Native Corroborees, The South Australian Register, National Library of Australia, 15 June 1844, 3
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Article:
New Princess Theatre, The Examiner, National Library of Australia, 26 October 1939, 11
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Article:
New Section in Drama Festival, The Examiner, National Library of Australia, 5 April 1951, 4
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Article:
New Year Celebrations with a Difference, Chronicle (Adelaide, SA : 1895 - 1954), National Library of Australia, 7 February 1935, 51
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Article:
New Zealand Warriors, The Brisbane Courier, National Library of Australia, 8 July 1862
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This fine building, finished by Mr E. Solomon at an expense of nearly £10,000, was opened on Monday last, by an effective and well-organised company under the experienced management of Mr Lazar—well known and much respected as the conductor of the theatrical amusements of Sydney. the theatre is neatly fitted up, and admirably arranged for seeing and hearing. The decoartions are designed and executed by Mr Opie, and reflect much credit on his skill as an artist. We did not reach the theatre until nearly the close of the tragedy (Othello), and can therefore venture to express no opinion on the particular merits of the actors—although we presume it would be in accordance with that of the audience, which was most favorable. Miss Lazar's dance was exceedingly graceful, and met a deserved and [?] encore. This young lady would be an acquisition to any theatre, as, in adiditon to her talent in the ballet, her acting in the after piece, Mary Anne, a farce of Buckstone's, was excellent. She was well-supported by Mr Buckingham, and by the other actors. The house was crowded in every part.
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No Title, The South Australian Register, National Library of Australia, 16 January 1841, 2
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Article:
Nothing But The Truth, The Examiner, National Library of Australia, 22 March 1927, 6
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Article:
Nothing But The Truth, The Examiner, National Library of Australia, 23 March 1927, 5
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Article:
Obituary, Burra Record, National Library of Australia, 29 August 1944, 3
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Article:
Of Interest to Women Big Entry in Drama Festival, The Examiner, National Library of Australia, 16 May 1952, 11
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Article:
Okay for Sound Enjoyable, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 28 February 1938, 5
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Article:
Old Clock Removed, The Examiner, National Library of Australia, 20 October 1939, 7
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Old Echunga Memories, The Mount Barker Courier and Onkaparinga and Gumeracha Advertiser, National Library of Australia, 11 September 1941, 1
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Old Memories, The Mount Barker Courier and Onkaparinga and Gumeracha Adve, National Library of Australia, 8 June 1900, 3
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One-Act Play By Brisbane Writer, Courier Mail, National Library of Australia, 22 January 1940, 6
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Oodnadatta, The United Aborigines messenger, National Library of Australia, 1 September 1941, 9
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Ooldea, The Mysterious, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 8 September 1934, 2
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OPENING OF THE NEW VICTORIA THEATRE. Monday night commenced a new era for theatricals in South Australia, by the opening of the new Vic toria Theatre, a full and faithful description of which appears in another column. The approach to the theatre has been rendered additionally imposing by the placing of two lamps of large di mensions, gilded and ornamented, on either side of the gate fronting the principal entrance. The in terior of the theatre, lavishly lit up as it was that evening, was a magnificent coup d'eail, and the house being crowded in every part left nothing to be desired in the ensemble, either as a spectacle not to be surpassed in these colonies, or in that less imaginative but more substantial gratification represented by a well filled house. The act drop is hardly so effective as we should have expected from | Opie, the festoons of drapery not being at all in accordance with the rest of the painting, which is a landscape, but of what country or clime we fairly confess our ignorance. The entertainments com- menced with the band, led by Mr Moore, playing the national anthem, which was received with loud plaudits, the whole audience startling. The fol lowing was the ADDRESS. Delivered by Messrs Lazar and Coppin. Mr Lazar—Although I prematurely perhaps appear, Time honored custom 'tis which brings me here, And as I mean to mate but a short speech, I hope you'll not deem't better in the breach Than the observance; so, if you're agreed, Without a further prelude I'll proceed. Permit me shortly to remind you now, That on this selfsame stage, T made my bow Eleven years since, nor ever wished to range Till forced by adverse circumstance to change. When I with grief the Drama's temple saw, Alas ! perverted to the woes of Law; Ungentle service, from whose pond'rous yoke Thalia flies and leaves the field to Coke." Here then, where oft we drew the gushing tear, And raised the laugh thro' many a circling year, Far harsher themes have been— Mr Coppin—Ob, come Lazar, You push the sentimental much too far, The audience know full well this wa3 the Court, For few are here but what have seen the si>ort, And in broad farce colonial actors are Inferior to their bretli'ren of the bar. L.—I wish you wouldn't be quite so abrupt, And come in thus my speech to interrupt, Upon my word it's really not polite— C.—Oh, cut it it short, you'll keep 'em here all night | And sooner than remain to hear your prose I'll ring the bell, and up the curtain goes. L.—Do as you please, but I no part shall play Until I've finished what I had to say. C.—Well then out with it, and as here I've stood So long in waiting, give us something good. L.—Ladies and gents, then here long since I bore Dramatic sway— C.— You told us that before, L.—Here was the tragic Muss's chosen seat, C.—And actors but short commons had to eat. L.—There great O. G., established his arcade, C.—Did he ? I wonder in what year t'was made, L.—But when blind Justice here had fixed her seat, | Forced to withdraw though with unwilling feet, We in a smaller circle had to claim Your kind support, and found it still the same. For which, with zeal and gratitude inspired, We 've here resumed— C.—Oh, fudge! they're getting tired, And don't want such long rigmarole orations To make 'em notice the fresh decorations. L.—We'll, then, I'll merely just express my hope That, you kind patrons,— C.—Now for the soft soap— L.—In our New Constitution will, with ease. Assume your seats, although no nominees. .Since our desire is to amuse all classes, And though no Chartists, lecture to the masses, With cant and humbug ceaseless war to wage, And prove., while illustrating Shakespeare's page; Or the productions of the modern mind, That mirth and morals may be well combin'd. I could say more— C.—No don't, I beg. say less. —But, as time presses, I'll be off C.—To dress; and, for the self same reason, I . Must also, for the present, say, Good bye. Meanwhile, believe L.—That each succeeding night C.—Your presence here L.—Will yield us C.—Fresh delight. For naught so well the Actor's mettle rouses, As the dear spectacle of crowded houses, L.—Cramned with enlightened citizens and spouses. [Prompter's bell rings.] C-—But let's decamp, for, hark, the prompter rings, So exeunt omnes at the several wings. The address was well received, and the hits told well with the audience. The band having played the beautiful overture to Don Giovanni, the act drop rose upon the first scene of Stirling Coyne's popular extravaganza of "This house to let, enquire within."...
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Opening of the New Victoria Theatre, Adelaide Times, National Library of Australia, 28 December 1850, 2
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Oppose Plan For Flat-Floor Theatre, The Examiner, National Library of Australia, 15 December 1949, 4
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Some Salvation Army natives held a corroborree at Mount Barker last. Saturday night. In their wild state they would not have charged for admission.
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Our Own District, The Mount Barker Courier and Onkaparinga and Gumeracha Advertiser, National Library of Australia, 18 June 1886, 3
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Out among the people, Chronicle (Adelaide, SA : 1895 - 1954) , National Library of Australia, 9 May 1940, 62
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Parliament. Legislative Council, The Argus, National Library of Australia, 27 October 1886, 4
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Passing by, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 15 October 1934, 4
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Paterson. Lecture, The Maitland Mercury, National Library of Australia, 17 June 1846, 2
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Paving the Way, The Mail (Adelaide, SA : 1912 - 1954), National Library of Australia, 1 February 1936, 2
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John Allan, of theatrical celebrity, pleaded not guilty to an assault upon John Davis, of the Sydney Hotel. It appeared in evidence, that on the day of the grand meetingl at the theatre, while Mr. Worthy Worthington George Nichols was en- lightening an audience of the British public with the sublime and beautiful, a farce of an equally amusing, though not quite so harmless a description, was taking place in the back- ground. Allan, the defendant, the man what perform the savage'ruffian, and ferocious mur- derer at the Queen's Theatre was giving a lesson in private theatricals to the complaitant, the said John Davis, who was standing in the rear oï the platform. Allan commenced by first informing him, that his rank not being that of a gentleman, he was not entitled to be on the stage. Davis not thoroughly under- standing the argument, seeing so many of the unwashed around him, replied he should not move off. Allan, who, by the bye, has studied the pugilistic art in the polite circles ot Europe, then got hold of Davis round the neck, pin- ning him with his left, and administering divers blows with the right, on the cranium, or frontis, and various other osées of the defendant's person. This was the assault and grievance complained of, and for which com- plainant sought redress of the court. The Magistrates then ordered the defendant to be bound over in his own recognisance to keep the peace for six months, and defray thè costs of the present action.-Communicated.
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Performing at the Queen's Theatre, Southern Australian, National Library of Australia, 18 February 1842, 4
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Personal, Chronicle (Adelaide, SA : 1895 - 1954), National Library of Australia, 11 December 1920, 35
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Players Show a Success, The Examiner, National Library of Australia, 28 May 1941, 1
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Players' Actor Wins Trophy in Sydney, The Examiner, National Library of Australia, 15 August 1947, 1
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Players' Given High Praise, The Examiner, National Library of Australia, 28 August 1947, 3
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Players' Triumph at National, The Examiner, National Library of Australia, 15 September 1947, 5
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Plays Varied at Drama Festival, The Examiner, National Library of Australia, 7 April 1951, 5
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Point McLeay, The Southern Argus, National Library of Australia, 25 April 1918, 3
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Police and Law Courts, Adelaide Observer, National Library of Australia, 25 May 1850, 3
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Political Meetings, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 20 March 1851, 3
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Port Elliot, South Australian Advertiser, National Library of Australia, 2 January 1861, 3
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Many of our friends at home, who may have been startled by Mr. Horton James's veracious assertion, that a person might lose himself in the bush in the city oi Adelaide, and sleep all niglit under a tree, for want of a better roof, will be a little surprized to see in the advertizing columns of the Adelaide papers, a notice oi the concert to be given on Wednesday, next, by Messrs Platts & Bennett; and will agree with us in thinking, that an eveuiug may be much more agreeably passed under the roof-tree of such really elegant rooms as those of the Messrs. Solomon, in listening to the strains of the masterspirits of harmony of our own land, 'and to the vocal melody of the our emigrant brethren, than in endeavouring to repose under the finest South Australian gum-tree, listening to, and shrinking from, me monotonous howling of the corrobories of our sable brethren. Still more surprized will they be, if they should happen to see the handsome tinted " programmes" of the music selected for the occasion, creditable alike to the taste of our " masters of the tuneful art," and to the neatness of the " printer's hand " in South Australia. We trust Messrs. Platts and Bennett will have liberal encouragement to renew their praiseworthy endeavours to provide elegant and innocent amusement for the evening hours of our lieges.
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Post Office, Adelaide Chronicle and South Australian Advertiser, National Library of Australia, 18 February 1840, 3
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Praise for Junior Players, The Mercury, National Library of Australia, 10 June 1953, 16
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Princess - Official Opening, The Examiner, National Library of Australia, 30 August 1911, 6
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Princess Theatre, The Examiner, National Library of Australia, 31 August 1911, 6
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Progress of Native Civilization, South Australian Gazette and Colonial Register (Adelaide, S, National Library of Australia, 25 April 1846, 2
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Queen's Theatre , Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 23 June 1841, 3
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We perceive this Theatre opens on Monday next, and are happy to see His Excellency give his patronage to the Drama of South Australia. Mr Lazar has conducted the Queen's Theatre upon a level with many of the Theatres in London, and the Governor's liberality in supporting the humble [?] of thespis deserves the highest praise. Mr Lazar's perse- verance and talent have made him a universal favourite, and we are certain his efforts to merit the high patronage bestowed upon him will be exerted to the utmost. A theatre is an instruct- tive source of entertainment, for while it cheers a dull and monotonous hour, it frequently conveys a wholesome lesson to youth, by which their future morals might be regulated, and when the drama is conducted upon a respectable system, the most fastidious need not blush to partake of the amuse- ment it affords. As an example, we find Her Majesty widely extending her patronage to the drama, under whose gracious auspices it cannot fail of success. Mr Lazar has selected as an opening piece a pictorial drama entitled The Curse of Mammon, in which Hogarth's celebrated Marriage a-la-mode will be illustrated in living characters. We understand the scenery and dresses are of the most unique description, and the play itself one of the most successful that has been recently produced in London. for our- selves, we wish Mr Lazar all the good forture his spirited undertaking deserves, and we hope the public will not be backward in patronising the new lessee. A Dance by Miss Lazar, and a laughable Farce called The Dancing Barber, con- clude the first night's performance, [Communi- cated.]
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Queen's Theatre , The South Australian Register, National Library of Australia, 24 July 1841, 3
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The season of this theatre is now drawing towards a close, and the various artists connected with the establishment seek to repay their exertions by the usual means of benefits. Mr Lazar, the re- spected manager, takes the first on Monday next; and we must say, his indefatigable perseverance in the cause of the drama in Adelaide has been exerted to no common extent. Exclusive of the difficulty of catering for public amusement, we have noticed him in two or three pieces each night, always at his post, and provided with a fund of good humour. As an actor, too much praise cannot be bestowed on him; as a manager, the good taste of his selections and the creditable arrangements of the theatre and the business of the stage proves him to be a clover tactician. The entertainments selected for Monday next, exclusive of Mr L.'s own popularity, would attract a crowded house. Mr Edwards and a gentleman amateur, we observe, are to render their powerful vocal assistance. We trust the public will not be slow in testifying in a substantial manner its approval of the conduct of Mr Lazar. The box list, we hear, already exhibits a promising ap- pearance.
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Queen's Theatre - Benefits of Mr Lazar, The South Australian Register, National Library of Australia, 8 May 1841, 3
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By our theatrical advertisement of to-day, we perceive this deserving young lady takes her benefit on Monday next. The gentlemen amateurs who have already appeared twice before the public have very handsomely come forward to lend their valuable services upon this occasion. The bill of fare promises a splendid night's entertainment, and we anticipate a bumper house. Miss Lazar is an industrious and promising actress, and, as a danseuse, she requires no comment from us, as the public generally have testified their approba- tion of her talent, in that department, upon every occasion. Nell Gwynne is an amusing play, and we have no doubt, from the cast, that it will be admirably played. Mr Lazar's Largo at Factotum is a treat at all times. Billy Taylor is a laugh- able affair, and well adapted to Mr Lazar's rich comic humour. Upon the whole, the selection is decidedly one of the best of the season, Com- municated.
Article:
Queen's Theatre - Miss Lazar's Benefit, The South Australian Register, National Library of Australia, 5 June 1841
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Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 13 January 1841, 2
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THE THEATRE was re-opened on Monday for one evening. The house was tolerably well filled, and the acting good. We believe it is the intention of the proprietor to open it again once or twice a week.
Article:
Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 29 September 1841, 3
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QUEENS THEATRE.— We preceive this Theatre has again opened, and in the precertaiuly dull times it is certainly a relief to the monotony of the town. On Monday last three excellent Farces were produced in each of which M. Lazar kept the house in continued laughter ; the Groves of Blar- rney introduced between the peices, is a rich treat, and we trust Mr. L. will often favor us with it. The Company selected is very limited, but quite sufficient for the style of pieces calculated to amuse an Audience. the expenses are now considerably curtailed and we hope, the Theatre will now pay. The house is splendidly lighted and has a very animated appearance, and we trust the Public will appreciate the very spirited zeal of the Proprietors.
Article:
Queen's Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 7 October 1841, 2
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We perceive by our ad- vertisement of to-day that this Theatre opens for one night prior to the regular season commen- cing on Thursday next, when Mr Lazar under- takes the arduous task of an At Home after the manner of Matthews. We have every opinion of Mr Lazar's versatility of talent, and therefore an- ticipate a rich treat. This is something new in this part of the world, and we have no doubt of its drawing a crowded house. The programme of the bill is very cleverly concocted and highly amusing. The concluding part appears to be a complete farce in itself, in which Mr Lazar per- sonates all the characters. We wish him every success. We regret to hear that Mrs Cameron does not join the corps dramatique of the Queen's Theatre next season. She is an excellent actress, and we are surprised that, in the present times, she and Mr Cameron should have refused what we take to be a liberal salary of four or five pounds a week. We sincerely trust Mrs Cameron will think better of it, and not deprive the public of the pleasure of seeing her in re- spectible company. It is quite clear that the attempt to re-open what has hitherto been but a den of filth and debauchery, the Victoria Theatre, will neither add to their wealth or their respecta- bility. Mr Lazar, who has taken the Theatre for the ensuing season, is making considerable alterations and improvements both in the stage and audience parts, and we hope that patronage which has been so anxiously sought for will now be extended to this splendid establishment. We understand the whole of the company have very generously consented to take smaller salaries than they received last season, which liberality the Manager will, no doubt, repay, in the event of the speculation turning out advantageous.
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Queen's Theatre, The South Australian Register, National Library of Australia, 10 July 1841, 3
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Mr Lazar's Benefit takes place on Monday next, and need we say how much this gentleman deserves a bumper. His industry and perseverance merit the greatest praise, and we only regret that so much talent should have received no more patronage than has been exetended towards his efforts since his connexion with theatricals in this colony. We however trust his benefit on Monday next will show that the public are not unmindful of him, and will give him what he so richly deserves — a crowded house. The entertainments are well selected, and will, we are certain, give universal satisfaction.— [Communicated.]
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Queen's Theatre, The South Australian Register, National Library of Australia, 15 January 1842, 3
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On Monday last the Theatre closed for the season, being for the benefit of the proprietor, Mr Solomon; and we are happy to state the house was crowded on the occasion. We have repeatedly spoken of the manner in which this theatre has been conducted, reflecting the highest credit on the proprietor and the management. Mr Lazar has been certainly indefatigable, both as actor and manager, providing for the audience a fund of humour as the former, and of novelty as the latter. On this evening The Exile was reduced in a manner that astonished us— surpassing even the splendour of the Jewess. Could an audience have supposed they were in a colony little more than four years established, and at such a distance from London? The scenery was picturesque, the dresser appropri- ate, and the characters ably supported. The processions were admirably arranged, and the brass hand suddenly bursting on the audience as they were seen proceeding through the arch from a great extent of stage, had a most imposing effect, and drew down immense ap- plause. The Empress, on a beautiful white horse, added to the spectacle, and the whole appeared to give universal satisfaction. Mr Lazar, as Daran, played with much feeling and judgment, giving every sentence with great correctness. Mrs Cameron, as Alexina, was good, as were also Mr and Mrs Arabin and Miss Lazar. The other characters are of little importance to the piece, but, notwithstanding, were well sustained. The Carnival Ball was the concluding piece, and the last scene cer- tainly was magnificent. The blaze of light occasioned by the number of transparent lamps, strongly reminded us of those scenes in Fairy Land described in the Arabian Nights. In fact, every thing that could possibly please the eye appeared to have been studied for this night. Previous to the certain rising for the farce, Mr Lazar stepped forward, and was received with an unanimous burst of applause which continued for some time, and delivered the following neat and appropriate address:— "Ladies and Gentlemen—It has long been the custom previously to the curtain finally closing on the season, to address a few words to the friends who assemble to bid us farewell It is a painful yet pleasing task—painful, from being a leave-taking of kind friends—pleasing, because I am enabled to express gratitude for favors past, and have to hope this separation is
not a final one As the opening of a theatrical season brings with it hope, so the close as na- turally produces regret. We met you only six months ago with buoyant spirits, and we now take our leave with unaffected sorrow. In an infant colony like this, it cannot be sup- posed possible that we can vie in splendour and variety with the London theatres, but I trust, Ladies and Gentlemen, the efforts we have made to merit your approbation have proved our willingness to consult your accom- modation to the very utmost extent of our ability. During our short campaign we have had to thank your indulgence for the complete success of every novelty we have presented. The performers also wish to express their high sense of the kindness you have shown them, and I hope, Ladies and Gentlemen, it may not be deemed intrusive if I take the liberty of thanking each of them who have, by their zeal, alacrity, and talent, carried with effect every intention of the management. The re- sult of the present season has not been so beneficial to the proprietor as his spirited un- dertaking merited, which, in a great measure, may be attributed to the depressed state of the colony, and not to the want of your kind wishes; but we look forward with pleasing anticipations to the next, and, aided by your kind patronage, will be another proof added to the many how little he has to fear the want of success who advances anything like a genuine claim to the liberality of a British public, as every individual is served when the general cause is supported. I feel my own personal thanks are also due; accept them, I beg, and with them my heartfelt prayers for your happiness and my sincere wishes that we may meet again; and I hope when I have the honor of bidding you welcome at the next meeting here, I may give this greeting to as numerous and as elegant as audience as that to which I now bid FAREWELL." This grate- ful acknowledgment was loudly and enthusias- tically applauded, and Mr Lazar retired amid the continued cheering of the audience. Mr L. has taken the theatre for the ensuing sea- son, and we have no doubt he will be strongly supported.
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Queen's Theatre, The South Australian Register, National Library of Australia, 3 July 1841, 3
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We are happy to see the houses so rapidly improving at this very elegant and commodious place of amusement, and we have no doubt the proprietors will ultimately reap the harvest they so richly merit. Novelty seems the standing order, and each night the public are treated with some interesting drama, a dance from our Australian Taglioni, and a lively farce. The Tower of Nerle was splendidly got up on Monday last, and attracted a very fashion- able audience; the principal character was ad- mirably sustained by Mr Lazar, who was well supported by Messrs Cameron, Arabin, and Mrs Cameron. One Hour, or the Carnival Ball, has been also produced in a superior style—the ball room scene at once realizing all the splendour of a Venetian carnival, the stage being a complete body of illumination. We understand Captain Sturt, and several other influential families in- tend patronising the Theatre on Monday next, and we have no doubt the entertainments of the evening will be well selected by the indefatigable manager, Mr Lazar. We must not forget, how- ever, to mention the orderly manner in which the Theatre is conducted, reflecting the highest credit on those concerned—we have visited the principal theatres in England, and never witnes- sed a greater degree of order preserved than in the Queen's Theatre.—[Communicated.]
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Queen's Theatre, The South Australian Register, National Library of Australia, 30 January 1841, 3
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Refreshing and Unconventional, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 10 January 1938, 16
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Remodelling of the National Theatre, Launceston, The Examiner, National Library of Australia, 17 March 1934, 12
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Repertory Theatre. Great progress made, The Advertiser, National Library of Australia, 20 February 1931, 16
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Reports from Rural Centres : Maitland, The Advertiser, National Library of Australia, 18 February 1932, 7
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Returns Laden with Weapons, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 27 April 1932, 2
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Rev. Mr. Blain's Lecture, The Maitland Mercury, National Library of Australia, 21 March 1846, 2
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Revival At Minerva, Sydney Morning Herald, National Library of Australia, 13 February 1942, 7
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Revival of "No, No, Nanette", The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 8 July 1938, 9
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Revue Intime Dull Show At Minerva, Sydney Morning Herald, National Library of Australia, 6 December 1947, 8
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River Muarry Aborigines, The Express and Telegraph, National Library of Australia, 29 June 1911, 4
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Rosie Dennis, Noel Tovey, Tharunka, National Library of Australia, 4 June 1996, 31
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Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 1 March 1851, 3
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 1 May 1852, 3
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 20 August 1852, 2
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Open during the present week, Monday, Thurs day, Friday, and Saturday. MESSRS LAZAR & COPPIN BEG most respectfully to acquaint their friends and the public generally, that the above SPLENDID THEATRE, Being now completed, will Open for the Season,. THIS EVENING, Monday, December 23rd. With an Occasional ADDERSS to be spoken bv MESSES LAZAR & COPPIN. . It is unnecessary to dilate upon the vast outlay expended upon this Establishment, to render it an agreeable and commodious place of Public Amuse ment, suffice it to say that every care and attention has been paid to render it complete in every De partment, and to conduce towards the comfort and entertainment of the public. THE DRESS CIRCLE Is replete with every elegance and convenience, to which are attached a ladies' retiring room, and splendid SALOON, Where Refreshments may be obtained. THE PIT Is constructed upon the principle of the Princess's Theatre, London, commanding a distinct view of the Stage, and, for the purpose of maintaining pro per order, an efficient Police will be in constant at tendance. THE GALLERY, Capable of containing 400 persons, will be found to possess every requisite for seeing and hearing. The Stage Department, (The most extensive in the Colonics), will be brought into operation for the production of GORGEOUS SPECTACLES, As early as the Mechanical Arrangements arc com pleted. The Theatre will be lighted by FIVE MAGNIFICENT CHANDELIERS, Expressly imported from England. The Orna mental and Decorative Designs are copied from the most classical subjects, and executed by Mr E. A. Opie, the whole forming a Tout Ensemble never yet equalled in the Australian Colonies. Engagements arc pending with some of the most Established Favourites of Sydney, Melbourne, and Hobart Town, who will shortly make their first ap pearance in Adelaide. THE ORCHESTRA Will embrace the Leading Talent of the Colony, viz.:— Leader—Mr Andrew Moore, Assisted by' Mr S. W. AVallacc, Hcrr Mater, Herr Ziegler, Mr Harwood, Sir Lawrence, Ilerr Ilcunerbein, Herr Kierdel, and Mr Chapman. The Performances will commence with a Musical Extravaganza, entitled THIS HOUSE TO BE SOLD, (The property of the late William Shakespeare). INQUIRE WITHIN. I To be preceded by Mozart's Overture to Don Giovanni. For Characters see Bills of the Day. IN THE COURSE OF THE EXTRAVAGANZA WILL BE SUNG— " I'm a Gent, I'm a Gent" Chopkin?. Song—" OIc Will Sat at Covcnt Garden Gate" .. Othello. Trio—" Who's dat knocking at dc Door".. Othello, Desdemona, and Chopkins. Chorus of Characters—" Round, around, around, about," The last scene will represent a Grand Tableau of Shakespearean Characters surrounding the Im mortal Bard, the Spirit of Poetry poised in the air, placing a Crown of Laurel on his brow. SONG MR. C. WALSII. Niggkiz Bai.j.ad—"Carry me back to Ole Vir ginity"—(Bones and Tambourine Accompani ment) . .Julius C«sar Squash. In the course of the evening, the Band will play Several New Folhas, Waltzes, $-e. To conclude with the Musical Farce in two acts, of Dove Laughs at Locksmiths. To be preceded by Auber's Overture to Massaniello. GST The Entrance to the Dress Circle will be from Gilles' Arcade ; the Pit and Gallery from Weymouth-street. Doors open at half-past 7, commence at 8 precisely. Dress Circle, 4s. Pit, 2s, Gallery, Is. Half-price at to 10. Dress Circle, 2s Gd. Pit, I s. No half-price to the Gal Icrv. N.B.—A Box Keeper will be in attendance at the Theatre daily, from 11 to 4. Six Private Boxes have been added to the Dress Circle, which may be engaged Nightly, or for the Season, upon applica tion to Mr Lazar, Temple Tavern, or Mr G. Cop pin, Royal Exchange. Season Tickets may also be had, single or for parties, upon application as above. All Accounts against the Theatre, to be for warded every Saturday for payment from eleven until one.
Article:
Royal Victoria Theatre, The South Australian Register, National Library of Australia, 23 December 1850, 3
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Last evening the lovers of dramatic representation were gratified to their hearts' content, by witnessing the per- formances of their old favourite, Coppin, who fully sustained his former reputation by his clever personification of Mr. Leeson, in the comedy or ' Time Tries All,' and of Grim- shaw, in the farce of 'Grirashaw, Bagshaw, and Brad- shaw.' The hits in ' Billy Barlow ' were as clever as usual, and exceedingly well- sustained. ' Billy Barlow ' had realised the truth which has become patent to so many of our fellow-colonists, that ' all is not gold that glitters,' and 'Billy' wisely resolves for the future to abandon the diggings, to stick to South Australia, and trust to the Escort, composed, as he says — ' Of good men and true ' All made of the same stuff as 'Billy Barlow,' and with a glance of self-complacency at his care over the grass widows, and a happy hit which drew roars of applause from the galleries, that the swells carried their pretensions rather humbly at the diggings, ' Billy Barlow' concluded one of the most successful and happy pieces of humour we have heard him deliver. An old favourite, Mrs. Cameron, sustained her part well. The orchestra was small but, led by Mr. Lee, was quite effective, and the evening passed off most agreeably and orderly.
Article:
Royal Victoria Theatre, The South Australian Register, National Library of Australia, 30 March 1852, 3
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I cannot allow this, which will be my last oppor- tunity to pass without acknowledging the many favours received at the hands of the South Australian Public. A residence of six years has not only attached me to the Colony, but to many true and sincere friends, whose assistance in the hour of need, end gratuitous offers for the future, have materially increased the reluctance and pain I feel in saying Farewell. Trusting Dame Fortune may place it in my power to make my absence of temporary duration, and that I shall continue to deserve and enjoy the good opinion of my friends and the public generally, with sincere wishes for the prosperity of the Colony and its Inhabitants, I am, Liberal Public, your obliged and grateful Servant, GEORGE COPPIN.
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Royal Victoria Theatre, The South Australian Register, National Library of Australia, 8 May 1852, 2
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MESSRS. LAZAR & COPPIN, in laying the following statement before the public, regret that their exertions in providing a rational entertainment have met with so bad a return. Nothing on their parts has been wanting to secure the talent, not only of this, bat of the sister colonies, and to produce such entertainments as those who have patronised the Theatre acknowledge to be highly gratifying. Notwithstanding this the losses have been so great as to leave no other alternative than CLOSING the THEATRE after the next TWELVE NIGHTS' PER FORMANCES, when Messrs. LAZAR & COPPIN will then take their FINAL LEAVE OF THE STAGE. ' Adelaide, October 8th, 1851. ' Mr. Emanuel Solomon, ' Dear Sir — We regret exceedingly that, from the want of that patronage we were induced to expect would be ex tended to the Theatre, we are compelled very reluctantly to inform you of the utter impossibility of our being longer able to support it. We, therefore, rely upon your acknow ledged liberality to relieve us from the fulfilment of the terms of our lease. We have only to assure you that nothing but the very severe losses we have sustained, amounting to more than £800, would induce us to make this application. ' We, at the same time, can only regret that the large outlay which you have made upon the Theatre has not met with that liberal response from the public which the spirited speculation deserves. ' We are, Sir, your obedient servants, LAZAR & COPPIN.
' Gentlemen — I am in receipt of yours of this day's date, and am very sorry to find that you cannot make the Theatre sufficiently remunerative to continue it. I was induced by and at the request of a number of influential families in Adelaide to refit the Theatre at an expense of upwards of £2,000, fullv believing that when a place of public enter tainment, elegantly fitted up and properly conducted, was established, the patronage of the public would have been extended towards it. I regret, however, that for your sake and my own, such has not been the case. ' I shall feel myself bound to accede to your request, and at the same time you can, before giving up the Theatre, have it for twelve nights rent free, to retrieve a portion of your loss. ' Yours truly, 'E. SOLOMON. 'Adelaide, 8th October, 1851.
Messrs. Lazar and Coppin.' Messrs. LAZAR & COPPIN cannot close this correspon dence without thus publicly returning thanks to Mr. Emanuel Solomon for the very ready and uncompromising manner he has acceded to their request, and at the same time call upoa the public to extend their patronage and support to the LIMITED NUMBER OF NIGHTS ADVERTISED.
Article:
Royal Victoria Theatre: Notice of Closure, The South Australian Register, National Library of Australia, 11 October 1851, 2
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PUBLIC NOTICE. IN compliance with the request of several influ ential Families and Patrons of the Theatre, who have expressed a wish that a number of Shares should be issued, in order to secure a respectable and Bnmerous attendance, the Proprietors beg to put forth the following liberal scheme to ensure the same :— The price of Shares will be 5/ each, payable in advance, which will entitle the holder to a ficee admission to the Victoria Theatre (commencing from the re-opening) for the twelve months. A balence sheet of the affairs of the Theatre to be struck every three months, and the profits to be equally divided. Shareholders are guaranteed from loss or responsibility, and will not be called upon to pay anything above the £5 per Share. Not more than fire Shares will be issued to any one person, any part of which may be re-sold, but will not be transferable after the name of the holder is entered on the Free List of the Theatre. Early application required, as the numbers aro limited. N.B.—The above Shares will not extend to Bene fit Nights.
Article:
Royal Victoria Theatre: Public Notice, Adelaide Times, National Library of Australia, 9 September 1851, 2
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he trouble developed during: the last few min- utes of the final Mel bourne performance of "Cinderella" when Trin- der interpolated an ad lib sequence. Trinder recalled several chorus girls who were leaving the stage during the final scene. He lined them up and marched them around the stage in military drill fashion. The show ended, the curtain carne down, and the audience applauded wildly, expecting curtain calls. After two or three minutes Jim Gerald, comedian, came through the curtains and made a short speech. Gerald then left the stage, and several more minutes elapsed while the audience called for Trinder. Trinder finally came on stage, pale and agi- tated, and apologised lo the audience for having kept them waiting. He explained that he had been having a discussion with Mr. Martin back- stage. Trinder then called through the curtains to Mr. Martin, who carne through to the front of the stage. Mr. Martin made a short speech, praising Trinder and ex- pressing hopes for the success of the comedian's New Zealand tour. "Tell them!" Trinder, almost in tears, then turned to Mr. Martin and shouted: "Now tell them what you said in front of everyone backstage - that I am a disgrace lo show business and can go back to England on Monday." Turning to the audience, Trinder then announced: "I've been sacked." A section of the audience laughed, taking the announcement as a joke, but the whole of the house soon afterward i realised that the comedian was serious. Trinder briefly fare- » welled the hushed audience; then retreated through the curtains, leaving Martin, flushed and embarrassed, alone., on the stage. . .*'' The orchestra then began to play, and Mr. Martin left the stage as the shocked audience began to'drift out of the theatre. A crowd waited until about 12.30 a.m. at the stage door for Trinder, but he remained in the theatre, still wearing make-up and a dressing gown, to talk with mem- bers of the company. "Sacked" Interviewed in his dressing-room about 1 a.m., Trinder said: "I don't know where I stand. All I know is that I was sacked last night. "My bit of tomfoolery on the stage was harm- less, and the customers loved it. Everyone knows that ad-libbing is my stock-in-trade. "My contract with the Tivoli was only a verbal ' one, and if Mr. Martin wants lo put me on a new contract he can come and sec me." Mr. Martin, inter- viewed a few minutes later in his office at the ft ont of the theatre, said: "Some artists arc very temperamental. I believe Tommy was defi- nitely wrong in what he did last night. Perhaps I was a little undiplo- matic in my handling of the situalion. "Tommy has been drawing £1,250 a week. Settled Trinder, told of this proposal, said: "This is ridiculous. He can see me here or at my flat." Trinder announced shortly after midday yes- terday that the dispute was settled. He said: "Mr. Martin and I had a long discussion in my drchsing-room until about 4 a.m. and cleared up the whole unpleasant busi- ness.
Article:
Sacked! Tommy Tells Tiv. Audience, The Argus, National Library of Australia, 2 February 1953, 1, 16
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Article:
Sale of National Theatre Likely, The Examiner, National Library of Australia, 22 April 1948, 1
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Article:
Sensation at Launceston, The Mercury, National Library of Australia, 27 January 1912, 5
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Article:
Shakespear Revived, The Examiner, National Library of Australia, 26 October 1938, 12
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Shakespearean actor leaves, The Argus, National Library of Australia, 28 July 1926, 19
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Ship's Mails, Sydney Morning Herald, National Library of Australia, 7 June 1862
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Singleton, The Maitland Mercury, National Library of Australia, 14 February 1846, 2
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Singleton. Boxing Day, The Maitland Mercury, National Library of Australia, 2 January 1847, 2
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Article:
Sixth Drama Festival Award to Launceston, The Examiner, National Library of Australia, 2 June 1952, 4
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Article:
St. John's Bazaar, The Maitland Mercury, National Library of Australia, 24 November 1847, 2
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Article:
St. John's Total Abstinence Anniversary, The Maitland Mercury, National Library of Australia, 17 August 1850, 2
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St. John's Total Abstinence Society , The Maitland Mercury, National Library of Australia, 23 August 1845, 2
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St. John's Total Abstinence Society - St. John's Day, The Maitland Mercury, National Library of Australia, 26 June 1850, 2
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St. John's Total Abstinence Society, The Maitland Mercury, National Library of Australia, 19 August 1854, 2
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St. John's Total Abstinence Society, The Maitland Mercury, National Library of Australia, 23 August 1845, 2
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St. John's Total Abstinence Society, The Maitland Mercury, National Library of Australia, 8 February 1854, 2
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Stage Burnt in National Theatre Fire, The Examiner, National Library of Australia, 9 June 1951, 1
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Stage Whispers, The Sunday Herald, National Library of Australia, 4 February 1951, 8S.
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Standard Theatre, Sydney Morning Herald, National Library of Australia, 21 September 1891, 9
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Supreme Court - Criminal Side, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 23 May 1850, 3
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Supreme Court, South Australian (Adelaide, SA : 1844 - 1851), National Library of Australia, 5 March 1850, 2
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Tailem Bend News, The Mount Barker Courier and Onkaparinga and Gumeracha Adve, National Library of Australia, 3 July 1914, 3
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Talking Pictures, The Examiner, National Library of Australia, 23 May 1929, 10
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Tamworth Mechanics' Institute, The Maitland Mercury, National Library of Australia, 6 August 1857, 2
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Tamworth, The Maitland Mercury, National Library of Australia, 25 December 1856, 4
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Tasmania, Sydney Morning Herald, National Library of Australia, 8 October 1884, 10
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Tea Party and Lecture, The Maitland Mercury, National Library of Australia, 15 April 1846, 2
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Tea Party and Lecture, The Maitland Mercury, National Library of Australia, 15 April 1846, 2
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Tea Party, The Maitland Mercury, National Library of Australia, 15 November 1845, 2
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Tea Party, The Maitland Mercury, National Library of Australia, 21 March 1846, 2
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Teetotal Procession and Tea Party, National Library of Australia, 29 March 1845, 2
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The "Register's" Libel Case, Adelaide Times, National Library of Australia, 4 March 1850, 3
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The Aborigines' Friends' Association, Adelaide Observer, National Library of Australia, 1 September 1860, 3
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The Aborigines, The Advertiser, National Library of Australia, 13 December 1909, 12
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The Adelphi Theatre, The Age, National Library of Australia, 4 November 1856, 5
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The Alexandra and Princess's Theatre, The Argus, National Library of Australia, 22 June 1886, 10
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The Amateur Theatre, The Maitland Mercury, National Library of Australia, 19 April 1845, 2
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By THE CHIEL Handicapped by conditions without parallel in the history of the stage in Melbourne, owing to the dispute with the Actors' Equity (see page 3), the musical play "Viktoria and Her Hussar" was presented at His Majesty's Theatre on Saturday night. Although members of the equity re- frained from demonstrating either inside or outside the theatre, ab- sence of the chorus imposed a heavy strain on the principals. It was a courageous gesture on the part of the cast to undergo the or- deal m the circumstances; that they carried the show through success- fully was a still higher tribute to their courage. Wherever the merits of the dispute may lie, there was no doubt as to the feelings and sympa- thies of the audience. The keynote was struck before the curtain rose by the prolonged applause that greeted the appearance of Mr Claude Flemming in one of the boxes. The music by Paul Abraham pro- vides some pleasing and well-remem- bered numbers. Chief among these are "Sweet Love's Dream" and "Petals of the Plum," in both of which Gladys Moncrieff, as Viktoria, scored heavily. Fred Murray as Count Ferry Hegedus, and Miriam Lester as' O Lia San made a notable success of their infectious and hilarious duet "Mousie." Herbert Browne's "One Girl Only ni the World For Me" was another highlight.
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The Argus, Viktoria and her Hussar, National Library of Australia, 29 May 1944, 6
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The Manager of the Theatre has been so ill advised as to commence an action for damages against the Proprietor of this paper for libel, founded upon articles which have recently ap- peared in our columns, denouncing the gross im- moralities, obscene allusions, impertinent and foul interpolations which have been introduced by Mr Lazar into the performances ot late. If tried by a jury of Light-square ladies, it is possible the verdict might be against us; but that twelve citi- zens (husbands, fathers, or brothers) can be found to resist the complete justification which we shall put upon the record is out of the question.
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The Convict Question, The South Australian Register, National Library of Australia, 4 February 1850, 3
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The Country, The Advertiser, National Library of Australia, 12 December 1904, 8
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The Country, The Advertiser, National Library of Australia, 20 March 1905, 9
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The Devil's Disciple, Sydney Morning Herald, National Library of Australia, 4 October 1913, 24
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The Drama, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 14 October 1841, 2
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The Ghost Train, The Examiner, National Library of Australia, 7 August 1933, 8
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The Governor and Premier Attend a Corroboree, Chronicle (Adelaide, SA : 1895 - 1954), National Library of Australia, 30 June 1923, 44
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The Hasty Heart season extended, Barrier Miner, National Library of Australia, 17 October 1947, 7
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The Irish and Scotch Distress , The Maitland Mercury, National Library of Australia, 21 July 1847, 2
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The Mackay Expedition, The Advertiser, National Library of Australia, 27 June 1933, 8
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The National A Modern Playhouse, The Examiner, National Library of Australia, 24 September 1915, 7
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The National Hall, The Examiner, National Library of Australia, 29 April 1915, 7
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The National Theatre, The Examiner, National Library of Australia, 22 September 1915, 6
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The National Theatre, The Examiner, National Library of Australia, 27 September 1915, 3
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The Native Corroboree, The South Australian Register, National Library of Australia, 16 March 1844, 3
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The Natives, South Australian Gazette and Colonial Register (Adelaide, S, National Library of Australia, 15 June 1839, 4
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To the Editors of the South Australian Register. I am, Gentlemen, Yours, &c. A TOWNSMAN. GENTLEMEN —Not long ago, I saw in the Gazette a notice to the effect that the police and park-keepers were to consider it their duty to prevent as far as possible the natives from cutting wood on that portion of the park lands lying be- tween North and South Adelaide. After this notice, I was rather surprised the other morning to see a whole body of natives hewing and cutting away at the fine trees nearly opposite Government House; and not only this, but one fine tree was set on fire and continued burning during the whole day and succeeding night. Now, it is to me, and must be I think to every citizen of Adelaide, a matter of regret to see the only part of the park lands on which the trees have been preserved, and the only part which can now be converted into a pleasure ground, thus left for the natives to do as they please with. In a year or two, when our minicipal autho- rities shall have been fairly established, and our colonists have a little more leisure for recreation, this might be converted into a pleasure ground with very little trouble or expense, but if the natives are allowed to cut down or deface the finest trees, fifty years will not repair the damage. Besides, I cannot for my own part see what right the natives have to the park lands any more than the settlers. If the natives are to have the use of public property, they may as well claim the use of private. Not that I wish to see them driven off the park lands; but the Protector tells us how well they are advancing towards civilization, and that they have built houses for themselves,—why then do they not reside in them, and have wood supplied to them for fires, which would be a very trifling expence? I think they would be much more comfortable in their houses, and it would be a better proof of their improvement than all the statements the Protector can make. Again, where is the use of appropriating land for them in country districts, if they are to be allowed to loiter about our park lands doing nothing but mischief? I trust the attention of His Excellency the Governor will be directed to this subject, and I am certain he would apply a remedy without delay. [The above letter refers to a subject we have often had it in contemplation to bring under public notice. It is impossible for our readers who do not reside in North Adelaide to form any idea not only of the wholesale destruction of the finest trees of the park which the natives are committing with absolute impunity, but of the nuisance of their beastly corrobories, the noise of which is so frequently carried far into the night. Surely it were desirable for the Protector to take some order on these points. Could they not, at least, be persuaded to cele- brate their discordant orgies at some greater distance from town ?—EDITORS.]
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The Natives, The South Australian Register, National Library of Australia, 15 August 1840, 5
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The New Theatre, The Examiner, National Library of Australia, 28 August 1911, 7
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On Tuesday night the Government Resident entertained the commanders and officers of the Tauranga and Penguin by providing a native corrobboree, which was held on the esplanade opposite to the residence. This exhibition was followed by a dance, at which a large number of residents were present
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The Northern Territory, The South Australian Register, National Library of Australia, 3 August 1891, 5
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The new theatre royal – concerning which small talk has long been busy – was opened last night under the management of Messers Harwood, Stewart, Hennings and Coppin. The pit, stalls and dress circle were crowded to suffocation. The galleries were not so well filled.
We have already given particulars of the construction and decoration of the theatre, and it only remains to describe the effect which the decorations and furniture produced when viewed by gaslight. The dress circle is furnished (by Messers Cohen Brothers, of Lonsdale street, who are the contractors for the upholstery) in red damask, the effect of which is to our thinking somewhat sombre. The stalls are supplied with cane seats, with arm divisions of kauri pine for each person; and in both parts of the house attention has been paid to the comfort of the audience. The panelling and painting is rich and tasteful. The liberality of lighting and the multiplication of chandeliers gave to the auditorium a most brilliant appearance and when the first notes of “God save the Queen” drew the immense house to its feet, the scene was a remarkable and exciting one. The same fault which was so marked in the old Royal – the extent to which the upper boxes overhung the dress circle – has, however, not been omitted to be reproduced. The acoustic properties of the house are good, its appearance elegant and airy, while the marked improvements in stage accommodation and increased facilities for exit and entrance render it a theatre second in convenience to none of its size in Europe.
The singing of the national anthem completed, Mr Hennings new drop-scene was exhibited. The subject chosen is a view of a lake and mountains. It is impossible for Mr Hennings to paint anything which is not artistic, but in this instance we can but agree with Goldsmith’s admirer of Pietro Perugino and say that “the picture would have been much better had the artist taken more pains.” It is barely finished, and bears marks of great haste. The painting is not worthy of the first theatre in the colonies. This complaint of hastiness may be made indeed with reference not only to the other parts of the building but to the performance which initiated the season. The bars, café, and lounge are in a condition of bricks mortar and mud which his utterly abominable, and the bill of fare set before the audience was of the most meagre kind. Mr Coppin has given his reasons for the non appearance of a company in his speech, and doubtless to him they are all sufficient, but there was no necessity to open the theatre at all until it was completely finished, and furnished with actors. Mr Coppin has a good stock comedy company in Adelaide; if he could not get them back in time to open his theatre, he might have accepted the results of his arrived. “To Oblige Benson” and “Milky White” are good pieces enough, and were very defective arrangements, and waited until they well played, but we maintain that there are not the sort of plays to produce upon the opening night of the leading theatre in Australia, and we regret that the tradesman-like consideration of the pocketing of a few hundred pounds during the race week should have induced the management to thrust second rate pieces upon the boards of an unfinished theatre.
The opening address was written by Dr Neild and spoken by Mrs Collins, late Miss Docy Stewart, who has returned to the stage where she made so many friends. It is as follows:-
It seems indeed but as the other day,
That here a heap of smoking ashes lay, O’erhung by blackened walls that high appeared
Their ruined length, like ramparts lightning-seared
It was, in truth, a very tristeful scene
Nought left but memories of what had been;
Mind-thronging memories of things long sped,
Of those in other lands, and of those dead!
A lengthened pageant passed before the eye
Through that black void, all open to the sky
And it was hard indeed to vanquish tears
To think that of the glories of gone years
The ruthless fire no monument had left,
But into devastation all had swept.
The boards that Brooke so oft had trod were gone
Those on which Rogers in his best days shone
On which, too, we were wont, erewhile to see
The ideal Hamlet in Montgomery
Where Jefferson his perfect skill displayed
And fine old Alberts last farewell was made
Where, later, Mathews with consummate art
Seemed all he played, yet seemed to play no part;
Where hosts of others, not unknown to fame
Had left a more or less enduring name –
Gone was the place – scene of their glories all –
Spent like a fleeting day dream, past recall
But yet, though dismal ruin sat and frowned
On smouldering beams, still sacred was the ground;
Although the temple to the earth was cast
Its history stood still grandly in the past
So long the drama’s home had flourished here
‘Twere profanation other pile to rear
Destructions hand had crushed to dust the lane
What then remained? Why – build it up again
Hence active brain, with busy hand combined
(Alliance potent, muscle wed with mind)
Resolved this drama’s temple to restore
A fairer building that it was before
And in short spaces as if by wizards will
The structure ’gan the dreary void to fill
Soon there was seen a goodly house well planned
Worthy of the foremost southern land
And of the drama worthy too, we trust
Albeit they say the drama ‘s in the dust.
But that’s a slander, and we hope to show
Not yet it hath received its mortal blow
But this in passing. Nathless be it said
If now the drama be in truth quite dead
Faded and withered never more to bloom
That we have built for it a fitting tomb
But will I not believe that so’t must be
Not ended yet the drama’s history
So long as passion stirs the human breast
And the soul hath its tumult and its rest;
So long as men in life’s hard battle fight
And wrong for victory contends with right
So long a loves great lever moves mankind
So long the drama, worshippers shall find
And when the last man utters his last sigh
Then but not till then will the drama die
Tis nothing that it changes oft its mood
That all the muses in their turn t’as wooed.
That mad burlesque hat sometimes favoured been
And art been hidden by sensation scene –
These are but shadow phases and the light
Will come again, as it of erst was bright
Bit howsoe’er, or whosoever it be
Burlesque, sensation, or pure comedy
Tragedy, farce, or aught of all the rest
We here will strive to please you with our best
I speak for all my friends, I who awhile
Here basked in the sunshine of your smile
Grateful I come for many favours past
And the first part of which you find me cast
Is this, the pleasantest of many a part
To bid you welcome from my inmost heart
Take then my greeting, warm as words can make
And I your pleasant greeting back will take
For tis a night of greetings, as’t might be
In a long separated family
Our house is built again, let us rejoice
With one united and outspeaking voice
And as the roof tree rattles with our cheers
Lets wish’t may last at least a thousand years.
The applause was frequent, and Miss Stewart – as she still chooses to be termed – may feel proud of the hearty and appreciative cheering which greeted her appearance. After the first-piece, in which Mr Coppin, as Trotter Southdown was as amusing as of yore, occurred the event of the evening – the managerial speech. We print it verbatim:-
“Ladies and Gentlemen – it is usual at the commencement of a dramatic season to announce coming events. I will not do so upon the present occasion, because I am much in the dark in reference to the future managerial policy of the theatre as any sleeping partner in the depths of somnolence can possibly be. The next mail steamer brings Mr Harwood, who will, I have no doubt, give a very satisfactory account of his search for novelties and talent in the old country. As I cannot enlighten you as to the is to be’s I will make a few remarks about the has beens and the is-s-s-s. You are no doubt aware that I was burnt out of the Theatre Royal. You may have heard that my positive losses exceeded £5,000. In fact, if the stock of old scenery and machinery destroyed were valued in proportion to the cost of the new, my losses would exceed £7,000. You can all understand that the disastrous event was neither agreeable nor convenient. The ashes of the old Royal were undisturbed for months. The property was advertised for sale, or to let. Appeals were made in the newspapers to the enterprise and public spirit of our wealthy colonists to restore the legitimate home for the drama, but without a response. As no one else would face the breach, I came to the fore again, and leased the ground for 99 years, through the negotiations of Mr. Auctioneer Knipe. I selected my architect, had plans prepared, and accepted tenders for the building. I negotiated for insurance in England, and let the theatre for five years to Harrow and Co. Now, many persons would say – why didn’t Coppin float the Theatre Royal Proprietary Association before making himself liable for £20,000 because we all know that he hadn’t the money to carry it out? He couldn’t say – Alone I did it. I’ll tell you:- I am a member of one or two excellent associations that are perfectly dormant at the present time, in consequence of the inaction and want of sympathy on the part of some of the directors and the secretary. There are many persons in this world that either cannot or will not do anything themselves, but constantly oppose the exertions of others that are willing and competent to undertake the responsibility of guaranteeing success. With this mortifying experience I arrived at the conclusion that when you wish to carry out any undertaking, the safest way is to keep the power within yourself until the arrangements are so far advanced that they cannot be altered. After entering into all my engagements, I then issued a prospectus for the formation of a company to carry them out. The shares were disposed of by Mr J P Macdonald. My plans have been most literally endorsed by the directors, who – whilst protecting the interests of the shareholders, have not neglected the comfort of the public – and the result of this little bit of management is the magnificent building you now occupy, which I think ought to satisfy the demands even of those gentlemen which were liberal enough to dictate the expenditure of other people’s money by building theatres in the air through the newspapers. I cannot too highly praise the talent and energy displayed by my architect, Mr George Brown. His heart was evidently in his work and the result must elevate him greatly in public estimation. The services of Mr Powell have been most valuable as clerk of works, from the experience he gained in his connexion with building, the old Royal and Haymarket Theatres. The contractors, messers Hood and Brown, have carried out their works in a substantial and tradesman like manner. I cannot now enumerate every person that is entitled to honourable mention – from Mr Hennings down to the most humble labourer employed there has been a general desire to make the theatre a success – to each and all I tender now my thanks. I need not tell you that we are in an unfinished state. It would be a pity to spoil the Brussels carpets by placing them upon the floors whilst the plasterers are at work. I should therefore advise you to come every night to notice the gradual improvements until we arrive at completion. I have no doubt that some amount of disappointment exists (in which I heartily join) at the non-appearance of the ladies and gentlemen intended to open the theatre. The fact is that a great portion of the company is under written engagement ‘to open the Theatre Royal on or about the 7th of November. You see I calculated my opening night very closely some months ago. Without thought, engagements were afterwards made for a three months season in Adelaide, and when noticed to appear this evening, they found themselves in the awkward position of having to break one of their engagements. Managerial pressure, through the violation of a distinct understanding, compelled them to remain in Adelaide until the 19th of November, and we had to form another company not a very easy task with two other theatres open in Melbourne. The fortunate arrival of Miss Rose Evans placed novelty and talent at our disposal, and tomorrow evening I thoroughly anticipate one of those great successes for which the old Royal was so celebrated. And now, ladies and gentlemen, permit me to thank you most sincerely for your attendance here this evening. Although I shall not take any active part in the management of the theatre, I shall occasionally pop in, and hope I don’t intrude. On behalf of Harwood and Co, I can assure you that every exertion will be made to insure the liberal patronage and support that they had the good fortune to enjoy during their former years of management.”
Mr Coppin was much applauded at the conclusion of this effort, and Mr Brown, the architect, was also summoned by the audience to receive their compliments.
The comedy-drama, “Milky White” concluded the entertainments. It was received with great marks of favour, and it merited them. Mr Coppin never played the misanthropical cow keeper better. Mrs Crosbie made an excellent Mrs Sadrip, and Miss Maggie Stewart may be congratulated on the acquisition of some little sprightliness during her recent absence from the boards. Mr Munro and Mr Collier would seem to claim some notice, but beyond stating that they, Mr Stewart, Miss Douglass, and little Miss Nellie Stewart appeared in the course of the evening, the insignificance of the parts enacted by them renders criticism needless. For the same reason we refrain from commenting upon the acting of Miss Docy Stewart. She sustained the small part of Mrs Trotter Southdown with the ease of experience. Miss Stewart is a capable and painstaking actress, and we are glad to see her again upon the boards.
This evening Miss Rose Evans will appear in a drama called “quite alone,” dramatized, we understand, by herself, from “Jane Eyre”.
Article:
THE OPENING OF THE NEW THEATRE ROYAL. (1872, November 7)., The Argus, National Library of Australia, 7 November 1872, 6
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THE ABORIGINALS.—We have had a good, sprinkling of blackfellows and their lubras amongst us for the last week or so. On Saturday Mr. Coles kindly sold them a few opossum rugs—thus making them acquainted with some of the advantages of this species of sale, as their rugs fetched on an average 15/ to 16/ each. In the evening these sable visitors held a corroboree in the yard of the Sir John Franklin Hotel, at which there was a large gathering of spectators..
Article:
The Overland Telegraph, Kapunda Herald and Northern Intelligencer (SA : 1864 - 1878), National Library of Australia, 26 March 1872, 2
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The Players' Festival of Drama, The Examiner, National Library of Australia, 6 June 1947, 3
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The Plaza, The Examiner, National Library of Australia, 16 May 1932, 5
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The Point Mcleay Native Mission, The South Australian Register, National Library of Australia, 12 December 1895, 6
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The Princess Theatre, The Examiner, National Library of Australia, 3 June 1914, 6
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THIS theatre was opened on Monday evening; The play was Othello. Previous to the commencement of the piece the national anthem was sung by the whole of the company, at the con- clusion of which Mr Arabin, of the Sydney theatre, stepped forward and delivered the fol lowing opening address:— Ladies and Gentlemen—This little box To-night an adventurer unlocks; Nor opes it vainly—for this light presents A graceful exhibition of contents. SOLOMON said, " Urge to our friends my plea"— " I Urge !" said I-"bless you, they'll laugh at me; Yet, if you wish it, be my efforts tried, Your cause my spur—their service all my pride." The bow of gratitude before you made— Having this smiling generous range surveyed— Care has been his this labor to complete, Which makes magnificence and comfort meet— Anxious that multitudes may sit at ease, And scantier numbers in no desert freeze— That ample space may mark the liberal plan, But never strain the eyes or ears of man. Look round and judge. His efforts are all waste Unless you stamp them as a work of taste. He pleads for favor, only if his due, He pleads for justice, and he pleads to you [applause]. So much for visual sense.—What follows next Is chiefly on the histrionic text— And our adventurer has toiled to store His list of favorites with some favorites more. The universal cry is--- Something new; And to obey this call we trust to-night Some pleasing novelties may greet your right [applause]. New is the house—these boards too—this & certain— - New are the dresses—new the scenes and curtain— New also are our hopes, in this new cause, That we may meet and merit your applause— Rich the repast, and may we trust ensure The custom of the scenic epicure. "What our pretence ? What all the world pursues— To please for praise—for profit to amuse. I don't despair—your looks imply no danger, And John Bull ever patronised the stranger [applause]. E'en I, although amongst the last and least, May pass, perhaps, as garnish to the feast. We hope to please, &ad as we're dull or clever You patronise or damn the same as ever! And tee, who long tost on dramatic seas, The sport, alas! of many a shifting breeze. Have still contrived our shattered bark to steer, Now furl our sails and drop our anchor here, Happy indeed if, all our labors past, A friendly harbour we have found at last [applause].
The theatre was well filled in every part—the dress circle particularly was crowded with the 'beauty and fashion' of Adelaide. Hie house is very comfortably arranged and elegantly fitted up, the decorations altogether reflecting great credit on the abilities and taste of the artist—Mr Opie we believe. It would at present be premature to speak of the general merits or demerits of the company, or of any particular member of it, this being the first opportunity we have had of seeing them perform. Two or three of them only have we seen before—the remainder are entire strangers. Mr Lazar's Othello was upon the whole good. At times his utterance was too rapid, and consequently rather indistinct; and once or twice he gave more scope to his voice than was necessary; but taking the part as a whole, it was very creditably gone throngh, and drew from the audience repeated expressions of applause. Mr Arabin, as logo, decidedly sustained his character better than any one on the stage; lie indeed played the plausible and Wily villain to the life. Mr Allan, who played Roderigo, appeared to be quite out of his line, and endeavoured to amuse the audience at the expence of the tragedy. In the afterpiece he seemed more in bis element Mrs Cameron was well received by the audience, and promises to take the lead among the female part of the company. Mrs Arabin too, we.doubt not is a very useful actress, and seems almost equally at home in comedy and tragedy. We must not omit to mention Miss Lazar's dancing, which no- one present could help admiring. Of the other performers we cannot' speak till we" bave fartber opportunities of seeing them. Mr Solomon-has certainly shown great public spirit in erecting such a building as the Queen's Theatre—a building which equals in every respect, most of the English provincial and second- rate London Theatres—and we trust he will not be a loser by his speculation
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The Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 13 January 1841, 3
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The Queen's Theatre, Southern Australian, National Library of Australia, 12 January 1841, 1
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The Queen's Theatre, Southern Australian, National Library of Australia, 9 September 1842, 2
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The members of the Masonic Craft patronised the Theatre on Tuesday evening last, for the benefit of the Infirmary; the whole of the proceeds over and above the expences going to that institution, which accordingly drew a very full house. The pieces produced were Shakespere's Taming of the Shrew, the Crown Prince, and The Turned Head. We have not space to notice the per- formers particularly, but the universal ap- plause sufficiently testified the satisfaction of the audience.
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The Queen's Theatre, The South Australian Register, National Library of Australia, 17 April 1841, 3
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On Thursday evening the second amateur performance took place to a respectable audience. The dress circle was crowded. The comedy or farce of the Heir at Law, followed by the Merry Monarch, constituted the entertainments of the evening. It would be impossible to criticise minutely the acting of the different gentlemen who have so good-humouredly taken so much pains and gone to such expense to amuse the public. But we may safely say, that batling those unavoidable defects which only "stage practice" can remove, their preformances were creditable, and in many scenes effective. We are glad to notice an improvement in the orchestral department. A portion of the overture to Zamna, in particular, was played with brilliancy and spirit. It would be desirable, however, that some more moderation should be observed in the accompani- ments. Mr Charles Campbell's amusing song was actually drowned by the noisy fiddling. The fol- lowing Prologue, written by Mr Mann for the occasion, was spoken by Mr Hamilton:— In good Queen Ross's days, as legents tell, England from every nation bore the bell. Sage in her councils, foremost in the fight, The haughty Spaniard quailed before her might O'er the Pacific's wave of liquid gold. Full on the breeze the red cross banner roll'd; And where the storm tost billows fret, and foam On Albion's cliffs, her navies found a home. Council and battle past, in hall and bower} Noble and peasant hailed the festive hour,} And iron manhood bent to woman's power:} Valour and beauty graced the gorgeous scene, And lent a glory to the Tudor Queen. 'Twas tehn the drama rose—and Shakspere's name Hallowed the age with an immortal's fame. Each passion language found, and humorous thought, And sparkling wit, their ready tribute brought With sceptre'd pomp the tragic muse swept by. And mirth and laughter crown'd our comedy. That age has past—but still its works remain To grace the triumphs of Victoria's reign. Our ships and sailors still are hearts of oak— Still the vexed ocean bears Britannia's yoke. Still are our soldiers foremost in the war } Witness Barrossa witness Trafalgar } Our Nelson's glorious death, and Douro's ducal star. } Has beauty lost its power? Nay, sceptic, gaze, If gaze thou can'st, on yonder living blaze. Be like the eagle, face that sunny ray Or with the Persian, bend and own its sway. No sceptics we dear woman's power we own, And willing captives bend before her throne; Suppliants—but suppliants for a just applause Suppliants for favor in the drama's cause. That cause is yours—by him whose [?] Pierced to the inmost depths of [woman?] And in each character his pencil drew, } Still kept to woman and to nature true. } By Shakespere's honor'd manees, we call on you } And to your triumphs, still one triumph more, And rear the Drama on Australia's shore.
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The Queen's Theatre, The South Australian Register, National Library of Australia, 20 February 1841, 3
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This Theatre opens on Monday evening with every prospect of suc-cess. The boxes, we understand, have been nearly all taken, and it seems determined to give the spirited proprietor a fair opportunity of realizing his intention of making the Theatre and its entertainments such as the respectable classes of Adelaide may resort to with propriety.
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The Queen's Theatre, The South Australian Register, National Library of Australia, 9 January 1841, 3
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The Queen's Theatre, The South Australian Register, National Library of Australia, 9 January 1841, 3
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The Reparation, Sydney Morning Herald, National Library of Australia, 25 May 1940, 8
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The Representative Principle, The Maitland Mercury, National Library of Australia, 7 June 1856, 2
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—"The. Patawalonga ; Creek has been the scene of many aboriginal tribal battles and corroborees. To old residents the traditions of the creek are as numerous 'as tbey are, interesting. But a few wurlies now adorn the neighborhood in • which -in pioneering days hundreds of blacks were at times encamped. On Tuesday evening some old-time memories were awakened by the discordant strains which were heard in the vicinity of the aboriginals' camp. Although there were only one or two old' warriors' in camp the noise created was as- hearty
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The Rev. J. Day Thompson on Gambling, The Express and Telegraph, National Library of Australia, 13 October 1897, 2
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This house was re -opened last night by Messrs. Troy Knight and Gouge for a week's performances with one of the most efficient companies we have had the pleasure of seeing on the Adelaide board for some time....
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The Royal Victoria Theatre, The South Australian Register, National Library of Australia, 13 July 1852, 3
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Our Alice Springs correspondent, tele- graphed as follows on Tuesday:-"Pro- fessor Baldwin Sjiencer and ]Ur. F. J. Gillen have completed their anthropological studies here. During their stay tome on the residents were afforded an opportunity of seeing many interesting phase» of native life not previously displayed to them. Per- haps one of the most effective and exciting was the war dance performed by 60 adults, who went through atseries of evolutionary movements, first with spears and shields, land aßterwlirdls witlh boomerangs, working ?tihemstelves into ?a. frenzy of excitement. Re cently natives went north to avenge the death of a tribal brotiher. Photographs* were taken of the departing avengers and of their return after killing a man. Numerous valuable cinematographic and photographic pictures were secured of corroborées", dances, and sacred ceremonies. The ethno- logists were highly gratified with the re- sults obtained here. The expedition left on(Saturday, northwards, all being well'
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The Spencer Gillen Expedition, The Advertiser, National Library of Australia, 29 May 1901, 4
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THE BLACKS OF THE INTERIOR. [By Professor Baldwin Spencer, in the Melbourne 'Age.' I ? A day or two after our arrival at Alice Springs the natives began one of their ordi nary corroborees. The Arnnta name for these is Altherta. and each one usual lasts night alter night tor perhaps a fort night or three weeks. For hours during the day time the men are decorating each other with down which they gather from the seed cases of a Portulaca; this is : either rubbed in gypsum to make it white, or in red ochre to make it red. The men sit down in a group with nil their materials ready. These are comparatively simple, red oehiv and gypsui-», witii stone.-t on which to grind them, little, heaps of down, twigs of some bush, such as a cassia, and then, when all is ready, some of them tie a hair strimr tightly round their arms, and with a sharp Hake cut one of tlie veins, and allow the blood to pour down into the hole in a shield made for the hand, or into the concavity of a spear-thrower. Then first of all each performer has his hair tied up- with cassia twigs bound round with human hair string, which he undoes from his hair girdle. When this is over a little brush i» made out of a twig with string wound round one end, and with this some of the congealed blood is smeared over the parts where the down- has to be put on, and gradually the design characteristic of the special corroboree being performed is drawn npon the body. Singing of the corroboree song goes on all the time, the notes alternately rising and falling, while one or two men keep time with tho chang ing of their boomerangs. Towards sun down all is readyj and at dusk fires are lighted on the corroboree ground, and the women and children come and group them selves in 'front of the dancer.--, together with the men who arc not performing, the nien singing, and all of the audience keep ing time with sticks and boomerangs. The first corroboree which they started after onr arrival at Alice Springs was one called Chichingalla. It was jnst about as monotonous as most corroborecs are. The men danced sometimes with staves in their hand*, sometimes with a cleft stick rest ing on their shoulders, advancing out of the darkness into the light of the fire? with leafy twigs tied round their ankles, and stamping upon the ground. At times the performers, who varied from six to 32 in number, would divide into two parties, one passing to one side, and one to the other, and then skipping across much as if they were changing sides in a square dance. After watehih- this and listening to the monotonous singing and clanging of boomerangs on the part of the audience, which never seemed to weary, we usually took advantage of the interval, when the women, at a given signal, retired a little distance away to allow of the men. having a spell and quiet chat, and left them to continue with the second part of tiie pro gramme, which was never completed until the early hours of the morning. So as to enable us to secure some records of ono of these characteristic dances, they rehearsed some of the scenes— a full dress rehearsal, of course, except so far as the size r.f the audience was concerned— as soon as they 4wd finished decorating themselves before sundown. The only reafly interest ing part was tlie very end, when, unlike most of the ordinary corroblwrees, one man was crtpccially decorated with birds' down. The lir.st part «l the performance consisted of the usual uninteresting dance, but after a short pause all of the dancer*, 12 in number on this occasion, rangid theinsulves in front of a little lxiHgh wurley, which had been built at- the beginning of the corroborec, while the audieirce, wnristing of about 100 men. women, and children, stood up, all of them evidently nnietb excited. l-own from a low rise two men can*; creeping, tlie leader carrying a shield in front of him, as if to prevent the man U-hJnd from being seen. This man was elaborately de corated with lines down all over his head and the upper part ot Ins body, anu had a circlet of white and pink feaiier tufts radiuins from his head like the points of a irreat tiara. Suddenly he leaned forward, and hddinc a fcpear tipped with a. bunch of feathers in both hands, charged the dancers who were standing in front of his wurley. Amidst the loud shouting of the men and women, Uie latter all as it ?were warding him off with extended arms, he kept charg ing and recharging tlie performers, who ran sideways, backwards, and forward's in front of the wurley, shouting and prancing about wildly. Suddenly an old man came out of tlie audience and set fire to a-sreat heap of shrubs placed on one .fide. The excifte ment on the part of tlxc audience became more intense, and grew still greater when the decorated man. having forced his way through the dnneerF, die litter ranged up behind him, following him as he danced wildly round and round. Tin's was the signal for the women and children to rc tjre, which they did precipitately. No sooner Wd they gone ihnn, amidst the loud yells of the men and the clashing of boom crangp, the wurley was sot on fire, vlie dancers stamping and jumping upon it until it was one mass of flames, which lighted up the thin scrub all around and shone weirdly on tire bodies of the men who were still dancing madly with excitement. Gradually ii subsided until only a heap of glowing ash remained, the outlines of the hills and trees and the bodies of the natives grew indistinct, and the corroborec was aver. It is a strange fact that the words of the owroboree song liave no meaning to the performers. They are nanded on from group to group along with the dance itself, and doubtless undergo sinme ciituipe as they pass from a. tribe speaking one dialect to another speaking quite a different one. Simple in many ways and monotonous though they are, still the various movements must re quire a good deal of careful thinking ont on the part of the originators and a good deal of receptive capacity on the part of those to whom they are handed on if they are to bz correctly performed. Curiously enough every corroborce in this part of the continent appears to have been received from the north. This particular one, for example, is evidently identical with the Molonca dance described by Dr. Roth in his work on tlie Queensland natives, and has come down to the Aranta tribe from tiieir north-western neighbours, the Upirm tribe, Who doubtless received il from tlie Waagai tribe, which extends away again still further to the norcn-west into Queens land. No sooner was thia over than the very next day the natives started a second cor roborce called Illionpa, in which, apart from the slight difference in the movements and die fact that in one scene a man was represented in ihe act of what, is called giving 'mania' to a sleeping man, there was little of interest. This giving 'of ''ma- nia*' consisted in one cftlie decorated men advancing quietly towards the spot where another of tiie performers was lying on the ground and touching the foot of the Lutter with his own. The pnisai was supposed to be contained in a minute piece of stone, which had been sung over and thus en dowed with evil magic, and in mis form is supposed to be very potent. Information. — She — 'What, does this mam about all just government deriving its authority from the consent of the govern ed?'' Ho— 'It means that when a man gets married he practically agrees to take the consequences'.'
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The Spencer Gillen Expedition, The Register, National Library of Australia, 5 August 1901, 6
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The Temple of Concord, National Library of Australia, 11 April 1855, 2
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The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 March 1841, 3
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The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 March 1841, 3
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THE THEATRE.—This place of amusement, "we are glad to see, still continues to draw tolerable, houses, though frequently not so good as we would wish to see. Mr Lazar continues. as indefatigable as ever in catering for the public entertainment. The pieces produced are generally of a light and amusing nature, which give more satisfaction than if heavy dramas were introduced. We trust soon to see better times, when Mr Lazar may expect his visitors to become more numerous.
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The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 10 November 1841, 3
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The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 24 February 1841, 3
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We have scarcely vain glory sufficient to impress ourselves with the idea that our remarks last week have occasioned a better attendance at the Theatre than before; certain it is, however, that the last three nigbts have presented better filled houses tban for some previous. We are glad to note the improvement, and shall be pleased to see a still better attendance.
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The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 3 March 1841, 3
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The Theatre, Adelaide Observer, National Library of Australia, 28 December 1850, 3
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The Theatre, Adelaide Times, National Library of Australia, 17 October 1851, 3
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The Theatre, Adelaide Times, National Library of Australia, 18 October 1851, 3
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It is with great regret we observe that the Theatre is about to close, inconsequence of the small support which has met the energetic endeavours of the management. The theatrical year of 1851 commenced under the most favourable auspices. A new theatre, in dimensions equal to most of the minor London establishments, and decorated at an expense of two thousand pounds, was opened. An entirely new wardrobe, complete in every particit ar, and the scenic department under the manage ment of the first landscape painter in the colonies (Mr Opie) and a band headed by Messrs Moore and Wallace, and comprising our chief instrumen talists, offered such a prestige in favor of the Near Royal Victoria Theatre, that it was universally pre* dicted for once in the annals of theatrical specula tion that it must pay. But the addition of the great talents of Mr Coppin, who now joined the management, known and appreciated as they were [...] whether pioneers or new comers appeared to render assurance doubly sure; and the receipt of the first few nights certainly did not lessen the likelihood of the realization of such expeditions ...
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The Theatre, Adelaide Times, National Library of Australia, 18 October 1851, 3
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The Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 21 August 1851, 3
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The Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 24 January 1850, 3
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The Theatre, Southern Australian, National Library of Australia, 5 February 1841, 3
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The Theatre, The South Australian Register, National Library of Australia, 12 June 1841, 3
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The Chambers family continue deservedly to attract full and fashionable audiences, the vote nan skill and agility of the parent being all but eclipsed by tho dramatic powers of his son and the winning grace of his little daughter, who seems a veritable ' fairy from Fairyland ;' both presenting in their finished performances an epitome of the various excellencies of all ' Who in the dance sported merry toes, Taglionis and Ellslers, Duvernays and Ceritns.' Master Chambers advances other claims to popularity than that of an accomplished dancer. In his' performance on Saturday evening he exhibited comic powers of no mean class ; indeed, our old stagers, with few exceptions, might take lessons in pantomime from -either of these talented cliildren. As the short engagement of ' the Chambers family' will speedily terminate, we would remind those who desire to witness a display of dancing immeasurably superior to anything heretofore produced on our stage' that they have no time to lose!
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The Theatre, The South Australian Register, National Library of Australia, 12 May 1851, 3
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The Theatre, The South Australian Register, National Library of Australia, 19 August 1851, 3
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The Theatre, The South Australian Register, National Library of Australia, 20 June 1851, 2
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THE THEATRE.—The general dulness of the town seems to have operated on our play going folks during the present week, the Theatre not being so well attended as usual; but we are happy to see it has not dampen the ardour of the manager—a succession of new pieces (or attrac- tive ones) having been produced, and the performers strive by every means to please. An amusing drama under the title of the Crown Prince was performed on Monday last, which was well received. Mr Lazar's personification of the Watch- man's son was admirable—his whimsical em- barrassment on being taken for the Crown Prince excited bursts of laughter; as did the exchange of dress from the Prince to the Watchman. There are some witty allusions in reference to the ministry, which told remarkable well, and the audience appeared to join in the [?] the little piece displayed. The [?] [?] of the Irish Trator followed, in which Mr J. Solomon sustained the part of Terry O'Rourke with great
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The Theatre, The South Australian Register, National Library of Australia, 27 March 1841, 3
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The Theatre, The South Australian Register, National Library of Australia, 6 February 1841, 3
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Mr. Morton King made his bow last evening in the new theatre as Hamlet. The house was crowded, and all who were attracted by a previous acquain tance with Mr. King's ability as an actor, as well as those who had for the first time an opportunity to compare his performance with his reputation, had the satisfaction to find his nowers unimpaired, and that he enjoyed no exaggerated credit as a tragedian. The play was remarkably well got up...
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The Theatre, The South Australian Register, National Library of Australia, 7 March 1851, 3
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By our advertising columns of to-day we find Mr Lazar, the enterprising manager of the Queen's Theatre, takes his Benefit on Monday next. Those who have watched the progress of the season, will admit that no pains have been spared on his part to secure for the proprietors good houses, and, for the public, rational and amusing entertainments. His exertions, both as actor and manager, deserve the highest praise, and we trust will be duly appreciated on his approaching benefit ; for our own part we have no doubt of seeing the most crowded house of the season. Mr Edwards (whose vocal talent is well-known and justly admired) gives his valuable services on the occasion ; also a gentleman amateur, of whom report speaks in very high terms; and the Bill of Fare throughout promises one of the most at- tractive evenings of the season. We can only repeat our wish to see a full house.
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The Theatre. - Mr Lazar's Benefit, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 5 May 1841, 3
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Native Encamphent.—On Saturdry afterncon a few aborigines who have been seen abaut town of late pitched their wurieys on the banks of the Torrens, just to the north, of the Frorne Bridge. In the evening they treated a large number of persons who had been attracted to the spot with an exhibition of the "corrobboree.*' This dance, in consequence of the scattered state of the Adelaide tribes of blacks, is rarely seen in the city, and even when performed is devoid of much of that uaeartldy appearance which is natural to it, and which in the early days of the colony was a somewhat coveted sight. On Sunday the wurleys were visited by many persons, including a large number of boys, who were frequently more up roarious than the performers. It is said that some of these blacks are adepts in card-playing, and would be rather dangerous opponents to many of their white-faced brethren.
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The Week's News, Adelaide Observer, National Library of Australia, 17 May 1862, 4
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The West Australian, A Three Act Play, National Library of Australia, 15 January 1971
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Theatre Lecture To-night, The Canberra Times, National Library of Australia, 8 January 1954, 2
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Theatre Owners Agree To Sell, The Mercury, National Library of Australia, 8 November 1952, 7
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During the last week, the interior of the Theatre Royal has undergone such a thorough transformation that it was scarcely recognisable under its new aspect when opened for promenade concerts on Saturday evening. These entertainments are, we believe, the joint enterprise of Mr W. S. Lyster and of Messers, Spiers and Pond, and they have been got up with a liberality of expenditure, and are conducted in a spirit, which entitle them to the success achieved by the first of the series. The pit of the theatre has been boarded over on a level with the stage, and as the whole depth of the latter has been thrown open, an immense area is thus secured for promenading. An elevated orchestra has been constructed immediately beneath the proscenium, and is occupied by a band which includes most of the best instrumentalists in Victoria, under the conduct of Mr. A Rolff. The stage itself presents the appearance of an elegant pavilion, decorated with shrubs, and brilliantly illuminated, and the general effort is light and cheerful, and reflects great credit on Mr. Hennings, who has superintended its metamorphosis. Where the wings need to be on either side, four spacious alcoves have been erected, furnished with lounges and marble tables, the walls being ornamented with fluted drapery of various colours; the unsightly flies are concealed from sight by folds of particoloured cambric; and at the extremity of the stage the roof of the pavilion slopes down to what resembles a balcony, looking out upon a view of the Bay of Naples, from the expert pencil of Mr. Hennings. Along this balcony is ranged a refreshment bar, in the arrangement of which a good deal of taste has been displayed. We should also mention that the Vestibule has been redecorated and renovated, and constituted a sort of smoking saloon, as this practice is rigidly interdicted in the theatre; nor was there any attempt to resort to it on Saturday evening on the part of the promenaders, amongst whom the utmost decorum prevailed. Between 2000 and 3000 persons were present, notwithstanding the unfavourable condition of the weather; and the house presented a really brilliant aspect, whether viewed from the boxes or the promenade, recalling to recollection the appearance of Drury Lane when Jullien used to wield his baton, with so much affectation and effect, in an orchestra which has contributed two or three of its best soloists to that of the theatre royal.
It is unnecessary to say that as the principal vocalists presented themselves to take part in the concert they were greeted with acclamations, and that the appearance of each of them was a signal for the promenaders to gather in a compact mass round the centre of attraction. The programme was judiciously selected, for while the works of the best composers were not neglected in it, it comprehended some of those Jullienesque polkas and quadrilles which are so popular with a mixed audience; and the vocal pieces embraced familiar ballads, as well as selections from choice operas. Madam Lucy Ascott was in excellent voice, and sang the “Robert, toi que j’aime” splendidly; and great praise must also be awarded to Mr Henry Squires for his beautiful execution of “Come into the garden, Maud.” In the famous old ballad of “Sally in our Alley” he was vehemently encored, and a similar compliment was awarded to Mr Farqhuarson for his spirited delivery of the descriptive scenes of the “Ship on Fire.”
Among the instrumental selection given on Saturday evening, special mention must be made of a clever pot pourri, arranged by Mr. Reiff; and the “Carnival of Venice,” with variations for a number of instruments, arranged by Herr Siede, whose solos on the flute were as admirable as those on the flageolet and cornet a-piston by Mr. Kohler, who rivals his former colleague, Herr Koenig.
Altogether the performance was extraordinary, when we take into consideration that the price of admission to all parts of the house, except the dress circle, was only a shilling. A few years ago, people in Melbourne would have cheerfully paid half a guinea admission to an entertainment of a far inferior character, and it is not surprising, therefore, to find so large a concourse of persons flocking to the Theatre Royal on Saturday evening, in spite of the rain, and mud, and cold, to listen to what we must characterise as the cheapest and pleasantest popular concert ever given in this city.
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THEATRE ROYAL. (1862, May 26)., The Argus, National Library of Australia, 26 May 1862, 5
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Theatre's Brave Presentation of Ned Kelly, Sydney Morning Herald, National Library of Australia, 21 March 1947
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Last week was closed the first season of the performance of the legitimate drama in Van Diemen's land. When the curtain dropped Mr. Cameron came forward and addressed the audience in the following terms:— Ladies and Gentlemen,— As the first season of the first theatre in Van Diemen's Land has drawn to a close, it is with the deepest feelings of gratitude that I present myself before you to return my most sincere thanks for the warm support you have been pleased to bestow upon our exertions, and believe me those exertions will never cease till I render the drama in this part of the world still more worthy your approbation and sup- port. But I have farther to thank you for the pa- tience and indulgence with which you have overlooked the many deficiencies attendant up- on a first attempt. I have also to return the heartfelt thanks of Mrs. Cameron and the members of the com- pany generally for the cheering favor with which you have invariably received their en- deavour to please. And now ladies and Gentlemen, till I have the pleasure of meeting you in a more com- modious edifice, which the spontaneous kind- ness of the public is now preparing for me, I respectfully bid you farewell. On Monday the whole of Mr. Cameron's company, with all the scenery, dresses, and decorations proceeded across to Launceston. The room engaged there is far more spacious and convenient for the purpose than that at the Freemason's Tavern, in which Mr. Ca- meron has so successfully commenced dramatic exhibitions in Van Diemen's Land. If carried on in the orderly and prudent manner in which it has hitherto been conducted, he cannot fail to succeed and give much public satisfaction
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Theatre, The Hobart Town Courier, National Library of Australia, 30 May 1834, 4
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From the first of next month an important change will be made in theatrical management, not only in Victoria but also in the other colonies, which must have a potent effect in determining whether or not the stage, as an influence on the community, is to be more of less powerful than it has been in the past. For many years Mr Coppin, associated with gentlemen whose names have been before the Victorian public for a long time, has been at the heed of theatrical affairs as far as Melbourne is concerned, and during that time the management of the Theatre Royal can fairly claim that not only has the pleasure of their patrons been studied, but that commendable efforts have been made to advance the interests of the drama. The limits of this notice would not suffice to enumerate a very small number of the artists who from time to time have graced the boards; but it is sufficient to say that we have had amongst us men who have acquired a reputation that is worldwide, a result due to the enterprise of those who have catered for the public amusement. Mr Coppin and his confreres have grown grey in management and having reached the age when rest is desirable have transferred the management to other and younger men. On the 1st of July next Messers Williamson, Garner and Musgrove become the lessees of the Theatre Royal, Melbourne and Sydney, The Princess’s Theatre, Melbourne, and the opera House; and we also understand that they are connected with Mrs Allison, the lessee of the principal theatre in Adelaide. Each of these gentlemen has had a lengthened experience of the requirements of the colonial stage. Mr Williamson is an actor who in his peculiar line occupied a foremost position on the stage. Mr Garner was a member of the finest comedy company that had ever visited Australia and has since had a very long experience as a manager in Sydney; while Mr Musgrove, a nephew of the late Mr W S Lyster, made a brilliant success of his first managerial venture when he brought out the Tambour Major company that recently created such a furore at the Opera House. This is a combination of business and dramatic talent that cannot be excelled in the Australian colonies, and must result not only to the satisfaction of the public, but to the pecuniary benefit of those immediately concerned. The new managers propose to produce in rapid succession the latest and best dramatic and musical pieces, with that attention to detail which distinguishes the best English and Continental theatre, and which goes so far to insure the success of a piece, Messers Hennings and Gordon, whose reputation as scene painters is as high, if not higher, than any other two men in the profession, have been specially retained for this important branch of the art, and from the fact that the management intend to keep their theatres always open it is certain that actors will not have the slightest difficulty in obtaining engagements. Mr S French, one of the leading dramatic agents in London, has received carte blanche to forward any new pieces that may be produced in the old world irrespective of cost, and each will be given in exactly the same manner as it is in London or Paris. Orders involving large sums of money have been sent home to augment the wardrobes and scenic accessories of the various theatres, and with the amount of capital that has been put into the concern, it is certain that success will be deserved and is sure to follow, as the Australian public readily appreciate every effort that is made for their amusement. The first performance under the new management will be Patience at the Theatre Royal. This comic opera is said to be the most successful of the many comic operas that Messers. Gilbert and Sullivan have written, and will be produced with an exceptionally strong cast, backed by all the assistance that scenic effect and stage mechanism of the highest order can give. The company will probably include misses Alice Ross, Beaumont, Verdi, Vernon and Ford, besides others of lesser face, assisted by a capable chorus, and an orchestra under Mr Van Ghele, which is sufficient guarantee for its excellence. Patience will be succeeded by La Mascotte, a French opera bouffe of something the same character as Madame Favart, and which has been a great success in London and Paris. La Mascotte will be followed by Billie Taylor, and this in its turn, will give way to a dramatic season, which will commence with The Lights of London, Mr Rignold and the company which recently played Youth being the dramatis personae. Other novelties will follow, and the dramatic season will continue up to Christmas, when some new comic operas will succeed. On the 9th July Miss Emilie Melville, who was a great and deserved favourite when she last appeared before a Melbourne audience, will open at the Opera House in La Perichole with a strong company, but for obvious reasons the names at present are not given. She will continue the season until the time when Messrs. Wallace and Dunning’s occupancy commences. These gentlemen are now in England, and according to recent advices are engaging a strong company, and securing some novelties with which to commence their season in November next. At the Prince’s the Grasshopper will be succeeded by a farcical comedy entitled Where’s the Cat, which has been a wonderful success at the Criterion Theatre, London, and on its withdrawal Miss Jennie Lee’s company will probably go to Sydney, and Miss Melville will appear at the Princess’s. The companies of the three theatres will visit Sydney at intervals, and the whole of the houses under the presented management will be improved and redecorated before any representation is given. Altogether a new order of things is promised, and if it is carried out, as we have no doubt it will be, not only the public, but the profession, will be the gainers.
Article:
Theatrical Changes, The Age, National Library of Australia, 24 June 1882, 3
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WE some time ago predicted that the state of public feeling in Adelaide was not of such a nature as to afford a rea- sonable prospect of support to a public place of amusement of such an extent as the Queen's Theatre, and we ven- tured at the time to suggest to Mr. Solomon, that, even as a money specu- lation, his new erection was better likely to pay if devoted to some general public purposes. The trial of a single season has convinced Mr. Solomon that we were right, and, on Saturday last, he dismissed the whole company, and on Monday commenced taking up the benches in the pit, with the view of throwing open the whole premises to the public. What definite plan Mr. Solomon intends to adopt, we have not yet heard ; but, as for Theatricals, this is to be considered as another abortive and unsuccessful attempt to establish them in the colony.
Article:
Theatricals in Adelaide, Southern Australian, National Library of Australia, 27 August 1841
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Mr. Jacobs had a full benefit at the Theatre on Tuesday night; and we learn that his brother actors intend giving him another night on Fri- day. Jacob is a good actor, has exerted himself a great deal, and being embarrassed in his pecuniary concerns, we shall be glad to hear that his second benefit is a bumper. Mr. Cameron, the Manager of theTheatre, pro- ceeds, we hear, to Sydney, on a theatrical mission; his duties during his absence being undertaken by Mrs. Cameron, whose abilities in this department we believe to be unquestionable; but who would feel herself in a very trying situation, but that we are cer- tain every assistance will be rendered her by the com- pany during the absence of her husband. The patron- age, indeed, which the Theatre has received at Launceston is such as to command the undiminished exertions of every actor possessed of proper feeling. An active and efficient Stage Manager has been en- gaged.
Article:
Theatricals, Launceston Advertiser (Tas. : 1829 - 1846), National Library of Australia, 11 September 1834, 3
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Article:
Theatricals, Launceston Advertiser (Tas. : 1829 - 1846), National Library of Australia, 11 September 1834, 3
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Article:
Theatricals, The Maitland Mercury, National Library of Australia, 12 July 1845
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Article:
Theatricals, The Maitland Mercury, National Library of Australia, 20 March 1847, 2
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Article:
They Attend Titania, The West Australian, National Library of Australia, 10 September 1952, 8
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Article:
Three Drama Festival Plays, The Examiner, National Library of Australia, 5 March 1949, 5
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Article:
Tivoli Theatre, The Register, National Library of Australia, 21 June 1901, 6
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Article:
To The Editors Od The South Australian Register, The South Australian Register, National Library of Australia, 1 January 1842, 3
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Article:
Tons of Money, The Examiner, National Library of Australia, 9 July 1934, 5
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In compliance with an advertisement in the Express, a blaekfellow*' eorrbhoree was held on the North Park Lands on Tuesday even ing. Some eight men, daubed over with whiten ing paste, danced to the monotonous chant of four lubras. There was a laige number of spec tators, and the blacks seemed to get a good many coppers. The exertion appeared rather violent for this weather, and the part of the spectators—or those of them who were te> wind ward—was decidedly the most agreeable.
Article:
Topics of the Day, South Australian Advertiser, National Library of Australia, 6 March 1872, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 20 March 1847, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 23 April 1851, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 26 June 1847, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 27 June 1849, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 29 December 1849, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 30 January 1847, 2
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Article:
Total Abstinence Tea Party, The Maitland Mercury, National Library of Australia, 30 January 1847, 2
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THE QUEEN'S THEATRE.—The attendance at the Theatre during the present week will, we presume, lead the proprietor to look forward with some hope. The Jewess was repeated on Thurs- day evening, and as before, admirably performed; Tom Noddy's Secret was the farce, in which Mr Lazar, as the eccentric schoolmaster, and Mr Arabin, as his usher, kept the house in a constant roar of laughter. We observe that the entertain- ment, by request of the Masonic Fraternity, will certainly take place on Tuesday next; and we doubt not, that the bill of fare, together with such respectable patronage, will draw the fullest house of the season. Mr Solomon's liberality in pre- senting the surplus over and above the actual expences of the night to the Hospital, deserve the highest praise; and we hope the public generally will appreciate his good feeling, by giving him a bumper in return on some other night.
Article:
Town Council Proceedings, The South Australian Register, National Library of Australia, 10 April 1841, 5
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Article:
Twelfth Night Wins, The Examiner, National Library of Australia, 9 June 1947, 3
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Article:
Van Diemne's Land, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 24 November 1841, 2
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Article:
Victoria., The Brisbane Courier, National Library of Australia, 7 October 1886, 3
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Article:
Visiting Shakespearean Artists, Sydney Morning Herald, National Library of Australia, 5 January 1927, 11
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Article:
War Dance of Natives, Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), National Library of Australia, 20 August 1887, 154
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Article:
Warlike Natives Greet Govenor , Adelaide Observer, Observer (Adelaide, SA : 1905 - 1931) , National Library of Australia, 23 October 1930, 14
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Article:
Warming, Murray Pioneer and Australian River Record (Renmark, SA : 1, National Library of Australia, 19 April 1918, 6
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Article:
William: A tale of South Australian History, Adelaide Observer, National Library of Australia, 12 August 1843, 6
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Article:
Yes Uncle. Opening Tonight, The Advertiser, National Library of Australia, 3 April 1920, 9
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Article:
Young Actors in Christmas Fantasy, The Sunday Herald, National Library of Australia, 20 November 1949, 1S
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Article:
[Carpio], The Argus, National Library of Australia, 6 February 1880, 4
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Corroboree At Tennant Creek Only 'Half-Hearted' TENNANT CREEK. August 9. The £100,000 gold production cele brations at Tennant Creek were con tinued by a few hardy spirits almost until dawn yesterday. The town during the night presented a scene reminiscent of stories of earlier days on the goldfields elsewhere. Dur ing the night some exuberant prac tical jokers exploded several home gelignite bombs, which resulted in the shattering of one or two windows. The celebrations were continued yes terday afternoon with a corroboree by the blacks at the old telegraph station, seven miles from the town. For the last two weeks there has been a steady stream of aborigines from the bush into the station, called together by that system of communication which still remains an enigma to the ?white. The aborigines had been preparing for the entertainment all day, daubing then bodies with kopi, blood, and feathers in fantastic designs. Many of them were half-wild myalls, and when tbp time came for the corroboree and a large crowd from the town had gath ered at the ground, they took fright and ran away. Only about a dozen of the more sophisticated workers at the sta tion remained and performed ln a half-hearted manner, to the disap pointment of the crowd. The others gathered in groups some distance away, talking and gesticulating excitedly. The celebrations ceased last night with a dance, and tomorrow many of the men will return to their claims.
Article:
£100,000 Gold Celebrations, The Advertiser, National Library of Australia, 10 August 1936, 17
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Article:
£2,000 Tiara For Chorus Girl, The Mail (Adelaide, SA : 1912 - 1954), National Library of Australia, 4 March 1939
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Artwork:
Charles Nettleton, Eastern Hill, Parliament House, Melbourne, National Library of Australia, 1867
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Artwork:
Cremorne Gardens Plan, National Library of Australia, 1933
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Artwork:
Cuthbert Clarke, The Caledonian Games, Wattle Flat, Castlemaine, National Library of Australia, 1900
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Artwork:
F Mansell, Interior of the Royal Victoria Theatre, Sydney, Dictionary of Sydney, National Library of Australia, 1849
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Artwork:
National Library of Australia, The Fatal wedding by Theo Kremer. The Arrest. Act 2 , National Library of Australia
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Artwork:
Portrait of Robyn Archer in A Star is Torn, National Library of Australia, 1979
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Artwork:
Portrait of Robyn Archer in A Star is Torn, National Library of Australia, 1980
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Artwork:
Propsed New Heaquarters For Liberal League, The Examiner, National Library of Australia, 5 March 1914, 7
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Artwork:
Robert Russell, Melbourne from the Falls, National Library of Australia, 30 June 1837
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Artwork:
Robyn Archer, The Conquest of Carmen Miranda, National Library of Australia
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Artwork:
The First Appeance of Miss Catherine Hayes at the Victoria Theatre, September 26th, 1854, Dictionary of Sydney, National Library of Australia, 1854
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Book:
A. G. Stephens, James Cassius Williamson, J.C. Williamson's life-story told in his own words, N.S.W. Bookstall, Sydney, National Library of Australia, 1913
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Book:
Albert Hunt, Richard Fotheringham, The White Man's Mission, National Library of Australia, 1976
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Book:
Barry Dickins, The Bridal Suite, and, Mag and Bag: Two Plays, Yackandandah Playscripts, Montmorency, Victoria, National Library of Australia, 1985
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Book:
Carmelina di Guglielmo, Paul Adkin, Australian Nouveau Theatre, The Jack and Jill Story, Australian Nouveau Theatre, Melbourne, National Library of Australia, 1981
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Book:
Donald MacDonald, Caravan, Currency Press in association with Ensemble Productions, Sydney, National Library of Australia, 1984
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Book:
Helen Musa, Bert Bailey, On Our Selection: A Dramatisation of Steele Rudd's Books, Currency Press, Sydney, National Library of Australia, 1984
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Book:
Hilarie Lindsay, The Withered Tree, Ansay, Leichardt, NSW, National Library of Australia, 1980
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Book:
Jay McKee, Jan Bates, Raggedyanne, Playlab Press, Brisbane, National Library of Australia, 1979
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Book:
Joseph Furphy, Such is Life: Being Certain Extracts from the Diary of Tom Collins, Sydney University Press, Sydney, National Library of Australia, 2004
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Book:
Mary Gage, My Name is Pablo Picasso, Currency Press in association with the Australian National , Sydney, National Library of Australia, 1984
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Book:
Meg Abbie Denton, Joanna Priest: Her Place in Adelaide's Dance History, National Library of Australia, 1993
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Book:
Noah Shreeve, A Short History of South Australia , Printed for the Author, London, National Library of Australia, 1864
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Book:
Peter Kenna, Talk to the Moon, Listen Closely, Trespassers will be Prosecuted, Currency Press, Sydney, National Library of Australia, 1977
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Book:
Robyn Archer, A Star is Torn, Virago, London, National Library of Australia, 1986
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Book:
Souvenir of the Dramatic Works of Francis R. C. Hopkins, Websdale, Shoosmith Ltd., Sydney, National Library of Australia, 1910
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Cast List:
Les Presages / Le Mariage d'Aurore / Le Beau Danube / Evening Performance, National Library of Australia, 28 October 1936
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Cast List:
Carnaval / Le Mariage d'Aurore / Le Beau Danube, National Library of Australia, 27 October 1936
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Cast List:
Carnaval / Les Presages / La Boutique Fantasque, National Library of Australia, 11 November 1936
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Cast List:
Carnaval / Les Presages / La Boutique Fantasque, National Library of Australia, 1936
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Cast List:
Carnaval / Scheherazade / Le Beau Danube / Le Spectre de la Rose, National Library of Australia, 1936
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Cast List:
Cotillon / L'Oiseau de Feu / Le Mariage d'Aurore, National Library of Australia, 1936
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Cast List:
Cotillon / L'Oiseau de Feu / Le Mariage d'Aurore, National Library of Australia, 2 December 1936
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Cast List:
Cradle of Hercules, National Library of Australia, 1 March 1974
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Cast List:
L' Amour Sorcier / Le Spectre de la Rose / Scuola di Ballo /Le Beau Danube, National Library of Australia, 23 November 1936
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Cast List:
Le Lac des Cygnes / Les Presages / Soleil du Nuit / Le Beau Danube, National Library of Australia, 19 December 1936
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Cast List:
Le Lac des Cygnes / Petrouchka / L'Apres-Midi D'un Faune / Prince Igor (Matinee performance), National Library of Australia, 18 November 1936
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Cast List:
Le Lac des Cygnes / Petrouchka / L'Apres-Midi D'un Faune / Prince Igor, National Library of Australia, 1936
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Cast List:
Les Sylphides / Contes Russe / Les Cent Baisers / Prince Igor (Matinee Performance), National Library of Australia, 1936
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Cast List:
Les Sylphides / Contes Russe / Les Cent Baisers / Prince Igor, National Library of Australia, 1936
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Cast List:
Les Sylphides / Contes Russe / Les Cent Baisers / Prince Igor, National Library of Australia, 1936
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Cast List:
Les Sylphides / Contes Russes / La Boutique Fantasque (Matinee Performance), National Library of Australia, 12 December 1936
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Cast List:
Les Sylphides / Scheherazade / Contes Russe, National Library of Australia, 1936
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Cast List:
Les Sylphides / Scheherazade / Contes Russe, National Library of Australia, 1936
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Cast List:
Les Sylphides / Scheherazade / Le Mariage d'Aurore, National Library of Australia, 1936
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Cast List:
Les Sylphides / Scheherazade / Le Mariage d'Aurore, National Library of Australia, 2 November 1936
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Cast List:
Les Sylphides / Scheherazade / Le Spectre de la Rose / La Boutique Fantasque, National Library of Australia, 13 October 1936
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Cast List:
Scuola di Ballo / Le Spectre de la Rose / L'Amour Sorcier / Le Beau Danube (Evening Performance), National Library of Australia, 21 November 1936
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Cast List:
Thamar / Carnaval / Port Said / Petrouchka, National Library of Australia, 1936
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Cast List:
Thamar / Carnaval / Port Said / Petrouchka, National Library of Australia, 1936
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Chapter:
Thanks for the Memories, www.tivolidance.com.au, National Library of Australia, 2001
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Choreographic Score:
Ray Cook, Meg Abbie Denton, Corroboree, National Library of Australia, 1998
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Collection:
Robyn Archer, National Library of Australia, 1973
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Collection:
A.C.T. Ballet Society, National Library of Australia, 1966
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Collection:
Agnes Dobson, National Library of Australia
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Collection:
Alan Seymour, National Library of Australia, 1938
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Collection:
Alexander Buzo, National Library of Australia
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Collection:
Alexander Turner, National Library of Australia
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Collection:
Anna Pavlova, National Library of Australia, 1926
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Collection:
Australian Ballet, National Library of Australia, 1961
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Collection:
Australian National Playwrights Conference, National Library of Australia
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Collection:
Ballet Rambert, National Library of Australia
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Collection:
Ballets Russes, National Library of Australia
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Collection:
Barry Humphries, National Library of Australia
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Collection:
Bert Bailey, National Library of Australia
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Collection:
Bland Holt, National Library of Australia, 1880
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Collection:
Canberra Philharmonic Society, National Library of Australia
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Collection:
Canberra Repertory Society, National Library of Australia, 1936
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Collection:
Children's National Theatre, National Library of Australia
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Collection:
Collection of posters on Ashton's Circus [picture], National Library of Australia, 1974
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Collection:
Currency Press, National Library of Australia
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Collection:
Dame Joan Hammond, National Library of Australia, 1928
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Collection:
Dame Joan Sutherland, National Library of Australia, 1926
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Collection:
Dame Judith Anderson, National Library of Australia
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Collection:
Dame Peggy Van Praagh, National Library of Australia
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Collection:
David Williamson, Papers of David Williamson, National Library of Australia, 1950
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Collection:
Dinah Shearing, National Library of Australia
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Collection:
Dora Wilcox, National Library of Australia
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Collection:
Dudley Glass, National Library of Australia, 1899
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Collection:
Dymphna Cusack, National Library of Australia
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Collection:
Eardley Turner, National Library of Australia, 1902
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Collection:
Edith Harrhy, National Library of Australia
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Collection:
Edmund Duggan, National Library of Australia
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Collection:
Eleanor Witcombe, Papers of Eleanor Witcombe, National Library of Australia
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Collection:
Frank Gerald, National Library of Australia
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Collection:
Garnett H. Carroll, National Library of Australia
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Collection:
Geoffrey Rothwell, National Library of Australia
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Collection:
George Dreyfus, National Library of Australia
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Collection:
Gwen Meredith papers, National Library of Australia
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Collection:
Henrietta Drake-Brockman, National Library of Australia
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Collection:
Human Veins Dance Theatre, National Library of Australia, 1979
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Collection:
J. C. Williamson collection of theatre programs, National Library of Australia
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Collection:
Jack Hibberd, National Library of Australia
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Collection:
James Smith, National Library of Australia
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Collection:
John Antill, National Library of Australia
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Collection:
Katherine Susannah Prichard, National Library of Australia
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Collection:
Keith Macartney, National Library of Australia, 1926
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Collection:
Keith Richards, National Library of Australia, 1990
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Collection:
Kirsova Ballet, National Library of Australia
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Collection:
Manning Sherwin, Music of 'Under the Counter', National Library of Australia
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Collection:
Margaret Walker, National Library of Australia, 1938
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Collection:
Max Oldaker, National Library of Australia, 1907
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Collection:
Millicent Preston-Stanley, National Library of Australia
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Collection:
Nadia Wheatley, National Library of Australia
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Collection:
Norman Kessell, National Library of Australia, 1896
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Collection:
Old Tote Theatre Company, National Library of Australia, 1962
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Collection:
Oscar Asche, National Library of Australia
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Collection:
Papers of Harcourt Algeranoff, National Library of Australia, 1830
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Collection:
Papers of Harry M Miller 1958-2003, National Library of Australia, 2003
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Collection:
Peter Finch, National Library of Australia, 1949
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Collection:
Phillip Wilcher, National Library of Australia
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Collection:
Ralph Peterson papers, National Library of Australia
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Collection:
Ray Mathew, Papers of Ray Mathew, National Library of Australia, 1991
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Collection:
Records of Ashton's Circus, 1950-1992 [manuscript], National Library of Australia, 1950
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Collection:
Rex Reid, Meg Abbie Denton, Ray Cook, The Night is a Soreceress, National Library of Australia, 2002
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Collection:
Ric Throssell, National Library of Australia
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Collection:
Rodney Milgate, National Library of Australia
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Collection:
Ronald Waters, National Library of Australia, 1960
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Collection:
Ruby Rich, National Library of Australia
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Collection:
Russell Braddon, National Library of Australia
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Collection:
Sir James Darling, National Library of Australia
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Collection:
Sir Robert Helpmann, National Library of Australia, 1933
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Collection:
Sir Robert Helpmann, National Library of Australia, 1933
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Collection:
Sydney Tomholt papers, National Library of Australia
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Collection:
Tait Family, National Library of Australia, 1908
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Collection:
The cinema star [music] : a musical farcial comedy in three acts , Chappell & Co, London, National Library of Australia, 1913
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Collection:
Vance Palmer papers, National Library of Australia
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Collection:
[Ballet Victoria : programs and related material collected by the National Library of Australia], National Library of Australia
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Collection:
[Holloway, Charles (actor/manager) : programs and related material collected by the National Library of Australia], National Library of Australia
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Database:
National Library of Australia, Australia Dancing, National Library of Australia
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Database:
National Library of Australia, National Film and Sound Archive, MusicAustralia
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Design:
Arthur G Foster, Architectural drawing of Balmain-Rozelle Memorial Hall drawn by P.J. Rowe, National Library of Australia, 1922
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Design:
Robin Lovejoy, Costume design sketches and written instructions by Robin Lovejoy for Federico Garcia Lorca's The house of Bernarda Alba, presented at the Metropolitan Theatre, Sydney,, National Library of Australia, 1951
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Design:
Robin Lovejoy, Set design by Robin Lovejoy for Federico Garcia Lorca's The house of Bernarda Alba, presented at the Metropolitan Theatre, Sydney, 1952, National Library of Australia, 1951
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Diary:
Diaries of the Lynch Family, National Library of Australia, 16 August 1882
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Document:
A Digest of McKenzieisms, National Library of Australia
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Document:
Dorothy Hewett, Synopsis and plan for Bon-Bons and Roses for Dolly, National Library of Australia
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Editorial:
Royal Victoria Theatre, The South Australian Register, National Library of Australia, 2 April 1852, 2
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Finding Aid:
National Library of Australia, Tivoli Theatres, National Library of Australia, Canberra, February 2012
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Finding Aid:
Records of Australian Elizabethan Theatre Trust, National Library of Australia
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Flyer:
Dame Edna's Frock-a-thon, National Library of Australia
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Flyer:
Diamond Horseshoe, National Library of Australia, 27 April 1959
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Flyer:
A Morning in a Sportsman's Garden, H. Pole and Co., Brisbane, National Library of Australia, 1910
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Flyer:
Albert Whelan, the Renowned Australian Entertainer, National Library of Australia, 29 August 1910
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Flyer:
Alice Hollander, National Library of Australia, 6 March 1911
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Flyer:
Azor and Zemira / Neuha's Cave, or, The South Sea Mutineers, National Library of Australia, 9 April 1831
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Flyer:
Back to My Roots and Other Suckers, National Library of Australia, June 2003
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Flyer:
Back with a Vengeance, National Library of Australia, 17 November 1987
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Flyer:
Barry Humphries, Back with a Vengeance: The Second Coming, National Library of Australia
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Flyer:
Barry Humphries, Back with a Vengenace, National Library of Australia, 11 October 1988
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Flyer:
Barry Humphries, Kenneth Haigh, Georgia Brown, Don't delay - remember the records of Maggie May by the original cast, National Library of Australia
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Flyer:
Barry Humphries, New Edna - the Spectacle; an Icon returns; an exploration into the nature of friendship, National Library of Australia, 1998
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Flyer:
Barry Humphries, Sondheim tonight: a gala concert to celebrate the music of Stephen Sondheim, National Library of Australia, 1998
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Flyer:
BONNIE MARY, National Library of Australia, 24 August 1912
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Flyer:
Chez Paree, National Library of Australia, 8 November 1951
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Flyer:
Claudian, National Library of Australia, 19 March 1898
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Flyer:
Clowns in Clover, National Library of Australia, 15 October 1959
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Flyer:
Comedy Extravaganza with Orchestral Accompaniment, National Library of Australia
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Flyer:
Dick Whittington, National Library of Australia
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Flyer:
Dramatic and Humorous Recital , National Library of Australia, 25 October 1919
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Flyer:
Duke's Wager / A Model of a Wife / Alhambra, or The Three Beautiful Princesses, National Library of Australia, 23 September 1851
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Flyer:
Eat Pray Laugh! Barry Humphries' Farewell Tour, National Library of Australia, 2012
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Flyer:
Edith Page, Arthur Argent, Ethel Hook, The Ethel Hook Trio, National Library of Australia, 1922
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Flyer:
Faust, National Library of Australia, 18 July 1881
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Flyer:
Funtasia, National Library of Australia, 27 April 1954
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Flyer:
Funtasia, National Library of Australia, 27 April 1954
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Flyer:
Ice Follie 1950, National Library of Australia, 4 September 1950
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Flyer:
Isn't it Pathetic at His Age, National Library of Australia, May 1978
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Flyer:
Ivanhoe, or The Trial by Battle! / My heart's in the Highlands, National Library of Australia, 30 August 1866
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Flyer:
Jane Shore / The Wapping Landlady / The Miraculous Cure, National Library of Australia, July 1796
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Flyer:
Jokers on the Loose, National Library of Australia, 24 August 1955
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Flyer:
Kenilworth!, National Library of Australia, 5 May 1865
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Flyer:
La Fille de Madame Angot, National Library of Australia, 10 January 1885
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Flyer:
La Fille du Regiment, National Library of Australia, 31 December 1972
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Flyer:
Lady Audley's Secret / Colleen Bawn!, National Library of Australia, April 1865
-
Flyer:
Lady of Lyons, National Library of Australia, 25 December 1855
-
Flyer:
Lewis's Australian Hippodrome, Hong Kong. Grand Fashionable Night., National Library of Australia, 14 January 1862
-
Flyer:
Lohengrin Act I / Romeo and Juliet Act IV / Orfeo Act III / Les Huguenots Act IV, National Library of Australia, 8 July 1891
-
Flyer:
Look at Me When I'm Talking to You, National Library of Australia
-
Flyer:
Lucrezia Borgia, National Library of Australia, 4 November 1867
-
Flyer:
Matrimony!, National Library of Australia, 18 April 1871
-
Flyer:
Much Ado About Noting and Macbeth, National Library of Australia, 21 November 2017
-
Flyer:
Napoleon Buonaparte / Neuha's Cave, or, The South Sea Mutineers, National Library of Australia, 30 May 1831
-
Flyer:
Oliver!, National Library of Australia, December 1997
-
Flyer:
OUTLAW KELLY, National Library of Australia, 9 October 1899
-
Flyer:
Philip of Anjou or, A Forest Adventure / Call again To-morrow / Cupid / Neuh's Caves , National Library of Australia, 11 April 1833
-
Flyer:
Pleasures of Paris, National Library of Australia
-
Flyer:
Pleasures of Paris, National Library of Australia, 24 December 1959
-
Flyer:
Radio round up, National Library of Australia, 7 October 1949
-
Flyer:
Rampant in Whitehall: Les Patterson Has a Stand Up, National Library of Australia
-
Flyer:
Remember You're Out, Remember You're Out, National Library of Australia
-
Flyer:
Round the World in 40 minutes, or the Voyage of H.R.H. the Prince of Wales in India, National Library of Australia, 1875
-
Flyer:
Ruling Passion, National Library of Australia
-
Flyer:
Saint Joan, National Library of Australia, 5 June 1962
-
Flyer:
Sid Doody and Edie Wright, National Library of Australia, 17 June 1907
-
Flyer:
Stabat Mater [and] Sacred Concert, National Library of Australia, 24 December 1900
-
Flyer:
The Adventures of Barry McKenzie, National Library of Australia
-
Flyer:
The Companionate Wife, National Library of Australia, 11 June 1931
-
Flyer:
The Fabulous Sabrina, National Library of Australia, 1959
-
Flyer:
The Heir-at-Law / An Unequal Match, National Library of Australia, 23 October 1869
-
Flyer:
The Love Racket, National Library of Australia, 22 June 1950
-
Flyer:
The Midnight Wedding, National Library of Australia, 18 July 1908
-
Flyer:
The Miser and his Gold, National Library of Australia, 1880
-
Flyer:
The Ship of Heaven, NSW State Conservatorium of Music, National Library of Australia, 21 December 1923
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Flyer:
The Sophie Tucker Show, National Library of Australia, 20 July 1962
-
Flyer:
The Student Prince, National Library of Australia, 5 May 1961
-
Flyer:
The Windmill Revue, National Library of Australia, 4 November 1965
-
Flyer:
The Wonder / The Bonnie Fishwife, National Library of Australia, 12 November 1887
-
Flyer:
The wonderful performing Fleas, National Library of Australia, 1890
-
Flyer:
Tragedy of George Barnwell / Omai: or, A trip round the World, National Library of Australia, 26 December 1785
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Flyer:
Trilby, National Library of Australia, 17 February 1900
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Flyer:
Two Minutes Silence, National Library of Australia, 16 July 1930
-
Flyer:
What Women Suffer, National Library of Australia, 1905
-
Flyer:
Zak Ermakov, National Library of Australia
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Flyer:
Zak Ermakov, National Library of Australia News, National Library of Australia, 18 May 1907
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Interview:
Bill Stephens, Eric Duckworth, Eric Duckworth interviewed by Bill Stephens [sound recording]., National Library of Australia, 23 January 2000
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Interview:
Bill Stephens, Peter and Kay Anson interviewed by Bill Stephens, National Library of Australia, 13 June 2005
-
Interview:
Hazel de Berg, Dorothy Hewett, Dorothy Hewett interviewed by Hazel de Berg in the Hazel de Berg collection, National Library of Australia, 1973
-
Interview:
Hazel de Berg, Hal Lashwood, Hal Lashwood interviewed by Hazel de Berg, National Library of Australia, 1973
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Interview:
Hazel de Berg, Keith Bain, National Library of Australia, 23 May 1974
-
Interview:
Hilary Trotter, Don Asker interviewed by Hilary Trotter for the Esso Performing Arts collection, National Library of Australia, 1988
-
Interview:
James Waites, Aarne Neeme interviewed by James Waites , National Library of Australia, 12 November 2008
-
Interview:
James Waites, Alan Brissenden interviewed by James Waites , National Library of Australia, 5 October 2004
-
Interview:
James Waites, Andrea Hull interviewed by James Waites , National Library of Australia, 14 November 2007
-
Interview:
James Waites, Arthur Dignam interviewed by James Waites , National Library of Australia, 24 January 2008
-
Interview:
James Waites, David Berthold interviewed by James Waites , National Library of Australia, 23 October 2007
-
Interview:
James Waites, Dennis Watkins interviewed by James Waites , National Library of Australia, September 2005
-
Interview:
James Waites, Elaine Montgomerie interviewed by James Waites , National Library of Australia, 12 May 2009
-
Interview:
James Waites, George Ogilvie interviewed by James Waites , National Library of Australia, 13 January 2009
-
Interview:
James Waites, George Whaley interviewed by James Waites , National Library of Australia, 17 October 2009
-
Interview:
James Waites, Interview with Alan Seymour, playwright, National Library of Australia, 11 March 2003
-
Interview:
James Waites, Interview with Betty Lucas, actor, National Library of Australia, 24 February 2004
-
Interview:
James Waites, Interview with Brian Thomson, theatre and film designer, National Library of Australia, 21 February 2003
-
Interview:
James Waites, Interview with Doreen Warburton, actor, National Library of Australia, 19 January 2004
-
Interview:
James Waites, Interview with John Krummel, actor, director and threatre administrator, National Library of Australia, 13 February 2003
-
Interview:
James Waites, Interview with John Romeril, playwright, National Library of Australia, 13 October 2004
-
Interview:
James Waites, Interview with Melissa Jaffer, National Library of Australia, 17 March 2004
-
Interview:
James Waites, Interview with Michael Lynch, arts administrator, National Library of Australia, 22 July 2002
-
Interview:
James Waites, Interview with Nicholas Lathouris, dramaturge, National Library of Australia, 6 May 2003
-
Interview:
James Waites, Interview with Peter Collingwood, actor, National Library of Australia, 2 February 2004
-
Interview:
James Waites, Interview with Ralph Cotterill, actor, National Library of Australia, 22 September 2004
-
Interview:
James Waites, Interview with Robert Lloyd, retired designer, National Library of Australia, 2 December 2003
-
Interview:
James Waites, Interview with Ron Haddrick, actor, National Library of Australia, 1 May 2003
-
Interview:
James Waites, Interview with Rose Jackson, retired designer, costumier and performer, National Library of Australia, 1 November 2003
-
Interview:
James Waites, Interview with Stephen Sewell, playwright, National Library of Australia, 4 February 2005
-
Interview:
James Waites, Interview with Wayne Harrison, theatre director, National Library of Australia, 12 April 2004
-
Interview:
James Waites, Jacqueline Kott interviewed by James Waites , National Library of Australia, 21 November 2006
-
Interview:
James Waites, Jane Harders interviewed by James Waites , National Library of Australia, 22 January 2008
-
Interview:
James Waites, Jennifer Claire interviewed by James Waites , National Library of Australia, 1 July 2008
-
Interview:
James Waites, John Bell interviewed by James Waites , National Library of Australia, 2 October 2006
-
Interview:
James Waites, John Paramor interviewed by James Waites , National Library of Australia, 28 August 2008
-
Interview:
James Waites, Jon Hawkes interviewed by James Waites , National Library of Australia, 13 November 2007
-
Interview:
James Waites, Joyce Kolonie interviewed by James Waites, National Library of Australia, 27 August 2005
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Interview:
James Waites, Kate Fitzpatrick interviewed by James Waites , National Library of Australia, 17 December 2009
-
Interview:
James Waites, Ken Horler interviewed by James Waites , National Library of Australia, 10 May 2005
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Interview:
James Waites, Ken Horler interviewed by James Waites , National Library of Australia, 29 June 2005
-
Interview:
James Waites, Kerry Dwyer interviewed by James Waites , National Library of Australia, 11 July 2008
-
Interview:
James Waites, Lex Marinos interviewed by James Waites , National Library of Australia, 29 September 2008
-
Interview:
James Waites, Lilian Horler interviewed by James Waites , National Library of Australia, 9 May 2005
-
Interview:
James Waites, Lloyd Martin interviewed by James Waites , National Library of Australia, 28 July 2005
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Interview:
James Waites, Lynne Murphy interviewed by James Waites , National Library of Australia, 6 August 2007
-
Interview:
James Waites, Maggie Blinco interviewed by James Waites , National Library of Australia, 19 March 2007
-
Interview:
James Waites, Michael Mullins interviewed by James Waites , National Library of Australia, 18 November 2007
-
Interview:
James Waites, Moffatt Oxenbould interviewed by James Waites , National Library of Australia, 12 January 2006
-
Interview:
James Waites, Monica Maughan interviewed by James Waites , National Library of Australia, 5 February 2008
-
Interview:
James Waites, Neil Armfield interviewed by James Waites, National Library of Australia, 21 January 2011
-
Interview:
James Waites, Nick Schlieper interviewed by James Waites , National Library of Australia, 19 September 2009
-
Interview:
James Waites, Peter Oyston interviewed by James Waites , National Library of Australia, 9 October 2009
-
Interview:
James Waites, Phillip Motherwell interviewed by James Waites , National Library of Australia, 3 February 2008
-
Interview:
James Waites, Rhys McConnochie interviewed by James Waites, National Library of Australia, 28 November 2008
-
Interview:
James Waites, Richard Cottrell interviewed by James Waites , National Library of Australia, 29 May 2009
-
Interview:
James Waites, Richard Murphet interviewed by James Waites , National Library of Australia, 6 February 2008
-
Interview:
James Waites, Rob Brookman interviewed by James Waites , National Library of Australia, 23 November 2006
-
Interview:
James Waites, Robert Hornery interviewed by James Waites , National Library of Australia, 11 November 2007
-
Interview:
James Waites, Robert Love interviewed by James Waites , National Library of Australia, 20 July 2009
-
Interview:
James Waites, Sandra Bates interviewed by James Waites , National Library of Australia, 26 May 2004
-
Interview:
James Waites, Scott Rankin interviewed by James Waites , National Library of Australia, 18 September 2008
-
Interview:
James Waites, Sue Beal interviewed by James Waites , National Library of Australia, 16 November 2007
-
Interview:
James Waites, Suzanne Ingleton interviewed by James Waites , National Library of Australia, 9 February 2008
-
Interview:
James Waites, Timothy Pascoe interviewed by James Waites , National Library of Australia, 12 April 2010
-
Interview:
James Waites, Tony Taylor interviewed by James Waites, National Library of Australia, 12 November 2007
-
Interview:
James Waites, William Garner interviewed by James Waites , National Library of Australia, 6 February 2008
-
Interview:
James Waites, William Zappa interviewed by James Waites , National Library of Australia, 25 February 2009
-
Interview:
Lee Christofis, Margaret Abbie Denton Oral History, National Library of Australia, 3 March 2008
-
Interview:
Lee Christofis, Noel Tovey interviewed by Lee Christofis, National Library of Australia, 18 March 2011
-
Interview:
National Library of Australia, Interview with Lucy Guerin, Theatre and Dance Platform, 2004
-
Invitation:
All About Me, National Library of Australia
-
Letter:
Box Office Receipts Week Ending 23 March, 1968, National Library of Australia
-
Letter:
Objections to Corroborees, The South Australian Register, National Library of Australia, 14 January 1887, 5
-
Letter:
Production Agreement, National Library of Australia, 8 January 1867
-
Letter:
Richard Wherrett, Letter of interest, National Library of Australia
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Letter:
Royalties Agreement, National Library of Australia, 31 October 1967
-
Letter:
The S.A Cricketing Association and the Late Native Corroboree, Evening Journal, National Library of Australia, 1 June 1885, 3
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Libretto:
Varney Monk, Thomas Stuart Gurr, Collitts' Inn, National Library of Australia
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Magazine:
Everyones, Everyones Limited, Sydney NSW, National Library of Australia, 1920
-
Manuscript:
Dymphna Cusack, Pacific Paradise, National Library of Australia
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Manuscript:
Gwen Meredith, Ask No Questions, National Library of Australia, 1940
-
Manuscript:
Steele Rudd, Duncan McClure, National Library of Australia
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Manuscript:
Sumner Locke Elliott, Glorious Noon, National Library of Australia
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Menu:
Oscars Hollywood Palace, National Library of Australia, 1977
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Musical Score:
Frank King, Don't Forget to Write Me a Letter, W.J. Deane & Son, Sydney, National Library of Australia, 1907
-
Musical Score:
Frank King, My Sweet Sunshine, W.J. Deane & Son, Sydney, National Library of Australia, 1909
-
Musical Score:
Frank King, When It's Twilight on the Murray, Sweet Irene, W.J. Deane & Son, National Library of Australia, 1909
-
Musical Score:
Nat D. Ayer, Fred Thompson, Worton David, Clifford Grey, Baby bunting : a new musical play in two acts , National Library of Australia, 1919
-
Musical Score:
Ruby Gill, Romantic Rebel. Rebel Verse, National Library of Australia
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Musical Score:
The Red Widow, M. Whitmark, New York, National Library of Australia, 1911
-
Musical Score:
Victor Champion, Jack Haskell, J. C. Williamson Limited (1910-1938), Hello, everybody! [music] : vocal score : as featured in J.C. Williamson's Ltd. stupendous revue., J.Albert & Son, [191-?] , Sydney, National Library of Australia, 1918
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Newsletter:
A Royal Divorce, National Library of Australia, 16 March 1901
-
Newsletter:
The Geisha, National Library of Australia, 1 March 1899
-
Newsletter:
The Ladder of Life, National Library of Australia, 4 February 1901
-
Newspaper:
Bell’s Life in Sydney and Sporting Chronicle, George Ferrers Pickering and Charles Hamilton Nichols, Sydney, National Library of Australia, 13 October 1860
-
Newspaper:
Henry V, National Library of Australia, September 1895
-
Newspaper:
Mr Cameron, Launceston Advertiser (Tas. : 1829 - 1846), National Library of Australia, 6 November 1834, 2
-
Newspaper:
Northern Star, Lismore, National Library of Australia
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Newspaper:
Queen Theatre, The South Australian Register, National Library of Australia, 19 June 1841, 3
-
Newspaper:
Round City Shows, The Sporting Globe, National Library of Australia, 1 January 1944, 3
-
Newspaper:
Royal Victoria Theatre, Adelaide Times, National Library of Australia, 15 February 2019, 5
-
Newspaper:
The Hamilton spectator., George Robinson, 1860-1870, Hamilton Victoria, National Library of Australia, 1860
-
Newspaper:
The Little Theatre, Sun , Sydney, NSW, National Library of Australia, 29 December 1935, 35
-
Newspaper:
The South Australian Register, Robert Thomas and Co., Adelaide, South Australia, National Library of Australia, 1839
-
Newspaper:
The Sydney Monitor, Edward Smith Hall, Sydney, N.S.W., National Library of Australia, 1828
-
Newspaper:
Trumpet Call, National Library of Australia, 29 April 1892
-
Newspaper:
Wise Oriental, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 1 March 1939, 3
-
Newspaper Clippings:
Newspaper clippings, Joanna Priest, 1974-1997 (Ephemera) , National Library of Australia, 1947
-
Pamphlet:
Clambake, National Library of Australia, 24 June 1946
-
Pamphlet:
Barry Humphries, Rarely Everage: the Lives of Barry Humphries, National Library of Australia, 2002
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Pamphlet:
Claude Kingston, J. C. Williamson Limited (1910-1938), Souvenir of Her Majesty's Theatre, 1887-1933, Peerless Press, National Library of Australia, 1933
-
Pamphlet:
Radio 2GB, 2GB : presenting the Macquarie Auditorium, 2GB, Sydney, National Library of Australia, 1947
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Periodical:
Frank van Straten, The Tivoli: a Chronology of Melbourne's Home of Vaudeville, National Library of Australia, May 1981
-
Periodical:
The Life and Death of King Richard III , National Library of Australia, 12 August 1879
-
Photograph:
Newington State Hospital for the Infirm and Destitute Women, Lidcombe, New South Wales, ca. 1930 [picture], National Library of Australia, 1930
-
Photograph:
Arthur G Foster, Construction workers on top of the State Theatre building, National Library of Australia, 1920
-
Photograph:
Arthur G Foster, Framework of the State Theatre building construction, National Library of Australia, 1920
-
Photograph:
Awards, The Examiner, National Library of Australia, 4 April 1951, 7
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Photograph:
Backstage At Toad Hall, The Mercury, National Library of Australia, 8 March 1952, 6
-
Photograph:
Billboards along railway lines advertising theater productions, South Yarra, Victoria, 1924, National Library of Australia, 1924
-
Photograph:
Broadcasting Corroborees, Chronicle, National Library of Australia, 27 April 1933, 34
-
Photograph:
Catherine Duncan Cup, The Examiner, National Library of Australia, 23 March 1948, 4
-
Photograph:
Circles of clapping dancers with three male soloists from the Georgian State Dance Company, National Library of Australia, 1963
-
Photograph:
Collection of Postcards of Robyn Archer in A Star is Torn, Photographica, Darlinghurst, New South Wales, National Library of Australia, 1980
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Photograph:
Creative team photograph, National Library of Australia
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Photograph:
Damian McDonald, Portrait of Nick Enright, National Library of Australia, 2002
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Photograph:
Don McMurdo, Gordon Chater in The Importance of Being Ernest, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portrait of Ruth Cracknell as Lady Bracknell in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portrait of Ruth Cracknell as Lady Bracknell in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portraits of Andrew Tighe as Algernon and Geoffrey Rush as John Worthing in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portraits of Andrew Tighe as Algernon and Rachel Szalay as Cecily in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portraits of Andrew Tighe as Algernon, Geoffrey Rush as Earnest, Rachel Szalay as Cecily Cardew and Monica Maughan as Miss Prism in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portraits of Geoffrey Rush as Earnest and Jane Menelaus as Gwendolen in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portraits of Jane Menelaus as Gwendolen in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Portraits of Rachel Szalay as Cecily and Jane Menelaus as Gwendolen in The Importance of Being Earnest, Sydney Theatre Company, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Sydney Theatre Company performance of The Importance of Being Earnest starring Andrew Tighe as Algernon, Jane Menelaus as Gwendolen, Rachel Szalay as Cecily and Geoffrey Rush as John Worthing, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Sydney Theatre Company performance of The Importance of Being Earnest starring from left Geoffrey Rush as John Worthing, Jane Menelaus as Gwendolen, Andrew Tighe as Algernon, Ruth Cracknell as Lady Bracknell, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Sydney Theatre Company performance of The Importance of Being Earnest starring Geoffrey Rush as John Worthing, Jane Menelaus as Gwendolen, Monica Maughan as Miss Prism, Ron Hornery as Reverend Chasuble, Ruth Cracknell as Lady Bracknell and Andrew Tighe as Algernon, September 1990, National Library of Australia, September 1990
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Photograph:
Don McMurdo, Sydney Theatre Company performance of The Importance of Being Earnest starring Geoffrey Rush as John Worthing, Monica Maughan as Miss Prism, Ruth Cracknell as Lady Bracknell and Bob Hornery as Reverend Chasuble, September 1990, National Library of Australia, September 1990
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Photograph:
Don McPhedran, Paul Robeson gives the first (?) recital at the Sydney Opera House for the BWIU construction workers , National Library of Australia, 8 November 1960
-
Photograph:
Drama Cup, The Examiner, National Library of Australia, 12 April 1948, 3
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Photograph:
Eugen von Guerard, View of Koroit or Tower Hill, National Library of Australia, 1860
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Photograph:
Final Scene of Mukinupin, National Library of Australia
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Photograph:
How Not To Act, The Mercury, National Library of Australia, 7 March 1949, 6
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Photograph:
In Darkest Australia, The Mail, National Library of Australia, 7 July 1923, 7
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Photograph:
It's Summer, The Argus, National Library of Australia, 15 January 1955, 7
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Photograph:
Jack and Jill Bring Excitement to the Theatre, The Age, National Library of Australia, 28 December 1954, 4
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Photograph:
Jeff Carter, A game of golf, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, A performer amongst the audience, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, Applying make up before the performance, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, At the entrance of the show, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, Have your symptoms ready, Sorlie's Travelling Vaudeville Show (1), National Library of Australia, 1960
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Photograph:
Jeff Carter, Have your symptoms ready, Sorlie's Travelling Vaudeville Show (2), National Library of Australia, 1960
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Photograph:
Jeff Carter, Juggling together, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, On the camping ground, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, Performer applying make up, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, Playing the guitar, a family travelling with Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, Playing with the parrot, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, Portrait of Grace Sorlie and Mrs Bobby Le Brun at the entrance to Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, Relaxing on the camping ground, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, Setting up the tent, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, The audience, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, The show has started, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
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Photograph:
Jeff Carter, Under the tent, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, Whip-strip, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
Jeff Carter, Working with dogs, Sorlie's Travelling Vaudeville Show, National Library of Australia, 1960
-
Photograph:
John Gielgud as Prospero, National Library of Australia
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Photograph:
John Hearder, J.C. Williamson production of Bonaventure, with Margery Weston and Letty Craydon, 1950, National Library of Australia, 1950
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Photograph:
John Hearder, J.C. Williamson production of Bonaventure, with Sheila Helpmann(?), Diana Perryman, Shirley Falconer(?) and Ivor Bromley, 1950, National Library of Australia, 1950
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Photograph:
John Prout, Melbourne from Collingwood, National Library of Australia, 1847
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Photograph:
John Unicomb as 'Hamlet' and Brenda Saunders as 'Gertrude' in Hamlet, 1950, National Library of Australia, 1950
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Photograph:
Mayor Of Unley Inspects Troops: Y.W.C.A. Sports: Aborigines Remember Sturt: Gawler Race Meeting, The Register News-Pictorial , National Library of Australia, 20 October 1930, 12
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Photograph:
Photographs, National Library of Australia
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Photograph:
Play Judge, The Examiner, National Library of Australia, 4 March 1949, 5
-
Photograph:
Princess Theatre, Melbourne, Vic., National Library of Australia
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Photograph:
Reg Lewis Orchestra, Reg Lewis at the 2GB Macquarie Auditorium, National Library of Australia, 1945
-
Photograph:
Reg Lewis Orchestra, Reg Lewis Orchestra at the 2GB Macquarie Auditorium, National Library of Australia, 1945
-
Photograph:
Rehearsal of "Business First", The Examiner, National Library of Australia, 10 December 1941, 2
-
Photograph:
Removing Brisbane's Street Only Clock, The Examiner, National Library of Australia, 20 October 1939, 7
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Photograph:
Robin Lovejoy, Set design for Morning's at seven, 1951, National Library of Australia, 1951
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Photograph:
Robyn Archer as Billie Holiday from A Star is Torn, National Library of Australia, 1980
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Photograph:
Robyn Archer as Patsy Cline from A Star is Torn, National Library of Australia, 1980
-
Photograph:
Robyn Archer as the Young Judy Garland from A Star is Torn, National Library of Australia, 1980
-
Photograph:
Saw Concert Rehearsal, The Mercury, National Library of Australia, 8 August 1951, 8
-
Photograph:
Social Jottings, The Australian Women's Weekly, National Library of Australia, 28 January 1959, 15
-
Photograph:
Talented Producer, The Examiner, National Library of Australia, 12 September 1947, 5
-
Photograph:
The Tivoli Theatre, Brisbane, Queensland, National Library of Australia
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Photograph:
To Judge Drama, The Examiner, National Library of Australia, 28 May 1952, 3
-
Photograph:
Tommy McRae, Ceremony, Lake Moodemere, National Library of Australia, 1900
-
Photograph:
Wendy McDougall , NSW float designed by Eamon D'Arcy in front of Parliament House in the Journey of a Nation Parade, 1st January 2001 , National Library of Australia, 1 January 2001
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Photograph:
Winners and Trophy, The Examiner, National Library of Australia, 27 August 1947, 7
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Photograph:
Winning Players, The Mercury, National Library of Australia, 30 June 1953, 13
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Playscript:
Christopher Barnett, Selling Ourselves for Dinner, All Out Ensemble, Adelaide, National Library of Australia, 1982
-
Playscript:
David Allen, Cheapside, Currency Press, Sydney, National Library of Australia, 1985
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Playscript:
David Allen, Modest Expectations, Currency Press, National Library of Australia, 1990
-
Playscript:
David Allen, Upside Down at the Bottom of the World, Heinemann Educational Australia, Richmond, Victoria, National Library of Australia, 1981
-
Playscript:
Edward Reeve, Raymond, Lord of Milan : a tragedy of the 13th century, National Library of Australia, 1851
-
Playscript:
Elaine Acworth, Composing Venus, Currency Methuen, Sydney, National Library of Australia, 1995
-
Playscript:
George F. Walker, Zastrozzi: The Master of Discipline, Playwrights Co-op, Toronto, National Library of Australia, 1977
-
Playscript:
Jim Daly, The Katyn Project, National Library of Australia, 1983
-
Playscript:
Leila Blake, Feminine Plural, National Library of Australia, 1973
-
Playscript:
Roger Pulvers, Yamashita, Currency, Sydney, National Library of Australia, 1981
-
Playscript:
Sumner Locke Elliott, The Cow Jumped Over the Moon, National Library of Australia
-
Playscript:
Waltzing Matilda: A National Pantomime with Tomato Sauce, Yackandandah Playscripts, Montmorency, Victoria, National Library of Australia, 1984, 48 pages
-
Poster:
"The Chapel Perilous" The Perilous Adventures of Sally Thunder, National Library of Australia
-
Poster:
A country Girl, National Library of Australia, 4 March 1906
-
Poster:
A Handsome Husband! / Perseus and Andromeda! or, The Maid and the Monster, National Library of Australia, 19 May 1865
-
Poster:
A Monster Complimentary Testimonial Vaudeville Entertainment [for Mr Tom Donnelly], National Library of Australia, 18 March 1908
-
Poster:
A victory loan revue, National Library of Australia
-
Poster:
Acrobats from Ivan Bros. Top of the World International Circus, National Library of Australia
-
Poster:
Adrian the Cabaret, National Library of Australia, 3 August 2002
-
Poster:
Aladdin or The wonderful Scamp / Nan, the Good for Nothing / Samuel in search of Himself, National Library of Australia, 27 April 1865
-
Poster:
Aladdin or, The wonderful Scamp / Perfection! or, The Lady Of Munster / Samuel in Search of Himself, National Library of Australia, 25 April 1865
-
Poster:
Aladdin or, The wonderful Scamp! / Rural Felicity, National Library of Australia, 24 April 1865
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Poster:
Ali Baba or, The forty Thieves!, National Library of Australia, 12 May 1865
-
Poster:
As You Like It, National Library of Australia, 3 May 1902
-
Poster:
Bachelder's Anglo American Minstrels : 7th change of programme!, National Library of Australia, 1882
-
Poster:
Black Domino / Mazourka! or The Stick, the Pole and the Tartar, National Library of Australia, 4 December 1865
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Poster:
Black Domino / Mischief Making, National Library of Australia, 9 November 1865
-
Poster:
Bland Holt, Union Jack, National Library of Australia, 8 June 1889
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Poster:
Bohemian Girl! / A Handsome Husband! / Prince Florizel, or A Winter's Tale, National Library of Australia, 26 May 1865
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Poster:
Brewster's Millions, National Library of Australia, 17 January 1908
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Poster:
Brouhaha, National Library of Australia, 23 August 1958
-
Poster:
Come to the Fair: First Progamme 1930, National Library of Australia, 12 April 1930
-
Poster:
Contested Election! / Castle Spectre / Slasher and Crasher!, National Library of Australia, 2 June 1865
-
Poster:
Cool as a Cucumber! / Peggy Green! / Aladdin or The wonderful Scamp, National Library of Australia, 29 April 1865
-
Poster:
Daisy Farm, National Library of Australia, 15 November 1890
-
Poster:
Daughter of the Regiment / The Pretty Horsebreaker / Guy Mannering / Peggy Green, National Library of Australia, 18 May 1870
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Poster:
Diana of Dobson's, National Library of Australia, 24 October 1908
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Poster:
Dick Whittington and his Cat, National Library of Australia, 1928
-
Poster:
Dinks and Trixie: Australian Comedy Duo, National Library of Australia, 17 February 1930
-
Poster:
Dora / The Barrister, National Library of Australia, 26 January 1889
-
Poster:
Eat Pray Laugh! Barry Humphries' Farewell Tour, National Library of Australia, 2012
-
Poster:
Ed. E. Ford, The famous Australian Entertainer, National Library of Australia, 30 September 1929
-
Poster:
Emilia Don, Rural Felicity / Orpheus and Eurydice! or, The young Gentleman who charmed the Rocks, National Library of Australia, 21 April 1865
-
Poster:
Farewell Benefit of J. C. Williamson, National Library of Australia, 13 July 1871
-
Poster:
Festival of Magic for 1951 featuring Murray the king of entertainers, National Library of Australia, 5 February 1951
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Poster:
Florrie Forde : the World's Greatest Chorus Singer, National Library of Australia, 14 August 1911
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Poster:
Fortieth (40) year of the Famous, Original and Only Lynch Family Bellringers, National Library of Australia, 23 May 1907
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Poster:
Foul Play, National Library of Australia, 10 August 1868
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Poster:
Frank J. Sidney and Co / Breeches the Comedian, National Library of Australia, 16 January 1915
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Poster:
Fred Lindsay the Australian Whip Cracker, National Library of Australia, 1 March 1909
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Poster:
George Meldrum, the Australian Boy, National Library of Australia, 26 September 1892
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Poster:
Green Bushes, or, One Hundred Years Ago / Tycoon Japanese Troupe / Demon Dance from the Black Crook, National Library of Australia, 28 November 1867
-
Poster:
Guy Mannering! / Ali Baba! or, The forty Thieves, National Library of Australia, 15 May 1865
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Poster:
Hamilton Hill: Popular Australian Baritone, National Library of Australia, 22 May 1905
-
Poster:
Harlequin / The House That Jack Built, National Library of Australia, 26 December 1865
-
Poster:
Harry Atkinson, the Australian Orpheus, National Library of Australia, 14 December 1914
-
Poster:
If I were King, National Library of Australia
-
Poster:
Inky Williams, National Library of Australia, 24 May 1954
-
Poster:
Ivan Bros. Top of the World International Circus, National Library of Australia
-
Poster:
Jane Street Theatre: Three Australian Plays , National Library of Australia, 1973
-
Poster:
Janus, National Library of Australia, 15 April 1957
-
Poster:
Jay W. Winton, the much-travelled ventriloquist, introducing McGinty, from Australia, National Library of Australia, 16 August 1909
-
Poster:
Kathleen Mavourneen / Mazourka or, The Stick, the Pole and the Tartar, National Library of Australia, 11 November 1865
-
Poster:
Kathleen Mavourneen! or St Patrick's Eve / Perseus and Andromeda! or, The Maid and the Monster, National Library of Australia, 24 May 1865
-
Poster:
Kenilworth or, Ye Queene, Ye Earle, and Ye Maydenne / Sweethearts & Wives / Married Life, National Library of Australia, 22 November 1865
-
Poster:
Kenilworth! or, Ye Queene, Ye Earle, and Ye Maydenne , National Library of Australia, 6 August 1866
-
Poster:
Ladies' Club / Main with the Milking Pail / Aladdin, or the Wonderful Scamp, National Library of Australia, 9 June 1865
-
Poster:
Ladies' Club! / The Maid with the Milking Pail! / Kenilworth! , National Library of Australia, 5 May 1865
-
Poster:
Lady Audley's Secret, Audley Court / Colleen Bawn!, National Library of Australia, 1 May 1865
-
Poster:
Lady Audley's Secret, National Library of Australia, 7 June 1865
-
Poster:
Latest Illustrated Ballads by Miss Florence Lester / Selwyn: Conjuror and Expert Card Manipulator / Mr Ernest Ross, National Library of Australia, 1907
-
Poster:
Laughter Born of Bewilderment: The Great Levante / Harlequin, National Library of Australia, 1960
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Poster:
Leah! The Forsaken / Prince Florizel, National Library of Australia, 29 May 1865
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Poster:
Leah! The Forsaken / Castle Spectre , National Library of Australia, 26 May 1865
-
Poster:
Leah! The Forsaken / Castle Spectre! / Prince Florizel, National Library of Australia, 30 May 1865
-
Poster:
Little Treasure! / Ali Baba or, The Forty Thieves!, Printed at the "Mercury" Steam Press Company, National Library of Australia, 16 May 1865
-
Poster:
London's Festival Ballet, National Library of Australia, 30 March 1953
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Poster:
Lucrezia Borgia, National Library of Australia, 20 June 1885
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Poster:
Lynch Family Bellringers, F.W.Niven Pty. Ltd., Ballarat, National Library of Australia, 1907
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Poster:
Marguerite D'Alvarez, National Library of Australia, 24 June 1922
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Poster:
Marlene Dietrich, National Library of Australia, 22 September 1975
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Poster:
Miss Amy Horton, the Australian Comedienne, National Library of Australia, 17 June 1895
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Poster:
Mr Arthur Garner and Mrs Blanche Stammers in their unrivalled entertainment Smiles and tears, National Library of Australia, 21 November 1873
-
Poster:
Mr Joseph Simmons, Mr George Simes, The Mountaineers ... to conclude with, by particular desire, the popular burletta, entitled The Mock Catalani in Little Puddleton, National Library of Australia, 14 June 1842
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Poster:
Music Mad: The Leslie Brothers, Australia's Representative Musical Team in their Original Ac t, National Library of Australia, 9 October 1905
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Poster:
Mutiny, Or the Ship the Bounty, National Library of Australia, 17 April 1902
-
Poster:
New Babylon, National Library of Australia, 11 May 1889
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Poster:
Nine Points of the Law / Orpheus and Eurydice or, The Young Gentleman Who Charmed the Rocks, National Library of Australia, 18 November 1865
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Poster:
Not a Bad Judge! / Ali Baba! or, The Forty Thieves, Printed at the "Mercury" Steam Press Office, Hobart, National Library of Australia, 13 May 1865
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Poster:
Not a Bad Judge! / Married Rake / Kenilworth! or, Ye Queene, Ye Earle, and Ye Maydenne , National Library of Australia, 10 May 1865
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Poster:
Oberon, or the Knight and the Caliph's Daughter / Peggy Green, National Library of Australia, 18 December 1865
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Poster:
Odessa and Lovett, National Library of Australia, 17 April 1902
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Poster:
Oh Oh Delphine!!, National Library of Australia, 7 September 1918
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Poster:
Our Nelly! / The House that Jack Built, or Will o' the Wisp & Old Mother Hubbard and her Wonderful Dog, National Library of Australia, 13 January 1866
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Poster:
Parsifal, Or The Redemption of Kundry, National Library of Australia, 23 March 1907
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Poster:
Paul Jones, National Library of Australia, 12 July 1890
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Poster:
Peg Woffington, National Library of Australia, 1910
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Poster:
Peggy Green! / Prince Amiable, or The Last of the Ogres, National Library of Australia, 19 April 1865
-
Poster:
Perseus and Andromeda / Domestic Economy / The Pretty Horse-Breaker, National Library of Australia, 22 May 1865
-
Poster:
Perseus and Andromeda / Domestic Economy / The Pretty Horse-Breaker, National Library of Australia, 22 May 1865
-
Poster:
Poor Soldier / Rural Felicity, National Library of Australia, 7 November 1865
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Poster:
Poster: The Chapel Perilous, National Library of Australia
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Poster:
Potts in Port, National Library of Australia, 24 June 1912
-
Poster:
Radio-Round-Up, National Library of Australia, 7 October 1955
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Poster:
Raffles the amateur Cracksman / Brigadier Gerard, National Library of Australia
-
Poster:
Return of the internationally renowned Australian Commonwealth Band, National Library of Australia, 1927
-
Poster:
Return of the World-famed Lynch Family Bellringers, National Library of Australia, 1929
-
Poster:
Return to Australia of the Famous Australian Commonwealth Band, National Library of Australia, 1925
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Poster:
Rich Man of Frankfort / Why Won't She Marry, Printed at the "Times" Offfice, by Ryland J.Howard, Melbourne, National Library of Australia, 12 April 1848
-
Poster:
Rob Roy / Mazourka or,The Stick, the Pole and the Tartar, National Library of Australia, 15 November 1865
-
Poster:
Rob Roy / Prince Amiable or, The last of the Ogres!, National Library of Australia, 22 April 1865
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Poster:
Rural Felicity! / Black Domino / Mazourka!, National Library of Australia, 7 December 1865
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Poster:
Rural Felicity! / Child of the Regiment / Mazourka!, National Library of Australia, 5 December 1865
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Poster:
Rural Felicity, National Library of Australia, 6 June 1865
-
Poster:
Satanus or The Spirit of Beauty / Aladdin or the Wonderful Scamp, National Library of Australia, 25 November 1865
-
Poster:
Sidney Bray; Wonderful Australian Light Comedian,, National Library of Australia, 2 June 1913
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Poster:
Single life / Aladdin, or The Wonderful Scamp, National Library of Australia, 15 December 1865
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Poster:
Single Life! / Perseus and Andromeda, or The maid and The Monster, National Library of Australia, 20 September 1866
-
Poster:
Single Life! / Perseus and Andromeda, or, The maid and The Monster, National Library of Australia, 28 April 1866
-
Poster:
Special Engagement of the French-Australian Hercules, the Great Le Mounier , National Library of Australia, 16 October 1924
-
Poster:
Struck Oil, National Library of Australia, 12 October 1877
-
Poster:
Sunday, National Library of Australia, 24 July 1915
-
Poster:
Sweethearts and Wives! / Aladdin or The wonderful Scamp, National Library of Australia, 26 April 1865
-
Poster:
Taree, the Popular Australian Bush Musician, National Library of Australia, 16 January 1911
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Poster:
Taree, the Popular Australian Bush Musician, National Library of Australia, 23 January 1911
-
Poster:
The amazing Mr. Rooklyn from London, National Library of Australia
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Poster:
The amazing Rooklyn, National Library of Australia
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Poster:
The Amazing Rooklyn, National Library of Australia, 1950
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Poster:
The Armour Boys, Those Dinkum Aussies, National Library of Australia, 29 May 1939
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Poster:
The Australian "Blue Diamond" Troupe and Orchestra, National Library of Australia, 14 January 1919
-
Poster:
The Australian Entertainer Albert Whelan, National Library of Australia, 26 October 1914
-
Poster:
The Belle of New York, National Library of Australia
-
Poster:
The Belle of New York, National Library of Australia, 16 October 1909
-
Poster:
The Black Domino! / Colleen Bawn!, National Library of Australia, 4 May 1865
-
Poster:
The Cheat, National Library of Australia, 30 October 1909
-
Poster:
The Child of the Regiment / Aladdin or The wonderful Scamp, National Library of Australia, 28 April 1865
-
Poster:
The Child of the Regiment / Mazourka or the Stick the Pole, or the Tartar, National Library of Australia, 2 December 1865
-
Poster:
The Child of the Regiment / Mazourka or, The Stick, the Pole and the Tartar, National Library of Australia, 17 November 1865
-
Poster:
The Child of the Regiment / Orpheus and Eurydice! or The Young Gentleman Who Charmed the Rocks!, National Library of Australia, 17 April 1865
-
Poster:
The Child of the Regiment / Orpheus and Eurydice! or The Young Gentleman Who Charmed the Rocks!, National Library of Australia, 5 June 1865
-
Poster:
The Child of the Regiment / The MacGregor's Gathering / Perseus and Andromeda, National Library of Australia, 13 June 1865
-
Poster:
The Child of the Regiment [and] Peggy Green, National Library of Australia, 6 November 1865
-
Poster:
The Child Regiment, National Library of Australia, 6 August 1866
-
Poster:
The Climax, 'Syd. Day, The Printer, Ltd.,Sydney.', Sydney, National Library of Australia
-
Poster:
The Death of Captain Cook, National Library of Australia, 24 November 1789
-
Poster:
The famous Australian illusionist, The Great Levante, and his magical extravaganza, How's Tricks, National Library of Australia
-
Poster:
The fatal Wedding, National Library of Australia, 14 April 1917
-
Poster:
The great Con Colleano, the world's greatest wire artist performing forward and backward somsersaults on the wire, Cole Bros. Circus, National Library of Australia, 1945
-
Poster:
The Great Levante, National Library of Australia, 8 April 1935
-
Poster:
The House that Jack Built or, Will-o'-the-Wisp / Old Mother Hubbard's Cottage, National Library of Australia, 26 December 1865
-
Poster:
The House that Jack Built or, Will-o'-the-Wisp / Old Mother Hubbard's Cottage, National Library of Australia, 30 December 1865
-
Poster:
The Imp Eternal, Will Mahoney, National Library of Australia
-
Poster:
The Lear of Private Life; or, Father and Daughter / A Lodge of Good Fellows / Three Weeks after Marriage / The Death of Captain Cook, And the Islanders of Owhyee, National Library of Australia, 27 March 1829
-
Poster:
The Man From Mukinupin, National Library of Australia
-
Poster:
The Native Born, National Library of Australia, 16 August 1913
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Poster:
The Original Lynch Family Delightful Instrumentalists, National Library of Australia, 10 March 1936
-
Poster:
The Other Show, National Library of Australia, 24 August 1954
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Poster:
The Outsider, National Library of Australia, 23 March 1891
-
Poster:
The Poachers, or Love and Revenge! / Hunting Turtle!, National Library of Australia, 7 January 1860
-
Poster:
The Prisoner of Zenda, John Andrew & Co, Printers, 21 Phillip Street, Sydney., Sydney, National Library of Australia, 29 February 1908
-
Poster:
The Rivals! or, Aladdin, The Wonderful Scamp! , Printed at the "Mercury" Steam Press Office, Hobart, National Library of Australia, 18 May 1865
-
Poster:
The Royal Alexandra Palace Fireworks Displays and Biograph Co., National Library of Australia, 28 January 1905
-
Poster:
The Squaw Man, National Library of Australia, 22 April 1916
-
Poster:
The Sword Sung – Transit, Sydney, NSW, National Library of Australia, 1938
-
Poster:
The Tatty Hollow Story, National Library of Australia
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Poster:
The Tycoon's Purveyor, National Library of Australia, 6 October 1898
-
Poster:
The Way to Kenmare, National Library of Australia, 25 April 1907
-
Poster:
The Widow's Victim!!! / The Lottery Ticket, National Library of Australia, 21 April 1842
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Poster:
The World, National Library of Australia, 11 June 1887
-
Poster:
This Old Man Comes Rolling Home 1967, National Library of Australia
-
Poster:
To celebrate the 100th performance of Sally, National Library of Australia, 10 December 1923
-
Poster:
To mark the 150th performance of Sally, National Library of Australia, 14 May 1923
-
Poster:
Tom Moore, National Library of Australia, 24 April 1907
-
Poster:
Two Ahlbergs: Marvellous Comedy Acrobats, National Library of Australia, 29 January 1909
-
Poster:
Vaudeville, National Library of Australia, 15 May 1942
-
Poster:
W. C. Fields / Morley & Bates / The Creightons / Doreen Dale / The Californian Rodeo, National Library of Australia, 11 August 1914
-
Poster:
War to the Knife / Child of the Regiment / Orpheus and Eurydice, National Library of Australia, 12 December 1865
-
Poster:
Warsaw Bros. : Australian Comedy Musical Act, National Library of Australia, 8 August 1910
-
Poster:
Wilman the Australian Instrumentalist, National Library of Australia, 15 April 1912
-
Poster:
Wirths Circus – the greatest show on earth, Melbourne, Victoria, National Library of Australia
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Poster:
Wonderful Woman! / Don Caesar de Bazan, National Library of Australia, 2 June 1865
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Poster:
Zira, National Library of Australia, 17 October 1908
-
Production List:
Les Folies Bergere, National Library of Australia, 31 July 1944
-
Programme:
Musgrove's Celebrity Vaudeville, National Library of Australia, 31 May 1924
-
Programme:
Musgrove's Celebrity Vaudeville, National Library of Australia, 4 August 1923
-
Programme:
One Dam' Thing After Another, National Library of Australia, 5 March 1966
-
Programme:
Oriental Cavalcade, National Library of Australia, 19 October 1959
-
Programme:
Pardon My French, National Library of Australia, 31 October 1958
-
Programme:
Rickards' Tivoli Theatres [untitled musical production], National Library of Australia, 29 March 1902
-
Programme:
The Sound of Music Souvenir programme, National Library of Australia, 28 September 1962
-
Programme:
"Eve on Parade", National Library of Australia, 4 August 1941
-
Programme:
1914-1918 / Happy Ideas, National Library of Australia, 21 July 1933
-
Programme:
2000 Tony Awards, National Library of Australia, 4 June 2000
-
Programme:
2000 Tony Awards, National Library of Australia, 4 June 2000
-
Programme:
A Gaiety Girl, Marcus & Andrew, Sydney, National Library of Australia
-
Programme:
A Kayf Up West, National Library of Australia, 10 March 1964
-
Programme:
A Lady's Maid / The 10.30 Down Express / The Famous Trial Scene from The Merchant of Venice / The Colour Sergeant / Her Good Name, John Andrew & Co, Sydney, National Library of Australia, 21 November 1901
-
Programme:
A Load of Olde Stuffe, National Library of Australia, 1971
-
Programme:
A Load of Olde Stuffe, National Library of Australia, 1971
-
Programme:
A Midsummer-Night's Dream, National Library of Australia, 24 December 1889
-
Programme:
A Moorish Maid, National Library of Australia, 28 April 1933
-
Programme:
A Musical & Elocutionary Entertainment, National Library of Australia, 9 September 1902
-
Programme:
A Night with Dame Edna, National Library of Australia, December 1978
-
Programme:
A Royal Divorce, John Andrew & Co., Sydney, National Library of Australia, 1897
-
Programme:
A Runaway Girl, National Library of Australia, 1902
-
Programme:
A Stranger in New York, John Arnold & Co., Sydney, National Library of Australia, 1899
-
Programme:
A Trip to Chinatown, John Andrew & Co., Sydney, National Library of Australia, 27 June 1896
-
Programme:
A Whirl of Joy, National Library of Australia, 29 June 1934
-
Programme:
Aladdin and his Wonderful Lamp, National Library of Australia, 27 December 1954
-
Programme:
Aladdin, National Library of Australia, 23 December 1932
-
Programme:
Alice in Wonderland, National Library of Australia, 21 December 1901
-
Programme:
Alice In Wonderland, National Library of Australia, 26 December 1964
-
Programme:
Alice in Wonderland, National Library of Australia, 26 December 1966
-
Programme:
All About Me, National Library of Australia
-
Programme:
All Dressed Up and (pantomime) Cinderella, National Library of Australia, 26 December 1936
-
Programme:
All for Gold, or, Fifty Millions of Money, Souvenir of the Dramatic Works of Francis R. C. Hopkins, National Library of Australia, 27 June 1877
-
Programme:
All the Best, National Library of Australia, 13 December 1949
-
Programme:
All the Best, National Library of Australia, 16 February 1949
-
Programme:
All the Best, National Library of Australia, 17 May 1949
-
Programme:
Americana, National Library of Australia, 12 May 1947
-
Programme:
Americana, National Library of Australia, 19 April 1947
-
Programme:
Americana, National Library of Australia, 27 June 1947
-
Programme:
An Empty Stocking / What Happened to Jones, National Library of Australia, 17 July 1902
-
Programme:
An Evening's Intercourse, National Library of Australia
-
Programme:
Applesauce, National Library of Australia, 20 October 1941
-
Programme:
Arcadia, National Library of Australia, 18 March 1899
-
Programme:
Arcadia, National Library of Australia, 21 January 1899
-
Programme:
Arcadia, National Library of Australia, 25 March 1899
-
Programme:
Around the Loop, National Library of Australia, 1956
-
Programme:
Artisits and Models, National Library of Australia, 2 February 1942
-
Programme:
Artists and Models, National Library of Australia, 1 February 1943
-
Programme:
Artists and Models, National Library of Australia, 13 March 1942
-
Programme:
Artists and Models, National Library of Australia, 16 November 1960
-
Programme:
Artists and Models, National Library of Australia, 18 May 1960
-
Programme:
Artists and Models, National Library of Australia, 19 April 1947
-
Programme:
Artists and Models, National Library of Australia, 2 February 1942
-
Programme:
Artists and Models, National Library of Australia, 21 February 1947
-
Programme:
Artists and Models, National Library of Australia, 26 June 1944
-
Programme:
Artists and Models, National Library of Australia, 30 September 1960
-
Programme:
Artists and Models, National Library of Australia, 7 August 1944
-
Programme:
At Last You Can Say You've Seen It: A tragi-farce in two acts for those too drunk to dance, National Library of Australia
-
Programme:
Athos Follies 1947, National Library of Australia, 3 March 1947
-
Programme:
Atomic Blondes, National Library of Australia, 16 December 1946
-
Programme:
Atomic Blondes, National Library of Australia, 25 November 1946
-
Programme:
Australia's First Real Crazy Show, National Library of Australia, 17 June 1940
-
Programme:
Australia's First Real Crazy Show, National Library of Australia, 2 August 1940
-
Programme:
Australis, or the City of Zero, John Andrew & Co, Sydney, National Library of Australia, November 1900
-
Programme:
Avec Pleasure, National Library of Australia, 19 September 1961
-
Programme:
Avec Pleasure, National Library of Australia, 5 July 1961
-
Programme:
Babes in the Wood, National Library of Australia, 23 December 1950
-
Programme:
Babes in the Wood, or Bold Robin Hood and his Merry Men, John Andrew & Co, Sydney, National Library of Australia
-
Programme:
Back to My Roots and Other Suckers, National Library of Australia, 2 June 2003
-
Programme:
Back with a Vengeance, National Library of Australia
-
Programme:
Back WIth a Vengeance, National Library of Australia, 16 November 1987
-
Programme:
Back with a Vengeance, National Library of Australia, 17 November 1987
-
Programme:
Ballet Gala Performances, National Library of Australia, 21 April 1962
-
Programme:
Ballyhoo, National Library of Australia, 30 June 1941
-
Programme:
Ballyhoo, National Library of Australia, 8 August 1941
-
Programme:
Barry Humphries, A Night on Mount Edna, National Library of Australia
-
Programme:
Barry Humphries, A Royal Gala, National Library of Australia
-
Programme:
Barry Humphries, Alun Owen, Lionel Bart, Maggie May, National Library of Australia
-
Programme:
Barry Humphries, Back with a Vengeance: The Second Coming, National Library of Australia
-
Programme:
Barry Humphries, Back with a Vengeance; United Kindom Tour, National Library of Australia
-
Programme:
Barry Humphries, Dame Edna: the Royal Tour; "The Show that listens", National Library of Australia, January 2001
-
Programme:
Barry Humphries, Dame Edna: the Royal Tour; "The Show that listens", National Library of Australia, November 1999
-
Programme:
Barry Humphries, Eat Pray Laugh! Barry Humphries' Farewell Tour, National Library of Australia, 2012
-
Programme:
Barry Humphries, Edna - The Spectacle, National Library of Australia, 1998
-
Programme:
Barry Humphries, New Edna - the Spectacle; an Icon returns; an exploration into the nature of friendship, National Library of Australia, 1998
-
Programme:
Barry Humphries, Oliver!, National Library of Australia
-
Programme:
Barry Humphries, Sondheim tonight: a gala concert to celebrate the music of Stephen Sondheim, National Library of Australia, 1998
-
Programme:
Barry Humphries, Sunday with Sondheim, National Library of Australia
-
Programme:
Barry Humphries, The Fashion Diary of a Victorian Housewife: Dame Edna's Wardrobe, 1956-1983, National Library of Australia
-
Programme:
Beauty on Parade, National Library of Australia, 12 November 1945
-
Programme:
Beauty on Parade, National Library of Australia, 22 June 1942
-
Programme:
Beauty on Parade, National Library of Australia, 3 August 1942
-
Programme:
Ben-my-Chree, John Andrew & Co., Sydney, National Library of Australia
-
Programme:
Best Bib and Tucker, National Library of Australia, 13 March 1944
-
Programme:
Best Bib and Tucker, National Library of Australia, 24 April 1944
-
Programme:
Better Times, National Library of Australia, 7 December 1934
-
Programme:
Big Show of Vaudeville de Luxe, National Library of Australia, 6 August 1921
-
Programme:
Big Show of Vaudeville de Luxe, National Library of Australia, 9 July 1921
-
Programme:
Big Time, National Library of Australia, 11 November 1953
-
Programme:
Birds of the Night, National Library of Australia, 3 May 1935
-
Programme:
Black and Blue, National Library of Australia, 15 September 1941
-
Programme:
Black and Blue, National Library of Australia, 23 October 1941
-
Programme:
Black Rhapsodies, National Library of Australia, 7 February 1944
-
Programme:
Black Vanities, National Library of Australia, 2 August 1943
-
Programme:
Black Velvet, National Library of Australia, 18 April 1941
-
Programme:
Black Velvet, National Library of Australia, 3 February 1941
-
Programme:
Boeing Boeing, National Library of Australia, 21 July 1964
-
Programme:
Broadway hot shots, National Library of Australia, 1 May 1939
-
Programme:
Bubbly, National Library of Australia, 21 December 1918
-
Programme:
Buzz-Buzz, National Library of Australia, 13 March 1920
-
Programme:
Caddam Woods, National Library of Australia, 14 April 1900
-
Programme:
Caddam Woods, National Library of Australia, 17 March 1900
-
Programme:
Caddam Woods, National Library of Australia, 24 March 1900
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Programme:
Caddam Woods, National Library of Australia, 27 January 1900
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Programme:
Caddam Woods, National Library of Australia, 4 August 1900
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Programme:
Caddam Woods, National Library of Australia, 7 April 1900
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Programme:
Calypso Capers, National Library of Australia, 14 August 1957
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Programme:
Calypso Capers, National Library of Australia, 5 June 1957
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Programme:
Carl Davis in Croydon, National Library of Australia
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Programme:
Carnival time, National Library of Australia, 23 November 1936
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Programme:
Carnival, National Library of Australia, 21 September 1901
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Programme:
Carnival, National Library of Australia, 25 May 1901
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Programme:
Cavalcade of Stars, National Library of Australia, 4 April 1938
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Programme:
Cavalcade of Variety, National Library of Australia, 12 November 1945
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Programme:
Cavalcade of Variety, National Library of Australia, 30 July 1945
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Programme:
Celebrity Vaudeville, National Library of Australia, 14 March 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 23 June 1923
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Programme:
Celebrity Vaudeville , National Library of Australia, 4 April 1925
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Programme:
Celebrity Vaudeville , National Library of Australia, 19 September 1925
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Programme:
Celebrity Vaudeville , National Library of Australia, 21 February 1925
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Programme:
Celebrity Vaudeville , National Library of Australia, 29 August 1925
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Programme:
Celebrity Vaudeville 1 July 1922, National Library of Australia, 1 July 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 1 August 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 1 November 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 1 November 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 10 May 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 11 November 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 13 September 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 14 January 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 14 March 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 14 March 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 15 July 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 15 July 1929
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Programme:
Celebrity Vaudeville, National Library of Australia, 16 August 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 16 January 1928
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Programme:
Celebrity Vaudeville, National Library of Australia, 16 September 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 17 February 1923
-
Programme:
Celebrity Vaudeville, National Library of Australia, 17 January 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 18 January 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 18 June 1928
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Programme:
Celebrity vaudeville, National Library of Australia, 18 November 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 18 October 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 19 July 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 19 November 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 19 October 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 19 September 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 2 August 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 20 December 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 20 January 1923
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Programme:
Celebrity Vaudeville, National Library of Australia, 20 September 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 22 August 1927
-
Programme:
Celebrity Vaudeville, National Library of Australia, 22 July 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 23 August 1926
-
Programme:
Celebrity Vaudeville, National Library of Australia, 23 November 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 23 September 1929
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Programme:
Celebrity vaudeville, National Library of Australia, 24 December 1928
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Programme:
Celebrity Vaudeville, National Library of Australia, 24 February 1923
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Programme:
Celebrity Vaudeville, National Library of Australia, 25 February 1929
-
Programme:
Celebrity Vaudeville, National Library of Australia, 25 February 1929
-
Programme:
Celebrity Vaudeville, National Library of Australia, 25 October 1926
-
Programme:
Celebrity Vaudeville, National Library of Australia, 26 July 1926
-
Programme:
Celebrity Vaudeville, National Library of Australia, 26 September 1925
-
Programme:
Celebrity Vaudeville, National Library of Australia, 26 September 1927
-
Programme:
Celebrity Vaudeville, National Library of Australia, 27 June 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 29 April 1922
-
Programme:
Celebrity Vaudeville, National Library of Australia, 29 January 1927
-
Programme:
Celebrity Vaudeville, National Library of Australia, 29 July 1922
-
Programme:
Celebrity Vaudeville, National Library of Australia, 29 October 1928
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Programme:
Celebrity Vaudeville, National Library of Australia, 3 January 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 3 October 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 30 May 1931
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Programme:
Celebrity Vaudeville, National Library of Australia, 30 September 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 31 January 1927
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Programme:
Celebrity Vaudeville, National Library of Australia, 31 March 1923
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Programme:
Celebrity Vaudeville, National Library of Australia, 4 November 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 5 July 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 6 May 1929
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Programme:
Celebrity Vaudeville, National Library of Australia, 6 September 1924
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Programme:
Celebrity Vaudeville, National Library of Australia, 7 December 1925
-
Programme:
Celebrity Vaudeville, National Library of Australia, 7 June 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 8 August 1925
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Programme:
Celebrity Vaudeville, National Library of Australia, 8 November 1926
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Programme:
Celebrity Vaudeville, National Library of Australia, 9 December 1922
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Programme:
Celebrity Vaudeville, National Library of Australia, 9 January 1928
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Programme:
Chatterton / Clerical Error / Color Sergeant, John Andrew & Co., National Library of Australia
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Programme:
Chez Paree, National Library of Australia, 12 July 1951
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Programme:
Chez Paree, National Library of Australia, 8 November 1951
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Programme:
Chu Chin Chow, National Library of Australia, 16 April 1921
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Programme:
Chuckles of 1931, National Library of Australia, 27 November 1931
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Programme:
Cinderella [and] Black Rhapsodies, National Library of Australia, 20 December 1943
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Programme:
Cinderella and The Laughter Express, National Library of Australia, 22 December 1941
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Programme:
Cinderella Pantomime, The Age, National Library of Australia, 24 December 1948, 4
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Programme:
Cinderella [and] The Hat Trick, National Library of Australia, 18 December 1939
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Programme:
Cinderella, National Library of Australia, 18 December 1954
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Programme:
Cinderella, National Library of Australia, 26 December 1957
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Programme:
Cinderella, National Library of Australia, 26 December 1958
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Programme:
Circus Days / Happy Ideas, National Library of Australia, 2 June 1933
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Programme:
Clambake, National Library of Australia, 24 June 1946
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Programme:
Claudian, John Andrew & Co., Sydney, National Library of Australia, March 1898
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Programme:
Colored Rhapsody, National Library of Australia, 1 February 1955
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Programme:
Colored Rhapsody, National Library of Australia, 10 May 1955
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Programme:
Colored Rhapsody, National Library of Australia, 11 March 1955
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Programme:
Colored Rhapsody, National Library of Australia, 12 August 1955
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Programme:
Command Performance, National Library of Australia, 1 February 1956
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Programme:
Command Performance, National Library of Australia, 26 December 1949
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Programme:
Command Performance, National Library of Australia, 6 April 1950
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Programme:
Command Performance, National Library of Australia, November 1949
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Programme:
Copy of Ice Follies of 1962, National Library of Australia, 26 December 1961
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Programme:
Corroboree, Les Sylphydes and The Listeners, National Library of Australia, 19 February 1951
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Programme:
Daisy Farm, National Library of Australia, 11 December 1875
-
Programme:
Dame Edna Everage in an evening of Innocent Austral Verse, National Library of Australia
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Programme:
Dame Edna's Frock-a-thon, National Library of Australia
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Programme:
Dame Edna's Frock-a-thon, National Library of Australia
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Programme:
Dame Edna: the Royal Tour; "The Show that listens", National Library of Australia, 18 July 2001
-
Programme:
Dame Edna: the Royal Tour; "The Show that listens", National Library of Australia, 2001
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Programme:
Design for Glamour, National Library of Australia, 8 February 1943
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Programme:
Diamond Horseshoe, National Library of Australia, 25 June 1959
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Programme:
Diamond Horseshoe, National Library of Australia, 27 April 1959
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Programme:
Dick Whitington and his Cat, National Library of Australia, 23 December 1954
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Programme:
Dick Whittington and his Cat [and] Atomic Blondes, National Library of Australia, 20 December 1946
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Programme:
Dick Whittington, National Library of Australia
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Programme:
Don't Tell the Wife / Happy Ideas, National Library of Australia, 30 June 1933
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Programme:
East Lynne, National Library of Australia, 18 May 1893
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Programme:
Ecstasy on Ice, National Library of Australia, 17 February 1960
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Programme:
Ecstasy on Ice, National Library of Australia, 8 July 1960
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Programme:
Ecstasy on Ice, National Library of Australia, 9 December 1959
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Programme:
Edison's Popular Pictures: America at Work, National Library of Australia, October 1901
-
Programme:
Elizabeth, Queen of England, John Andrew & Co., Sydney, National Library of Australia, May 1900
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Programme:
Endymion [and] The Devil Take Her, National Library of Australia, 23 July 1953
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Programme:
Evangeline, Sydney, National Library of Australia, 23 July 1891
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Programme:
Excuse I: A Nice Night's Entertainment, National Library of Australia
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Programme:
Fade Out Fade In, National Library of Australia, 20 February 1965
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Programme:
Fade Out Fade In, National Library of Australia, 3 June 1965
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Programme:
Fantasy, National Library of Australia, 10 October 1950
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Programme:
Fantasy, National Library of Australia, 18 December 1950
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Programme:
Fast and Furious, National Library of Australia, 10 February 1933
-
Programme:
Federia, National Library of Australia, 11 June 1898
-
Programme:
Fedora, John Andrew & co., Sydney, National Library of Australia, 1 October 1900
-
Programme:
Fedora, Marcus & Andrew, Sydney, National Library of Australia, 25 April 1896
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Programme:
Femmes and Furs, National Library of Australia, 13 October 1958
-
Programme:
Femmes and Furs, National Library of Australia, 21 July 1958
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Programme:
Fine Feathers, National Library of Australia, 12 January 1948
-
Programme:
Fine Feathers, National Library of Australia, 9 February 1948
-
Programme:
First night of Jullien's new Irish quadrille the Hibernians : Madame Sara Flower (the Australian nightingale) will make her appearance this evening. Rowe's American circus : the second grand promenade concert will take place on Saturday evening, Nov. 19, 1853 under the direction of Mr. Alfred Oake, National Library of Australia, 19 November 1853
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Programme:
Fitzgerald Bros.' Monster Combined Shows including Carl Hagenbeck's Famous Zoological Circus and Menagerie, National Library of Australia, 1898
-
Programme:
Florence Desmond, National Library of Australia, 22 June 1954
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Programme:
Florodora, Andrew & Co., Sydney, National Library of Australia, 1901
-
Programme:
Florodora, Andrew & Co., Sydney, National Library of Australia, 6 April 1901
-
Programme:
Florodora, National Library of Australia, 8 September 1900
-
Programme:
Folies Bergere Revue Souvenir [Programme], National Library of Australia
-
Programme:
Folies Bergere Revue, National Library of Australia, 18 July 1952
-
Programme:
Folies Bergere Revue, National Library of Australia, 6 February 1953
-
Programme:
Folies Bergere Revue, National Library of Australia, 6 July 1954
-
Programme:
Folies Bergere, National Library of Australia, 11 October 1943
-
Programme:
Folies Bergere, National Library of Australia, 11 September 1944
-
Programme:
Folies Bergere, National Library of Australia, 26 December 1952
-
Programme:
Folies Bergeres, National Library of Australia, 19 October 1942
-
Programme:
Folies Bergeres, National Library of Australia, 31 August 1942
-
Programme:
Forbidden City, National Library of Australia, 6 May 1946
-
Programme:
Forever Glamour, National Library of Australia, 14 April 1947
-
Programme:
Forever Glamour, National Library of Australia, 16 June 1947
-
Programme:
Frosty Follies, National Library of Australia, 13 September 1961
-
Programme:
Full Speed Ahead [and] Mother Goose, National Library of Australia, 26 December 1941
-
Programme:
Fun and Music, National Library of Australia, 17 December 1945
-
Programme:
Fun on the Bristol, National Library of Australia, 1 December 1900
-
Programme:
Funfiesta, National Library of Australia, 23 July 1958
-
Programme:
Funfiesta, National Library of Australia, 29 April 1958
-
Programme:
Funtasia, National Library of Australia, 25 August 1954
-
Programme:
Funtasia, National Library of Australia, 27 April 1954
-
Programme:
Gala Performance on HMS King George V, National Library of Australia, 4 November 1945
-
Programme:
Gala Preview of the Windmill Revue, National Library of Australia, 3 November 1965
-
Programme:
Gala Variety Entertainment, National Library of Australia, 14 April 1946
-
Programme:
Gay Paris, National Library of Australia, 20 April 1901
-
Programme:
Gay Paris, National Library of Australia, 23 February 1901
-
Programme:
Gay Paris, National Library of Australia, 6 April 1901
-
Programme:
George Rignold, Henry V, or, The Battle of Agincourt, National Library of Australia
-
Programme:
George Robey: The Prime Minister of Mirth and His Big New All-Star Company, National Library of Australia, 17 July 1939
-
Programme:
Get a Load of This, National Library of Australia, 1 October 1945
-
Programme:
Get a Load of This, National Library of Australia, 7 May 1945
-
Programme:
Glad Rags [and] Cinderella, National Library of Australia, 28 December 1942
-
Programme:
Glad Rags, National Library of Australia, 16 November 1942
-
Programme:
Golden Corn Fields, National Library of Australia, 23 June 1906
-
Programme:
Golden Corn Fields, National Library of Australia, 24 March 1906
-
Programme:
Golden Corn Fields, National Library of Australia, 28 July 1906
-
Programme:
Golden Corn Fields, National Library of Australia, 30 June 1906
-
Programme:
Good for Evil, Souvenir of the Dramatic Works of Francis R. C. Hopkins, National Library of Australia, 16 October 1876
-
Programme:
Goody Two Shoes, National Library of Australia, 20 December 1957
-
Programme:
Goody Two Shoes, National Library of Australia, 26 December 1956
-
Programme:
Grand classical Concert, National Library of Australia, 28 August 1921
-
Programme:
GRAND CONCERT in AID of the FUNDS of the ASYLUM for DESTITUTE CHILDREN, at the Prince of Wales Theatre: on the evening of Tuesday, June 9th, 1863, National Library of Australia, 9 June 1863
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Programme:
Grandfathers Follies, National Library of Australia, 4 May 1949
-
Programme:
Greed of Gold, National Library of Australia, 26 December 1901
-
Programme:
Hamlet, John Andrew & Co., Sydney, National Library of Australia
-
Programme:
Hans the Boatman, National Library of Australia, 26 December 1901
-
Programme:
Happy and Gloriouis, National Library of Australia, 19 July 1948
-
Programme:
Happy and Glorious, National Library of Australia, 25 August 1948
-
Programme:
Happy Holland, National Library of Australia, 21 May 1910
-
Programme:
Harry Rickards [various artists], National Library of Australia, 12 July 1902
-
Programme:
Harry Rickards' Tivoli Theatre [various artists], National Library of Australia, 23 August 1902
-
Programme:
Harry Rickards' Tivoli Theatres Ltd (untitled musical production), National Library of Australia, 14 June 1913
-
Programme:
Harry Rickards' Tivoli Theatres Ltd (untitled musical production), National Library of Australia, 17 May 1913
-
Programme:
Harry Rickards' Tivoli Theatres Ltd (untitled musical production), National Library of Australia, 18 July 1914
-
Programme:
Harry Rickards' Tivoli Theatres Ltd (untitled musical production), National Library of Australia, 19 September 1914
-
Programme:
Harry Rickards' Tivoli Theatres Ltd (untitled musical production), National Library of Australia, 26 September 1914
-
Programme:
Harry Rickards, Golden Corn Fields, National Library of Australia, 24 February 1906
-
Programme:
Harry Rickards, Les Pierrots, National Library of Australia, 20 April 1907
-
Programme:
Harry Rickards, Les Pierrots, National Library of Australia, 23 March 1907
-
Programme:
Harry Rickards, Musgrove Celebrity Vaudeville, National Library of Australia, 13 October 1923
-
Programme:
Harry Rickards, Musgrove's Celebrity Vaudeville, National Library of Australia, 3 November 1923
-
Programme:
Harry Rickards, The mighty Sandow, Sydney, National Library of Australia, 1902
-
Programme:
Hay Fever, National Library of Australia, 21 February 1931
-
Programme:
He's in Again / Happy Ideas, National Library of Australia, 16 June 1933
-
Programme:
Hearts are Trumps, National Library of Australia, 1 March 1902
-
Programme:
Hello 1938, National Library of Australia, 20 December 1937
-
Programme:
Hello 1938, National Library of Australia, 27 January 1938
-
Programme:
Hello America, National Library of Australia, 28 June 1935
-
Programme:
Henry V, National Library of Australia, 10 September 1887
-
Programme:
Henry V, National Library of Australia, 22 October 1889
-
Programme:
Here from There, National Library of Australia, 21 October 1950
-
Programme:
Here from There, National Library of Australia, 31 March 1950
-
Programme:
Here from There, National Library of Australia, 9 February 1950
-
Programme:
Hi-de-Hi, National Library of Australia, 17 April 1944
-
Programme:
Hi-de-Hi, National Library of Australia, 29 May 1944
-
Programme:
Hi-Ho Piccadilly, National Library of Australia, 10 February 1947
-
Programme:
Hi-Jig-A-Jig, National Library of Australia, 8 March 1950
-
Programme:
Highlights from Hollywood, National Library of Australia, 12 June 1939
-
Programme:
Hillbilly shindig and Scandals of 1942, National Library of Australia, 14 September 1942
-
Programme:
Hillbilly Shindig and Scandals of 1942, National Library of Australia, 27 July 1942
-
Programme:
Hillbilly Shindig, National Library of Australia, 4 November 1942
-
Programme:
Hits and Highlights of 1946, National Library of Australia, 2 December 1946
-
Programme:
Hits and Highlights [and] Mother Goose, National Library of Australia, 27 December 1943
-
Programme:
Hits and Highlights, National Library of Australia, 15 November 1943
-
Programme:
Hollywood Bandbox, National Library of Australia, 22 February 1961
-
Programme:
Honeymoon Troubles / Happy Ideas, National Library of Australia, 26 May 1933
-
Programme:
Honi-Soit, National Library of Australia, 14 September 1918
-
Programme:
Honi-Soit, National Library of Australia, 2 December 1918
-
Programme:
Hot from Hollywood, National Library of Australia, 21 October 1955
-
Programme:
Housewife Superstar!, Housewife Superstar!, National Library of Australia, 19 October 1977
-
Programme:
Housewife Superstar!, National Library of Australia, 19 May 1976
-
Programme:
Housewife Superstar!, National Library of Australia, 19 May 1976
-
Programme:
I Don't Want to be a Jockey / Happy Ideas, National Library of Australia, 7 July 1933
-
Programme:
Ice Follie 1950, National Library of Australia, 30 June 1950
-
Programme:
Ice Follie 1950, National Library of Australia, 8 April 1950
-
Programme:
Ice Follie, National Library of Australia, 20 April 1951
-
Programme:
Ice Follie, National Library of Australia, 26 December 1952
-
Programme:
Ice Follie, National Library of Australia, 9 June 1950
-
Programme:
Ice follies (manuscript performances), National Library of Australia, 26 December 1961
-
Programme:
Ice Follies of 1962, National Library of Australia, 22 February 1962
-
Programme:
Ice Follies of 1962, National Library of Australia, 26 December 1961
-
Programme:
In Honour Bound / Walker, London, National Library of Australia, 18 May 1893
-
Programme:
Ingomar, the Barbarian, John Andrew & Co., Sydney, National Library of Australia
-
Programme:
Instant Marriage, National Library of Australia, 5 November 1965
-
Programme:
Instant Marriage, National Library of Australia, 7 August 1965
-
Programme:
Iolanthe, John Andrew & Co., Sydney, National Library of Australia, 22 April 1899
-
Programme:
Is Australia Really Necessary?, National Library of Australia, 18 February 1965
-
Programme:
Isn't it Pathetic at His Age, National Library of Australia, May 1978
-
Programme:
It Ended in Spain / Happy Ideas, National Library of Australia, 9 June 1933
-
Programme:
It Happened on Broadway / Happy Ideas, National Library of Australia, 4 August 1933
-
Programme:
It's a Way we have in the Navy / Happy Ideas, National Library of Australia, 19 May 1933
-
Programme:
It's Foolish but it's Fun, National Library of Australia, 13 March 1947
-
Programme:
It's Foolish But It's Fun, National Library of Australia, 20 November 1944
-
Programme:
It's Foolish but it's Fun, National Library of Australia, 9 October 1944
-
Programme:
It's Turned out Nice Again, National Library of Australia, 2 February 1948
-
Programme:
It's Turned out Nice Again, National Library of Australia, 22 December 1947
-
Programme:
It's Turned out Nice Again, National Library of Australia, 29 September 1947
-
Programme:
Jack and Jill, National Library of Australia, 24 December 1954
-
Programme:
Jack in Review: , National Library of Australia
-
Programme:
Jack Russell and his New Musical Comedy Company, National Library of Australia, 25 November 1932
-
Programme:
Jack Russell New Musical Comedy Company, National Library of Australia, 14 October 1932
-
Programme:
Janet Pride!, National Library of Australia, 14 June 1858
-
Programme:
Japan by Night, National Library of Australia, 11 March 1968
-
Programme:
John Antrobus, Spike Milligan, Barry Humphries, The bedsitting room, National Library of Australia
-
Programme:
Jokers on the Loose, National Library of Australia, 24 August 1955
-
Programme:
Jokers on the Loose, National Library of Australia, 25 November 1955
-
Programme:
Julius Caesar, National Library of Australia, 14 September 1889
-
Programme:
Julius Caesar, National Library of Australia, September 1889
-
Programme:
Just a Show, National Library of Australia, 1 July 1968
-
Programme:
Just a Show, National Library of Australia, 19 August 1968
-
Programme:
Just a show, The Playbill, National Library of Australia, 4, 3, 1969, 7
-
Programme:
Just a show, The Playbill, National Library of Australia, 4, 4, 1969, 7
-
Programme:
Katherine Dunham and her Company, National Library of Australia, 30 May 1956
-
Programme:
Katherine Dunham, Katherine Dunham and her Company, National Library of Australia, 14 September 1956
-
Programme:
Knights of Laughter, National Library of Australia, 14 July 1954
-
Programme:
Knights of Laughter, National Library of Australia, 9 February 1954
-
Programme:
Kucom Presents The Man from Mukinupin, National Library of Australia
-
Programme:
La Perouse; or, The Desolate Island, National Library of Australia, 12 July 1816
-
Programme:
La Poupee, John Andrew & Co., Sydney, National Library of Australia, 25 September 1898
-
Programme:
La Revue D'Amour, National Library of Australia, 17 August 1935
-
Programme:
La Tosca, John Andrew and Co., Sydney, National Library of Australia, 20 October 1900
-
Programme:
La Vie Parisienne, National Library of Australia, 20 November 1954
-
Programme:
La-Danse-de-Rubans, National Library of Australia, 24 April 1909
-
Programme:
Ladies First, National Library of Australia, 19 September 1941
-
Programme:
Ladies, Lions and Laughter, National Library of Australia, 14 October 1960
-
Programme:
Lady Huntworth's Experiment, National Library of Australia, 7 September 1901
-
Programme:
Laffiesta, National Library of Australia, 18 March 1946
-
Programme:
Laffiesta, National Library of Australia, 4 February 1946
-
Programme:
Larger Then Life, National Library of Australia, 4 February 1953
-
Programme:
Last Night of the Poms, National Library of Australia
-
Programme:
Latin Quarter, National Library of Australia, 11 September 1953
-
Programme:
Latin Quarter, National Library of Australia, 13 November 1953
-
Programme:
Latin Quarter, National Library of Australia, 14 May 1952
-
Programme:
Laugh and Be Happy, National Library of Australia, 17 March 1947
-
Programme:
Laugh and Be Happy, National Library of Australia, 27 January 1947
-
Programme:
Laugh around the Clock, National Library of Australia, 23 November 1955
-
Programme:
Laugh around the Clock, National Library of Australia, February 1956
-
Programme:
Laugh Show of 1937, National Library of Australia, 18 November 1937
-
Programme:
Laughter Invasion [and] Cinderella, National Library of Australia, 26 December 1944
-
Programme:
Laughter Invasion, National Library of Australia, 13 November 1944
-
Programme:
Les Sylphides / Les Presages / Le Beau Danube (Evening performance); Les Sylphides / Les Presages / Le Beau Danube (Matinee performance) , National Library of Australia, 24 October 1936
-
Programme:
Let 'er Go [and] While the Sun Shines, National Library of Australia, 12 March 1945
-
Programme:
Lilac Time, National Library of Australia, 15 May 1964
-
Programme:
Lilac Time, National Library of Australia, 22 July 1964
-
Programme:
Lilac Time, National Library of Australia, 27 August 1964
-
Programme:
Lionel Bart, Barry Humphries, Alun Owen, Maggie May, National Library of Australia
-
Programme:
Little Christopher Columbus, Matthews & Co., Sydney, National Library of Australia, 4 November 1899, 4 pages
-
Programme:
Lohengrin, National Library of Australia, 20 December 1900
-
Programme:
London Calling, National Library of Australia, 1 March 1935
-
Programme:
Look at Me When I'm Talking to You, National Library of Australia
-
Programme:
Look at Me When I'm Talking to You, National Library of Australia
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Programme:
Look at Me When I'm Talking to You, National Library of Australia
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Programme:
Lord Mayor's Tivoli Command Performance, National Library of Australia, 20 August 1950
-
Programme:
Love all; a day at the Clubhouse / Happy Ideas, National Library of Australia, 14 July 1933
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Programme:
Lucky Stars, National Library of Australia, 4 March 1940
-
Programme:
Lyceum Dramatic Company, A Yorkshire Lass, National Library of Australia, 1898
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Programme:
Lynn Cowan, The Girl for the Boy, National Library of Australia, 13 November 1920
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Programme:
Lynn Cowan, The Girl for the Boy, National Library of Australia, 30 October 1920
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Programme:
Macbeth, National Library of Australia, 9 October 1854
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Programme:
Madame Sans-Sene, National Library of Australia, 1 April 1989
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Programme:
Magda, National Library of Australia, 10 March 1900
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Programme:
Make it a party, National Library of Australia, 2 September 1946
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Programme:
Man and his Makers, John Andrew & Co., Sydney, National Library of Australia, 9 November 1901
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Programme:
Man to Man, National Library of Australia, 28 October 1899
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Programme:
Many Happy Returns, National Library of Australia, 9 June 1959
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Programme:
Marinka, National Library of Australia, 28 May 1948
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Programme:
May had a Little, National Library of Australia, 14 February 1951
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Programme:
Measure for Measure, National Library of Australia, 31 May 1955
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Programme:
Melba Souvenir Programme, National Library of Australia, 27 September 1902
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Programme:
Melbourne Theatre Company, This Old Man Comes Rolling Home , National Library of Australia
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Programme:
Merry Capers, Andersons' Printing & Publishing Co. Pty. Ltd., 63 City Rd., South Melb., National Library of Australia, 3 February 1933
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Programme:
Merry Roosters Panto, National Library of Australia, 19 December 1963
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Programme:
Merry Widow [including Special Gala Performance 8 August 1963], National Library of Australia, 7 August 1963
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Programme:
Milky White / Alice Again / Living Models / Living Statuary and the Waxwork Wobblers, John Lawson, Sydney, National Library of Australia, 10 November 1892
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Programme:
Mo's merry Monarchs in A Year in a Day, National Library of Australia, 31 March 1933
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Programme:
Mo's Merry Monarchs in By Request, National Library of Australia, 7 April 1933
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Programme:
Moorish Revels, National Library of Australia, 17 December 1904
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Programme:
Moorish Revels, National Library of Australia, 18 February 1905
-
Programme:
Moorish Revels, National Library of Australia, 18 March 1905
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Programme:
Mother Goose in Switzerland/Favorite Follies/The Prince of Monte Carlo, National Library of Australia, 20 October 1917
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Programme:
Mother Goose [and] Design for Glamour, National Library of Australia, 21 December 1942
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Programme:
Mother Goose [and] Fun and Music, National Library of Australia, 24 December 1945
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Programme:
Mother Goose [and] We're in the Army Now [and] Stars in your Eyes, National Library of Australia, 23 December 1940
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Programme:
Mother Goose, National Library of Australia, December 1953
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Programme:
Mother Goose, National Library of Australia, December 1957
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Programme:
Much Ado About Nothing, National Library of Australia, 21 November 1949
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Programme:
Musgrave's Celebrity Vaudeville, National Library of Australia, 30 June 1923
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Programme:
Musgrove Celebrity Vaudeville, National Library of Australia, 24 March 1923
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Programme:
Musgrove's Celebrity Vaudeville, National Library of Australia, 24 May 1924
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Programme:
Musgrove's Celebrity Vaudeville, National Library of Australia, 28 June 1924
-
Programme:
My Partner [and] The Woman of the Future 1993; "What are we to do with our men?", National Library of Australia, 2 May 1884
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Programme:
Nats in the Belfry, National Library of Australia, 11 July 1961
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Programme:
Nats in the Belfry, National Library of Australia, 3 May 1961
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Programme:
Naughty Nineties, National Library of Australia, 20 March 1944
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Programme:
Naughty Nineties, National Library of Australia, 24 July 1947
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Programme:
Naughty Nineties, National Library of Australia, 31 January 1944
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Programme:
New Faces of 1960, National Library of Australia, 16 March 1960
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Programme:
Nick Lucas: the Singing Troubadour, National Library of Australia, 21 August 1939
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Programme:
Nick Lucas: The Singing Troubadour, National Library of Australia, 5 October 1939
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Programme:
Night and the Laughter, National Library of Australia, 25 August 1947
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Programme:
No Trees in the Street, National Library of Australia, 6 May 1952
-
Programme:
Noel Coward's Semi-Monde, National Library of Australia
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Programme:
Oh Mum / Happy Ideas, National Library of Australia, 23 June 1933
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Programme:
Oliver! a Musical, National Library of Australia, 26 April 1967
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Programme:
Oliver! A new musical, National Library of Australia, 10 June 1960
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Programme:
Oliver! a New Musical, National Library of Australia, 25 February 1963
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Programme:
Oliver! A New Musical, National Library of Australia, 25 February 1963
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Programme:
Oliver, National Library of Australia, 30 June 1960
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Programme:
Olympic Follies, National Library of Australia, 1 November 1956
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Programme:
Olympic Follies, National Library of Australia, 13 March 1957
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Programme:
Olympic Follies, National Library of Australia, 16 February 1957
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Programme:
On Active Service, National Library of Australia, 8 February 1902
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Programme:
One Dam' Thing After Another, National Library of Australia, 26 March 1966
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Programme:
Oriental Cavalcade, National Library of Australia, 18 August 1959
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Programme:
Oriental Cavalcade, National Library of Australia, March 1960
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Programme:
Oriental Nights, National Library of Australia, 8 April 1940
-
Programme:
Orpheus in the underworld, National Library of Australia, 17 August 1962
-
Programme:
Otello (excerpt) /La Boheme (excerpt) / Lucia da Lammermoor (excerpt) / La Giaconda (excerpt) , National Library of Australia, December 1901
-
Programme:
Othello, John Andrew & Co., Sydney, National Library of Australia
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Programme:
Othello, National Library of Australia, March 1899
-
Programme:
Our 1943 Crazy Show, National Library of Australia, 28 June 1943
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Programme:
Our Guardian Angel, National Library of Australia, 1 April 1899
-
Programme:
Our Leap Year Crazy Show, National Library of Australia, 22 May 1944
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Programme:
Our Leap Year Crazy Show, National Library of Australia, 3 July 1944
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Programme:
Paint your Wagon, National Library of Australia, 13 September 1955
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Programme:
Paint your Wagon, National Library of Australia, 27 November 1954
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Programme:
Paint your Wagon, National Library of Australia, 9 April 1955
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Programme:
Paint your Wagon, National Library of Australia, 9 August 1955
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Programme:
Pantomime Revels, National Library of Australia, 14 January 1933
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Programme:
Pantomime Revels, National Library of Australia, 26 December 1931
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Programme:
Pardon My French, National Library of Australia, 14 February 1958
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Programme:
Pardon My French, National Library of Australia, 27 September 1958
-
Programme:
Pardon My French, National Library of Australia, June 1958
-
Programme:
Pardon My French, National Library of Australia, March 1958
-
Programme:
Pardon My French, National Library of Australia, November 1957
-
Programme:
Paris by Night (The Gala Preview), National Library of Australia, 18 July 1962
-
Programme:
Paris by Night (The Gala Preview), National Library of Australia, 2 May 1962
-
Programme:
Paris by Night, National Library of Australia, 3 May 1962
-
Programme:
Paris Le Soir, National Library of Australia, 16 July 1945
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Programme:
Paris le Soir, National Library of Australia, 2 May 1947
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Programme:
Paris le Soir, National Library of Australia, 29 July 1946
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Programme:
Paris le Soir, National Library of Australia, 3 September 1945
-
Programme:
Paul Jones, National Library of Australia, 10 January 1903
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Programme:
Peep Show, National Library of Australia, 1936
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Programme:
Peep Show, National Library of Australia, 26 December 1951
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Programme:
Peep Show, National Library of Australia, 28 April 1952
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Programme:
Peep Show, National Library of Australia, 5 March 1952
-
Programme:
Peggy Green! / The Pretty Horse-breaker!/ Ali Baba! or, The forty Thieves, "Mercury" Steam Press office, Hobart, National Library of Australia, 1865
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Programme:
Percy Grainger, National Library of Australia, 1 April 1941
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Programme:
Peter Pan and the Sky's the Limit, National Library of Australia, 26 December 1944
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Programme:
Pleasure on Parade, National Library of Australia, 9 September 1937
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Programme:
Pleasures of Paris, National Library of Australia, 1 June 1959
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Programme:
Pleasures of Paris, National Library of Australia, 24 February 1959
-
Programme:
Puss in Boots, National Library of Australia, 24 December 1958
-
Programme:
Puss in Boots, National Library of Australia, 26 January 1901
-
Programme:
Radio Round-Up, National Library of Australia, 13 May 1940
-
Programme:
Red Hot and Blue, National Library of Australia, 24 May 1943
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Programme:
Red Hot and Blue, National Library of Australia, 5 July 1943
-
Programme:
Remember You're Out, National Library of Australia, 1999
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Programme:
Revue Cintinentale, National Library of Australia, 23 August 1958
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Programme:
Revue Continentale, National Library of Australia, 23 August 1948
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Programme:
Rhymes and Rhythms, National Library of Australia, 17 February 1933
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Programme:
Rhythm Express, National Library of Australia, 12 February 1958
-
Programme:
Rhythm Express, National Library of Australia, 16 November 1957
-
Programme:
RICHARD III: PERFORMANCE by the MELBOURNE GARRICK CLUB...Thursday Sept. 29th [1859], National Library of Australia, 29 September 1859
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Programme:
Rickards' Tivoli Theatre [untitled musical production], National Library of Australia, 1 February 1902
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Programme:
Rickards' Tivoli Theatre [untitled musical production], National Library of Australia, 1 March 1902
-
Programme:
Rickards' Tivoli Theatre [untitled musical production], National Library of Australia, 14 June 1902
-
Programme:
Rickards' Tivoli Theatre [untitled musical production], National Library of Australia, 18 January 1902
-
Programme:
Riding to Win, National Library of Australia, 6 September 1902
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Programme:
Robbery Under Arms, National Library of Australia, 19 November 1898
-
Programme:
Robert and Elizabeth, National Library of Australia, 19 November 1966
-
Programme:
Robin Hood on Stage and Ice, National Library of Australia, 27 December 1965
-
Programme:
Robin Hood, John Andrew & Co., Sydney, National Library of Australia, 25 November 1899
-
Programme:
Robin Hood, John Andrew & Co., Sydney, National Library of Australia, 9 December 1899
-
Programme:
Robinson Crusoe on Ice, National Library of Australia, 23 December 1959
-
Programme:
Rock 'n Reel: Barry Humphries in an intimate revue, National Library of Australia, 16 August 1958
-
Programme:
Rocking the Town, National Library of Australia, 7 October 1958
-
Programme:
Romeo et Juliette, National Library of Australia, 4 July 1893
-
Programme:
Royal Gala Performance, National Library of Australia, 6 February 1954
-
Programme:
Royal Gala Season, National Library of Australia, 8 February 1954
-
Programme:
Salici's Parisian Puppets, National Library of Australia, 13 November 1939
-
Programme:
Samples, National Library of Australia, 15 June 1918
-
Programme:
Sapphonia, National Library of Australia, 21 August 1897
-
Programme:
Sapphonia, National Library of Australia, 21 August 1897
-
Programme:
Sapphonia, National Library of Australia, 23 October 1897
-
Programme:
Say it with Stars, National Library of Australia, 16 August 1957
-
Programme:
Say it with stars, National Library of Australia, 29 May 1957
-
Programme:
School for Scandal, John Andrew & Co., Sydney, National Library of Australia, 2 September 1896
-
Programme:
Scrapbook, National Library of Australia, 15 December 1947
-
Programme:
Secret Service, John Andrew & Co., Sydney, National Library of Australia, 1899
-
Programme:
Show Boat, National Library of Australia, 22 March 1963
-
Programme:
Sinbad the Sailor, National Library of Australia, 23 December 1955
-
Programme:
Sit Back and Laugh, National Library of Australia, 24 November 1947
-
Programme:
Sky High, National Library of Australia, 10 March 1933
-
Programme:
Snapshots, National Library of Australia, January 1948
-
Programme:
Snow White and the Seven Dwarfs, National Library of Australia, 29 December 1960
-
Programme:
Snow White [and] Fun Fair [and] Peter and the Wolf, National Library of Australia, 26 December 1961
-
Programme:
Song of Australia: A unique musical extravaganza starring Dame Edna, National Library of Australia, 9 February 1983
-
Programme:
Sons of fun, National Library of Australia, 17 April 1942
-
Programme:
Sons of Fun, National Library of Australia, 9 March 1942
-
Programme:
Souvenir Programme of Complimentary Benefit for Mr George Rignold, National Library of Australia, 10 September 1895
-
Programme:
Spice and Ice, National Library of Australia, 18 February 1956
-
Programme:
Spice and Ice, National Library of Australia, June 1956
-
Programme:
Spice of Life, National Library of Australia, 29 January 1940
-
Programme:
Spice of Paris, National Library of Australia, 5 May 1933
-
Programme:
Starlight Rendezvous, National Library of Australia, 5 November 1954
-
Programme:
Starlight Roof, National Library of Australia, 23 June 1959
-
Programme:
Starlight Roof, National Library of Australia, 24 August 1959
-
Programme:
Starnight Revue '62, National Library of Australia, 16 April 1962
-
Programme:
Starnight Revue '62, National Library of Australia, 24 September 1962
-
Programme:
Starnight Revue '62, National Library of Australia, 26 October 1962
-
Programme:
Starry Nights, National Library of Australia, 11 November 1954
-
Programme:
Starry Nights, National Library of Australia, 19 May 1949
-
Programme:
Starry Nights, National Library of Australia, 2 May 1949
-
Programme:
Starry Nights, National Library of Australia, 7 February 1949
-
Programme:
Stars and Garters, National Library of Australia, 29 July 1946
-
Programme:
Stars and Garters, National Library of Australia, 3 May 1947
-
Programme:
Stars are Here / Cinderella, National Library of Australia, 27 December 1937
-
Programme:
State Performance by Royal Command in honour of the Coronation of King George the Fifth and Queen Mary, National Library of Australia, 26 June 1911
-
Programme:
Stop the World - I want to get off, National Library of Australia, 13 May 1964
-
Programme:
Stop the World - I want to get off, National Library of Australia, 7 February 1964
-
Programme:
Strike a New Note, National Library of Australia, 27 August 1945
-
Programme:
Strip for Action, National Library of Australia, 19 April 1943
-
Programme:
Strip for Action, National Library of Australia, 8 March 1943
-
Programme:
Struck Oil / The Chinese Question, Sydney, National Library of Australia, 5 September 1893
-
Programme:
Sugar and Spice, National Library of Australia, 19 May 1958
-
Programme:
Sunbeam Frolics, National Library of Australia, 27 February 1933
-
Programme:
Sunny Smiles, Andersons' Printing & Publishing Co. Pty. Ltd., 63 City Rd., South Melb., National Library of Australia, 27 January 1933
-
Programme:
Sweet Nancy / A Bit of Old Chelsea, John Andrew & Co., Sydney, National Library of Australia, 30 July 1898
-
Programme:
Swing it, National Library of Australia, 31 October 1938
-
Programme:
Swing it, National Library of Australia, 8 December 1938
-
Programme:
T. Lorimer who is Walking the World, National Library of Australia, 1907
-
Programme:
Tails up, National Library of Australia, 15 September 1919
-
Programme:
Take a Bow, National Library of Australia, 16 April 1949
-
Programme:
Take a Bow, National Library of Australia, 4 August 1948
-
Programme:
Take It From Me, National Library of Australia, 2 September 1953
-
Programme:
Talk of the Town, National Library of Australia, 9 September 1949
-
Programme:
Tannhauser, National Library of Australia, 14 January 1901
-
Programme:
Target for Delight, National Library of Australia, 12 April 1943
-
Programme:
Target for Delight, National Library of Australia, 31 May 1943
-
Programme:
Tatty Hollow Programme, National Library of Australia
-
Programme:
Tears Before Bedtime, National Library of Australia, 1985
-
Programme:
Th Conservatory [and] The Sisters' Gee-up, National Library of Australia, 4 August 1894
-
Programme:
The Aesthetics, National Library of Australia, 13 February 1897
-
Programme:
The Alhambra Girl, National Library of Australia, 1 April 1902
-
Programme:
The Babes in the Wood, National Library of Australia, December 1949
-
Programme:
The Barber of Seville, National Library of Australia, 9 March 1892
-
Programme:
The Belle of New York, John Andrew & Co., Sydney, National Library of Australia, May 1899
-
Programme:
The Big Fun Show of 1939, National Library of Australia, 16 January 1939
-
Programme:
The Black and White Minstrel Show, National Library of Australia, 5 October 1962
-
Programme:
The Black and White Minstrel Show, National Library of Australia, 9 November 1963
-
Programme:
The Bondman, National Library of Australia, 31 July 1909
-
Programme:
The Breaking of the Drought, National Library of Australia, 26 December 1902
-
Programme:
The Carnival, National Library of Australia, 14 December 1901
-
Programme:
The Carnival, National Library of Australia, 4 January 1902
-
Programme:
The Casino Girl, John Andrew and Co., Sydney, National Library of Australia, July 1901
-
Programme:
The Demon Barber, 10 December 1959
-
Programme:
The Double Event: , National Library of Australia, 2 August 1893
-
Programme:
The Famous Mills Bros, National Library of Australia, 2 October 1939
-
Programme:
The Famous Mills Brothers, National Library of Australia, 16 November 1939
-
Programme:
The Film Girl, National Library of Australia, 24 January 193
-
Programme:
The Fishing Village, National Library of Australia, 28 August 1909
-
Programme:
The Forty Thieves, John Andrew & Co., Sydney, National Library of Australia
-
Programme:
The Forty Thieves, John Andrew & Co., Sydney, National Library of Australia
-
Programme:
The Gay Nineties, National Library of Australia, 13 May 1946
-
Programme:
The Geisha, National Library of Australia, 1 March 1899
-
Programme:
The Gink from Georgia / Happy Ideas, National Library of Australia, 12 May 1933
-
Programme:
The Golden Days Revue, National Library of Australia, 21 February 1962
-
Programme:
The Golden Days Revue, National Library of Australia, 7 December 1961
-
Programme:
The Good Old Days, National Library of Australia, 2 February 1957
-
Programme:
The Good Old Days, National Library of Australia, 20 November 1956
-
Programme:
The Happy Life, National Library of Australia, 2 April 1900
-
Programme:
The Harbor Lights, John Andrew :& Co., Sydney, National Library of Australia
-
Programme:
The Honeymoon / Grimshaw, Bagshaw, & Bradshaw, The "Herald" Office, Bourke St., Melbourne, National Library of Australia, 7 August 1860
-
Programme:
The Honeymoon Girl, National Library of Australia, April 1933
-
Programme:
The House That Jack Built, National Library of Australia, 1 January 1895
-
Programme:
The Irishman, Matthews & Co., Sydney, National Library of Australia, April 1900
-
Programme:
The Jimmy Edwards Show, National Library of Australia, 1 March 1966
-
Programme:
The Jimmy Edwards Show, National Library of Australia, 4 February 1966
-
Programme:
The John Betjeman Centenary Gala, National Library of Australia
-
Programme:
The King and I, National Library of Australia, 17 July 1963
-
Programme:
The King and I, National Library of Australia, 17 July 1963
-
Programme:
The King's Musketeer, John Andrew & Co, Sydney, National Library of Australia, 29 July 1899
-
Programme:
The Last Night of the Poms, National Library of Australia
-
Programme:
The Laugh Round-up, National Library of Australia, 27 March 1939
-
Programme:
The Laughter Express, National Library of Australia, 6 February 1942
-
Programme:
The Life and Death of Sandy Stone, National Library of Australia, 11 November 1990
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Programme:
The Love Racket, National Library of Australia, 24 December 1949
-
Programme:
The Love Racket, National Library of Australia, 9 May 1950
-
Programme:
The Man from Mexico, National Library of Australia, 11 June 1906
-
Programme:
The Man From Mukinupin Programme, National Library of Australia
-
Programme:
The Man From Mukinupin Programme, National Library of Australia
-
Programme:
The Man From Mukinupin, National Library of Australia
-
Programme:
The Man From Mukinupin, National Library of Australia
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Programme:
The Man from Toronto, National Library of Australia, 18 September 1920
-
Programme:
The Manxman, John Anderson & Co., Sydney, National Library of Australia, 5 March 1898
-
Programme:
The Max Bygraves [Variety] Show, National Library of Australia, 1 June 1965
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Programme:
The Merchant of Venice, National Library of Australia, 14 May 1955
-
Programme:
The Merry Widow, National Library of Australia, 10 October 1960
-
Programme:
The Merry Widow, National Library of Australia, 16 July 1960
-
Programme:
The Midnight Frolics of 1952, National Library of Australia, 16 February 1952
-
Programme:
The Mikado, National Library of Australia, 6 May 1953
-
Programme:
The Mirth of a Nation, National Library of Australia, 18 May 1942
-
Programme:
The Mirth of a Nation, National Library of Australia, 29 June 1949
-
Programme:
The Music Man, National Library of Australia, 13 December 1960
-
Programme:
The Naughty Nineties, National Library of Australia, 21 November 1940
-
Programme:
The New Midnight Frolics, National Library of Australia, 14 February 1950
-
Programme:
The Officers' Mess, National Library of Australia, 19 July 1919
-
Programme:
The Officers' Mess, National Library of Australia, 23 August 1919
-
Programme:
The Officers' Mess, National Library of Australia, 5 July 1919
-
Programme:
The Officers' Mess, National Library of Australia, 7 June 1919
-
Programme:
The Old Tote Theatre Company, The Chapel Perilous , National Library of Australia
-
Programme:
The Old Tote Theatre Company, The Old Tote: Australian Plays - 1968, National Library of Australia
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Programme:
The Only Way, Evening News, National Library of Australia, 23 December 1899, 9
-
Programme:
The Only Way, Matthews and Co., Sydney, National Library of Australia, 23 December 1899
-
Programme:
The Only Way, National Library of Australia, 23 December 1899
-
Programme:
The Pick of the World, National Library of Australia, 7 April 1938
-
Programme:
The Power and the Glory, Matthews & Co., Sydney, National Library of Australia, 23 December 1899
-
Programme:
The Power and the Glory, Matthews & Co., Sydney, National Library of Australia, 23 December 1899
-
Programme:
The Power and the Glory, National Library of Australia, 23 December 1899
-
Programme:
The Professor's Love Story, National Library of Australia, 18 January 1902
-
Programme:
The Queen's Colours, National Library of Australia, 23 March 1898
-
Programme:
The Radio round up, National Library of Australia, 15 April 1941
-
Programme:
The Romany, National Library of Australia, 23 September 1905
-
Programme:
The Romany, National Library of Australia, 29 July 1905
-
Programme:
The Romany, National Library of Australia, 3 November 1906
-
Programme:
The Romany, National Library of Australia, 8 September 1906
-
Programme:
The Rose of Persia, John Andrew & Co., Sydney, National Library of Australia, 1900
-
Programme:
The Scarlet Feather, National Library of Australia, 23 February 1901
-
Programme:
The Second Big Crazy Show, National Library of Australia, 10 March 1941
-
Programme:
The Second In Command, National Library of Australia, 6 July 1901
-
Programme:
The Secret Policeman's Other Ball, National Library of Australia
-
Programme:
The Sign of the Cross, John Andrews & Co., Sydney, National Library of Australia, 1897
-
Programme:
The Sign of the Cross, National Library of Australia, 3 May 1899
-
Programme:
The Silver King, National Library of Australia, April 1898
-
Programme:
The Sky's the Limit, National Library of Australia, 12 February 1945
-
Programme:
The Sophie Tucker Show, National Library of Australia, 20 July 1962
-
Programme:
The Sophie Tucker Show, National Library of Australia, 26 June 1962
-
Programme:
The Sophie Tucker Show, National Library of Australia, 27 June 1962
-
Programme:
The Sound of Music, National Library of Australia, 28 September 1962
-
Programme:
The Spice of Life, National Library of Australia, 23 December 1933
-
Programme:
The Stanley Holloway Show, National Library of Australia, 6 July 1949
-
Programme:
The Stardusters, National Library of Australia, 11 August 1947
-
Programme:
The Stardusters, National Library of Australia, 12 July 1947
-
Programme:
The Stardusters, National Library of Australia, 6 October 1947
-
Programme:
The Student Prince, National Library of Australia, 21 March 1961
-
Programme:
The Student Prince, National Library of Australia, 5 May 1961
-
Programme:
The Talk of the Town, National Library of Australia, 1 July 1937
-
Programme:
The Talk of the Town, National Library of Australia, 16 December 1959
-
Programme:
The Talk of the Town, National Library of Australia, 2 August 1949
-
Programme:
The Talk of the Town, National Library of Australia, 24 May 1937
-
Programme:
The Taming of the Shrew, National Library of Australia, 24 May 1955
-
Programme:
The Terror of Paris [and] A Yorkshire Lass, National Library of Australia, 2 April 1898
-
Programme:
The Time of Your Life, National Library of Australia, 29 July 1940
-
Programme:
The Tommy Steele Show, National Library of Australia, 22 April 1960
-
Programme:
The Tommy Trinder Show, National Library of Australia, 1 October 1953
-
Programme:
The Tommy Trinder Show, National Library of Australia, 16 February 1954
-
Programme:
The Tommy Trinder Show, National Library of Australia, 26 June 1952
-
Programme:
The Tommy Trinder Show, National Library of Australia, 27 August 1953
-
Programme:
The Tourist Trade, National Library of Australia, 14 July 1950
-
Programme:
The Tourist Trade, National Library of Australia, 20 February 1951
-
Programme:
The Tourist Trade, National Library of Australia, 23 June 1952
-
Programme:
The Tragedy of King Richard III, National Library of Australia, 2 July 1948
-
Programme:
The Tragedy of Macbeth, National Library of Australia, 12 December 1949
-
Programme:
The Two Orphans, Sydney, National Library of Australia, 21 November 1894
-
Programme:
The White Sheep Of the Family, National Library of Australia, 13 March 1953
-
Programme:
The White Squadron, National Library of Australia, April 1898
-
Programme:
The Windmill Revue, National Library of Australia, 4 November 1965
-
Programme:
The Wizard of Oz, National Library of Australia, 26 December 1963
-
Programme:
The Wizard of Oz, National Library of Australia, 26 December 1964
-
Programme:
The Work Girl, National Library of Australia, 25 February 1899
-
Programme:
The World Against Her, Sydney, National Library of Australia, 17 August 1895
-
Programme:
The World's Entertainers, National Library of Australia, 15 February 1902
-
Programme:
The Yellow Peril, National Library of Australia, 5 October 1890
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Programme:
The Ziegfeld Follies, National Library of Australia, 18 July 1960
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Programme:
The Ziegfeld Follies, National Library of Australia, 6 October 1960
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Programme:
Three Cheers for the Red White and Blue, National Library of Australia, 27 May 1937
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Programme:
Time-Please, National Library of Australia, 6 July 1918
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Programme:
Tivoli Follies of 1915-16, National Library of Australia, 5 February 1916
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Programme:
Tivoli Follies, National Library of Australia, 16 December 1916
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Programme:
Tivoli Follies, National Library of Australia, 30 December 1916
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Programme:
To Dorothy, a Son, National Library of Australia, 26 February 1952
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Programme:
Tommy Steele in Person, National Library of Australia, 12 February 1960
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Programme:
Tommy Steele in Person, National Library of Australia, 22 April 1960
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Programme:
Tommy Trinder by Request, National Library of Australia, 17 November 1952
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Programme:
Toot Aussie / Happy Ideas, National Library of Australia, 28 July 1933
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Programme:
Top of the World, National Library of Australia, 2 June 1947
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Programme:
Top of the World, National Library of Australia, 21 July 1947
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Programme:
Treasure Island, National Library of Australia, 18 December 1967
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Programme:
Trilby, John Arnold & Co., Sydney, National Library of Australia, May 1896
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Programme:
Trilby, Matthews & Co., Sydney, National Library of Australia, 24 February 1900
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Programme:
Tropical Holiday, National Library of Australia, 1 May 1959
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Programme:
Tropical Holiday, National Library of Australia, 20 February 1959
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Programme:
Two Little Vagabonds, John Andrew & Co., Sydney, National Library of Australia, 23 October 1897
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Programme:
Under the Red Robe, John Arnold & Co., Sydney, National Library of Australia, 29 October 1898
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Programme:
Vanities [and] The Great Levante in Hey Presto, National Library of Australia, 12 October 1942
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Programme:
Variety Cavalcade, National Library of Australia, 5 September 1949
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Programme:
Variety Extravaganza [with] New Cavalcade of Celebrities, National Library of Australia, 25 January 1939
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Programme:
Variety on Parade, National Library of Australia, 3 May 1948
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Programme:
Variety Show Boat, National Library of Australia, 18 July 1938
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Programme:
Variety Show Boat, National Library of Australia, 25 August 1938
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Programme:
Variety's Honour Performance, National Library of Australia, 12 November 1942
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Programme:
Variety's Honour Performance, National Library of Australia, 12 November 1942
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Programme:
Virginius, John Andrew & Co., Sydney, National Library of Australia
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Programme:
Virginius, John Andrew & Co., Sydney, National Library of Australia, 19 May 1898
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Programme:
Vive-La-Venus, National Library of Australia, 25 May 1948
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Programme:
Vive-La-Venus, National Library of Australia, 5 April 1948
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Programme:
Vogues of Variety, National Library of Australia, 4 December 1940
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Programme:
We're in the Navy Now, National Library of Australia, 24 November 1941
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Programme:
West Side Story, National Library of Australia, 9 February 1961
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Programme:
Where's Charley?, National Library of Australia, 4 May 1950
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Programme:
Who Stole My Closet?: Programs and Related Material Collected by the National Library of Australia, National Library of Australia
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Programme:
Why be Serious, National Library of Australia, 22 August 1939
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Programme:
Why be Serious, National Library of Australia, 29 September 1939
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Programme:
Why Smith Left Home, National Library of Australia, 29 March 1901
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Programme:
Windmill Revue, National Library of Australia, 24 July 1965
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Programme:
Winifred Atwell, National Library of Australia, 14 May 1955
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Programme:
Winifred Atwell, National Library of Australia, 1955
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Programme:
Winifred Atwell, National Library of Australia, 5 February 1955
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Programme:
Wonder Show of World Stars, National Library of Australia, 24 January 1938
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Programme:
Wonder show of world stars, National Library of Australia, 3 March 1938
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Programme:
Work and Wages, National Library of Australia, January 1898
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Programme:
World-Star Vaudeville, National Library of Australia, 10 December 1921
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Programme:
World-Star Vaudeville, National Library of Australia, 12 November 1921
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Programme:
Would You Believe It?, National Library of Australia, 16 October 1944
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Programme:
Would You Believe It?, National Library of Australia, 26 May 1941
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Programme:
Would You Believe It?, National Library of Australia, 4 September 1944
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Programme:
Xmas Extravaganza with New Calvalcade of Celebrities, National Library of Australia, 5 December 1938
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Programme:
Yellzapoppin, National Library of Australia, 13 February 1962
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Programme:
Yellzapoppin, National Library of Australia, 29 July 1961
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Programme:
You Lucky People, National Library of Australia, 14 October 1946
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Programme:
You Lucky People, National Library of Australia, 9 December 1946
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Programme:
You'll be surprised, National Library of Australia, 13 April 1942
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Programme:
You'll be surprised, National Library of Australia, 15 July 1942
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Programme:
You'll be surprised, National Library of Australia, 6 September 1943
-
Programme:
You'll be surprised: a crazy vaudeville review, National Library of Australia, 22 May 1942
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Programme:
Young Bloods of Variety, National Library of Australia, 20 February 1939
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Programme:
Youth, National Library of Australia, 25 November 1891
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Programme:
Zip goes a million, National Library of Australia, 17 April 1954
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Programme:
Zip Goes a Million, National Library of Australia, 30 October 1954
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Programme:
[Souvenir of] Othello and The Merry Wives of Windsor, National Library of Australia, 1899
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Projection:
UNVEILING OF POINT McLEAY MEMORIAL TO CAPTAIN STURT, Adelaide Observer, National Library of Australia, 23 October 1930, 32
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Report:
Amusements , The Journal (Adelaide, SA : 1912 - 1923), National Library of Australia, 13 April 1917, 2
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Report:
Amusements, The Register, National Library of Australia, 17 April 1915, 3
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Report:
Amusements, The Register, National Library of Australia, 18 April 1917, 8
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Report:
Amusements, The Register, National Library of Australia, 24 February 1915, 3
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Report:
Scenes, Tharunka, National Library of Australia, 27 February 1996, 24
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Review:
"Black Velvet" On Wednesday, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 22 May 1941, 12
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Review:
"London Tit-Bits" (Majestic), News (Adelaide, SA : 1923 - 1954), National Library of Australia, 10 October 1940, 12
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Review:
"MOONLITE" PRIVATE VIEW, The Sun (NSW), National Library of Australia, 31 December 1910, 5
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Review:
"Radio Revels" (Majestic), News (Adelaide, SA : 1923 - 1954), National Library of Australia, 8 August 1940, 11
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Review:
"Rebecca" Makes Good Play, Weekly Times (Melbourne, Vic. : 1869 - 1954), National Library of Australia, 11 November 1942, 18
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Review:
"The Hasty Heart" staged by Repertory Club at Theatrette, Barrier Miner, National Library of Australia, 29 September 1947, 2
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Review:
"Time of Your Life" (Majestic), News (Adelaide, SA : 1923 - 1954), National Library of Australia, 31 October 1940, 10
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Review:
"Yes, My Darling Daughter" Staged by Repertory Scty., Barrier Miner, National Library of Australia, 22 October 1946, 7
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Review:
'Chapel' Bold and Stunning, National Library of Australia
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Review:
Adelaide Repertory Theatre, The Advertiser, National Library of Australia, 18 May 1922, 10
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Review:
Alexandra Theatre. "The Trapper", The Argus, National Library of Australia, 22 June 1891, 6
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Review:
Alexandra Theatre. Opening Night, The Argus, National Library of Australia, 2 October 1886, 10
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Review:
Amusemensts, The Register, National Library of Australia, 12 August 1918, 7
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Review:
Amusements - Theatre Royal, The Advertiser, National Library of Australia, 21 October 1901, 7
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Review:
Amusements, The Register, National Library of Australia, 19 April 1917, 9
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Review:
Amusements, The Register, National Library of Australia, 20 April 1917, 9
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Review:
Amusements. Theatre Royal, The Advertiser, National Library of Australia, 15 February 1897, 5
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Review:
Amusing Comedy at the Arrow, The Age, National Library of Australia, 15 June 1954, 5
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Review:
Anniversary of the Colony, The Maitland Mercury, National Library of Australia, 28 January 1846, 2
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Review:
Are Actors Puppets?, Sydney Morning Herald, National Library of Australia, 10 April 1948, 5
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Review:
Arsenic and Old Lace, The Argus (Melbourne, Vic. : 1848 - 1957), National Library of Australia, 8 March 1943, 9
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Review:
As You Like It for the French Red Cross: The Eternal Feminine, The Mail, National Library of Australia, Saturday 5 May 1917, 5 May 1917, 12
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Review:
At The Play, Critic, National Library of Australia, 1 May 1918, 10
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Review:
At The Play, Critic, National Library of Australia, 10 April 1912, 12
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Review:
At The Play, Critic, National Library of Australia, 11 April 1917, 8
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Review:
At The Play, Critic, National Library of Australia, 13 May 1914, 10
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Review:
At The Play, Critic, National Library of Australia, 14 April 1915, 8
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Review:
At The Play, Critic, National Library of Australia, 14 April 1915, 8
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Review:
At The Play, Critic, National Library of Australia, 14 September 1910, 10
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Review:
At The Play, Critic, National Library of Australia, 15 December 1920, 20
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Review:
At The Play, Critic, National Library of Australia, 15 October 1919, 10
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Review:
At The Play, Critic, National Library of Australia, 16 September 1914, 16
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Review:
At The Play, Critic, National Library of Australia, 17 August 1910, 12
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Review:
At The Play, Critic, National Library of Australia, 18 April 1917, 8
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Review:
At The Play, Critic, National Library of Australia, 18 April 1917, 8
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Review:
At The Play, Critic, National Library of Australia, 2 September 1914, 12
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Review:
At The Play, Critic, National Library of Australia, 22 October 1919, 10
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Review:
At The Play, Critic, National Library of Australia, 24 April 1918, 10
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Review:
At The Play, Critic, National Library of Australia, 25 April 1917, 8
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Review:
At The Play, Critic, National Library of Australia, 25 April 1917, 8
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Review:
At The Play, Critic, National Library of Australia, 27 March 1918, 16
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Review:
At The Play, Critic, National Library of Australia, 28 September 1910, 12
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Review:
At The Play, Critic, National Library of Australia, 30 April 1919, 10
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Review:
At The Play, Critic, National Library of Australia, 5 March 1913, 18
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Review:
At The Play, Critic, National Library of Australia, 7 April 1915, 8
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Review:
At The Play, Critic, National Library of Australia, 7 April 1915, 8
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Review:
At The Play, Critic, National Library of Australia, 8 March 1916, 10
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Review:
At The Play, Critic, National Library of Australia, 8 October 1919, 10
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Review:
At The Play, Critic, National Library of Australia, 8 October 1919, 10
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Review:
At the Play, Critic, National Library of Australia, 9 March 1910, 12
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Review:
At the Theatre Royal, The Advertiser, National Library of Australia, 29 July 1929, 7
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Review:
At The Theatre, Critic, National Library of Australia, 9 September 1914, 14
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Review:
Bijou Theatre. Diplomacy, The Argus, National Library of Australia, 14 April 1890, 7
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Review:
Deft Comedy at Royal, Sydney Morning Herald, National Library of Australia, 2 September 1949, 4
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Review:
Dorothy Hewett's new look at politics, National Library of Australia
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Review:
Dr. Carver's Wild America, Sydney Morning Herald, National Library of Australia, 7 February 1891, 5
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Review:
Drama, The Sydney Gazette and New South Wales Advertiser, National Library of Australia, 29 December 1836, 2
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Review:
Entertainments. The Theatres., The Australasian, National Library of Australia, 29 May 1886, 27
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Review:
Enthusiasm at II Trovatore, The Age, National Library of Australia, 15 October 1948, 2
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Review:
Excellent Production by Local Authoress, National Library of Australia, 11 January 1967
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Review:
F.F.F. Bright Australian Musical Comedy, The Advertiser, National Library of Australia, 30 August 1920, 8
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Review:
Family Comedy In It's Simplest Form, The Argus, National Library of Australia, 16 May 1949, 2
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Review:
Fly Away Peter Amusing Comedy, The Advertiser, National Library of Australia, 11 August 1949, 3
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Review:
Frank Murphy, Dial M for Murder, The Advocate, National Library of Australia, 7 May 1953, 18
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Review:
Frank Murphy, Petticoat Fever, The Advocate, National Library of Australia, 21 October 1954, 21
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Review:
Frank Murphy, Present Laughter, The Advocate, National Library of Australia, 15 January 1953, 18
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Review:
Frank Murphy, September Tide, The Advocate, National Library of Australia, 17 May 1951, 18
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Review:
Frank Murphy, The Barber of Seville, The Advocate, National Library of Australia, 13 October 1949, 18
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Review:
Frank Murphy, The Girl Who Couldn't Quite, The Advocate, National Library of Australia, 20 April 1950, 18
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Review:
Frank Thring, Thrings and arrows - but he LIKED it!, The Argus, National Library of Australia, 11 January 1955, 3
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Review:
Gales of laughter seemed farcial, The Herald, National Library of Australia, 2 September 1953, 7
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Review:
Good acting by players in Repertory, Barrier Miner, National Library of Australia, 19 April 1948, 3
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Review:
Googie makes a hit, The Argus, National Library of Australia, 16 April 1955, 12
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Review:
Grim Play at Independent, Sydney Morning Herald, National Library of Australia, 14 May 1948, 2
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Review:
H. A. Standish, Hypnotic fun with Franquin, The Herald, National Library of Australia, 6 July 1954, 12
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Review:
Healo. A Wonderful Success, The Advertiser, National Library of Australia, 26 May 1924, 14
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Review:
Healo. Smart Musical Comedy, The Advertiser, National Library of Australia, 6 December 1926, 12
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Review:
Hewett play scores in Adelaide, National Library of Australia
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Review:
Housemaster. Fine Acting In Minerva Comedy, Sydney Morning Herald, National Library of Australia, 8 March 1940, 11
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Review:
Independent Stages Merry Wives, Sydney Morning Herald, National Library of Australia, 19 March 1949, 5
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Review:
John Charles Thomas Enthusiastically Received, The Age, National Library of Australia, 19 May 1947, 4
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Review:
John Sinclair, Erna Sack improves on debut concert, The Herald, National Library of Australia, 22 June 1953, 5
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Review:
Katharine Brisbane, Perilous Production, National Library of Australia, 25 October 1974
-
Review:
Keith Thomas, Loss at the Tote, Nation, National Library of Australia, 11 May 1968
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Review:
Kiwis in Bright Revue, The Age, National Library of Australia, 20 October 1952, 2
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Review:
La Boheme, The Mail, National Library of Australia, 21 April 1917, 10
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Review:
Lecture by Mr White, The Maitland Mercury, National Library of Australia, 30 May 1846, 1
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Review:
Lecture by Mr White, The Maitland Mercury, National Library of Australia, 7 March 1846, 4
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Review:
Lively Satire in New Bryant's Play, Sydney Morning Herald, National Library of Australia, 29 April 1946, 5
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Review:
Miklos Gafni Recital Glowing Vocal Quality, The Age, National Library of Australia, 11 August 1947, 4
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Review:
Musical Party - St. Patrick's Day, The Maitland Mercury, National Library of Australia, 20 March 1850, 2
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Review:
Ned Kelly is Fine Drama, The Argus, National Library of Australia, 2 October 1944, 7
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Review:
New play at R. Town Theatre, Barrier Miner, National Library of Australia, 1 September 1947, 8
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Review:
New Theatre, The South Australian Register, National Library of Australia, 27 December 1850, 3
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Review:
Norman Kessell, Redfern Was Never Thus, National Library of Australia, 20 March 1968
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Review:
Norwood Town Hall, The Advertiser, National Library of Australia, 20 March 1926, 9
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Review:
Not Much Here To Think About, The Argus, National Library of Australia, 14 February 1955, 8
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Review:
O'Neill Play is Fine Production, Sydney Morning Herald, National Library of Australia, 10 August 1948, 4
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Review:
Opera Excells in La Bohème, The Age, National Library of Australia, 6 September 1948, 2
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Review:
Outward Bound. Remarkable Play at Theatre Royal, The Advertiser, National Library of Australia, 23 July 1928, 17
-
Review:
Popular Fare at the Tivoli, The Age, National Library of Australia, 27 April 1951, 9
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Review:
Princess's Theatre. The Old Guard., The Argus, National Library of Australia, 13 April 1891, 7
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Review:
Princess'sTheatre. The Flying Dutchman., The Argus, National Library of Australia, 30 April 1901, 7
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Review:
Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 12 May 1841, 3
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Review:
Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 4 August 1841, 3
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Review:
Queen's Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 4 August 1841, 3
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Review:
Rattigan Play Presented. Gay Reproduction, Sydney Morning Herald, National Library of Australia, 25 September 1947, 7
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Review:
Repertory Society in "Middle Watch", Barrier Miner, National Library of Australia, 3 September 1946, 4
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Review:
Repertory Theatre: Ibsen Play Staged, The Advertiser, National Library of Australia, 23 October 1930, 10
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Review:
Rewading Language, characterisation, National Library of Australia, 15 July 1994
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Review:
Royal Victoria Theatre, Adelaide Times, National Library of Australia, 3 February 1851, 3
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Review:
Royal Victoria Theatre, Adelaide Times, National Library of Australia, 4 January 1851, 3
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Review:
Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 1 February 1851, 3
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Review:
Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 1 March 1851, 3
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Review:
Royal Victoria Theatre, The South Australian Register, National Library of Australia, 20 August 1852, 2
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Review:
Royal Victoria Theatre, The South Australian Register, National Library of Australia, 30 March 1852, 3
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Review:
See How They Run At Minerva, Sydney Morning Herald, National Library of Australia, 30 August 1949, 2
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Review:
Separate Rooms, The Advocate, National Library of Australia, 11 August 1949, 18
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Review:
Shakespeare at Royal Lively Fun, Sydney Morning Herald, National Library of Australia, 18 March 1949, 7
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Review:
Sparking Revival of Sally, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 9 June 1942, 3
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Review:
St. Patrick's Day, The Maitland Mercury, National Library of Australia, 18 March 1848, 2
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Review:
Stimulating Play at Minerva, Sydney Morning Herald, National Library of Australia, 23 March 1948, 6
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Review:
Straining at Shakespeare, Sydney Morning Herald, National Library of Australia, 12 August 1946, 5
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Review:
Tatty had a String of Lovers, National Library of Australia, 13 April 1976
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Review:
The Age, No No Nanette is Charming, The Age, National Library of Australia, 5 May 1947, 4
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Review:
The Age, Successful Recital by Todd Duncan, The Age, National Library of Australia, 10 June 1946, 4
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Review:
The Amazing Dr. Clitterhouse, The Advocate, National Library of Australia, 10 January 1945, 20
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Review:
The Desert Song Revival at Theatre Royal, The Advertiser (Adelaide, SA : 1931 - 1954), National Library of Australia, 6 May 1938, 18
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Review:
The Fancy Bazaar, The Maitland Mercury, National Library of Australia, 31 July 1856, 2
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Review:
The New Theatre, Adelaide Observer, National Library of Australia, 11 January 1851, 4
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Review:
The New Theatre, Adelaide Observer, National Library of Australia, 11 January 1851, 4
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Review:
The New Theatre, The South Australian Register, National Library of Australia, 3 January 1851, 3
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Review:
The New Theatre, The South Australian Register, National Library of Australia, 7 January 1851, 3
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Review:
The Pantomimes, The Argus, National Library of Australia, 22 December 1874
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Review:
The Piddington Show, The Advocate, National Library of Australia, 12 April 1951, 18
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Review:
The Royal Victoria Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 8 May 1851, 3
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Review:
The Royal Victoria Theatre, The South Australian Register, National Library of Australia, 13 July 1852, 3
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Review:
The Tales of Hoffmann, Daily Herald, National Library of Australia, 20 October 1919, 7
-
Review:
The Tempest. Independent Theatre Production., Sydney Morning Herald, National Library of Australia, 11 July 1940, 3
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Review:
The Tempest. Vivid Settings. Savoy Theatre Production, Sydney Morning Herald, National Library of Australia, 23 May 1935, 12
-
Review:
The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 17 March 1841, 3
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Review:
The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 17 March 1841, 3
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Review:
The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 20 January 1841, 3
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Review:
The Theatre, Adelaide Chronicle and South Australian Literary Record, National Library of Australia, 21 April 1841, 3
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Review:
The Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 11 November 1841, 2
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Review:
The Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 21 October 1841, 2
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Review:
The Theatre, Adelaide Independent and Cabinet of Amusement (SA : 1841), National Library of Australia, 4 November 1841, 2
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 12 July 1851, 4
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 15 November 1851, 5
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 19 April 1851, 5
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 26 July 1851, 4
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 28 December 1850, 3
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 28 June 1851, 4
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Review:
The Theatre, Adelaide Observer, National Library of Australia, 4 January 1851, 4
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Review:
The Theatre, Adelaide Times, National Library of Australia, 16 April 1851, 3
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Review:
The Theatre, Adelaide Times, National Library of Australia, 22 February 1851, 5
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Review:
The Theatre, Adelaide Times, National Library of Australia, 22 July 1851, 3
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Review:
The Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 15 March 1851, 3
-
Review:
The Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 19 April 1851, 3
-
Review:
The Theatre, South Australian Gazette and Mining Journal (Adelaide, SA :, National Library of Australia, 25 January 1851, 3
-
Review:
The Theatre, The Hobart Town Courier, National Library of Australia, 17 January 1834, 4
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Review:
The Theatre, The South Australian Register, National Library of Australia, 12 April 1851, 2
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Review:
The Theatre, The South Australian Register, National Library of Australia, 13 May 1851, 3
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Review:
The Theatre, The South Australian Register, National Library of Australia, 15 May 1841, 3
-
Review:
The Theatre, The South Australian Register, National Library of Australia, 15 October 1851, 2
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Review:
The Theatre, The South Australian Register, National Library of Australia, 2 June 1851, 3
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Review:
The Theatre, The South Australian Register, National Library of Australia, 2 September 1851, 3
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Review:
The Theatre, The South Australian Register, National Library of Australia, 20 March 1841, 3
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Review:
The Theatre, The South Australian Register, National Library of Australia, 21 February 1851, 3
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Review:
The Theatre, The South Australian Register, National Library of Australia, 21 March 1851, 2
-
Review:
The Theatre, The South Australian Register, National Library of Australia, 21 March 1851, 2
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Review:
The Theatre, The South Australian Register, National Library of Australia, 24 December 1850, 3
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Review:
The Theatres. The Haymarket Theatre, The Argus, National Library of Australia, 28 September 1863, 5
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Review:
Theatre, Adelaide Times, National Library of Australia, 12 April 1851, 5
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Review:
Theatre, Adelaide Times, National Library of Australia, 3 May 1851, 6
-
Review:
Theatricals, Launceston Advertiser (Tas. : 1829 - 1846), National Library of Australia, 20 November 1834, 3
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Review:
Tivoli - "You'll be Suprised", The Age (Melbourne, Vic. : 1854 - 1954), National Library of Australia, 7 September 1943, 4
-
Review:
Topical Revue at Royal, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 13 May 1942, 5
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Review:
Vaudaville Provides Fast, Clever Show, News (Adelaide, SA : 1923 - 1954), National Library of Australia, 18 July 1940, 3
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Review:
Victoria Theatre, South Australian (Adelaide, SA : 1844 - 1851), National Library of Australia, 19 August 1851, 3
-
Review:
Weak Casting in Melodrama, Sydney Morning Herald, National Library of Australia, 30 October 1945, 5
-
Review:
Weekend Entertainment Round-up, The Argus, National Library of Australia, 1 August 1955, 4
-
Review:
Well worth the money, National Library of Australia
-
Review:
Wild America, The Argus, National Library of Australia, 24 December 1890, 6
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Review:
Worm's Eye View Proves "Slashing", The Age, National Library of Australia, 2 October 1950, 4
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Review:
Yes, Uncle, Daily Herald, National Library of Australia, 5 April 1920, 4
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Review:
You're in Love, Sydney Morning Herald, National Library of Australia, 10 September 1917, 8
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Review:
You're in Love. Bright Musical Comedy, The Advertiser, National Library of Australia, 12 April 1920, 8
-
Review:
[Coppin in California], The Argus, National Library of Australia, 5 February 1866, 5
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Review:
[Sam Weller, or The Pickwickians], The Argus, National Library of Australia, 29 September 1863, 5
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Scrapbook:
Alan Burke, National Library of Australia, 1958
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Series:
Sorlie's Travelling Vaudeville Show, Broken Hill, 1957-1962 [photographs], National Library of Australia, 1957
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Series:
Sorlies Musical Revue: programs and related material collected by the National Library of Australia, National Library of Australia
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Ticket:
Dame Edna: the Royal Tour; "The Show that listens", National Library of Australia, 18 July 2001
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Ticket:
New Edna - the Spectacle; an Icon returns; an exploration into the nature of friendship, National Library of Australia, 1998
-
Ticket:
Souvenir of the Final Night 2nd April - The Jimmy Edwards Show, National Library of Australia, 2 April 1966
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Ticket:
The Adventures of Barry McKenzie, National Library of Australia
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Website:
National Library of Australia, Noel Tovey Finding Aid, National Library of Australia, August 2017
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